College Art Association

CAA News Today

Solo Exhibitions by Artist Members

posted by February 15, 2017

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Midwest

Jane Alden Stevens. Alice F. and Harris K. Weston Art Gallery, Cincinnati, Ohio, February 10–April 2, 2017. The Thread in the River. Photography.

West

Alfred J. Quiroz. University of Arizona Museum of Art, Tucson, Arizona, October 22, 2016–January 22, 2017. The Presidential Series. Painting.

 

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People in the News

posted by February 15, 2017

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Academe

Deborah Bright has retired from her position as chair of the Department of Fine Arts at Pratt Institute in Brooklyn, New York, to pursue her art practice. Bright previously served as interim dean of fine arts at the Rhode Island School of Design in Providence, where she also chaired the Photography Department and was a tenured professor.

Museums and Galleries

Camille Ann Brewer, formerly executive director of the Black Metropolis Research Consortium at the University of Chicago in Illinois, has been appointed curator of contemporary textile art at the George Washington University Museum and the Textile Museum, both in Washington, DC.

Heather Campbell Coyle, curator of American art for the Delaware Art Museum in Wilmington, has been promoted to chief curator at her institution.

Betsy Fahlman has become adjunct curator of American art at the Phoenix Art Museum in Arizona. She will divide her time between the museum and Arizona State University’s Herberger Institute for Design and the Arts in Tempe, where she has served as a professor of art history for more than twenty-eight years.

Anna Mecugni has left her position as curator and coordinator of academic programming for the Newcomb Art Museum at Tulane University in New Orleans, Louisiana.

Organizations and Publications

Robin Veder, formerly associate professor of humanities, art history, and visual culture at Pennsylvania State University in Harrisburg, has been appointed executive editor of American Art, the journal of the Smithsonian American Art Museum in Washington, DC.

 

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Institutional News

posted by February 15, 2017

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

The Getty Research Institute in Los Angeles, California, has acquired the archive of the artist, writer, curator, and scholar Harmony Hammond. The donation includes correspondence, photographs, original source material for her art, professional papers, publication drafts, editioned prints, original artwork, files, and a slide registry devoted to lesbian artists.

The Harvard Art Museums in Cambridge, Massachusetts, have been awarded a $506,000 grant from the Andrew W. Mellon Foundation to establish a new Summer Institute for Technical Studies in Art. The program, designed for graduate students from art-history programs across North America who are interested in broadening their experience with object-focused technical inquiry, methodologies, and instruction, will begin in June 2017.

The Harvard Art Museums in Cambridge, Massachusetts, have received a $1 million gift from a Harvard Business School alumnus, Ken Hakuta, to establish the Hakuta Family Endowment Fund, enabling the creation of the Nam June Paik Fellowship at the Harvard Art Museums. Hakuta is the nephew of the pioneering artist Nam June Paik.

John Cabot University in Rome, Italy, has inaugurated a new MA program in art history to begin in fall 2017. Accredited by the Middle States Commission on Higher Education, the degree is the first US-accredited master’s degree in the history of art based entirely in Rome. The program can be completed in approximately fifteen months of full-time study.

The Pennsylvania Academy of the Fine Arts in Philadelphia has received a generous $500,000 gift from Julie Jensen Bryan and Robert Bryan to name the PAFA Printmaking Shop. This transformative commitment ensures that printmaking will remain one of the school’s core artistic disciplines.

The Princeton University Art Museum in Princeton, New Jersey, has posted to its website more than five thousand images and related photographic material by the seminal American modernist Minor White. The two-year digitization and cataloging project, funded in part by the Institute of Museum and Library Services, provides online access for the first time to the most significant photographic content of the Minor White Archive, which includes finished prints, artist’s proof cards, and bibliographic history.

