Skip Navigation

College Art Association

Programs » CAA Publishing Grants

Past Winners

Below is an alphabetical list, by author’s last name, of past recipients of the Millard Meiss Publication Fund. The fund supports book-length scholarly manuscripts in the history of art and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.

Meiss Recipients, 1975–2016

Abrams, Ann Uhry, The Valiant Hero: Benjamin West and Grand-Style History Painting, Smithsonian Institution Press, 1985

Aitken, Molly Emma, The Intelligence of Tradition in Rajput Court Painting, Yale University Press, 2010

Akcan, Esra, Architecture in Translation: Germany, Turkey, and the Modern House, Duke University Press, 2012

Ames, Eric, Carl Hagenbeck's Empire of Entertainments, University of Washington Press, 2009

Amor, Monica,Theories of the Nonobject: Argentina, Brazil, Venezuela, 1944–1968, University of California Press, 2016

Anderson, Benjamin, Cosmos and Community in Early Medieval Art,, Yale University Press, 2017

Anger, Jenny, Paul Klee and the Decorative in Modern Art, Cambridge University Press, 2004

Armi, C. Edson, Masons and Sculptors in Renaissance Burgundy: The New Aesthetic of Cluny III, Pennsylvania State University Press, 1983

Armstrong, Lilian, Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, Harvey Miller, 1981

Arnar, Anna, The Book as Instrument: Stéphane Mallarmé, the Artist’s Book, and the Transformation of Print Culture, University of Chicago Press, 2010

Atac, Mehmet-Ali, The Mythology of Kingship in Neo-Assyrian Art, Cambridge University Press, 2014

Auther, Elissa, String, Felt, Thread: The Hierarchy of Art and Craft in American Art, University of Minnesota Press, 2009

Avcioglu, Nehabat, Turquerie and the Politics of Representation, 1737–1876, Ashgate, 2011

Azarpay, Guitty, Sogdian Painting: The Pictorial Epic in Oriental Art, University of California Press, 1981

Bailey, Gauvin, Art on the Jesuit Missions in Asia and Latin America, 1542–1773, University of Toronto Press, 1999

Bal, Mieke, Quoting Caravaggio: Contemporary Art, Preposterous History, University of Chicago Press, 1999

Ballon, Hilary, Louis Le Vau: Mazarin’s Collège, Colbert’s Revenge, Princeton University Press, 1999

Ballon, Hilary, The Paris of Henri IV: Architecture and Urbanism, Architectural History Foundation, 1991

Bambach Cappel, Carmen, Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300–1600, Cambridge University Press, 1999

Barbieri-Low, Anthony Jerome, Artisans in Early Imperial China, University of Washington Press, 2007

Barnes, Carl F., The Portfolio of Villard de Honnecourt (Paris, Bibliothèque nationale de France, MS Fr 19093): A New Critical Edition and Color Facsimile, Ashgate, 2009

Barriault, Anne B., Spalliera Paintings of Renaissance Tuscany: Fables of Poets for Patrician Homes, Pennsylvania State University Press, 1994

Bartman, Elizabeth, Portraits of Livia: Imaging the Imperial Woman in Augustan Rome, Cambridge University Press, 1999

Bass, Laura, The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain, Pennsylvania State University Press, 2008

Bass, Marisa Anne, Jan Gossart and the Invention of Netherlandish Antiquity, Princeton University Press, 2016

Bedell, Rebecca, The Anatomy of Nature: Geology and American Landscape Painting, 1825–1875, Princeton University Press, 2002

Belozerskaya, Marina, Rethinking the Renaissance: Burgundian Arts across Europe, Cambridge University Press, 2012

Benjamin, Roger, Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930, University of California Press, 2003

Bent, George, Public Painting and Visual Culture in Early Republican Florence, Cambridge University Press, 2016

Berdini, Paolo, The Religious Art of Jacopo Bassano: Painting as Visual Exegesis, Cambridge University Press, 1997

Berger, Harry, Jr., Fictions of the Pose: Rembrandt against the Italian Renaissance, Stanford University Press, 2000

Berger, Harry, Jr., Manhood, Marriage, and Mischief: Rembrandt’s Night Watch and Other Dutch Group Portraits, Fordham University Press, 2007

Berger, Patricia, Empire of Emptiness: Buddhist Art and Political Authority in Qing China, University of Hawai‘i Press, 2002

Berger, Robert W., The Palace of the Sun: The Louvre of Louis XIV, Pennsylvania State University Press, 1993

Bergman, Robert P., Salerno Ivories: Ars Sacra from Medieval Amalfi, Harvard University Press, 1980

