College Art Association

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Exhibitions Curated by CAA Members

posted by October 15, 2016

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

October 2016

 

Books Published by CAA Members

posted by October 15, 2016

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

October 2016

Anastasia AukemanWelcome to Painterland: Bruce Conner and the Rat Bastard Protective Association (Oakland: University of California Press, 2016).

Michael Corris. Leaving Skull City: Selected Writings on Art (Dijon, France: Les Presses du réel, 2016).

Wayne Franits, ed. The Ashgate Research Companion to Dutch Art of the Seventeenth Century (New York: Routledge, 2016).

Peter J. Holliday. American Arcadia: California and the Classical Tradition (New York: Oxford University Press, 2016).

Sharon Louden. The Artist as Cultural Producer: Living and Sustaining a Creative Life (Bristol, UK: Intellect Books, 2017).

Adair Margo and Melissa Renn. Tom Lea, Life Magazine, and World War II (El Paso, TX: Tom Lea Institute, 2016).

Craig McDaniel and Jean Robertson. Spellbound: Rethinking the Alphabet (Bristol, UK: Intellect Books, 2016).

Christina Bryan Rosenberger. Drawing the Line: The Early Work of Agnes Martin (Oakland: University of California Press, 2016).

Laura E. Smith. Horace Poolaw, Photographer of American Indian Modernity (Lincoln: University of Nebraska Press, 2016).

Nicholas Stanley-Price, Mary K. McGuigan, and John F. McGuigan Jr. At the Foot of the Pyramid: 300 Years of the Cemetery for Foreigners in Rome (Bonn: Arbeitskreis selbständiger Kultur-Institute, 2016).

Linda Stein, ed. Holocaust Heroes: Fierce Females; Tapestries and Sculpture by Linda Stein (Philadelphia: Old City Publishing, 2016).

Meiqin WangUrbanization and Contemporary Chinese Art (New York: Routledge, 2016).

 

Solo Exhibitions by Artist Members

posted by August 15, 2016

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2016

Midwest

Paul Catanese. Sidney R. Yates Gallery, Chicago Cultural Center, Chicago, Illinois, July 9–September 27, 2016. Visible from Space. Installation.

South

Mokha Laget. Museum of Geometric and MADI Art, Dallas, Texas, July 29–October 30, 2016. Mokha Laget: Color into Space. Painting and lithography.

 

People in the News

posted by August 15, 2016

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2016

Academe

Jeff Bellantoni has left his position as vice president for academic affairs at the Ringling College of Art and Design in Sarasota, Florida.

Tamara Brantmeier has resumed teaching and research duties as professor of art, after serving as director of the School of Art and Design at the University of Wisconsin, Stout, in Menomonie, Wisconsin.

Kimberly Callas, formerly executive director of the Belfast Creative Coalition in Belfast, Maine, has taken a tenure-track position in the Department of Art and Design at Monmouth University in West Long Branch, New Jersey.

Frank L. Chance, associate director for academics at the University of Pennsylvania’s Center for East Asian Studies in Philadelphia, has retired.

Alexis Clark, a lecturer in the Department of Art History at the University of Southern California in Los Angeles, has accepted a visiting assistant professorship in art history and visual culture at Denison University in Granville, Ohio.

Mia Reinoso Genoni, formerly John B. Madden Dean of Berkeley College and lecturer in the history of art and humanities at Yale University in New Haven, Connecticut, has become dean of Westhampton College and associate dean of the School of Arts and Sciences at the University of Richmond in Virginia.

Glenn J. Hild, a professor of painting and drawing and interim dean of the College of Arts and Humanities at Eastern Illinois University in Charleston, has retired.

Arnold Kemp, associate professor and chair of the Department of Painting and Printmaking at Virginia Commonwealth University in Richmond, has been named dean of graduate studies for the School of the Art Institute of Chicago in Illinois. He has also joined the school’s Department of Painting and Sculpture as a professor.

Donna Moran has been appointed dean of the School of Art and Design at Pratt Institute’s campus in Utica, New York, called the Munson-Williams-Proctor Arts Institute.