The Smithsonian American Art Museum in Washington, DC, has surpassed its campaign goals for both financial gifts and significant art gifts, amassing a combined total of $105 million with more than one year remaining in the campaign. The $65 million cash goal was exceeded by $3 million, funds supporting the Renwick Gallery renovation, an education center for the museum’s National Historic Landmark building, and the museum’s endowments. The campaign will continue through 2017 with a focus on additional artworks and endowments to support curatorial, technology, and education initiatives.

 

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Grants, Awards, and Honors

posted by February 15, 2017

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Tatiana Flores, associate professor in the Department of Art History at Rutgers University in New Brunswick, New Jersey, with a joint appointment in the Department of Latino and Caribbean Studies, has won a 2016 award from the Arts Writers Grant Program, coordinated by Creative Capital and the Andy Warhol Foundation for the Visual Arts. Her grant will support a book, titled Art and Visual Culture under Chávez.

Marina Kassianidou, an artist and writer based in Boulder, Colorado, has received a $25,000 award from the Joan Mitchell Foundation’s 2016 Painters and Sculptors Grant Program.

Beili Liu, an artist based in Austin, Texas, has accepted a $25,000 grant from the Joan Mitchell Foundation through the 2016 Painters and Sculptors Grant Program.

Christina Michelon, a doctoral candidate in art history at the University of Minnesota, Twin Cities, has received a $8,500 project grant via the 2016–17 Craft Research Fund, supervised by the Center for Craft, Creativity, and Design. The funds will support a dissertation focused on print’s relationship to domestic craft and interior design from 1830 to 1890.

Anya Montiel, a PhD student in American studies at Yale University in New Haven, Connecticut, has accepted a $4,500 project grant from the Center for Craft, Creativity, and Design through the 2016–17 Craft Research Fund. The funds will support dissertation research on government-funded basketry, pottery, and woodworking craft workshops in the 1960s and 1970s among the Florida Seminole, Mississippi Choctaw, and North Carolina Cherokee.

Klaus Ottmann, deputy director for curatorial and academic affairs at the Phillips Collection in Washington, DC, has been conferred the insignia of chevalier of the Order of Arts and Letters by Bénédicte de Montlaur, cultural counselor of the French Embassy in New York, on behalf of the French government.

Betsy Redelman, a student pursuing an MFA in craft studies at the Oregon College of Art and Craft in Portland, has received a $3,705 graduate research grant from the Center for Craft, Creativity, and Design through the 2016–17 Craft Research Fund. The award will support thesis research on the neglected history of indigenous women potters in San Marcos Tlapaola, a small pueblo in Oaxaca, Mexico.

Margaret Samu, a freelance art historian based in New York, has been awarded the 2016 Mary Zirin Prize for independent scholarship from the Association for Women in Slavic Studies.

Maureen G. Shanahan, professor of history of art for the School of Art, Design, and Art History at James Madison University in Harrisonburg, Virginia, has received a Fulbright Award for research in France from March to June 2017. The grant, entitled “World War I and the Colonial Legacy: Sites of Memory, Traces of Forgetting,” will support two projects: planning for a conference on the representation of the colonial subject during and after WWI; and archival research on a monograph, tentatively entitled Silence, Surveillance, and Psychiatry: Gaëtan Gatian de Clérambault and the French Colonial Subject (1914–34).

Andrew Uroskie, director of graduate studies for the MA/PhD program in art history and criticism at Stony Brook University in Stony Brook, New York, has won a 2016 award from the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts. The grant will support his book, titled The Kinetic Imaginary: Robert Breer and the Animation of Postwar Art.

Laura A. L. Wellen, a writer and curator based in Houston, Texas, has earned a 2016 award from the Arts Writers Grant Program, coordinated by Creative Capital and the Andy Warhol Foundation for the Visual Arts. The grant will support a blog called Piedrín.

Soyoung Yoon, program director and assistant professor of art history and visual studies in the Department of the Arts at the New School’s Eugene Lang College of Liberal Arts in New York, has received a 2016 awards via the Arts Writers Grant Program, supervised by Creative Capital and the Andy Warhol Foundation for the Visual Arts. The funds will support an article titled “The Evidence of Things Not Heard: On Mendi + Keith Obadike’s Numbers Station.”

