CAA News Today

Maryan Ainsworth, ed. Man, Myth, and Sensual Pleasures: Jan Gossart’s Renaissance; The Complete Works (New York: Metropolitan Museum of Art, in association with Yale University Press, 2010).

Maurice Berger. For All the World to See: Visual Culture and the Struggle for Civil Rights (New Haven, CT: Yale University Press, 2010).

Susan G. Figge and Jenifer K. Ward, eds. Reworking the German Past: Adaptations in Film, the Arts, and Popular Culture (Rochester, NY: Camden House, 2010).

Kenneth FitzGerald. Volume: Writings on Graphic Design, Music, Art, and Culture (New York: Princeton Architectural Press, 2010).

Gail Gelburd. Ajiaco: Stirrings of the Cuban Soul (New London, CT: Hispanic Alliance, 2010).

Wendy A. Grossman. Man Ray, African Art, and the Modernist Lens (Minneapolis: University of Minnesota Press, 2009).

Janet Koplos and Bruce Metcalf. Makers: A History of American Studio Craft (Chapel Hill: University of North Carolina Press, 2010).

Sumru Belger Krody, ed. Colors of the Oasis: Central Asian Ikats (Washington, DC: Textile Museum, 2010).

Theresa Papanikolas. Anarchism and the Advent of Paris Dada: Art and Criticism, 1914–1924 (Burlington, VT: Ashgate, 2010).

David Raskin. Donald Judd: Specifics (New Haven, CT: Yale University Press, 2010).

Julia Ballerini. The Stillness of Hajj Ishmael: Maxime Du Camp’s 1850 Photographic Encounters (New York and Bloomington, IN: iUniverse Publishers, 2010).

Anne Burkus-Chasson. Through a Forest of Chancellors: Fugitive Histories in Liu Yuan’s Lingyan ge, an Illustrated Book from Seventeenth-Century Suzhou (Cambridge, MA: Harvard University Asia Center, 2010).

Carol G. Duncan. A Matter of Class: John Cotton Dana, Progressive Reform, and the Newark Museum (Pittsburgh, PA: Gutenberg Periscope Publishing, 2010).

Aldona Jonaitis and Aaron Glass. The Totem Pole: An Intercultural History (Seattle: University of Washington Press, 2010).

Andreas Marks. Japanese Woodblock Prints: Artists, Publishers, and Masterworks, 1680–1900 (Rutland, VT: Tuttle, 2010).

Andreas Marks and Sonya Rhie Quintanilla, eds. Dreams and Diversions: Essays on Japanese Woodblock Prints from the San Diego Museum of Art (San Diego, CA: San Diego Museum of Art, 2010).

Peter Chametzky. Objects as History in Twentieth-Century German Art: Beckmann to Beuys (Berkeley: University of California Press, 2010).

Erina Duganne. The Self in Black and White: Race and Subjectivity in Postwar American Photography (Hanover, NH: Dartmouth College Press, in association with University Press of New England, 2010).

Michele Greet. Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920–1960 (University Park: Pennsylvania State University Press, 2009).

Matthew Landrus. Leonardo da Vinci’s Giant Crossbow (Heidelberg, Germany: Springer, 2010).

Maud Lavin. Push Comes to Shove: New Images of Aggressive Women (Cambridge, MA: MIT Press, 2010).

María Margarita Malagòn-Kurka. Arte como presencia indéxica. La obra de tres artistas colombianos en tiempos de violencia: Beatriz González, Oscar Muñoz y Doris Salcedo en la década de los noventa (Bogotá, Columbia: Ediciones Uniandes, 2010).

Heather Hyde Minor. The Culture of Architecture in Enlightenment Rome (University Park: Pennsylvania State University Press, 2010).

Mary B. Shepard, Lisa Pilosi, and Sebastian Strobl, eds. The Art of Collaboration: Stained-Glass Conservation in the Twenty-First Century (Turnhout, Belgium: Brepols, 2010).

Sandra Sider. Pioneering Quilt Artists, 1960–1980: A New Direction in American Art (New York: Photoart Publishing, 2010).

Richard A. Sundt. Whare Karakia: Maori Church Building, Decoration, and Ritual in Aotearoa New Zealand, 1834–1863 (Auckland, New Zealand: Auckland University Press, 2010).

John Willis, with an essay by Kent Nerburn and contributions by the Ogala Lakota people. Views from the Reservation (Chicago: Center for American Places and Columbia College Chicago, 2010).