College Art Association

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Institutional News

posted by August 22, 2017

Read about the latest news from CAA’s institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2017

The Archives of American Art, part of the Smithsonian Institution in Washington, DC, has launched a new online guide to archival collections in the Chicago area that are related to American art. A $413,000 grant from the Terra Foundation for American Art supported a comprehensive survey of art-related archives in more than seventy-five Chicago-area institutions.

Storm King Art Center in New Windsor, New York, has received a 2017 Artistic Production Grant from the VIA Art Fund for Heather Hart’s The Oracle of Lacuna.

The Walker Art Center in Minneapolis, Minnesota, has received a 2017 Artistic Production Grant from the VIA Art Fund for Daniel Buren’s Viole/Toile – Toile/Viole.

The Yale Center for British Art in New Haven, Connecticut, and the Paul Mellon Centre for Studies in British Art have won a gold-level MUSE Award from the American Alliance of Museums for their jointly published, open-access digital journal. Part of the MUSE Open Culture category, the award recognizes British Art Studies for its high standards of excellence in the use of media and technology for Gallery, Library, Archive, and Museum programs.

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Grants, Awards, and Honors

posted by August 18, 2017

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2017

Anila Quayyum Agha, associate professor in the Herron School of Art and Design at Indiana University Purdue University Indianapolis, has won the Schiele Prize from the Cincinnati Art Museum in Ohio.

Michelle Moore Apotsos, assistant professor in the Art Department at Williams College in Williamstown, Massachusetts, has won a research grant from the Graham Foundation. She will use the funds for “Selling South Africa: Architecture, Tourism, and Identity in the Post-Apartheid Era.”

Natalie Beall, an artist based in Salt Point, New York, has won a 2017 fellowship from the New York Foundation for the Arts in the printmaking/drawing/book arts category.

Jetshri Bhadviya, a recent MFA graduate from the Cranbrook Academy of Art in Bloomfield Hills, Michigan, has received a 2017–18 Post-Graduate Teaching Fellowship from the Association of Independent Colleges of Art and Design. She will be placed at College for Creative Studies in Detroit.

Susanneh Bieber, assistant professor in the Departments of Visualization and Architecture at Texas A&M University in College Station, has been awarded the 2017 Terra Foundation for American Art International Essay Prize by the Smithsonian American Art Museum in Washington, DC. Her winning essay, “Going Back to Kansas City: The Origins of Judd’s Minimal Art,” will be published in a forthcoming issue of the journal American Art.

Angela Fraleigh, an artist based in New York and Allentown, Pennsylvania, has received studio space in Brooklyn through the 2017 Sharpe-Walentas Studio Program.

Amir Hariri, an artist based in Brooklyn, New York, has received a 2017 fellowship from the New York Foundation for the Arts in the category for printmaking, drawing, and book arts.

Valerie Hegarty, an artist based in Brooklyn, New York, has won a 2017 fellowship in crafts/sculpture from the New York Foundation for the Arts.

Stacy C. Hollander, deputy director for curatorial affairs, chief curator, and director of exhibitions for the American Folk Art Museum in New York, has won two 2017 Awards for Excellence from the Association of Art Museum Curators. One award is for her exhibition, Securing the Shadow: Posthumous Portraiture in America; the other is for her catalogue essay, “Securing the Shadow: Posthumous Portraiture in America.”

Melissa Huddleston, an artist and assistant conservator at the Getty Research Institute in Los Angeles, has completed an artist’s residency at the Sam and Adele Golden Foundation for the Arts, based in New Berlin, New York.

Sarah Hwang, an art director and designer based in San Leandro, California, has earned the 2017 Art Publishing Residency, awarded by three online publications: Daily Serving, Art Practical, and c3:intiative.

Jennifer Karady, an artist based in Brooklyn, New York, has received a 2017 fellowship in the visual arts from the MacDowell Colony, based in Peterborough, New Hampshire. Karady has also received Art Omi’s Francis Greenburger Fellowship for Mitigating Ethnic and Religious Conflict, which included an artist’s residency in Ghent, New York.

Bahareh Khoshooee, who recently earned an MFA in studio art from the University of South Florida in Tampa, has been appointed an MFA Resident Artist for summer 2017 at the Ox-Bow School of Art and Artists’ Residency in Saugatuck, Michigan.

