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The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for the term July 1, 2018–June 30, 2021 (with service as incoming reviews editor designate 2017–18). The Art Bulletin, published quarterly by CAA, features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. Candidates should be published authors of at least one book.

The reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s editorial director in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in the fields of art history, criticism, theory, visual studies, and museum publishing. This is a three-year term, which includes membership on the Art Bulletin Editorial Board.

The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board—held in the spring and fall by teleconference or in New York, and in February at the CAA Annual Conference—and submits an annual report to CAA’s Board of Directors. CAA may reimburse the reviews editor for travel and lodging expenses for the meetings in New York in accordance with its travel policy, but he or she pays these expenses to attend the annual conference.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, CV, and at least one letter of recommendation to: Art Bulletin Reviews Editor Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: Monday, April 3, 2017. Finalists will be interviewed on the afternoon of Friday, May 5, in New York.



Filed under: Art Bulletin, Publications, Service

CAA invites nominations and self-nominations for three individuals to serve on the Art Bulletin Editorial Board for a four-year term, July 1, 2017–June 30, 2021. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required. The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

The editorial board advises the Art Bulletin editor-in-chief and assists her or him in seeking authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; may propose new initiatives for the journal; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.

The Art Bulletin Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: April 17, 2017.



Filed under: Art Bulletin, Publications, Service

CAA invites nominations and self-nominations for one individual to serve on the Art Journal Editorial Board for a four-year term: July 1, 2017–June 30, 2021. Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals; institutional affiliation is not required. Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture.

The editorial board advises the Art Journal editor-in-chief and assists her or him in seeking authors, articles, artists’ projects, and other content for the journal; performs peer review and recommends peer reviewers; guides its editorial program and may propose new initiatives for it; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and other events in their fields.

The Art Journal Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Journal Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: April 17, 2017.



Filed under: Art Journal, Publications, Service

Art Journal Seeks Editor-in-Chief

posted by CAA


The Art Journal Editorial Board invites nominations and self-nominations for the position of editor-in-chief for the term July 1, 2018–June 30, 2021 (with service on the Art Journal Editorial Board in 2017–18 as editor designate, and in 2021–22 as past editor). Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture.

Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal. He or she solicits content, reads all submitted manuscripts, sends submissions to peer reviewers, and provides guidance to authors concerning the form and content of submissions; develops projects; makes final decisions regarding content; and may support fundraising efforts on the journal’s behalf. A candidate may be an artist, art historian, art critic, art educator, curator, or other art professional. The editor-in-chief works closely with CAA’s New York staff.

The editor-in-chief attends the three meetings each year of the Art Journal Editorial Board— held in the spring and fall by teleconference or in New York, and in February at the CAA Annual Conference—and submits an annual report to CAA’s Board of Directors. CAA may reimburse the editor for travel and lodging expenses for spring and fall New York meetings in accordance with its travel policy, but the editor pays his or her own expenses for the Annual Conference.

The position usually requires one-half of an editor’s working time. CAA provides financial compensation for course release, usually to an editor’s employer.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name. A CV, a letter of interest from the nominee, and at least one letter of recommendation must accompany each nomination. Please mail to: Art Journal Editor-in-Chief Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: April 3, 2017. Finalists will be interviewed on the afternoon of May 4, in New York.



Filed under: Art Journal, Publications, Service

Art Journal: Winter 2016 Issue

posted by CAA


Rolando del Fico, last seen in 1970s Italian gay underground comics, is resurrected in the Winter 2016 issue of Art Journal. A project by the Catalan artist Francesc Ruiz revives the irrepressible character, picaresque hero of myriad amorous adventures, in a visual tribute replete with Rolando’s thought-bubble iconography of salamis and cherubs in various states of excitement.

Other features in the issue explore little-examined aspects of more familiar bodies of work. Amy DaPonte analyzes the portraits of Turkish immigrants central to the early work of the German photographer Claudia Höfer. Liz Linden investigates the overlooked presence of the textual in the works Douglas Crimp gathered in 1977 for the watershed exhibition Pictures.