Michael Wille, professor of art at Illinois State University in Normal, has been named director of his college’s School of Art. He had previously served as interim director since 2014.

Museums and Galleries

Lucinda Barnes, chief curator and director of programs at the Berkeley Art Museum and Pacific Film Archive in California, has retired.

Peter Nisbet, chief curator of the University of North Carolina’s Ackland Art Museum in Chapel Hill, has ended his service as interim director. The new director began work in July.

Halona Norton-Westbrook, associate curator of contemporary art and head of visitor engagement at the Toledo Museum of Art in Ohio, has been appointed to the newly created position of director of collections.

Nicole Simpson has joined the Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, as assistant curator of prints and drawings.

Organizations and Publications

Mariët Westermann has been promoted to executive vice president for programs and research at the Andrew W. Mellon Foundation, based in New York.

 

Institutional News

posted by August 15, 2016

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2016

The American Institute for Conservation of Historic and Artistic Works, based in Washington, DC, has received a comprehensive financial analysis and capacity building financial support from the Andrew W. Mellon Foundation through a four-year pilot initiative, organized in collaboration with the National Performance Network/Visual Artists Network and Nonprofit Finance Fund.

The Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, DC, has posted audio and video of the sixty-fifth A. W. Mellon Lectures in the Fine Arts. In a six-part series titled “The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280,” the art historian Vidya Dehejia of Columbia University discusses the work of artists of Chola India who created exceptional bronzes of the god Shiva.

The Cincinnati Art Museum in Cincinnati, Ohio, has accepted a five-year, $500,000 donation from the Harold C. Schott Foundation to strengthen the museum’s special exhibitions and related programming.

Columbus State University in Columbus, Georgia, has created the Bo Bartlett Center as the result of a public/private partnership dedicated to the arts, creativity, and collaboration. Opening in late 2017, the center will feature a gallery, archive, and multidisciplinary programming spaces.

The Detroit Institute of Arts in Michigan has been given a $1 million pledge to its operating endowment from the Founders Junior Council. The Egyptian gallery will be named the Founders Junior Council Gallery in recognition of the promised gift.

Getty Publications, based in Los Angeles, California, has launched two new online catalogues highlighting antiquities in the collections of the J. Paul Getty Museum, providing free access to these works online and in a variety of downloadable formats.

The Getty Research Institute in Los Angeles, California, has launched an updated version of the Getty Research Portal, which now offers more than 100,000 volumes available from over twenty international partners. Launched in 2012, the Getty Research Portal is an online search gateway that aggregates the metadata of art-history and cultural texts, with links to fully digitized copies that are free to download.

The Solomon R. Guggenheim Museum in New York has received a major grant from the Edmond de Rothschild Foundation to support Guggenheim Social Practice, a new initiative that will explore the ways in which artists can initiate projects that engage community participants, together with the museum, to foster new forms of public engagement.

Maryland Institute College of Art in Baltimore has received a $75,000 award from the National Endowment for the Arts to support the North Avenue Knowledge Exchange, an educational platform developed with Red Emma’s Bookstore Coffeehouse and Station North Arts and Entertainment. Centered in the Station North Arts and Entertainment District and open to all, the Knowledge Exchange will provide opportunities for neighborhood residents to learn from each other and to work on projects that improve the community through art, design, and creativity.

The Minneapolis Institute of Art in Minnesota has unveiled a series of new digital initiatives designed to augment and personalize visitors’ experiences within and beyond the museum’s galleries. From innovative mobile apps that facilitate a customized journey through the museum to in-depth multimedia explorations of treasured artworks—as well as new features on the museum’s website—these new digital platforms will allow visitors to more deeply engage with the institute’s collection and create shared art experiences in unprecedented ways.

Oklahoma State University in Stillwater has won a $15,000 grant from the National Endowment for the Arts to support an exhibition of artwork and related programming centered on female deities in Native American creation stories. The exhibition will be held September 2016–January 2017 at the Oklahoma State University Museum of Art.