 

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Exhibitions Curated by CAA Members

posted by February 15, 2017

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

 

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Books Published by CAA Members

posted by February 15, 2017

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Mónica Amor. Theories of the Nonobject: Argentina, Brazil, Venezuela 1944–1969 (Oakland: University of California Press, 2016).

Robert Craig Bunch. The Art of Found Objects: Interviews with Texas Artists (College Station: Texas A&M University Press, 2016).

Tal Dekel. Transnational Identities: Women, Art, and Migration in Contemporary Israel (Detroit: Wayne State University Press, 2016).

Georgina G. GluzmanTrazos invisibles. Mujeres artistas en Buenos Aires (1890–1923) (Buenos Aires: Editorial Biblos, 2016).

Sabine T. Kriebel and Andrés Mario Zervigón, eds. Photography and Doubt (New York: Routledge, 2017).

John LearPicturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940 (Austin: University of Texas Press, 2017).

Jeff RosenJulia Margaret Cameron’s “Fancy Subjects”: Photographic Allegories of Victorian Identity and Empire (Manchester: Manchester University Press, 2016).

Maureen G. Shanahan and Ana María Reyes, eds. Simón Bolívar: Travels and Transformations of a Cultural Icon (Gainesville: University Press of Florida, 2016).

Lawrence WaldronHandbook of Ceramic Animal Symbols in the Ancient Lesser Antilles (Gainesville: University Press of Florida, 2016).

 

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Solo Exhibitions by Artist Members

posted by December 15, 2016

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2016

Midwest

Stacy Leeman. Sharon Weiss Gallery, Columbus, Ohio, September 1–25, 2016. Vermont Meditations. Painting.

Northeast

Jerry Meyer. Denise Bibro Fine Arts, New York, September 15–October 29, 2016. Very Long Distance. Installation.

South

Sue Johnson. Martha and Robert Fogelman Galleries of Contemporary Art, University of Memphis, Memphis, Tennessee, September 16–November 11, 2017. Sue Johnson: Home of Future Things. Installation.

Beauvais Lyons. Ridderhof Martin Gallery, University of Mary Washington, Fredericksburg, Virginia, October 27–December 4, 2016. The Association for Creative Zoology. Lithography and installation.

West

Margi Weir. Central Features Gallery, Albuquerque, New Mexico, October 15–November 19, 2016. Bang! Bang! Mixed media.

 

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People in the News

posted by December 15, 2016

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2016

Academe

Jacki Apple has retired from Art Center College of Design in Pasadena, California, after thirty-three years of teaching in the Humanities and Sciences Department, where she served as a faculty-elected codirector in the absence of a chair from 2012 to 2014.

Kathryn Bunn-Marcuse has accepted a tenure-track position at the University of Washington in Seattle. She will hold a joint appointment as assistant professor in the Division of Art History and curator of Northwest Native American art at the Burke Museum.

Faye Raquel Gleisser has been appointed assistant professor of art history in the Henry Radford Hope School of Fine Arts at Indiana University in Bloomington.

Morten Steen Hansen has become a lecturer in the Division of Art History at the University of Washington in Seattle.

Dan Paz has been appointed lecturer by the University of Washington in Seattle for the Division of Art’s program in interdisciplinary visual arts.

Richard J. Powell has stepped down as dean of humanities at Duke University in Durham, North Carolina. He will remain John Spencer Bassett Professor of Art and Art History.

Kate Roberts has been appointed lecturer in Division of Art’s 3D4M program for ceramics, glass, and sculpture at the University of Washington in Seattle.

David Yager has been inaugurated as president of University of the Arts in Philadelphia. He joined the school last year after serving as dean of the Arts Division and distinguished professor of art at the University of California, Santa Cruz.

Museums and Galleries

Birgitta Augustin has left her position as associate curator of Asia art and acting head of the Department of the Arts of Asia and the Islamic World at the Detroit Institute of Arts in Michigan.