In the Reviews section, Lauren Richman reviews two exhibitions of work by the midcentury American photographer Lee Miller, along with their catalogues. The artist Liam Gillick considers a book by Dave Beech that grapples with the relation between art and capitalism in the contemporary neoliberal moment. Christa Noel Robbins assesses David J. Getsy’s book that sees the sculpture of the 1960s through the lens of transgender and “transformable” bodies. Finally, Kent Minturn reviews Pierre Leguillon’s book on the experimental typography of Jean Dubuffet—a significant compendium of the work that is also a work of art history.

CAA sends print copies of Art Journal to all institutional members and to those individuals who choose to receive the journal as a benefit of membership. The digital version at Taylor & Francis Online is currently available to all CAA individual members regardless of their print subscription choice.



In the December 2016 Art Bulletin

posted by CAA


A young Ghanaian man photographed by Paul Strand in 1963 peers intently from the cover of the December 2016 issue of The Art Bulletin. Mark Crinson’s essay analyzes the American photographer’s book Ghana as a conflicted attempt to represent postcolonial nationhood.

In other essays featured in the issue, Michalis Olympios reassesses the Renaissance art of Venetian Crete in light of local Gothic traditions and adaptations of northern European models; Susannah Rutherglen defines a genre of Venetian Renaissance painting that treats interior doors and shutters as sites of artistic innovation; Ruth S. Noyes finds that Mattheus Greuter’s engravings for Galileo’s controversial publication on sunspots argue a case too provocative to articulate in the text; and Harper Montgomery surveys the work of the Guatemalan artist and critic Carlos Mérida, a cosmopolitan who worked in the 1920s to incorporate indigenous Maya culture into the transnational production and display of modern art.

The reviews section, on the theme of “Subjects Framed and Reframed,” takes aim at early photography. It includes reviews of recent books on Eadweard Muybridge’s nudes, photographs of the abolitionist Sojourner Truth, a European commercial photographer in 1870s Yokohama, and portrait photography in the Arab world of the late nineteenth century.

CAA sends print copies of The Art Bulletin to all institutional members and to those individuals who choose to receive the journal as a benefit of membership. The digital version at Taylor & Francis Online is currently available to all CAA individual members regardless of their print subscription choice.




CAA is pleased to announce eight recipients of the annual Wyeth Foundation for American Art Publication Grant for 2016. Thanks to a generous grant from the Wyeth Foundation, these awards are given annually to publishers to support the publication of one or more book-length scholarly manuscripts in the history of American art, visual studies, and related subjects. For this grant program, “American art” is defined as art created in the United States, Canada, and Mexico.

The eight grantees for 2016 are:

  • Ella Diaz, Flying under the Radar with the Royal Chicano Air Force: Mapping a Chicano/a Art History, University of Texas Press
  • Jason Hill, Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture, University of California Press
  • Wadsworth Jarrell, AfriCOBRA: Experimental Art toward a School of Thought, Duke University Press
  • Kellie Jones, South of Pico: African American Artists in Los Angeles in the 1960s and 1970s, Duke University Press
  • Jennifer Josten, Mathias Goeritz: Modernist Art and Architecture in Cold War Mexico, Yale University Press
  • Lauren Kroiz, Cultivating Citizens: The Regional Work of Art in the New Deal Era, University of California Press
  • Tirza Latimer, Eccentric Modernism: Making Differences in the History of American Art, University of California Press
  • Jennifer Van Horn, The Power of Objects in Eighteenth-Century British America, University of North Carolina Press

Eligible for the grant are book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. Authors must be current CAA members. Please review the application guidelines for more information.




This fall, CAA awarded grants to the publishers of seven books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, CAA gives these grants to support the publication of scholarly books in art history and related fields.

The seven Meiss grantees for fall 2016 are:

  • Rebecca Brown, Displaying Time: The Many Temporalities of the Festival of India, University of Washington Press
  • Richard Emmerson, Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts, Pennsylvania State University Press
  • Michele Greet, Transatlantic Encounters: Latin American Artists in Paris between the Wars, Yale University Press
  • Sharon Hecker, A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, University of California Press
  • Katie Hornstein, Picturing War in France, 1792–1856, Yale University Press
  • Amy Neff, A Soul’s Journey into God: Art, Theology, and Devotion in a Franciscan Manuscript of the Late Duecento, Pontifical Institute of Mediaeval Studies
  • Hsueh-man Shen, Authentic Replicas: Buddhist Art in Medieval China, University of Hawai‘i Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors and presses must be current CAA members. Please review the application guidelines for more information.



