posted by CAA — May 02, 2022
Materiality and Mediation: Global Conversations
Tuesday, 4th October 2022.
A virtual symposium convened by the CAA, the Design History Society, and the International Association of Word and Image Studies
To what extent are materiality and mediation useful foci in the study of design, word and image? What happens when we bring them together? How do materiality and mediation work in tandem as productive subjects of enquiry? What are the local, regional and international variations in the ways these foci are understood and engaged by design historians and those working in word and image studies?
This global collaborative project brings together three intersecting constituencies—art and design, design history, word and image studies—to examine the ways in which materiality and mediation intersect.
CAA invites nominations and self-nominations for individuals to serve on our Awards for Distinction, Publication Grant, Fellowship, and Travel and Support Grant juries. Terms begin July 2022.
Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2022. CAA’s president and vice president for committees appoint jury members for service. Materials are due to CAA by June 1, 2022.
Amanda Williams speaks at Convocation at CAA’s 108th Annual Conference in Chicago
AWARDS FOR DISTINCTION JURIES
CAA has vacancies in the following juries for the annual Awards for Distinction for three years (2022–2025). Terms begin in July 2022.
- The Alfred H. Barr Jr. Award/Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for museum scholarship (3 vacancies)
- Charles Rufus Morey Book Award for non-catalogue books in the history of art (2 vacancies)
- Frank Jewett Mather Award for art criticism (1 vacancy)
- Arthur Kingsley Porter Prize for Art Bulletin articles (2 vacancies)
- The CAA/American Institute for Conservation Award for Distinction in Scholarship and Conservation (2 vacancies)
- Jury for the Artist Award for Distinguished Body of Work, Distinguished Artist Award for Lifetime Achievement, and Distinguished Teaching of Art Award (1 vacancy)
- Jury for the Distinguished Teaching of Art History Award and the Distinguished Lifetime Achievement Award for Writing on Art (3 vacancies)
- Distinguished Feminist Awards for Scholars and Artists (1 vacancy)
PUBLICATION GRANT JURIES
CAA has vacancies on our Publication Grant juries for three years (2022–2025). Terms begin in July 2022.
- Millard Meiss Publication Fund (2 vacancies)
PROFESSIONAL DEVELOPMENT FELLOWSHIP JURIES
CAA has vacancies on our Professional Development Fellowship juries for three years (2022–2025). Terms begin in July 2022.
- Professional Development Fellowship in Art History (2 vacancies)
TRAVEL/SUPPORT GRANT JURIES
CAA has vacancies on our jury for three years (2022–2025). Terms begin in July 2022.
- CAA Support Grant in Memory of Archibald Cason Edwards, Senior, and Sarah Stanley Gordon Edwards (2 vacancies)
- Art History Fund for Travel to Special Exhibitions (2 vacancies)
HOW TO APPLY
Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and a CV (an abbreviated CV no more than two pages may be submitted). Please send all materials by email to Cali Buckley: email@example.com. Nominations must be sent as a Microsoft Word or Adobe PDF attachment.
For questions about jury service and responsibilities, contact firstname.lastname@example.org.
Deadline: June 1, 2022
CAA is pleased to announce the recipients of the 2021 Professional Development Fellowships. The recipient of the $10,000 fellowship in visual arts is Christine Lee, California Institute of the Arts and the recipient of the $10,000 fellowship in art history is Jenny Tang, Yale University. An honorable mention in visual arts goes to Malene Barnett, Temple University and an honorable mention in art history goes to Maia Nichols, University of California, San Diego. All fellows and honorable mentions receive a complimentary one-year CAA membership and registration for the 2022 Annual Conference.
2021 PROFESSIONAL DEVELOPMENT FELLOWSHIP IN VISUAL ARTS
Christine Lee, California Institute of the Arts
Christine Yerie Lee is a visual artist primarily working in video, installation and sculpture. Raised in the American South by immigrant parents from South Korea, her practice explores performativity and identity-formation, often using the body to articulate ideas concerning resistance to hegemonic power structures in hopes to create a future yet to be imagined or narrativized. By engaging with folklore, history, and pop culture, her work addresses personal and collective memory, hybridity, and authenticity. Her material explorations reflect the poetics informed by these notions and are often activated in her digital works. Through intersectional inquiry and worldbuilding, she aims to illuminate the distinct and parallel threads of the human experience to provide pathways for connection. Lee received a BFA in Apparel Design from Rhode Island School of Design in 2010 and worked as a fashion designer for a decade prior to graduate school. She currently resides in Los Angeles and will complete her MFA in Art at California Institute of the Arts in May 2021.