Meredith Dean, previously an administrator for the Association of Art Museum Curators, has joined the Museum of Modern Art in New York as development assistant for exhibition and program funding.

Kevin Dumouchelle has joined the Smithsonian Institution’s National Museum of African Art as curator. Previously he oversaw the African and Pacific Islands collections at the Brooklyn Museum in New York.

Erin Hanas, formerly academic programs coordinator at Duke University’s Nasher Museum of Art in Durham, North Carolina, has become associate curator of academic programs for the Institute for Contemporary Art at Virginia Commonwealth University in Richmond.

Lehti Keelmann has been appointed assistant curator of Western art at the University of Michigan Museum of Art in Ann Arbor, where she will oversee the collection of European art spanning the medieval period through the twentieth century.

Abraham Thomas, previously director of the Sir John Soane’s Museum in London, England, has been named Fleur and Charles Bresler Curator-in-Charge at the Smithsonian American Art Museum’s Renwick Gallery in Washington, DC.

 

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Institutional News

posted by December 15, 2016

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2016

The Archives of American Art, part of the Smithsonian Institution in Washington, DC, has received a three-year grant of up to $900,000 from the Walton Family Foundation to support the ongoing digitization of the archives’ collection, enabling the organization to double its current rate. The Archives of American Art is obliged to match the grant, to be given in three installments.

The Archives of American Art, part of the Smithsonian Institution in Washington, DC, has announced a long-term partnership with the Terra Foundation for American Art to support the digitization of the archives’ collections. Terra has made a $4.5 million commitment, $4 million of which is a challenge grant to be matched by the Smithsonian, to seed an endowment for ongoing digitization. The remaining $500,000 will provide operating support for the current digitization program.

California State University, Long Beach, has received a grant from the Graham Foundation to support an exhibition, Robert Irwin: Site Determined, at the University Art Museum.

The Getty Research Institute in Los Angeles, California, has acquired the archive of the artist, writer, curator, and scholar Harmony Hammond. The donation includes correspondence, photographs, original source material for her art, professional papers, publication drafts, editioned prints, original artwork, files, and a slide registry devoted to lesbian artists.

The Metropolitan Museum of Art in New York has reaffirmed its long-term cooperative partnership with the Ministry of Culture of the Government of India by renewing a Memorandum of Understanding for five additional years.

The Metropolitan Museum of Art in New York has been named the world’s top museum in TravelAdvisor’s Travelers’ Choice Awards, based on the quality and quantity of reviews and ratings over a twelve-month period, for the second year in a row.

The Museum of Modern Art in New York has received a grant from the Graham Foundation to support an exhibition, Frank Lloyd Wright at 150: Unpacking the Archive, scheduled for June 12–October 1, 2017.

Parsons School of Design in New York has opened the Parsons Making Center at the New School, a hub for a network of making spaces that provide university students with state-of-the-art tools to design projects in a range of disciplines.

Princeton University Art Museum in Princeton, New Jersey, has received a $150,000 Museums for America grant from the Institute of Museum and Library Services to support the ongoing Collections Discovery Initiative, designed to ensure that Princeton’s Asian art collection ­can be shared with the broadest possible audiences, especially with scholars and researchers. The grant will allow the museum to enhance and standardize the cataloguing of its Asian art holdings, develop rich educational materials, and restructure its Asian art microsite into an in-depth sustainable resource with an innovative new interface.

The Smithsonian American Art Museum in Washington, DC, has launched Renwick Gallery WONDER 360, an immersive 360-degree virtual-reality app for Apple and Android mobile devices. The app allows audiences to explore the entirety of the museum’s 2015–16 exhibition WONDER, presented at its Renwick Gallery, in 3D; it also expands the visitor experience through emerging technologies and is the first virtual-reality mobile app the Smithsonian has offered.

The Society of Architectural Historians, based in Chicago, Illinois, has received a grant from the Graham Foundation to support a public program, a half-day seminar on “Making and Re-Making Glasgow: Heritage and Sustainability,” at its upcoming conference in Scotland.