Bissel, R. Ward, Artemesia Gentileschi and the Authority of Art: Critical Reading and Catalogue Raisonné, Pennsylvania State University Press, 1998

Bissell, R. Ward, Orazio Gentileschi and the Poetic Tradition in Caravaggesque Painting, Pennsylvania State University Press, 1981

Black, Charlene Villaseñor, Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire, Princeton University Press, 2006

Blair, Sheila, Islamic Calligraphy, University of Edinburgh Press, 2006

Blier, Suzanne Preston, African Vodun: Art, Psychology, and Power, University of Chicago Press, 1995

Blier, Suzanne, The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression, Cambridge University Press, 1987

Bloch, Amy R., Lorenzo Ghiberti’s “Gates of Paradise”: Humanism, History, and Artistic Philosophy in the Italian Renaissance, Cambridge University Press, 2016

Boeck, Elena, Imagining the Byzantine Past: The Perception of History in the Illustrated Manuscripts of Skylitzes and Manasses, Cambridge University Press, 2015

Boime, Albert, A Social History of Modern Art, vol. 1, Art in an Age of Revolution, 1750–1800, University of Chicago Press, 1987

Boone, Elizabeth Hill, Cycles of Time and Meaning in the Mexican Books of Fate, University of Texas Press, 2007

Boone, Elizabeth Hill, Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs, University of Texas Press, 2000

Bowen, Karen, and Dirk Imhof, Christopher Plantin and Engraved Book Illustrations in Sixteenth-Century Europe, Cambridge University Press, 2008

Braun, Emily, Mario Sironi and Italian Modernism: Art and Politics under Fascism, Cambridge University Press, 2000

Braun, Marta, Picturing Time: The Work of Etienne-Jules Marey, 1830–1904, University of Chicago Press, 1992

Brennan, Marcia, Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics, MIT Press, 2001

Brittenham, Claudia, The Murals of Cacaxtla: The Power of Painting in Ancient Central Mexico, University of Texas Press, 2015

Brown, Claudia, Great Qing: Painting in China, 1644–1911, University of Washington Press, 2014

Brown, Clifford, Isabella d’Este and Lorenzo da Pavia: Documents for the History of Art and Culture in Renaissance Mantua, Librairie Droz S.A., 1982

Brown, Rebecca, Displaying Time: The Many Temporalities of the Festival of India, University of Washington Press

Brown, Robert L., The Dvaravati Wheels of the Law and the Indianization of South East Asia, E. J. Brill, 1996

Brummett, Palmira, Mapping the Ottomans: Sovereignty, Territory, and Identity in the Early Modern Mediterranean, Cambridge University Press, 2015

Bruzelius, Caroline, The Stones of Naples: Church Building in the Angevin, Italy, 1266–1343, Yale University Press, 2004

Bryan-Wilson, Julia, Fray: Art and Textile Politics since the 1970s, University of Chicago Press

Burns, Dorothea, The Invention of Pastel Painting, Archetype Publications, 2007

Burns, Sarah, Painting the Dark Side: Art and the Gothic Imagination in Nineteenth-Century America, University of California Press, 2006

Camille, Michael, The Gargoyles of Notre Dame: Medievalism and the Monsters of Modernity, University of Chicago Press, 2009

Campbell, Stephen, Cosmè Tura of Ferrara: Style, Politics, and the Renaissance City, 1450–1495, Yale University Press, 1997

Carroll, Margaret, Painting and Politics in Northern Europe: Van Eyck, Bruegel, Rubens, and Their Contemporaries, Pennsylvania State University Press, 2008

Casid, Jill, Sowing Empire: Landscape and Colonization, University of Minnesota Press. 2004

Caviness, Madeline Harrison, Princeton University Press

Chatterjee, Paroma, The Living Icon in Byzantium and Italy: The Vita Image, Eleventh to Thirteenth Centuries, Cambridge University Press, 2014

Childs, Elizabeth, Vanishing Paradise: Art and Exoticism in Colonial Tahiti, University of California Press, 2013

Cikovsky, Nicolai, Jr., Lectures on the Affinity of Painting with the Other Fine Arts by Samuel F. B. Morse, University of Missouri Press, 1983

Clapp, Anne de Coursey, The Painting of T’ang Yin, University of Chicago Press, 1991

Clayson, Hollis, Paris in Despair: Art and Everyday Life Under Siege (1870–1871), University of Chicago Press, 2002

Cohen, Charles E., The Art of Giovanni Antonio da Pordenone: Between Dialect and Language, Cambridge University Press, 1996

