CAA News

JSTOR is collaborating with two New York museums—the Frick Collection and the Metropolitan Museum of Art—in a pilot project designed to understand how auction catalogues can be best preserved for the long term and made most easily accessible for scholarly use. Vital for provenance research, auction catalogues are used for the study of art markets and the history of collecting.

Funded by the Andrew W. Mellon Foundation, JSTOR’s prototype site is open to the public through June 2010. If you are interested in this content and its importance to art research, please explore the site and take the brief survey. In June, JSTOR will evaluate use of the content and feedback it has received in order to help determine the future of the resource.

An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.

caa.reviews Seeks Editor-in-Chief

The caa.reviews Editorial Board invites nominations and self-nominations for the position of editor-in-chief for a three-year, nonrenewable term, July 1, 2011–June 30, 2014. This term is preceded by one year of service on the editorial board as editor designate, July 1, 2010–June 30, 2011, and followed immediately by one year of service as past editor.

Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal. He or she supervises the journal’s Council of Field Editors, assisting them to identify and solicit reviewers, articles, and other content for the journal; develops projects; makes final decisions regarding content; and may support fundraising efforts on the journal’s behalf.

The editor-in-chief attends the three annual meetings of the caa.reviews Editorial Board—held in the spring and fall and in February at the Annual Conference—and submits an annual report to CAA’s Publications Committee. He or she pays travel and lodging expenses to attend the conference. The editor-in-chief also works closely with CAA’s New York staff and receives an annual honorarium of $2,000.

Candidates must be current CAA members. Nominators should ascertain their nominee’s willingness to serve before submitting a name. A statement of interest in the position, a CV, and at least one letter of recommendation must accompany each nomination. Please mail to: Codirector of Publications, caa.reviews Editor-in-Chief Search, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010. Finalist candidates will be interviewed in May 2010.

caa.reviews Seeks Editorial-Board Members

CAA invites nominations and self-nominations for two individuals to serve on the caa.reviews Editorial Board for a four-year term, July 1, 2010–June 30, 2014.

Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals with stature in the field and experience in writing or editing book and/or exhibition reviews; institutional affiliation is not required. The journal seeks candidates with a strong record of scholarship and at least one published book or the equivalent who are committed to the imaginative development of caa.reviews.

The editorial board advises the editor-in-chief and Council of Field Editors and helps them to identify books and exhibitions for review and to solicit reviewers, articles, and other content for the journal; guides its editorial program and may propose new initiatives for it; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.

The editorial board meets three times a year, including once at the CAA Annual Conference. Members pay travel and lodging expenses to attend the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Chair, caa.reviews Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010.

CAA invites nominations and self-nominations for one individual to serve on the Art Journal Editorial Board for a four-year term, July 1, 2010–June 30, 2014. Published quarterly by CAA, Art Journal is devoted to twentieth- and twenty-first-century art and visual culture.

Candidates are individuals with a broad knowledge of modern and contemporary art; institutional affiliation is not required. Applicants who are artists, museum-based scholars, or scholars interested in pedagogical issues are especially invited to apply.

The editorial board advises the editor-in-chief and assists him or her to seek authors, articles, artist’s projects, and other content for the journal; guides its editorial program and may propose new initiatives for it; performs peer reviews and recommends peer reviewers; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.

The editorial board meets three times a year, including once at the CAA Annual Conference. Members pay travel and lodging expenses to attend the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Chair, Art Journal Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010.

CAA invites nominations and self-nominations for two members-at-large to serve on the Publications Committee for a three-year term, July 1, 2010–June 30, 2013.

Candidates must possess expertise appropriate to the committee’s work. Museum-based arts professionals with an interest and experience in book, journal, or museum publishing and those with experience in digital publishing are especially encouraged to apply.

The Publications Committee is a consultative body that advises the CAA Publications Department staff and the CAA Board of Directors on publications projects; supervises the editorial boards of The Art Bulletin, Art Journal, and caa.reviews, as well as CAA’s book-grant juries; sponsors a practicum session at the Annual Conference; and, with the CAA vice president for publications, serves as liaison to the board, membership, editorial boards, book-grant juries, and other CAA committees.