Sharon Louden, an artist and the editor of The Artist as Cultural Producer, has received studio space in the 2017 Sharpe-Walentas Studio Program, based in Brooklyn, New York.

Forrest McGill, Wattis Senior Curator of South and Southeast Asian Art for the Asian Art Museum of San Francisco in California, has won a 2017 Award for Excellence from the Association of Art Museum Curators for his exhibition catalogue, The Rama Epic: Hero, Heroine, Ally, Foe.

 

Helina Metaferia, a 2015–17 AICAD Post-Graduate Teaching Fellow at the San Francisco Art Institute in California, has been appointed to the 2017 Arts Faculty this summer at the Ox-Bow School of Art and Artists’ Residency in Saugatuck, Michigan

Itohan I. Osayimwese, assistant professor of history of art and architecture at Brown University in Providence, Rhode Island, has won a grant from the Graham Foundation in the publications category. Her project is editing “‘African Building Types: An Architectural-Ethnographic Study’ and Other Essays by Hermann Frobenius.”

Jim Osman, an artist based in Brooklyn, New York, has received a 2017 fellowship in the category for crafts and sculpture from the New York Foundation for the Arts.

Corinna Ray, who recently completed an MFA at the University of Tennessee in Knoxville, has been appointed an MFA Resident Artist for summer 2017 at the Ox-Bow School of Art and Artists’ Residency in Saugatuck, Michigan.

Adam Liam Rose, who earlier this year received an MFA in sculpture from Columbia University in New York, has become an MFA Resident Artist for summer 2017 at the Ox-Bow School of Art and Artists’ Residency in Saugatuck, Michigan.

Felicity D. Scott, director of the PhD Program in Architecture (History and Theory) and codirector of the program in Critical, Curatorial, and Conceptual Practices in Architecture at Columbia University’s Graduate School of Architecture, Planning, and Preservation in New York, has won a research grant from the Graham Foundation. She will work on “Vann Molyvann and the Absent Archives of Cambodian Modernism” with Branden W. Joseph and Mark Wasiuta.

Makia Sharp, who earlier this year earned an MFA in sculpture from the Rhode Island School of Design in Providence, has won a 2017–18 Post-Graduate Teaching Fellowship. The Association of Independent Colleges of Art and Design will place her at California College of the Arts in San Francisco and Oakland.

Emily Silver, an artist based in Ferndale, California, and a faculty member at the College of the Redwoods in Eureka, has completed a residency at PLAYA at Summer Lake in Summer Lake, Oregon.

Irene V. Small, assistant professor in the Department of Art and Archaeology at Princeton University in Princeton, New Jersey, has won a research grant from the Graham Foundation. Her project is titled “The Organic Line and the Ends of Modernism.

Linda Stein, an artist based in New York, has been recognized as Artist of the Year by the New York City Art Teachers Association and the United Federation of Teachers.

Despina Stratigakos, professor of architecture at the University at Buffalo in Buffalo, New York, has won a research grant from the Graham Foundation. Her project is titled “Hitler’s Northern Dream: Building an Empire in Occupied Norway.”

Dannielle Tegeder, an artist based in New York, has accepted a 2017 fellowship in printmaking, drawing, and book arts category from the New York Foundation for the Arts.

Penelope Umbrico, an artist and faculty member at the School of Visual Arts in New York, has been selected to receive studio space in Brooklyn through the 2017 Sharpe-Walentas Studio Program.

Kristina Wilson, associate professor of art history at Clark University in Worcester, Massachusetts, has received a 2017 Award for Excellence from the Association of Art Museum Curators for her exhibition Cyanotypes: Photography’s Blue Period, organized with Nancy Kathryn Burns.

Mabel O. Wilson, associate professor for the Graduate School of Architecture, Planning, and Preservation at Columbia University in New York, has won a grant for publications from the Graham Foundation. She and her fellow editors, Irene Cheng and Charles L. Davis II, will work on a book project called “Race and Modern Architecture.”

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People in the News

posted by August 17, 2017

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2017

Academe

Nika Elder has become assistant professor in the Department of Art at American University in Washington, DC.

Amy Freund has received tenure and been promoted to associate professor in the Meadows School of the Arts at Southern Methodist University in Dallas, Texas.