Cohen, Sarah, Art, Dance, and the Body in French Culture of the Ancien Régime, Cambridge University Press, 2000

Colantuono, Anthony, and Steven F. Ostrow, eds., Critical Perspectives on Roman Baroque Sculpture, Pennsylvania State University Press, 2014

Connolly, Daniel, The Maps of Matthew Paris: Medieval Journeys through Space, Time, and Liturgy, Boydell and Brewer, 2009

Cooler, Richard M., The Karen Bronze Drums of Burma: Types, Iconography, Manufacture, and Use, E. J. Brill, 1995

Cordova, James M., The Art of Professing in Bourbon Mexico: Crowned-Nun Portraits and Reform in the Convents, University of Texas Press, 2014

Cronan, Todd, Against Affective Formalism: Matisse, Bergson, Modernism, University of Minnesota Press, 2013

Cropper, Elizabeth, and Charles Dempsey, Nicolas Poussin: Friendship and the Love of Painting, Princeton University Press, 1996

Curcic, Slobodan, Gracanica: King Milutin’s Church and Its Place in Late Byzantine Architecture, Pennsylvania State University Press, 1979

Curley, John J., A Conspiracy of Images: Andy Warhol, Gerhard Richter, and the Art of the Cold War, Yale University Press, 2013

Cutler, Anthony, The Aristocratic Psalters in Byzantium, Picard, 1984

D’Alleva, Anne, Sacred Maidens and Masculine Women: Art, Gender, and Power in Post-Contact Tahiti and the Society Islands, University of Hawai‘i Press

DeCaroli, Robert, Image Problems: The Origin and Development of the Buddha’s Image in Early South Asia, University of Washington Press, 2015

D’Elia, Una Roman, Raphael’s Ostrich, Pennsylvania State University Press, 2015

DelPlato, Joan, Multiple Wives, Multiple Pleasures: Representing Harlem, 1800–1875, Fairleigh Dickinson University Press, 2002

Demos, T. J., The Migrant Image: The Art and Politics of Documentary during Global Crisis, Duke University Press, 2013

de Vries, Joyce, Caterina Sforza and the Art of Appearances: Gender, Art, and Culture in Early Modern Italy, Ashgate, 2010

Didi-Huberman, Georges, and Harvey Mendelsohn, trans., The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art, Pennsylvania State University Press, 2016

Dillon, Sheila, Ancient Greek Portrait Sculpture: Context, Subjects, and Styles, Cambridge University Press, 2012

Dixon, Laurinda, The Dark Side of Genius: The Melancholic Persona in Art, ca. 1500–1700, Pennsylvania State University Press, 2013

Dodd, Erica Cruikshank, Medieval Paintings in the Lebanon, Dr. Ludwig Reichert Verlag, 2004

Dodds, Jerrilyn D., Architecture and Ideology in Early Medieval Spain, Pennsylvania State University Press, 1989

Donaldson, Thomas E., Hindu Temple Art of Orissa, 3 vols., E. J. Brill, 1985

Doyle, Jennifer, Hold It Against Me: Difficulty and Emotion in Contemporary Art, Duke University Press, 2013

Drewal, Henry John, Sacred Waters: Arts for Mami Wata and Other Water Divinities in Africa and the Diaspora, Indiana University Press, 2008

Drpic, Ivan, Epigram, Art, and Devotion in Later Byzantium, Cambridge University Press, 2016

Dunbabin, Katherine, A History of Ancient Mosaics, Cambridge University Press, 1999

Eisenberg, Marvin, Lorenzo Monaco and His Workshop, Princeton University Press, 1989

Eleen, Luba, The Illustration of the Pauline Epistles in French and English Bibles of the Twelfth and Thirteenth Centuries, Clarendon Press, 1982

Emmerson, Richard, Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts, Pennsylvania State University Press

English, Darby, How to See a Work of Art in Total Darkness, MIT Press, 2007

Fehm, Sherwood A., Jr., Luca di Tommè: A Sienese Fourteenth-Century Painter, Southern Illinois University Press, 1986

Feldman, Marian, Diplomacy by Design: Luxury Arts and an International Style in the Ancient Near East, 1400–1200 BCE, University of Chicago Press, 2005

Fineberg, Jonathan, The Innocent Eye: Children’s Art and the Modern Artist, Princeton University Press, 1997

Flath, James, The Cult of Happiness: Nianhua, Art, and History in Rural China, University of British Columbia Press, 2005

Flood, Finbarr Barry, Objects of Translation: Material Culture and Hindu-Muslim Encounter, Permanent Black, 2009