The Pennsylvania Academy of the Fine Arts in Philadelphia has created a curatorial fellowship dedicated to enhancing diversity ranks among curators in the fine arts. The Winston and Carolyn Lowe Curatorial Fellowship for Diversity in the Fine Arts is a full-time, two-year position that will offer a highly mentored and structured curatorial experience at the academy.

The Princeton University Art Museum in Princeton, New Jersey, has won a $50,000 grant from the National Endowment for the Arts to support Nature’s Nation: American Art and Environment, an exhibition, publication, and companion programming that will explore the evolving human understanding of, and relation to, the natural world.

The Society of Architectural Historians, based in Chicago, Illinois, has been awarded a $205,000 outright and matching grant from the National Endowment for the Humanities to commission new content and site enhancements to SAH Archipedia, a media-rich online encyclopedia of American architecture developed by SAH in collaboration with the University of Virginia Press.

The University of Oklahoma in Norman has accepted a $40,000 grant from the National Endowment for the Arts to support the commissioning and exhibition of photographs of the state’s Native American community by the contemporary Navajo artist Will Wilson. The exhibition, to open in spring 2017, will be held at the university’s Fred Jones Jr. Museum of Art.

The Winterthur Museum, Garden, and Library in Wilmington, Delaware, has accepted a $35,000 grant recommendation from the National Endowment for the Arts to digitize 1,500 important works of art on paper. The project is part of a Winterthur initiative to thoroughly document its collection, upgrade its cataloguing content, and provide broad access through the museum’s collection website.

 

Grants, Awards, and Honors

posted by August 15, 2016

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2016

Paul Catanese, director of the interdisciplinary arts and media MFA program at Columbia University Chicago in Illinois, has embarked on a three-month residency at the Chicago Cultural Center’s Sidney R. Yates Gallery.

Ruth Ezra, a doctoral candidate in the Department of History of Art and Architecture at Harvard University in Cambridge, Massachusetts, has accepted a 2016–17 Henry Moore Institute Visiting Research Fellowship. She will work on “Eliding Sculpture and Plane in German Art, 1490–1523.”

Chiara Fabi from the City Council of Milan in Italy has been chosen as a short-term research scholar by the Smithsonian American Art Museum in Washington, DC. She will continue researching “American Sculptors in Italy, 1911–1949.”

Christine Göttler, professor of history of early modern art at the University of Bern in Switzerland, has completed a fellowship in residence at the Netherlands Institute for Advanced Study in the Humanities and Social Sciences in Amsterdam.

Mary Beth Heffernan, professor of art in the Department of Art and Art History at Occidental College in Los Angeles, California, has become an artist in residence at the Huntington Library, Art Collections, and Botanical Gardens in San Marino.

Patricia A. Johnston, chair of Department of Visual Arts at College of the Holy Cross in Worcester, Massachusetts, has been awarded a Terra Foundation Senior Fellowship in American Art for the 2016–17 academic year by the Smithsonian American Art Museum in Washington, DC. Her project is titled “Art and Global Knowledge in Early America.”

Kelly Kaczynski, an artist and lecturer for the School of the Art Institute of Chicago in Illinois, has been awarded a 2015 biennial grant from the Louis Comfort Tiffany Foundation in the amount of $20,000.

Margarita Karasoulas, a doctoral candidate in the Department of Art History at the University of Delaware in Newark, has received the Douglass Foundation Predoctoral Fellowship in American Art from the Smithsonian American Art Museum in Washington, DC. She will work on “Mapping Immigrant New York: Race and Place in Ashcan Visual Culture” during the 2016–17 academic year.

R. Tess Korobkin, a graduate student in the Department of the History of Art at Yale University in New Haven, Connecticut, has earned a 2016–17 predoctoral fellowship from the Smithsonian American Art Museum in Washington, DC. Her project is called “Sculptural Bodies of the Great Depression.”