HONORABLE MENTION IN VISUAL ARTS
Malene Barnett, Temple University
Malene Barnett is a multi-disciplinary artist, entrepreneur, and authority on the cultural traditions and practices of art in the African diaspora and how it translates into her vision of the modern black experience. From her sculptural ceramic tiles and vessels to mixed media paintings to handwoven rugs, Barnett continues to evolve her craft and share her African heritage with a global audience. Using archival materials like glass, fiber and clay, she uncovers a deeper language of her legacy and an authentic understanding of her cultural identity. A passionate connector and expert ambassador, her mission is to use art as a tool to create community impact and open doors for the next generation of black artists and expand the conversation around marginalization in the arts and create greater opportunities for inclusion.
As the founder of the Black Artists + Designers Guild, a global platform and curated collective of independent black makers, she constantly seeks new ways to define the Black narrative and experience for a new generation while bringing awareness to inequality. Her work has been praised in Interior Design Magazine, New York Magazine, Traditional Home, Elle Decor, HGTV Magazine, Luxe + Design Magazine, and House Beautiful. She was also on the cover of Brownstoner Magazine and Wendy Goodman’s Designer Lives video series with New York Magazine’s The Cut. Her entrepreneurial spirit was captured in the NY Times bestselling book “In the Company of Women ” and Home by Hygge & West. She has appeared as a guest speaker on Morning Joe, MSNBC Your Business, and TEDx. Malene’s works have been exhibited at Museum of Science and Industry, Dallas African American Museum, Jane Hartsook Gallery, Mindy Solomon Gallery, Baltimore Clayworks, DAAP Galleries, and The Clay Studio.
2021 PROFESSIONAL DEVELOPMENT FELLOWSHIP IN ART HISTORY
Jenny Tang is a doctoral candidate in History of Art and Film & Media Studies at Yale University, where she specializes in modern and contemporary art, media, and visual culture of the Atlantic world. Tang’s dissertation combines original archival research and a feminist postcolonial perspective to show how layered twentieth-century regimes of race and citizenship in the United States shaped modernist imaginations of the body across the Atlantic. From photomontage and abstraction to security and confinement, this work recasts the history of modernism through the lens of Asian American and African American racial formation. In addition to her scholarly practice, Tang writes criticism on the cultural politics of art, film, and music. She has also contributed to exhibitions and programs at the Studio Museum in Harlem and the Museum of Modern Art, where she was a 2020-21 Mellon-Marron Research Fellow in the Department of Painting and Sculpture. At Yale, she co-organized the group exhibition New Genealogies with photographer John Edmonds at the Yale School of Art. Tang currently teaches foundational topics in art history in the Department of Art History and the Rose Hill Honors Program at Fordham University.
HONORABLE MENTION IN ART HISTORY
Maia Nichols, University of California, San Diego
Maia Nichols is a Lebanese American-Canadian doctoral candidate in art history, criticism and theory at University of California San Diego specializing in 20th century French and North African visual and material culture, postcolonial theory, and the history of social psychiatry. She holds degrees in psychology and visual art from the University of British Columbia in Vancouver and a masters in aesthetics and politics from the California Institute of the Arts. She additionally engages in art practice and has taught studio art drawing at UC San Diego. Her work has been exhibited internationally. Her art criticism has been published in venues such as Flash Art International, Hyperallergic, and Diagram. Her dissertation, researched in France with support from a four-year Canadian Social Sciences and Humanities Research Council Doctoral Fellowship, engages art historical visual and material culture methods and theories to consider the institutional history of French colonial North Africa’s progression to independence during the social psychiatry movement, drawing on a range of archival evidence of material culture and experience.