The University of Houston in Texas has created a new College of the Arts, comprising the School of Art, the Moores School of Music, the School of Theatre and Dance, the Blaffer Art Museum, the Cynthia Mitchell Woods Center for the Arts, the Center for Arts Leadership, and the Graduate Program for Arts Management.

The Winterthur Museum, Garden, and Library in Winterthur, Delaware, has received a $110,759 grant from the Institute of Museum and Library Services for a project on preventive care for metal objects, which Winterthur deems its highest conservation treatment priority.

 

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Grants, Awards, and Honors

posted by December 15, 2016

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2016

Devon Baker, a PhD student in art history at Temple University in Philadelphia, Pennsylvania, has been awarded a 2016–17 Jane and Morgan Whitney Fellowship by the Metropolitan Museum of Art in New York. She will conduct research for her dissertation, which explores print culture in Renaissance Lombardy, using printmaking to examine larger themes of mobility, north-south exchange, and transmateriality.

Amy Beecher, an artist based in New York and Providence, Rhode Island, has received a fall 2016 fellowship from the MacDowell Colony in Peterborough, New Hampshire, in the interdisciplinary artist category.

Daniella Berman, a doctoral candidate at New York University’s Institute of Fine Arts, has been awarded a 2016–17 Theodore Rousseau Fellowship by the Metropolitan Museum of Art to work on her dissertation, which considers the unfinished history paintings of the French Revolution and identifies an emergent aesthetic of “unfinishedness” developed by artists in response to the shifting sociopolitical landscape.

Douglas Brine, associate professor of art history at Trinity University in San Antonio, Texas, has accepted a 2016–17 J. Clawson Mills Scholarship at the Metropolitan Museum of Art in New York to undertake research and writing for his book project, “The Art of Brass in the Burgundian Netherlands: Makers, Markets, Patrons, Products.”

Emily Casey, a PhD candidate in art history at the University of Delaware in Newark, has been given a Sylvan C. Coleman and Pam Coleman Memorial Fund Fellowship for 2016–17 by the Metropolitan Museum of Art in New York. She will examine representations of oceanic space in American art and material culture to show how colonial and early national identities were constructed in relation to these.

Joshua Cohen, assistant professor at City College, City University of New York, has received a 2016–17 Jane and Morgan Whitney Fellowship from the Metropolitan Museum of Art to complete a book that tracks modernist appropriations of African sculpture by European and African artists between 1905 and 1980.

Joelle Dietrick, assistant professor of art and digital studies at Davidson College in Davidson, North Carolina, has accepted a Pollock-Krasner Foundation award to support her studio production during the 2016–17 academic year before she goes to Hamburg, Germany, for her Fulbright Global Award (April–July 2017). As part of the Fulbright, Dietrick will travel to Santiago, Chile, and Hong Kong, China, during the next two winter breaks.

Brad Hostetler, who earned a PhD in art history last year at Florida State University in Tallahassee, has been awarded a 2016–17 Jane and Morgan Whitney Fellowship from the Metropolitan Museum of Art in New York to complete revisions for a book project, “Enshrining Sacred Matter: The Form, Function, and Meaning of Reliquaries in Byzantium, 843–1204.”

Amy Huang, a doctoral candidate in the history of art and architecture at Brown University in Providence, Rhode Island, and an adjunct lecturer for Boston University in Massachusetts, has received a 2016–17 Jane and Morgan Whitney Fellowship from the Metropolitan Museum of Art in New York. She will research visual modes of remembrance in Chinese paintings through seventeenth-century Nanjing and investigate how memory operated through texts, images, and historic sites.

Frances Jacobus-Parker, a PhD student in art and archaeology at Princeton University in Princeton, New Jersey, has been given a Jane and Morgan Whitney Fellowship for 2016–17 by the Metropolitan Museum of Art in New York, where he will work on the first comprehensive study of the oeuvre of the pivotal American artist Vija Celmins.