Laurette E. McCarthy, an independent scholar based in Indianapolis, Indiana, has been named George Gurney Senior Fellow for 2016–17 at the Smithsonian American Art Museum in Washington, DC. She will research “Anarchists, Mormons, Blue Bloods, and the Armory Show: Sculpting America.”

Helina Metaferia, an interdisciplinary artist, has been placed at the San Francisco Art Institute in California for a second consecutive year as part of the Post-Graduate Teaching Fellowship program, organized by the Association of Independent Colleges of Art and Design. She will teach in the school’s New Genres program in fall 2016.

Alexander Nemerov, Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities and chair of the Department of Art and Art History at Stanford University in Stanford, California, has been tapped to give the sixty-sixth annual A. W. Mellon Lectures in the Fine Arts at the National Gallery of Art in Washington, DC. His series of talks, “The Forest: America in the 1830s,” will take place in spring 2017.

Joshua O’Driscoll, assistant curator in the Department of Medieval and Renaissance Manuscripts at the Morgan Library and Museum in New York, has received the prestigious Paul Clemen Prize, which promotes the study of art from Germany’s Rhineland area. O’Driscoll’s submission, in the form of his 2015 doctoral dissertation on illuminated manuscripts produced in Cologne around the year 1000, is the first English-language study to receive the award.

Corey Piper, a PhD candidate in art history in the University of Virginia’s McIntire Department of Art in Charlottesville, has been appointed a 2016–17 Wyeth Foundation Predoctoral Fellow by the Smithsonian American Art Museum in Washington, DC. Her project is called “Animal Pursuits: Hunting and the Visual Arts in Nineteenth-Century America.”

William L. Pressly, professor emeritus of art history for the University of Maryland in College Park, has become a 2016–17 senior fellow at the Smithsonian American Art Museum in Washington, DC. He will research “America’s Paper Money: A Canvas for an Emerging Nation.”

Sheryl E. Reiss, president of the Italian Art Society and former editor-in-chief of caa.reviews, has become the Sixteenth Century Society and Conference Fellow at the Newberry Library in Chicago, Illinois, for spring 2017. Her project is titled “A Portrait of a Medici Maecenas: Giulio de’ Medici (Pope Clement VII) as Patron of Art.”

Fabiola Martínez Rodríguez, coordinator of art history for Saint Louis University in Madrid, Spain, has been selected as a short-term research scholar by the Smithsonian American Art Museum in Washington, DC.

James Rosenow, a PhD candidate in the Department of Cinema and Media Studies at the University of Chicago in Illinois, has been named a 2016–17 predoctoral fellow by the Smithsonian American Art Museum in Washington, DC. His research topic is “‘For God’s Sake Don’t Call It Art’: The 1930s American Laboratory and Its Film Experiments.”

Claudia Sbrissa, professor of art and design at St. John’s University in Jamaica, New York, has accepted an artist’s fellowship from the Institute of Culture Brazil Italy Europe in Salvador, Bahia, Brazil, for July and August 2016.

Emily Thames, a graduate student in the Department of Art History at Florida State University in Tallahassee, has been named Joe and Wanda Corn Predoctoral Fellow at the Smithsonian American Art Museum in Washington, DC. During the 2016–17 academic year, she will research “The Life and Art of José Campeche: Enlightenment, Reform, and Identity in Late Eighteenth-Century Puerto Rico.”

Sajda van der Leeuw from the University of Oxford in England has been appointed Terra Foundation Predoctoral Fellow in American Art by the Smithsonian American Art Museum in Washington, DC. During the 2016–17 academic year, she will work on “Earth in Focus: The Origins of Land Art through the Lens of Photography and Film.”

Nancy L. Wicker, professor of art history at the University of Mississippi, has been named Allen W. Clowes Fellow by the National Humanities Center in Research Triangle Park, North Carolina. Between September 2016 and May 2017, Wicker will work on a project focusing on the roles of people—patrons, artists, consumers, and subjects—in Viking art.