Paul B. Jaskot, formerly professor of the history of art and architecture and director of Studio χ at DePaul University in Chicago, Illinois, has been appointed professor of art history and director of Wired! Lab at Duke University in Durham, North Carolina.

Jenni Sorkin has received tenure in the History of Art and Architecture Department at the University of California, Santa Barbara. She became associate professor on July 1, 2017.

May Sun, an artist and former lecturer at Otis College of Art and Design in Los Angeles, California, has become a 2017–18 artist in residence at the Rinehart School of Sculpture at Maryland Institute College of Art in Baltimore.

Rebecca Uchill has left the Massachusetts Institute of Technology in Cambridge for a position at the University of Massachusetts, Dartmouth.

Lisa Young has resigned from her position in the College of Art and Design at Lesley University in Cambridge, Massachusetts.

Museums and Galleries

William J. Chiego has become director emeritus for the McNay Art Museum in San Antonio, Texas, to acknowledge his twenty-five years of service.

Elizabeth Chodos, formerly executive and creative director of Oxbow in Saugatuck, Michigan, has been appointed director of the Regina Gouger Miller Gallery at Carnegie Mellon University in Pittsburgh, Pennsylvania.

Erin B. Coe, director of the Hyde Collection in Glen Falls, New York, has accepted the directorship of the Palmer Museum of Art at Pennsylvania State University in State College.

William L. Coleman, formerly NEH Post-Doctoral Fellow at the Library Company of Philadelphia in Pennsylvania, has been named associate curator of American art at the Newark Museum in Newark, New Jersey.

Alexa Greist, previously at the Yale University Art Gallery in New Haven, Connecticut, has been named assistant curator of prints and drawings for the Art Gallery of Ontario in Toronto.

Tarah Hogue, formerly curator at Grunt Gallery in Vancouver, British Columbia, has become the first senior curatorial fellow at the Vancouver Art Gallery.

Wanda Nanibush has been named assistant curator of Canadian and indigenous art for the Art Gallery of Ontario in Toronto.

Christina Olsen, previously director of the Williams College Museum of Art in Williamstown, Massachusetts, has been appointed director of the University of Michigan Museum of Art in Ann Arbor.

Sylvie Patry has joined the Musée d’Orsay in Paris, France, as deputy director for curatorial affairs and collections. Previously she was deputy director for collections and exhibitions and Gund Family Chief Curator for the Barnes Foundation in Philadelphia, Pennsylvania.

H. Alexander Rich, assistant professor of art history and director of the Melvin and Burks Galleries at Florida Southern College in Lakeland, has also been named curator and director of galleries and exhibitions for the Polk Museum of Art at his school.

Tina Rivers Ryan, formerly curatorial assistant in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art in New York, has become assistant curator at the Albright-Knox Art Gallery in Buffalo, New York.

Stephanie Sparling Williams, previously John Walsh Fellow at the Yale University Art Gallery in New Haven, Connecticut, has joined the Addison Gallery of American Art at Phillips Academy in Andover, Massachusetts, as assistant curator and visiting scholar.

Daniel H. Weiss, president and chief operating officer of the Metropolitan Museum of Art in New York, has been chosen to lead his institution as chief executive officer.

Cole Woodcox has been appointed director of the Council of Public Liberal Arts Colleges, a consortium of thirty North American universities based in Asheville, North Carolina.

Organizations and Publications

Jo-Anne Birnie Danzker, previously director of the Frye Art Museum in Seattle, Washington, has been appointed director and chief executive officer of the Biennale of Sydney in Australia.

Gilberto Cárdenas, executive director of the Notre Dame Center for Arts and Culture in South Bend, Indiana, has joined the board of trustees for the Smithsonian Institution’s Archives of American Art, based in Washington, DC.

John Davis, previously Alice Pratt Brown Professor of Art at Smith College in Northampton, Massachusetts, and executive director of the Terra Foundation for American Art’s Global Academic Programs and Terra Foundation Europe, has been appointed under secretary for museums and research/provost at the Smithsonian Institution in Washington, DC.

Thomas W. Gaehtgens, director of the Getty Research Institute in Los Angeles, has decided to retire in spring 2018.

