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J20 Art Strike Closure

posted by CAA


CAA is taking part in the J20 Art Strike, an Act of Noncompliance on Inauguration Day. We apologize if this has caused you any inconvenience, but we consider this action important to take. This call concerns more than the art field. It is made in solidarity with the nation-wide demand that  on January 20 and beyond, business should not proceed as usual.

For more information on the J20 Art Strike, including the long list of art critics, artists, curators, and institutions taking part please visit the J20 Art Strike website.

Online registration for the Annual Conference, February 15-18 in New York, will remain open.

We will be back in the office on January 23, 2017.



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New in caa.reviews

posted by CAA


Annie Borneuf reviews Kurt Schwitters: Space, Image, and Exile by Megan R. Luke. This “compelling study” of the German artist’s “largely neglected works of the 1930s and 1940s” draws on unpublished archival material to demonstrate how the artist arrived “at a new sculptural theory of space that pivots on the interchange between work and beholder.” Read the full review at caa.reviews.

Trevor Stark discusses the Museum of Modern Art’s first digital-only publication, Picasso: The Making of Cubism, 1912–1914. The volume focuses on “the artist’s use of unorthodox materials and his development of new and still little-understood techniques for manipulating them,” and the “interactive hyperlink architecture” within the book opens up new possibilities for encountering Picasso’s work. Read the full review at caa.reviews.

Amy R. Bloch reads Stefanie Solum’s Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. In this “stimulating book,” the author asks “whether or not laywomen commissioned significant paintings, sculptures, or buildings in the city during the fifteenth century” by focusing on a Fra Filippo Lippi altarpiece possibly commissioned by Lucrezia Tornabuoni. Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.



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CAA Connect is Live

posted by CAA


connect-logoWe are pleased to announce the launch of CAA Connect, our new digital discussion platform and resource library. CAA Connect is a user-friendly social hub offering discussion communities with topic threads, the ability to post and share many forms of media, and the opportunity for collaboration across disciplines. We hope that many of the cross-disciplinary and scholarly conversations that occur at the Annual Conference each year continue on CAA Connect. Registration will open next week for the 105th Annual Conference in New York, February 15-18, 2017.

We are launching CAA Connect with a series of starter communities that address important issues for visual arts professionals. Below is a list of the starter communities that are accessible for all CAA members and the names of those who have offered to facilitate discussion in the communities.

To contribute to community discussions, please log in to CAA Connect (click “Log In” in upper right of home page) using your existing CAA Account credentials.  If this is your first time logging in to CAA Connect, you will be prompted to accept CAA Connect’s Community Guidelines before continuing.  Please review the CAA Connect tutorials for a quick overview of the platform.  Once you have signed in to CAA Connect or your CAA account, you will automatically be logged in to both sites and you will be able to switch back and forth without logging in again. The CAA member directory will now reside on CAA Connect. By default all members are included in the searchable directory. To learn more about how to be excluded from the directory, read the “Logging in and Profile Setup” tutorial in the Welcome to CAA Connect community.

Starter Communities

Museums
Anuradha Vikram, Director of Residency Programs at 18th Street Arts Center, Santa Monica, California
Anne Goodyear, Co-Director of the Bowdoin College Museum of Art

CAA Annual Conference
Tiffany Dugan, Director of Programs at College Art Association
Judith Rodenbeck, Annual Conference Program Chair and Associate Professor at University of California at Riverside

Fair Use
Patricia Aufderheide, University Professor, School of Communication, American University and Co-Principal Investigator on the CAA Fair Use Initiative
Peter Jaszi, Professor of Law, Washington College of Law, American University, and Co-Principal Investigator on the CAA Fair Use Initiative
Janet Landay, Program Manager, Fair Use Initiative and Project Director, CAA-Getty International Program

Latin American Art
Michele Greet, Associate Professor of Art History at George Mason University
Elisa Mandell, Associate Professor of Art History at California State University, Fullerton

Most importantly, we want CAA Connect to grow with our members, to be influenced by the work and focus of our members. Look for a survey in early October asking you what communities and types of content you’d like to see on CAA Connect. We can only build the right kind of platform to push forward the visual arts with your help.

Please contact us if you have any questions at all.

We look forward to the discussions!



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The window to submit nominees for the Awards for Distinction for the 2017 Annual Conference is quickly closing!

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Carrie Mae Weems

Last year, we honored pathbreaking contemporary artist Carrie Mae Weems with the Distinguished Feminist Award. We honored Sabina Ott, professor of Art and Art History at Columbia College Chicago, with the Distinguished Teaching of Art Award. We honored artist Carmen Herrera with the Distinguished Artist Award for Lifetime Achievement. The list of other awardees is equally impressive for their impact on the field of visual arts. There is still time to honor deserving colleagues for their contributions to our field in 2017. Who would you like to see recognized for their work?

Submit your nominees for the Awards for Distinction before August 31, 2016!

Nomination Guidelines for the 2017 Annual Conference.

Recipients of the 2016 Awards for Distinction.

For more information about the nomination process, contact Katie Apsey, CAA manager of programs, 212-392-4405.



