Wyeth Publication Grant
Past Winners
Below is a list of all past recipients of the Wyeth Foundation for American Art Publication Grant. The program supports book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.
2011
Amanda Carlson and Robin Poynor, Africa in Florida: 500 Years of African Presence in the Sunshine State,University Press of Florida
Mary Coffey, Mexican Muralism and the “Philanthropic Ogre”: How a Revolutionary Art Became Official Culture, Duke University Press
Mónica Domínguez Torres, Military Ethos and Visual Culture in Post-Conquest Mexico, Ashgate
Tatiana Flores, From Estridentismo to ¡30-30!: The Historical Avant-Gardes of Post-Revolutionary Mexico, Yale University Press
Sue Rainey, Harry Fenn’s Career in Art: Creating a World on Paper, University of Massachusetts Press
2010
Marianne Kinkel. Races of Mankind: The Sculptures of Malvina Hoffman (Champaign: University of Illinois Press, 2011).
Analisa Leppanen-Guerra, Children’s Stories and “Child-Time” in the Works of Joseph Cornell and the Transatlantic Avant-Garde (Burlington, VT: Ashgate, 2011).
Leo G. Mazow, Thomas Hart Benton and the American Sound (University Park: Pennsylvania State University Press, forthcoming).
Maurie D. McInnis, Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade (Chicago: University of Chicago Press, 2011).
Marian Wardle, ed., The Weir Family, 1820–1920: Expanding the Traditions of American Art (Lebanon, NH: University Press of New England, 2011).
2009
Hiroko Ikegami, The Great Migrator: Robert Rauschenberg and the Global Rise of American Art (Cambridge, MA: MIT Press, 2010).
Kevin D. Murphy, Jonathan Fisher of Blue Hill, Maine: Commerce, Culture, and Community on the Eastern Frontier (Amherst: University of Massachusetts Press, 2010).
David Raskin, Donald Judd (New Haven: Yale University Press, 2010).
Alison Syme, A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-Siècle Art (University Park: Pennsylvania State University Press, 2010).
2008
Carol Clark, Charles Deas and 1840s America (Norman: University of Oklahoma Press, 2009).
William Innes Homer, ed., The Paris Letters of Thomas Eakins (Princeton: Princeton University Press, 2009).
Anna Indych-López, Muralism without Walls: Rivera, Orozco, and Siqueiros in the United States, 1927–1940 (Pittsburgh: University of Pittsburgh Press, 2009).
Kirk Savage, Monument Wars: Washington, D.C., the National Mall, and the Transformation of the Memorial Landscape (Berkeley: University of California Press, 2009).
Kristina Wilson, The Modern Eye: Stieglitz, MoMA, and the Art of the Exhibition, 1925–1934 (New Haven: Yale University Press, 2009).
2006
Jennifer A. Gonzalez, Subject to Display: Reframing Race in Contemporary Installation Art (Cambridge, MA: MIT Press, 2008).
Mary N. Woods, Beyond the Architect’s Eye: Photographs and the American Built Environment (University Park: University of Pennsylvania Press, 2009).
2005
M. Elizabeth Boone, Vistas de España: American Views of Art and Life in Spain, 1860–1914 (New Haven: Yale University Press, 2007).
Claire Farago and Donna Pierce, Transforming Images: New Mexican Santos in-between Worlds (University Park: Pennsylvania State University Press, 2006).
Julia B. Rosenbaum, Visions of Belonging: New England Art and the Making of American Identity (Ithaca, NY: Cornell University Press, 2006).