ABOUT THE PROFESSIONAL DEVELOPMENT FELLOWSHIP
CAA’s Professional Development Fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2022 fellowship cycle will be due December 15, 2022. Learn more.
posted by CAA — November 30, 2021
CAA has produced this reel with a compilation of events, scholarship, programs, and initiatives CAA from the last year. See below for a full list of each item (in order of appearance in the video) with links to learn more.
Publications and Publications Programming:
CAA’s 110th Annual Conference will take place in Chicago from February 17-19, followed by virtual live sessions to be held in Zoom from March 3-5. For more information and to register go to this link.
MEET THE GRANTEES
Since 2005, the Wyeth Foundation for American Art has supported the publication of books on American art through the Wyeth Foundation for American Art Publication Grant, administered by CAA. The 2021 grantees are:
- Emilie Boone, A Nimble Arc: James Van Der Zee and Photography, Duke University Press
- Sarah Cowan, Howardena Pindell: Reclaiming Abstraction, Yale University Press
- Elizabeth Hamilton, Charting the Afrofuturist Imaginary in African American Art: The Black Female Fantastic, Taylor & Francis
- Jacqueline Taylor, Amaza Lee Meredith Imagines Herself Modern: Architecture and the Black American Middle Class, The MIT Press
Read a list of all recipients of the Wyeth Foundation for American Art Publication Grant from 2005 to the present.
For the Wyeth Foundation for American Art Publication Grant, “American art” is defined as art created in the United States, Canada, and Mexico. Eligible for the grant are book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. The deadline for the receipt of applications is September 15 of each year.
Questions? Please contact Cali Buckley, Content Manager, Education and Intellectual Property, at email@example.com.
posted by CAA — November 15, 2021
On November 4, CAA had the privilege to host the digital event celebrating The Eye, the Hand, the Mind: 100 Years of the College Art Association. If you were unable to make it, please watch this recording of the event.
Published in 2010, this book documents and examines over a century of CAA’s history. The event features Susan Ball, editor of the publication, and author Julia Sienkewicz, who will discuss their contributions to the project and how topics and issues have shifted and changed in the last decade. A conversation between CAA CEO and Executive Director, Meme Omogbai, and art historian, Anne Higonnet, will reflect on these insights and CAA’s plans for the future. This conversation also will honor Robert L. Herbert, the dedicatee of the book, and will discuss how his legacy has impacted the field and so many at CAA.
Following this event, CAA will release a series of short videos from authors discussing their specific chapters within the book, including Julia A. Sienkewicz, Judith Brodsky, Ellen Levy, and Karen Leader. Their presentations will cover a range of topics concerning CAA’s history, from advocacy and feminist initiatives to CAA’s past exhibition programs and conferences.
About the book:
Susan Ball, editor. The Eye, the Hand, the Mind: 100 Years of the College Art Association (Rutgers University Press, 2011). Copies are available for purchase here.
In 1911 the College Art Association began with a small group of college art teachers whose single mission was to promote “art interests in all divisions of American colleges and universities.” One hundred years later the CAA, as it is commonly known, is as diverse as the decades that witnessed its maturity and growth. As leadership and membership grew dynamically, art and art history professors were joined by non-academic visual artists and art historians, museum professionals, art librarians, visual resource curators, independent scholars and artists, collectors, dealers, conservators, and non-college educators.
The Eye, the Hand, the Mind is a collaborative journey, filled with pictorial mementoes and enlivening stories and anecdotes. In these essays readers discover the important role CAA played in major issues in higher education such as curriculum development, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.
Celebrating the centennial of CAA members and milestones, Susan Ball and renowned contributors honor the organization’s complex history which, in part, also represents many learned societies and the humanities over the last one hundred years.
About the speakers:
Susan Ball, Ph.D.: Susan Ball edited The Eye, the Hand, the Mind. Ball holds a Ph.D. in art and architectural history from Yale University and holds over 35 years of professional experience – as a professor, scholar, museum professional and nonprofit agency director. Ball served as Interim Director of Programs at the New York Foundation for the Arts (NYFA). Prior, she was Executive Director at the College Art Association, Professor of Art History at the University of Delaware, the Director of Government and Foundation Affairs at the Art Institute of Chicago, and a consultant with the Shelley and Donald Rubin Foundation. As an author and editor, she has contributed significant works of scholarship in her field, such as The Profitable Artist: A Handbook for All Artists in the Literary, Media, Performing, and Visual Arts with Peter Cobb and Felicity Hogan (Allworth Press, 2011), and has served on many boards.