The committee meets three times a year, including once at the CAA Annual Conference; members pay travel and lodging expenses to attend the conference. Members of all committees volunteer their services to CAA without compensation.

Candidates must be current CAA members and should not serve concurrently on other CAA committees or editorial boards. Applicants may not be individuals who have served as members of a CAA editorial board within the past five years. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Appointments are made by the CAA president in consultation with the vice president for publications.

Please send a letter of interest describing your interest in and qualifications for appointment, a CV, and contact information to: Vice President for Publications, c/o Alexandra Gershuny, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Materials may also be submitted to agershuny@collegeart.org. Deadline: April 15, 2010.

Respondents to a recent survey on digital book publishing, produced by the Association of American University Presses (AAUP), say that digital book publishing is still a moving target, naming metadata bottlenecks, third-party vendors, and rights issues over images as major concerns.

The report, “Digital Publishing in the AAUP Community Survey Report: Winter 2009–2010,” shares responses to seven questions specifically about digital strategies, technologies, and concerns related to their book-publishing programs. The survey also collected new and updated information on specific e-publishing programs at member presses in order to update the association’s online directory of such projects.

According to the report, university presses are increasingly working to provide print-on-demand services for new and old titles, as well as partnering with digital aggregators such as Google Books for Publishers (91.5% of respondents), Amazon’s Search Inside the Book (76.3%), and Barnes and Noble See Inside (39%).
About 96.5% of AAUP member presses are working with the PDF, and 31.6% and 29.8% respectively using AZW (for Kindle) and EPUB formats. Many presses currently offer excerpts and chapters of books on their websites, and some have entire books available online.

The Conference Survival Guide for the 2010 Annual Conference in Chicago was published in mid-December as a downloadable Word file. Written by CAA’s Student and Emerging Professionals Committee, the guide offers guidance to students, emerging professionals, and others attending their first conference for traveling to Chicago and navigating conference activities. Suggestions include:

• options for travel funding
• budget travel ideas and lodging information
• dining and transportation suggestions
• effective strategies for successful participation in the conference
• suggestions for networking during the four-day event
• city resources and sightseeing recommendations

For more details about the Conference Survival Guide and CAA committees, please contact Vanessa Jalet, CAA executive assistant.

The Winter 2009 issue of Art Journal, CAA’s quarterly of cutting-edge art and ideas, has just been published. It has been mailed to those CAA members who elect to receive it and to all institutional members.

In a Forum called “The Shape of Time, Then and Now,” five authors explore the contemporary relevance of George Kubler’s 1962 book, The Shape of Time. As Judith Rodenbeck, the editor-in-chief of Art Journal, writes, the book “took up set theory to help think about traditional art-historical devices of temporal framing: style, influence, reference, oeuvre, and so on.” An outline of key concepts in Kubler’s book and important bibliographic references appear in Reva Wolf’s introduction. Next, Mary Miller gives a “fibrous” (to use Kubler’s words) account of Kubler’s project, and Shelley Rice details the importance of his ideas for critics in the 1960s, in particular Lawrence Alloway, her mentor. Two artists also contribute: Ellen K. Levy reviews Kublerian entwining of scientific and artistic discourses, while Suzanne Anker considers contemporary possibilities for his concept of the “prime object.”

The Winter issue also includes Time Drills, a related artists’ project by the collective Spurse, and features two essays on quite contemporary art—Qadri Ismail’s “Bound Together: On a Book of Antiwar Sri Lankan Drawing” and Nissim Gal’s “Bare Life: The Refugee in Contemporary Israeli Art and Critical Discourse.”

Photography is the focus of the Reviews section. Stephanie Schwartz evaluates Words without Pictures, a recent collection of essays by artists and theorists, published in book form and online, and Jason Weems reviews a trio of books: On Alexander Garndner’s Photographic Sketch Book of the Civil War, Lynching Photographs, and Weegee and Naked City.