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In 2015 CAA established a Task Force on Design charged with suggesting positions the organization might adopt toward design, design studies, designers, design educators, historians, and theorists. In early 2016 the CAA Board of Directors announced it would replace the Task Force with a new Committee on Design to be among CAA’s ten standing Professional Interests, Practices, and Standards Committees.

Jim Hopfensperger, CAA’s VP for Committees, is pleased to announce the following members who will constitute the inaugural Committee on Design:

Helen Armstrong, North Carolina State University
Audrey Bennett, Rensselaer Polytechnic Institute
Holly Cline, Chair, Radford University
Federico Freschi, University of Johannesburg
Chris Garvin, University of Georgia
Matthew Gaynor, Kansas State University
Elizabeth Guffey, State University of New York at Purchase
David Howarth, Zayed University, Dubai
Zach Kaiser, Michigan State University
Sarah Lawrence, Parsons School of Design
Yelena McLane, Florida State University
Victoria Pass, Salisbury University
David Raizman, Drexel University
Bess Williamson, School of the Art Institute of Chicago
Dan Wong, New York City College of Technology, CUNY

The Committee on Design will promote and advance issues in design practice, design history/theory/criticism, and design education through advocacy, engagement, and a commitment to the diversity of practices and practitioners. The committee will further support discussion and action in these areas to stimulate intellectual curiosity and advance skills that enrich the individual and society.

CAA is grateful to these dedicated members who will work to advance the interests of all design disciplines through their service to CAA.

 



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This Week in caa.reviews

posted by CAA


Marnin Young reflects on Georges Seurat: The Art of Vision, Michelle Foa’s thematic analysis of Seurat’s seascapes, early figure paintings, later figure paintings, and drawings, and describes it “as almost certainly the most important book on Seurat in over a decade.” Read the full review at caa.reviews.

Derek Burdette reviews Alena Robin’s Las capillas del Vía Crucis de la ciudad de México: Arte, patrocinio y sacralizacón del espacio, a study of the now-dismantled fourteen chapels marking the Stations of the Cross in Mexico City from the late seventeenth to nineteenth centuries, which “attempts to return the chapels to our collective conscious.” Read the full review at caa.reviews.

Brian Rosa examines two urban political ecology publications focused on water: Matthew Gandy’s The Fabric of Space: Water, Modernity, and the Urban Imagination and Erik Swyngedouw’s Liquid Power: Contested Hydro-Modernities in Twentieth-Century Spain. He applauds them for “expanding the scope and depth of contemporary research into the society-nature nexus, political ecology, and environmental history.” Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.



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Cannon House, offices of the House of Representatives

CAA had the opportunity this year to attend Arts Advocacy Day, hosted by Americans for the Arts, and Humanities Advocacy Day, hosted by the National Humanities Alliance. One week apart from each other, both events filled Washington, DC with advocates of all ages ready to speak up for the arts and humanities and who were armed with data and statistics.

Arts Advocacy Day, which took place on March 7-8, was headquartered at the OMNI Shoreham Hotel in Washington, DC, just a stone’s throw from the Washington Marriott Wardman Park, where CAA held its 104th Annual Conference in February of this year. The first day of Arts Advocacy Day, now in its 29th year, was jam packed with presentations. Americans for the Arts staff members presented sessions on arts education legislation, such as the recent bipartisan passing of the Every Child Succeeds Act (ESSA), and they presented attendees with dense tables and statistical charts on the economic impact of the arts across the United States. For example, the non-profits arts industry supports 4.13 million jobs in the United States, and the industry contributes a whopping $698 billion annually to the economy. This and many other figures came from the 2016 Congressional Arts Handbook: Facts & Figures at Your Fingertips, which every attendee received. The first day served as foundational preparation for the visits with our local and state representatives the following day.

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Alexander Calder looming in the Hart Senate Building

March 14-15 marked Humanities Advocacy Day, organized by the National Humanities Alliance. Humanities Advocacy Day, like Arts Advocacy Day, consisted of one day of talks and preparation and one day of Congressional and Senatorial office visits. William Adams, Chairman of the National Endowment for the Humanities, gave a talk on the first day on the NEH’s look toward the future as it shifts its grantmaking structure and adapts to global and domestic changes. The NEH will take on the challenges facing humanities enrollment in higher education and the reduction in humanities and arts programs offered in secondary schools. The NEH will also continue to support work in digital humanities and publishing through a partnership with the Andrew W. Mellon Foundation. Of continued interest to the NEH is increasing access to the humanities through its The Common Good: The Humanities in the Public Square, a program that establishes pathways and means for scholars, educators, and organizations to bring their work into the public sphere.

At lunch, attendees were treated to a presentation by Max Kenner, Executive Director and Founder of the Bard Prison Initiative. BPI offers currently incarcerated individuals the opportunity to obtain a liberal arts college degree from Bard. Since its founding in 1999, the program has grown to become one of the most academically rigorous and successful of its kind.

The National Humanities Alliance scheduled over 200 meetings with Congressman and Congresswomen and Senators for the second day. The New York City delegation, comprised of CAA Director of Programs, Tiffany Dugan, and CAA Director of Communications, Nick Obourn, met with the offices of Congressman Lee Zeldin, Senator Chuck Schumer, and Congresswoman Carolyn Maloney.



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