Julia A. Sienkewicz, PhD: In The Eye, the Hand, the Mind, Sienkewicz authored the chapter, “Uniting the Arts and the Academy: A History of the CAA Annual Conference.” Sienkewicz, an Associate Professor of Art History at Roanoke College, holds both an MA and PhD from the University of Illinois and a BA from Mt. Holyoke College. She is the author of Epic Landscapes: Benjamin Henry Latrobe and the Art of Watercolor (2019). Currently, she is at work on the monograph Forms of White Hegemony: Transnational Sculpture, Racialized Identity, and the Torch of Civilization, 1836-1865, research that has been recognized with the award of a Terra Foundation Fellowship at the American Academy in Rome. She recently edited a special issue of the Art History Pedagogy and Practice journal entitled, “Teaching and Learning the Art History of the United States.” Sienkewicz served in leadership roles at CAA for more than a decade, most recently concluding a term on the Board of Directors as the VP for Committees.
Anne Higonnet, Ph.D.: Anne Higonnet is now Professor of Art History at Barnard College of Columbia University. She received her BA from Harvard College in 1980 and her PhD from Yale University in 1988 under Robert Herbert. Her work has been supported by Getty, Guggenheim, and Social Science Research Council fellowships, as well as by grants from the Mellon, Howard and Kress Foundations. In 2019-2020 she was a Fellow at the Harvard-Radcliffe Institute. She has published many essays, five print books, and two book-scale digital projects, is a prize-winning teacher, and has lectured widely, including in the Live Arts program of the Met Museum. One of her courses, Clothing, is among the most popular at Barnard and Columbia. She is now writing a book under contract with Norton: Three Fashion Stars and the Revolution They Wore; Joséphine Bonaparte, Juliette Récamier, Térésia Tallien.
Meme Omogbai, CAA Executive Director and CEO: Before joining CAA, Omogbai served as a member and past board chair of the New Jersey Historic Trust, one of four landmark entities dedicated to preservation of the state’s historic and cultural heritage, and Montclair State University’s Advisory Board. Named one of 25 Influential Black Women in Business by The Network Journal, Meme has over twenty-five years of experience in corporate, government, higher education, and museum sectors. As the first American of African descent to chair the American Alliance of Museums (AAM), Omogbai led an initiative to rebrand the AAM as a global, inclusive alliance. While COO and trustee, she spearheaded a major transformation in operating performance at the Newark Museum. During her time as deputy assistant chancellor of New Jersey’s Department of Higher Education, Omogbai received legislative acknowledgment and was recognized with the New Jersey Meritorious Service award for her work on college affordability initiatives for families. Omogbai received her MBA from Rutgers University and holds a CPA. She did postgraduate work at Harvard University’s executive management program and has earned the designation of Chartered Global Management Accountant. She studied global museum executive leadership at the J. Paul Getty Trust Museum Leadership Institute, where she also served on the faculty.
posted by Allison Walters — September 13, 2021
Supporting excellence in the arts for over 100 years, CAA and its members are highly integrated into the fabric of art and its history, particularly in New York City. On September 1, 2021, CAA had the privilege to highlight its impact in an event featuring its distinguished awardees and partnerships. The event, an Inaugural Evening with CAA Distinguished Awardees and Artists, recognized the talent of CAA’s membership and reaffirmed CAA’s commitment and advocacy for scholars, artists, designers, teachers, young professionals, and many others.
Surrounded by recent artworks created by The League’s faculty members, CAA Executive Director and CEO Meme Omogbai introduced celebrated critic and curator Nicole R. Fleetwood. Fleetwood delivered a private presentation discussing her book and exhibition Marking Time: Art in the Age of Mass Incarceration, including detailed insights into the backstory and personal inspiration behind the important project. The book, published by Harvard University Press, unprecedently won both CAA’s Frank Jewett Mather and Charles Rufus Morey book awards in 2021. It was also reviewed across CAA’s publications, including The Art Bulletin, Art Journal, and caa.reviews. Fleetwood’s book accompanies a groundbreaking exhibition that began at MoMA PS1 in 2020 and continues to travel; it will open on September 17 at the Abroms-Engel Institute for the Visual Arts at the University of Alabama at Birmingham and be on view through December 11, 2021.