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Exhibitions Curated by CAA Members

posted by August 16, 2017

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2017

Ellen Carey. Women in Colour. Rubber Factory, New York, August 19–September 27, 2017.

Rachel Epp BullerCrossing the Line. Mary Martin Gehman Art Gallery, Harrisonburg, Virginia, June 22–25, 2017.

Christine Giviskos. On the Prowl: Cats and Dogs in French Prints. Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 5, 2017–January 7, 2018.

Donna Gustafson. Absence and Trace: The Dematerialized Image in Contemporary Art. Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 5, 2017–January 7, 2018.

Donna Gustafson. Stanley Twardowicz: Color Field Paintings, 1962–1990. Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 5, 2017–July 31, 2018.

Donna Gustafson. Subjective Objective: A Century of Social Photography. Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 5, 2017–January 7, 2018.

Nancy KarrelsProvenance: A Forensic History of Art. Krannert Art Museum, University of Illinois, Urbana-Champaign, Illinois, May 13, 2017–June 9, 2018.

Nicole Simpson. Cats vs. Dogs: Illustrations for Children’s Literature. Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, July 1, 2017–June 24, 2018.

Nicole Simpson. Serigraphy: The Rise of Screenprinting in America. Zimmerli Art Museum at Rutgers University, New Brunswick, New Jersey, September 5, 2017–February 11, 2018.

Rachel Stern. “Leben ist Glühn”: Der Expressionist Fritz Ascher / “To Live Is to Blaze with Passion”: The Expressionist Fritz Ascher. Museum Charlottenburg-Wilmersdorf in der Villa Oppenheim, Berlin, Germany, December 8, 2017–March 11, 2018; and Potsdam Museum—Forum für Kunst und Geschichte, Potsdam, Germany, December 10, 2017–March 11, 2018.

Karen Wilkin. “Beauteous Strivings”: Fritz Ascher, Works on Paper. New York Studio School, New York, October 23–December 3, 2017.

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Solo Exhibitions by Artist Members

posted by August 14, 2017

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2017

Abroad

Lea Kannar-Lichtenberger. Accelerator Gallery, Pyrmont, New South Wales, Australia, May 27–June 10, 2017. Deception.

Northeast

Nancy Azara. Picture Gallery at the Saint-Gaudens Memorial, Cornish, New Hampshire, July 22–September 10, 2017. Passage of the Ghost Ship: Trees and Vines. Wood sculpture and scroll/collages.

South

Diane Burko. Joy Pratt Markham Gallery, Walton Arts Center, Fayetteville, Arkansas, May 4–September 30, 2017. Glacial Shifts, Changing Perspectives: Bearing Witness to Climate Change. Painting and photography.

Tyrus Clutter. Appleton Museum of Art, Ocala, Florida, June 10–September 17, 2017. Con-Text: The Word Based Images of Tyrus Clutter. Color viscosity intaglio prints.

West

Rachel Epp Buller. Galeria Zapatista at Mission Grafica, San Francisco, California, May 12–June 16, 2017. A Hidden Garden. Monotype prints.

Ken Gonzales-Day. Luis De Jesus Los Angeles, Los Angeles, California, September 9–October 28, 2017. Bone-Grass Boy: The Secret Banks of the Conejos River. Photographic project.

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Books Published by CAA Members

posted by August 09, 2017

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2017

David S. Areford. La nave e lo scheletro: Le stampe di Jacopo Rubieri alla Biblioteca Classense di Ravenna (Bologna: Bononia University Press, 2017).

Alexis L. BoylanAshcan Art, Whiteness, and the Unspectacular Man (New York: Bloomsbury Academic, 2017).

Marilyn R. Brown. The “Gamin de Paris” in Nineteenth-Century Visual Culture: Delacroix, Hugo, and the French Social Imaginary (New York: Routledge, 2017).

Clarence C. Cook. A Description of the New York Central Park, intro. Maureen Meister (New York: New York University Press, 2017).

Diana GisolfiPaolo Veronese and the Practice of Painting in Late Renaissance Venice (New Haven: Yale University Press, 2017).

D. Gustafson and A. M. Zervigón. Subjective Objective: A Century of Social Photography (Munich: Hirmer Verlag, 2017).

Rebecca Peabody. Consuming Stories: Kara Walker and the Imagining of American Race (Oakland: University of California Press, 2016).