Folda, Jaroslav, Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre, Cambridge University Press, 2005

Frantis, Wayne, Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art, Cambridge University Press, 1993

Fraser, Sarah, Performing the Visual: The Practice of Buddhist Wall Painting in China and Central Asia, 618–960, Stanford University Press, 2003

Freiberg, Jack, The Lateran in 1600: Christian Concord in Counter-Reformation Rome, Cambridge University Press, 1995

Friedman, Alice T., House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family, University of Chicago Press, 1989

Friedman, David, Florentine New Towns: Urban Design in the Middle Ages, Architectural History Foundation, 1988

Frinta, Mojmír S., Punched Decoration on Late Medieval Panel and Miniature Painting, vol. 1, Maxdorf, 1998

Fromont, Cécile, The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo, University of North Carolina Press, 2014

Fusco, Laurie, and Gino Corti, Lorenzo de Medici, Collector of Antiquities: Collector and Antiquarian, Cambridge University Press, 2006

Gamboni, Dario, Potential Images: Ambiguity and Indeterminancy in Modern Art, Reaktion Books, 2001

Gammel, Irene, Baroness Elsa: Gender, Dada, and Everyday Modernity, MIT Press, 2003

Gamwell, Lynn, Exploring the Invisible: Art, Science, and the Spiritual, Princeton University Press, 2004

George, Victoria, Whitewash and the New Aesthetic of the Protestant Reformation, Pindar Press, 2013

Gertsman, Elina, Worlds Within: Opening the Medieval Shrine Madonna, Pennsylvania State University Press, 2015

Gibson, Walter, “Mirror of the Earth”: The World Landscape in Sixteenth-Century Flemish Painting, Princeton University Press, 1989

Gillerman, Dorothy, Enguerran de Marigny and the Church of Notre-Dame at Ecouis: Art and Patronage in the Age of Philip the Fair, Pennsylvania State University Press, 1994

Giunta, Andrea, Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties, Duke University Press, 2007

Goedde, Lawrence Otto, Tempest and Shipwreck in Dutch and Flemish Art: Convention, Rhetoric, and Interpretation, Pennsylvania State University Press, 1989

Goffen, Rona, Spirituality in Conflict: Saint Francis and Giotto's Bardi Chapel, Pennsylvania State University Press, 1988

Goffen, Rona, Titian’s Women, Yale University Press, 1997

Goldberg, Norman L., John Crome the Elder, 2 vols., New York University Press, 1978

Gómez, Luis O., and Hiram W. Woodward, eds., Barabudur: History and Significance of a Buddhist Monument, Buddhist Studies Series, 1981

Gordon, Donald E., Expressionism: Art and Idea, Yale University Press, 1987

Gordon, Sarah, Indecent Exposures: Eadweard Muybridge’s Animal Locomotion Nudes,Yale University Press, 2015

Göttler, Christine, Last Things: Art and Religious Imagination in the Age of Reform, Brepols, 2010

Grabski, Joanna, Art World City: The Creative Economy of Artists and Urban Life in Dakar, Indiana University Press

Green, Rosalie, The Hortus Deliciarum of Herrad of Hohenburg, Warburg Institute, 1979

Greet, Michele, Transatlantic Encounters: Latin American Artists in Paris Between the Wars, Yale University Press

Grootenboer, Hanneke, The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting, University of Chicago Press, 2005

Guerin, Frances, The Truth Is Always Grey: Painting from Grisaille to Gerhard Richter, University of Minnesota Press

Guth, Christine M. E., Longfellow’s Tattoos: Tourism, Collecting, and Japan, University of Washington Press, 2004

Habel, Dorothy, “When All of Rome Was under Construction”: The Building Process in Baroque Rome, Pennsylvania State University Press, 2013

Hackenbroch, Yvonne, Enseignes: Renaissance Hat Jewels, Studio per Edizioni Scelte, 1996

Hahn, Cynthia, Strange Beauty: Issues in the Making and Meaning of Reliquaries 400–circa 1204, Pennsylvania State University Press, 2012

Hall, Marcia, After Raphael: Painting in Central Italy in the Sixteenth Century, Cambridge University Press, 1999

Halperin, Joan Ungersma, Félix Fénéon: Aesthete and Anarchist in Fin-de-Siècle Paris, Yale University Press, 1988

Hamburger, Jeffrey F., Nuns as Artists: The Visual Culture of a Medieval Convent, University of California Press, 1997

Hamburger, Jeffrey, St. John the Divine: The Deified Evangelist in Medieval Art and Theology, University of California Press, 2002