The reception also commended CAA’s Outstanding Leadership in Philanthropy Award recipient, the Samuel H. Kress Foundation. The Samuel H. Kress Foundation has supported CAA in its mission for over 60 years, through programs in art history and, more recently, digital transformation. With support from the Samuel H. Kress Foundation, CAA’s new strategic focus on digital initiatives will bridge history, scholarship, and accessibility to better serve all segments of its constituency, especially underprivileged audiences.
The Art Students League of New York graciously hosted CAA for this event. Like CAA, The League is an organization with a long history of promoting the arts and education. Indeed, CAA and The League have been highly integrated into the fabric of art and its history in New York City and have been closely intertwined, collaborating on several events and initiatives dating back to at least the 1950s.
Located west of The League, the site-specific exhibition Re:Growth, A Celebration of Art, Riverside Park, and the New York Spirit, curated by Karin Bravin, included several artists from the CAA community: current CAA Board Member Dahlia Elsayed, former Board President DeWitt Godfrey, and CAA member Jean Shin. While the weather prevented a group walk-through of the exhibition, Elsayed spoke to attendees about the unique exhibition, her sculpture in the show, and its significance.
Altogether, the evening underscored CAA’s wide reach and impact in the arts and the talent of its members. As the largest international organization of arts professionals, CAA has a vital mission to promote the visual arts and their understanding through intellectual engagement, commitment to diversity, and advocacy. This upcoming year will provide opportunities to celebrate several milestones in this mission. CAA’s next virtual event in November 2021, will celebrate the 10-year anniversary of the publication of CAA’s seminal history, The Eye, the Hand, the Mind: 100 Years of the College Art Association. In February 2022, CAA will host its first hybrid Annual Conference in Chicago and online; registration will open in October.
posted by CAA — July 23, 2021
We’re pleased to announce the appointment of two new editors for CAA publications: Christy Anderson, was selected to be Editor-in-Chief of The Art Bulletin. Balbir Singh will take the post as Reviews Editor of Art Journal. They begin their three-year terms July 1, 2022. Learn more about their work below.
Christy Anderson | Incoming Editor-in-Chief of The Art Bulletin
Christy Anderson is an architectural historian with a special interest in the buildings of Renaissance and Baroque Europe. Professor Anderson has taught at Yale University, the Courtauld Institute, MIT, and the University of Toronto. At Yale she received a Morse Faculty Fellowship as well as numerous teaching prizes. She received her Ph.D. from the School of Architecture at the Massachusetts Institute of Technology. As a Kress Fellow at the Courtauld Institute of Art and later as a Research Fellow at Worcester College, Oxford University, she studied the annotations made by the English architect Inigo Jones (1573–1652) in his collection of treatises and humanist literature. This work on literacy, architectural language, and the construction of the professional architect appeared in her book Inigo Jones and the Classical Tradition (Cambridge, 2006).
Balbir Singh | Incoming Reviews Editor of Art Journal
Balbir Singh’s scholarship focuses on the convergence of racial, gendered, and religious embodiment, with migration and policing under violent conditions of imperial and domestic security technologies. She is at work on her first book, “Militant Bodies: Violence and Visual Culture under Islamophobia,” which is rooted in questions that center post-9/11 racial and religious hyper-policing of Muslims and Sikhs, especially as they relate to bodily comportment and the donning of religious garments. Additionally, she is beginning research on a second book project — “Whose Terror? Vexed Attachments and the Contradictions of Freedom.”
posted by CAA — July 19, 2021
We’re delighted to announce fourteen scholars have been awarded Terra Foundation for American Art Research Travel Grants in 2021.
These grants provide support to doctoral, postdoctoral, and senior scholars from both the US and outside the US for research topics dedicated to the art and visual culture of the United States prior to 1980.