Nancy L. Wicker, professor of art history at the University of Mississippi, has been awarded a Digital Humanities Start-Up Grant by the National Endowment for the Humanities, codirected with colleagues at the Catholic University of America and the University of Virginia. The grant will support pilot implementation of Project Andvari, an online portal that will aggregate digital collections of northern European early medieval art.

Hannah Yohalem, a graduate student in the Department of Art and Archeology at Princeton University in Princeton, New Jersey, has been awarded a 2016–17 predoctoral fellowship from the Smithsonian American Art Museum in Washington, DC. Her research project is called “The Johns Device: Bodies, Words, and Objects in Jasper Johns’s Art, 1954–1968.”

 

Exhibitions Curated by CAA Members

posted by August 15, 2016

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2016

Anne Collins Goodyear, Jonathan Frederick Walz, and Kathleen Merrill Campagnolo. This Is a Portrait If I Say So: Identity in American Art, 1912 to Today. Bowdoin College Museum of Art, Bowdoin College, Brunswick, Maine, June 25–October 23, 2016.

Alexandra Keiser. Archipenko: A Modern Legacy. Faulconer Gallery, Grinnell College, Grinnell, Iowa, September 30–December 11, 2016.

Valentina Locatelli. Without Restraint: Works by Mexican Women Artists from the Daros Latinamerica Collection. Kunstmuseum Bern, Bern, Switzerland, June 3–October 23, 2016.

Gloria Williams. Drawing, Dreaming and Desire: Works on Paper by Sam Francis. Norton Simon Museum, Pasadena, California, April 8–July 25, 2016.

 

Books Published by CAA Members

posted by August 15, 2016

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2016

Hala Auji. Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (Leiden, the Netherlands: Brill, 2016).

Norman M. Klein and Margo Bistis. The Imaginary 20th Century (Karlsruhe, Germany: ZKM | Center for Art and Media Karlsruhe, 2016).

Valentina Locatelli, ed. Without Restraint: Works by Mexican Women Artists from the Daros Latinamerica Collection (Berlin: Hatje Cantz, 2016).

Neil McWilliam, Constance Moréteau, and Johanne Lamoureux, eds. Histoires sociales de l’art: Une anthologie critique (Dijon, France: Les Presses du réel, 2016). 2 vols.

Derek Conrad Murray. Queering Post-Black Art: Artists Transforming African-American Identity after Civil Rights (London: I. B. Tauris, 2016).

 

Solo Exhibitions by Artist Members

posted by June 15, 2016

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2016

Midwest

Ruthann Godollei. Concordia University Gallery, Saint Paul, Minnesota, February 29–April 1, 2016. Dissent. Prints and installation.

Jen P. Harris. Legion Arts CSPS Hall, Cedar Rapids, Iowa, April 7–July 3, 2016. Ghost Prairie. Painting installation.

Northeast

Gail Gregg. Luise Ross Gallery, New York, April 14–May 27, 2016. All That Glitters. Mixed media.

Joe Lewis. The Phatory, New York, May 1–22, 2016. Mutant Monkey Business. Installation.

Michael Rich. Atrium Gallery, Providence Art Club, One Financial Plaza, Providence, Rhode Island, April 15–July 15, 2016. Painting.

John Richardson. Causey Contemporary Gallery, New York, June 9–July 10, 2016. Fragments. Drawing, prints, and sculpture.

Mira Schor. Lyles & King, New York, March 18–April 24, 2016. Death Is a Conceptual Artist. Painting and drawing.

Linda Stein. Flomenhaft Gallery, New York, April 28–July 14, 2016. Holocaust Heroes: Fierce Females. Tapestry and sculpture.

South

Kyra Belán. Art Gallery, Broadway Palm Dinner Theatre, Fort Myers, Florida, April 6–May 14, 2016. Magical Paradise. Painting.

West

Linda Stein. Bronfman Family Jewish Community Center, Santa Barbara, California, March 3–29, 2016. Holocaust Heroes: Fierce Females. Tapestry and sculpture.