Corine Schleif and Volker Schier, eds. Manuscripts Changing Hands (Wiesbaden, Germany: Harrassowitz, 2016).

Rachel Stern. The Expressionist Fritz Ascher: To Live Is to Blaze with Passion / Der Expressionist Fritz Ascher: Leben ist Glühn, ed. Ori Z. Soltes (Cologne: Wienand, 2016).

Athena TachaVisualizing the Universe: Athena Tacha’s Proposals for Public Art Commissions 1972–2012, ed. Richard E. Spear (Washington, DC: Grayson, 2017).

Nancy Um. Shipped but Not Sold: Material Culture and the Social Protocols of Trade during Yemen’s Age of Coffee (Honolulu: University of Hawai’i Press, 2017).

Phoebe WolfskillArchibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (Champaign: University of Illinois Press, 2017).

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New in caa.reviews

posted by June 30, 2017

Kaylee R. Spencer reads Megan O’Neil’s Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala and Alexander Parmington’s Space and Sculpture in the Classic Maya City. Both “introduce elements of time and space in discussing how Maya art and architecture operated and expressed meaning” and “focus on viewer experience as an essential feature of the ways art and architecture construct ideology and manipulate onlookers’ movements.” Read the full review at caa.reviews.
Meta DuEwa Jones reviews the exhibition catalogue James Baldwin in Turkey: Bearing Witness from Another Place, created by the Northwest African American Museum and “based on nearly thirty images of James Baldwin by Sedat Pakay.” Baldwin’s “intimate experiences in Turkey, documented in vivid and arresting images in the book, reveal these as equally important to the complex and composite picture of the artist.” Read the full review at caa.reviews.
Marisa Anne Bass discusses Trading Values in Early Modern Antwerp, edited by Christine Göttler, Bart Ramakers, and Joanna Woodall, and Jan van Kassel I (1629–1679): Crafting a Natural History of Art in Early Modern Antwerp by Nadia Baadj.  The two “successful” publications “attempt to grapple with the question of why Antwerp should matter to the field at large, and they do this by engaging with two trends—the global and the material.” Read the full review at caa.reviews.
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New in caa.reviews

posted by June 23, 2017

Antonella Fenech Kroke reviews Maniera: Pontormo, Bronzino and Medici Florence, an exhibition at the Städel Museum, Frankfurt. “The most substantial exhibition on Mannerism staged in Germany,” the show, with “intellectual exuberance,” “provided a unique opportunity to see the disquieting emergence and flourishing of multiples creative perspectives that the term Mannerism has attempted to unify.” Read the full review at caa.reviews.

Sally Hickson reads In the Courts of Religious Ladies: Art, Vision, and Pleasure in Italian Renaissance Convents by Giancarla Periti. This volume “about aristocratic nuns and convent patronage offers an interesting characterization of a resulting corpus of ‘seductive images,’” providing “a touchstone for investigations into patrician nuns, their motivations, their artists, and the visual and perhaps didactic functions of such imagery.” Read the full review at caa.reviews.
Maria Fabricius Hansen discusses Malcolm Bull’s Inventing Falsehood, Making Truth: Vico and Neapolitan Painting. With the aim of seeing Giambattista Vico “through the painting of his time in order to present and discuss a series of major themes within art history,” this “accomplished, concise, and intelligently focused” book is “a strong proponent for the relevance of rhetoric as a kind of art theory of its present moment.” Read the full review at caa.reviews.
David Riep examines Repainting the Walls of Lunda: Information Colonialism and Angolan Art by Delinda Collier. Centered on a “discussion of the varied intricacies of analog and digital media by tracking Chokwe mural and sand (sona) arts and symbolism,” the text “successfully engages broad theoretical concepts linking art, cybernetics, and media theory, while maintaining its focus on the shifting iterations of Chokwe iconography. Read the full review at caa.reviews.
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Institutional News

posted by June 14, 2017

Read about the latest news from CAA’s institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2017

The Harvard Art Museums in Cambridge, Massachusetts, have been awarded a $250,000 grant from the Terra Foundation for American Art to support the upcoming special exhibition The Philosophy Chamber: Art and Science in Harvard’s Teaching Cabinet, 1766–1820.