New Content on Art Journal Open

posted by CAA


Art Journal Open has recently published new content. Below are the introductory sentences of an essay, an annotated bibliography, and an artist’s project.

Kate Costello

P&P

Artist Kate Costello has created a unique animation of her limited edition book, P&P, for Art Journal Open. Costello has taken P&P—which can be read as a compendium of process images (sketches, notes)—full circle by animating and translating the analogue process of paging through the book into a digital form. This project also includes an excerpt from “The Space of the Image” by curator Rita Gonzalez, and an introduction by Art Journal Open’s web editor, Gloria Sutton. Read the full article on Art Journal Open.

Penelope Vlassopoulou

no water, Athens, Greece, 2015: Twenty-four hours with nothing to eat or drink, only smelling the jasmine

Penelope Vlassopoulou began her Metamorphosis series in her home city of Athens. The series evolved in multidisciplinary dialogue with diverse urban environments including Berlin, Belgrade, and Chicago. In March 2015, Metamorphosis returned to its point of origin with no water tracing a link between Greece’s historical past and the country’s current predicament. Read the full article on Art Journal Open.

Elizabeth Mangini

Solitary/Solidary: Mario Merz’s Autonomous Artist

In 1968, while demonstrating students occupied university buildings less than a mile away, the Italian artist Mario Merz hung a handful of neon lights bent into the numerals 1, 1, 2, 3, and 5 above the kitchen stove in his home on Via Santa Giulia in Turin. It wasn’t yet an artwork, just something to think about in the place where he and his wife, fellow artist Marisa Merz, gathered to talk with each other and with friends. Read the full article on Art Journal Open.

Roger F. Malina

Art-Science: An Annotated Bibliography

We are witnessing a resurgence of creative and scholarly work that seeks to bridge science and engineering with the arts, design, and the humanities. These practices connect both the arts and sciences, hence the term art-science, and the arts and the engineering sciences and technology, hence the term “art and technology.” Read the full article on Art Journal Open.



Filed under: Art Journal, Publications

Art Journal Seeks Web Editor

posted by Christopher Howard


art-journal-fall-2016The Art Journal Editorial Board invites nominations and self-nominations for the position of web editor for the term of July 1, 2017–June 30, 2020. A candidate may be an artist, art historian, critic, educator, curator, or other art professional; institutional affiliation is not required. Art Journal Open is an independently edited companion of the quarterly Art Journal; it is likewise devoted to twentieth- and twenty-first-century art and visual culture. Content is published on a continual, rolling basis.

Working with the editorial board, the web editor is responsible for commissioning all content for the Art Journal Open website. He or she solicits or commissions projects, texts, images, and time-based content by artists and other authors, and determines the appropriate scope and format of each project. In consultation with the editor-in-chief and editorial board, the web editor determines which pieces should undergo peer review and subsequent revision before acceptance for publication. The web editor also works with authors and a CAA staff editor on the development and preparation of materials for publication. The editorial board expects that a major portion of the website projects will be by artists or geared to the concerns of artists and that the web editor will endeavor to give voice to under-represented perspectives. Qualifications for the position include a broad knowledge of current art, the ability to work closely with artists in a wide variety of practices, and experience in developing content for an arts website. The three-year term includes membership on the Art Journal Editorial Board and an annual honorarium, paid quarterly.

The web editor attends the three meetings each year of the Art Journal Editorial Board—held by teleconference or in New York in the spring and fall, and at the CAA Annual Conference in February—and submits an annual report to CAA’s Board of Directors.

Candidates must be current CAA members and should not serve concurrently on the editorial board of a competitive journal or on another CAA editorial board or committee. The web editor may not publish her or his own work in the journal or on the website during the term of service. Nominators should ascertain a nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for the position, a CV, and at least one letter of recommendation to: Art Journal Web Editor Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Joe Hannan, CAA editorial director. Deadline: January 9, 2017; finalists will be interviewed on February 15 in New York or via Skype.



Filed under: Art Journal, Publications, Service

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