International Research Travel Grants for US-based Scholars
Thomas Busciglio-Ritter, The University of Delaware, “‘The Union of Excellences’: An Atlantic History of Early American Landscape Views (1790–1860)”
Ann Tartsinis, Stanford University, “Modernism in Pieces: Transatlantic Visual Culture Between the Wars”
Postdoctoral & Senior Scholars
Caroline Riley, Boston University, “Thérèse Bonney’s Photography: The Politics of Art, the Body,and War from 1920–1970”
Nadia Sethi, University of Washington, “Alaska Native Cultural Belongings held in Museums in Estonia, Finland and Sweden”
Kay Wells, University of Wisconsin-Milwaukee, “Uncanny Revivals: Designing Early America during the Rise of Fascism”
International Research Travel Grants to the United States
Max Böhner, Humboldt-Universität zu Berlin, Germany, “Twilight Aesthetics: Queer Visual Culture in the United States Between 1945 and 1969”
Sarah Happersberger, Justus-Liebig-Universität Giessen, Germany, “Connection, Community, Kinship, Network: Women Artists Performing Togetherness in the Long 1970s”
Jacqueline Mabey, University College London, England, “This Must Be the Place: Mapping Artistic Kinship and Economic Change in Downtown New York, 1973–1987”
Ana Gabriela Rodriguez, The Courtauld Institute of Art, England, “Tracing Puerto Rican Graphic Arts: Bridging Workshops and Crossing Borders, 1940s –1970s”
Frances Varley, The Courtauld Institute of Art, England, “Identity, Provincialism and Modernism in the US and Britain from a Comparative Perspective, c. 1870–1914”
Wen Yao, The University of York, England, “A Travelling Surrealist: Mobility and Representation in Stella Snead’s Paintings, Photographs and Collages Made in the US (1940–1980)”
Postdoctoral & Senior Scholars
Dafne Cruz Porchini, Universidad Nacional Autónoma de México, “Jean Charlot: A French Artist in the United States and Mexico (1921–1944)”
Maria Stavrinaki, Université Paris I Panthéon–Sorbonne, France, “‘After History’: Variations on a Theme in the Art and Thought of the 1950s–1960s”
Emily Warner, Independent Scholar, “Abstraction Unframed: Abstract Murals at Midcentury”
CAA is pleased to announce the recipient of the 2020 Professional Development Fellowships. The recipient of the $10,000 fellowship in visual art is Ana Maria Farina, SUNY New Paltz. A fellowship in art history was not awarded this year.
The honorable mention in visual art is awarded to Sabrina Pastard, Columbia College Chicago. All fellows and honorable mentions receive a complimentary one-year CAA membership and registration for the 2022 Annual Conference in Chicago.
2020 PROFESSIONAL DEVELOPMENT FELLOWSHIP IN VISUAL ARTS
Ana Maria Farina, SUNY New Paltz
Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that inhabit a mystical pictorial space between abstraction and representation.
Ana Maria was born and raised in Brazil and is now based in the Hudson Valley, New York. She received her masters degree in Art and Art Education from Columbia University in 2016, and in 2018 she was awarded a fellowship to the New York Foundation for the Arts Immigrant Artist Mentoring Program. In 2019, she received a scholarship to attend the MFA program at SUNY New Paltz, where she also served as the Visiting Artist Director and Instructor of Record. Ana’s work has been featured in many spaces throughout New York and she has upcoming exhibitions at the Wassaic Project, the Garrison Art Center, the Dorsky Museum, among others.
HONORABLE MENTION IN VISUAL ART
Sabrina Pastard, Columbia College Chicago
Sabrina Pastard is a visual artist who works with the poetics in the meta of the mundane. Often balancing her visuals on the borderline of familiarity and the abject, safety and crisis. Her multidisciplinary practice ranges in medium from ready-made sculptures and abstract prints to conceptual writings and poetry. Each new work invites an intellectual intimacy from the viewer as it inquires to the status of our assumed lives and societal taboos. Pastard was raised in St. Louis, MO and received her B.A. in studio art from George Fox University. She currently resides in Chicago and will complete her MFA at Columbia College Chicago in May 2021.
ABOUT THE PROFESSIONAL DEVELOPMENT FELLOWSHIP
CAA’s Professional Development Fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2021 fellowship cycle will be due December 15, 2021. Learn more.