The National Gallery of Art in Washington, DC, has accepted a $1 million gift from the Edmond J. Safra Foundation to support the Edmond J. Safra Visiting Professorship at the Center for Advanced Study in the Visual Arts. Matching funds will permit the professorship to be fully endowed.

The Newark Museum in Newark, New Jersey, has received a $750,000 grant from the Henry Luce Foundation to expand and reinterpret its permanent galleries of American art and to document the collections through two new publications.

Grants, Awards, and Honors

posted by June 13, 2017

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2017

Marina Berio, chair of the general studies in photography program at the International Center of Photography in New York, has won a 2017 fellowship in photography from the John Simon Guggenheim Memorial Foundation.

Noga Bernstein, a doctoral student in art history at Stony Brook University, State University of New York, has received a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art from the American Council of Learned Societies. Her dissertation topic is “Global Age Design: Ruth Reeves and Cross-Cultural Practice.”

Elizabeth Buhe, a doctoral candidate in art history at New York University’s Institute of Fine Arts, has been awarded a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art from the American Council of Learned Societies for her dissertation examining Sam Francis and midcentury abstract painting, titled “Sam Francis: Functional Abstraction.”

Jennifer Chuong, a PhD student in the history of art and architecture at Harvard University in Cambridge, Massachusetts, has received a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art from the American Council of Learned Societies. She will continue work on “Surface Experiments in Early America.”

Leslie Cozzi, curatorial associate for the Hammer Museum at the University of California, Los Angeles, has won the 2017–18 Andrew W. Mellon Foundation/National Endowment for the Humanities Post-Doctoral Rome Prize in modern Italian studies. During her time at the American Academy in Rome, she will work on “Fra: Relation and Collaboration in Contemporary Italian Art.”

Lisa Deleonardis, Austen-Stokes Professor in the Department of the History of Art at Johns Hopkins University in Baltimore, Maryland, has received the 2017–18 Charles K. Williams II Rome Prize in historic preservation and conservation. At the American Academy in Rome, she will continue work on “A Transatlantic Response to Worlds That Shake: Jesuit Contributions to Anti-Seismic Building Design in Early Modern Italy and Peru.”

Cécile Fromont, assistant professor in the Department of Art History at the University of Chicago in Illinois, has won a 2017–18 Rome Prize in Renaissance and early modern studies from the American Academy in Rome. Her project is titled “Images on a Mission: Cross-Cultural Encounters and Visual Mediation in Early Modern Kongo and Angola.”

Jennifer Germann, associate professor in the Department of Art History at Ithaca College in Ithaca, New York, has received a 2017 Summer Stipend of $6,000 from the National Endowment for the Humanities. The funds will support “A Study of the Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray, an Eighteenth-Century British Artwork.”

Ken Gonzales-Day, professor of art at Scripps College in Claremont, California, has been awarded the 2017 fellowship in the category of photography by the John Simon Guggenheim Memorial Foundation.

Saisha M. Grayson, a PhD candidate in art history at the Graduate Center, City University of New York, has been awarded a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art by the American Council of Learned Societies. She will continue researching “Cellist, Catalyst, Collaborator: The Work of Charlotte Moorman, 1963–1980.”

Sarah B. H. Hamill, assistant professor of art history at Sarah Lawrence College in Bronxville, New York, has received a 2017 ACLS Fellowship from the American Council of Learned Societies. She will continue work on “Surface Matters: Contemporary Photography and the Metaphor of Sculpture.”

Adam Herring, professor of art history in the Meadows School of the Arts at Southern Methodist University in Dallas, Texas, has received a 2017 fellowship in fine-arts research from the John Simon Guggenheim Memorial Foundation.

Margaret Grace Innes, a doctoral candidate in the history of art and architecture at Harvard University in Cambridge, Massachusetts, has earned a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art from the American Council of Learned Societies. Her study is titled “Signs of Labor in the American Photographic Press, 1926–1951.”

Margarita Karasoulas, a doctoral student in art history at the University of Delaware in Newark, has accepted a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art from the American Council of Learned Societies. The award will help with “Mapping Immigrant New York: Race and Place in Ashcan Visual Culture.”