 

People in the News

posted by June 15, 2016

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

June 2016

Academe

Susan Cohen has left her position as director of the Council for the Arts at the Massachusetts Institute of Technology in Cambridge, which she led for ten years.

Kris Ebeling, formerly assistant director of enrollment management for the Art Academy of Cincinnati in Ohio, has joined the exhibit crew at the Cincinnati Museum Center.

Alison Hardie, senior lecturer in Chinese studies at the University of Leeds in England, has retired.

Larry Hinz has stepped down from his position as president of the Santa Fe University of Art and Design in Santa Fe, New Mexico.

Mark Hoversten, currently dean of the College of Art and Architecture at the University of Idaho in Moscow, has been appointed dean of the College of Design at North Carolina State University in Raleigh. Hoversten will start his new job on July 1.

Patricia C. Phillips, dean of graduate studies at the Rhode Island School of Design in Providence, has been appointed chief academic officer and academic dean of the Moore College of Art and Design in Philadelphia, Pennsylvania. She will begin her new position on July 1.

Charlie White, professor of fine art in the Roski School of Art and Design at the University of Southern California in Los Angeles, has become head of the School of Art at Carnegie Mellon University in Pittsburgh, Pennsylvania.

Museums and Galleries

Judy Ditner has been appointed Richard Benson Assistant Curator of Photography and Digital Media at the Yale University Art Gallery in New Haven, Connecticut.

Laura Fry, the inaugural Haub Curator of Western American Art for the Tacoma Museum of Art in Tacoma, Washington, has joined the Gilcrease Museum in Tulsa, Oklahoma, as curator of art.

Francesca Giani, guest curator for the University of Oklahoma’s Fred Jones Jr. Museum of Art in Norman, has been named curator of modern and contemporary art at the Oklahoma City Museum of Art.

Christine Giviskos, associate curator for the Zimmerli Art Museum at Rutgers University in New Brunswick, New Jersey, has been promoted to curator of prints, drawings, and European art.

Sarah Johnson has been appointed director of the Cahoon Museum of American Art in Cotuit, Massachusetts.

Hannah Klemm, formerly Fisher Collection Graduate Curatorial Fellow at the San Francisco Museum of Modern Art in California, has joined the Saint Louis Art Museum in Missouri as assistant curator of modern and contemporary art.

Brett Knappe, formerly associate professor of art history at Baker University in Baldwin City, Kansas, has been appointed executive director of the Albrecht-Kemper Museum of Art in Saint Joseph, Missouri.

Robert Mintz, previously chief curator and curator of Asian art at the Walters Art Museum in Baltimore, Maryland, has joined the Asian Art Museum of San Francisco in California as deputy director of art and programs.

Jennifer Stettler Parsons has become the new assistant curator at the Florence Griswold Museum in Old Lyme, Connecticut.

John R. Stomberg, formerly Florence Finch Abbott Director of the Mount Holyoke College Art Museum in South Hadley, Massachusetts, has become director for Dartmouth College’s Hood Museum of Art in Hanover, New Hampshire.

Martha Tedeschi, previously deputy director for art and research at the Art Institute of Chicago in Illinois, has been appointed Elizabeth and John Moors Cabot Director of the Harvard Art Museums in Cambridge, Massachusetts.

Jacqueline Terrassa, managing museum educator for gallery and studio programs at the Metropolitan Museum of Art in New York since 2011, has become the new Woman’s Board Endowed Chair of Museum Education at the Art Institute of Chicago in Illinois.

Julia Tulovsky, associate curator for Rutgers University’s Zimmerli Art Museum in New Brunswick, New Jersey, has been promoted to curator of Russian and Soviet Nonconformist Art.

Jonathan Frederick Walz has left his position as curator of American art at the University of Nebraska’s Sheldon Museum of Art in Lincoln.

Claire Whitner has been promoted to assistant director of curatorial affairs and senior curator of collections at Wellesley College’s Davis Museum in Wellesley, Massachusetts.

Organizations and Publications

Jenny Norton-Wright has left her position at the Islamic Manuscript Association, based in Cambridge, England.