Samuel Johnson, who earned his PhD in the history of art and architecture at Harvard University in Cambridge, Massachusetts, in 2015, has been awarded a Leonard A. Lauder Fellowship by the Metropolitan Museum of Art in New York. In 2016–17 Johnson will study the effects of the papiers collés of Georges Braques and Pablo Picasso on the photographs of El Lissitzky, László Moholy-Nagy, and Man Ray.

Anna Jozefacka, an adjunct professor at Hunter College, City University of New York, has been awarded a 2016–17 Leonard A. Lauder Fellowship by the Metropolitan Museum of Art to conduct research on Cubism’s relationship to the evolution of modern architectural and interior design in the first three decades of the twentieth century.

Julia McHugh, a doctoral student in art history at the University of California, Los Angeles, has accepted a Douglass Foundation Fellowship in American Art for 2016–17 from the Metropolitan Museum of Art in New York to work on her dissertation, which examines the ways in which patrons used tapestries and other textiles to adorn interiors, both domestic and sacred, in seventeenth- and eighteenth-century Peru.

Patricia Miranda, an artist, curator, educator, and founder of MAPSpace, a gallery in Port Chester, New York, has completed an October 2016 residency at I-Park Residency in East Haddam, Connecticut.

Jiha Moon, an artist who lives and works in Atlanta, Georgia, has received a 2016 Artadia Award.

Elyse Nelson, a PhD candidate in the history of art at New York University’s Institute of Fine Arts, has been given a Jane and Morgan Whitney Fellowship by the Metropolitan Museum of Art. During 2016–17 she will work on a dissertation that explores the Italian neoclassical sculptor Antonio Canova’s renewed relationship with his British patrons after Napoleon’s defeat in 1814.

Giulia Paoletti, a core lecturer at Columbia University in New York, has been awarded a 2016–17 Andrew W. Mellon Postdoctoral Curatorial Fellowship by the Metropolitan Museum of Art to research and assist with the development and preparation for a planned reinstallation and renovation of the African art galleries.

John Richardson, professor of art and chair of the James Pearson Duffy Department of Art and Art History at Wayne State University in Detroit, Michigan, has received the 2016 Lifetime Achievement Award from the Mid America College Art Association.

Miriam Said, a doctoral student in the history of art at the University of California, Berkeley, has accepted a 2016–17 Frances Markoe Fellowship by the Metropolitan Museum of Art in New York to explore material-based mechanisms of ritual affect as it was manifested in and between the Near East and Greece in the first millennium BC.

John A. Tyson, a recent recipient of a PhD in art history from Emory University in Atlanta, Georgia, has joined the National Gallery of Art in Washington, DC, as a 2016–17 participant in the fellowship and internships program. He will assist the Department of Modern Art with research for the upcoming Rachel Whiteread retrospective and lead tours in the newly reinstalled East Building permanent and special exhibition galleries.

Aaron Wile, a PhD candidate in the history of art and architecture at Harvard University in Cambridge, Massachusetts, has accepted a Chester Dale Fellowship from the Metropolitan Museum of Art in New York. During 2016–17 he will complete his dissertation, “Painting, Authority, and Experience at the Twighlight of the Grand Siècle, 1690–1721,” and begin transforming it into a book manuscript, consulting materials at the museum.

Katharine Wright, who earned her PhD in art history at the Institute of Fine Arts, New York University, in 2015, has been awarded an Andrew W. Mellon Curatorial Research/Collections Specialist Fellowship for 2016–17 by the Metropolitan Museum of Art to catalogue the Department of Modern and Contemporary Art’s collection of American modernism.

Tara Zanardi, an associate professor at Hunter College, City University of New York, has accepted a 2016–17 Jane and Morgan Whitney Fellowship from the Metropolitan Museum of Art to research the Porcelain Room at the Royal Palace in Aranjuez, a tour-de-force in its implementation and display of porcelain, the interior exemplifies Charles III’s innovative artistic and political strategies at court.

 

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