The Winter 2009 issues sees the end of Rodenbeck three-year term as editor-in-chief. She handed the journal’s reigns the new editor, Katy Siegel, in July 2009. Siegel’s first issue, a combined Spring–Summer issue, will appear in early May.

Following the submission of the amended Google Book Settlement in November 2009, the deadline for opting out was extended. The new deadline is January 28, 2010 (postmarked or submitted online on or before that date).

Those who had not opted out of the settlement may still do so, and those who had opted out may now opt in, if they so wish. If you wish to maintain your previous status, you need not do anything. (Under a class-action settlement, all class members remain in the class unless they opt out.)

Opt-out forms (to mail in) and instructions for opting out online are available at the settlement website. You may also read the settlement FAQ for more information.

The first American anthology of writings on the work of Paula Modersohn-Becker has just been published by Woman’s Art Journal (Fall/Winter 2009) in an issue devoted to the artist.

Modersohn-Becker (1876–1907) was a German painter who worked in styles ranging from Postimpressionism to early Expressionism. Influenced by Cézanne, Gauguin, and van Gogh, she is recognized today for her early feminist imagery.

The two lead articles were originally written for the catalogue of the Modersohn-Becker exhibition that was to have opened at the Neue Galerie in 2009 in New York (postponed):

• Anne Higonnet (Barnard College, Columbia University), “Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker’s Productivity”
• Diane Radycki (Moravian College), “Pictures of Flesh: Modersohn-Becker and the Nude”

The three following articles were first presented as talks at the 2009 CAA Annual Conference in Los Angeles. The session, chaired by Radycki, was called “Paula Modersohn-Becker: Art, Risk, Fame”:

• Rainer Stamm (Paula Modersohn-Becker Museum), “Paula Modersohn-Becker and the Body in Art”
• Monica Strauss (author of Cruel Banquet: The Life and Loves of Frida Strindberg), “Helen Serger’s Galerie La Boetie: Paula Modersohn-Becker on Madison Avenue”
• Michelle Vangen (Graduate Center, City University of New York), “Left and Right: Politics and Images of Motherhood in Weimar Germany”

Published semiannually—May and November—since 1980, Woman’s Art Journal continues to represent the interests of women and art worldwide. Articles and reviews cover all areas of women in the visual arts, from antiquity to the present day.

Image: Paula Modersohn-Becker, Self-Portrait (Semi-Nude with Amber Necklace and Flowers II), 1906, oil on canvas, 61 x 50 cm (artwork in the public domain)

On New Year’s Eve, the first issue of the Journal of Art Historiography was published online. This peer-reviewed open-access ejournal, published in June and December of each year, is devoted exclusively to the study of the practice of art-historical writing. Supported by the Institute for Art History at the University of Glasgow in Scotland, the journal has a distinguished editorial advisory board drawn from a broad range of specialist areas. Richard Woodfield, senior honorary research fellow at the University of Glasgow, is the editor.

The central purpose of the Journal of Art Historiography is to understand why the history of art gets written in the way that it does. How has it taken shape as a discipline? What are the grounds of its inclusions and exclusions? What are its modes of writing? How does it relate to and intersect with other disciplines?

Though the journal has much wider ambitions, the first issue reflects its editor’s preoccupation with German and Viennese art historiography and is dedicated to the memory of Ernst Gombrich. Already, though, it has material on the debates surrounding the emergence of Australian Aboriginal art as contemporary artistic practice, the role of the journal Zodiaque in the promotion of notions of French Romanesque art, and the reception of Aby Warburg’s work in Argentina.

There are also translations of Julius von Schlosser’s famous account of the Vienna School, along with Moriz Thausing’s pronouncements on the objective study of art history. Studies on Fritz Novotny, Max Dvořák, Alois Riegl, Michael Baxandall, Fritz Saxl, John Shearman, and John White have been published as well.

The next issue, due in June this year, is already extending its scope to cover Indian and Chinese art, Baltic and Polish art history, classical archaeology, and more.

The Journal of Art Historiography welcomes contributions from young and established scholars and is aimed at building an expanded audience for what has hitherto been a much-specialized field of investigation.