Marci Kwon, assistant professor in the Department of Art and Art History at Stanford University in Stanford, California, has received the McNeil Center’s 2017 Zuckerman Prize for best dissertation connecting American history with literature and/or art. The title of her study is “Vernacular Modernism: Joseph Cornell and the Art of Populism.”

Jenna Lucente, assistant professor of visual and performing arts at Salem Community College in Carneys Point, New Jersey, has been commissioned by New York’s Metropolitan Transportation Authority to design twenty-eight large-scale laminated glass panels at the newly opened Arthur Kill Station on the Staten Island Railway. The works, to be permanently installed, will feature a mix of wildlife and landscape scenes that are unique to the area’s geography and community.

Allison Joan Martino, a doctoral student in the history of art at the University of Michigan in Ann Arbor, has earned a 2017 Mellon/ACLS Dissertation Completion Fellowships from the American Council of Learned Societies. She is completing a study called “Stamping History: Stories of Social Change in Ghana’s Adinkra Cloth.”

Christina Michelon, a doctoral candidate in art history at the University of Minnesota, Twin Cities, has received a 2017 Henry Luce Foundation/ACLS Dissertation Fellowship in American Art from the American Council of Learned Societies. The funds will support her research project, “Interior Impressions: Printed Material in the Nineteenth-Century American Home.”

Laura Morowitz, professor in the Department of Art, Art History, and Film at Wagner College in Staten Island, New York, has received a 2017 National Endowment for the Humanities Summer Stipend. With the $6,000 funds, she will continue researching “Art Exhibitions in Vienna, Austria, during the Nazi Occupation.”

Christopher J. Nygren, assistant professor of history of art and architecture at the University of Pittsburgh in Pennsylvania, has won a 2017 ACLS Fellowship from the American Council of Learned Societies. His project is titled “Matter and Similitude in Italian Painting and the Transatlantic Renaissance.”

Sun-Young Park, assistant professor of history and art history at George Mason University in Fairfax, Virginia, has won a 2017 Summer Stipend from the National Endowment for the Humanities. She will use the $6,000 award to develop “A History of French Disability Architecture and Design, 1750–1975.”

Bissera V. Pentcheva, professor in the Department of Art History at Stanford University in Stanford, California, has accepted a 2017 fellowship in fine-arts research from the John Simon Guggenheim Memorial Foundation. Pentcheva has also won the 2017–18 Millicent Mercer Johnsen Post-Doctoral Rome Prize in medieval studies from the American Academy in Rome for “Animation in Medieval Art.”

Aviva Rahmani has earned a 2017 fellowship for socially engaged art from A Blade of Grass. She will become the inaugural ABOG Fellow for Contemplative Practice and create Blued Trees Symphony in prospective pipeline locations across the United States, in collaboration with scientists and attorneys involved in copyright, environmental policy, and real estate.

Valerie Rousseau, curator of self-taught art and art brut at the American Folk Art Museum in New York, has received a $50,000 grant from the National Endowment for the Humanities to digitize and create broad online access to the Henry Darger Papers.

Margaret Samu, an art historian based in New York, has been awarded a 2017 Franklin Research Grant from the American Philosophical Society. She will use the grant to conduct research in Saint Petersburg and Moscow on art collecting in eighteenth- and nineteenth-century Russia.

Carolee Schneemann , an artist based in Hudson Valley, New York, has won the Golden Lion for Lifetime Achievement at the fifty-seventh international art exhibition of La Biennale di Venezia – Viva Arte Viva.

Allie Terry-Fritsch, associate professor of art history at Bowling Green State University in Bowling Green, Ohio, has received a $6,000 Summer Stipend for 2017 from the National Endowment for the Humanities. Her research project is titled “Cosimo de’Medici, Fra Angelico, and the Public Library of San Marco.”

Anne Verplanck, associate professor of American studies at Pennsylvania State University in Harrisburg, has won a 2017 Summer Stipend from the National Endowment for the Humanities. With a $6,000 grant, she will develop “The Business of Art: Transforming the Graphic Arts in an Age of Mechanical Reproduction.”

Oliver M. Wunsch, a PhD student in the history of art and architecture at Harvard University in Cambridge, Massachusetts, has won a 2017 Mellon/ACLS Dissertation Completion Fellowships from the American Council of Learned Societies. His research project is titled “Painting against Time: The Decaying Image in the French Enlightenment.”