Hammers, Roslyn Lee, Pictures of Tilling and Weaving: Art, Labor, and Technology in Song and Yuan China, Hong Kong University Press, 2011

Hannah, Dorita, Event Space: Theatre Architecture and the Historical Avant-Garde, Routledge

Hanson, Marin F., and Patricia Cox Crews, eds., American Quilts in the Modern Age, 1870–1940: The International Quilt Study Center Collections, University of Nebraska Press, 2009

Harney, Elizabeth, In Senghor’s Shadow: Art, Ideology, and the Avant-Garde in Senegal, 1960–1995, Duke University Press, 2004

Harris, Ann Sutherland, Andrea Sacchi: Complete Edition of the Paintings, Phaidon Press, 1977

Harwood, Laurie B., Adam Pynacker, Davaco, 1988

Hawks, Shelley Drake, Painting by Candlelight: The Art of Resistance in Mao’s China, University of Washington Press

Hay, Jonathan, Shitao: Painting and Modernity in Early Qing China, Cambridge University Press, 2001

Hazlehurst, F. Hamilton, Gardens of Illusion: The Genius of André Le Nostre, Vanderbilt University Press, 1980

Hecker, Sharon, A Moment's Monument: Medardo Rosso and the International Origins of Modern Sculpture, University of California Press

Hedeman, Anne, Of Counselors and Kings: The Three Versions of Pierre Salmon’s “Dialogues,” University of Illinois Press, 2001

Helmreich, Anne, Nature's Truth: Photography, Painting, and Science in Victorian Britain, Pennsylvania State University Press, 2016

Hersey, George L., Architecture, Poetry, and Number in the Royal Palace at Caserta, MIT Press, 1983

Hertel, Christiane, Vermeer: Reception and Interpretation, Cambridge University Press, 1996

Hills, Helen, The Matter of Miracles: Forms of Holiness in Baroque Naples, Manchester University Press

Hindman, Sandra, Sealed in Parchment: Rereadings of Knighthood in the Illuminated Manuscripts of Chrétien de Troyes, University of Chicago Press, 1994

Hirsh, Sharon, Symbolism and Modern Urban Society, Cambridge University Press, 2004

Hofrichter, Frima Fox, Judith Leyster: A Woman Painter in Holland’s Golden Age, Davaco, 1989

Hollander, Martha, An Entrance for the Eyes: Space and Meaning in Seventeenth-Century Dutch Art, University of California Press, 2002

Hong, Jeehee, Theater of the Dead: A Social Turn in Chinese Funerary Art, 1000–1400, University of Hawai‘i Press, 2016

Horn, Hendrik J., Jan Cornelisz Vermeyen: Painter of Charles V and His Conquest of Tunis, Davaco, 1989

Hornstein, Katie, Picturing War in France, 1792–1856, Yale University Press

Huang, Shih-shan Susan, Picturing the True Form: Daoist Visual Culture in Traditional China, Harvard University Asia Center, 2015

Hulse, Clark, The Rule of Art: Literature and Painting in the Renaissance, University of Chicago Press, 1990

Huntington, Susan L., The “Pala-Sena” Schools of Sculpture, E. J. Brill, 1984

Hutton, Deborah, Art of the Court of Bijapur, Indiana University Press, 2006

Jarrard, Alice, Architecture as Performance in Seventeenth-Century Europe: Court Ritual in Modena, Rome, and Paris, Cambridge University Press, 2003

Jaskot, Paul B., The Nazi Perpetrator: Postwar German Art and the Politics of the Right, University of Minnesota Press, 2012

Jirat-Wasiutynski, Voytech, and H. Travers Newton, Technique and Meaning in the Paintings of Paul Gauguin, Cambridge University Press, 2000

Jones, Pamela M., Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni, Ashgate, 2009

Jordan, Jim M., and Robert Goldwater, The Paintings of Arshile Gorky: A Critical Catalogue, New York University Press, 1982

Jung, Jacqueline, The Gothic Screen: Space, Sculpture, and the Community in the Cathedrals of France and Germany, ca. 1200–1400, Cambridge University Press, 2012

Kafescioğlu, Çiğdem, Constantinopolis/Istanbul: Cultural Encounter, Imperial Vision, and the Construction of the Ottoman Capital City, Pennsylvania State University Press, 2009

Kalba, Laura, Color in the Age of Impressionism: Commerce, Technology, and Art, Pennsylvania Sate University Press

Kelsey, Robin, Archive Style: Photographs and Illustrations for US Surveys, 1850–1890, University of California Press, 2007

Kessler, Marni Reva, Sheer Presence: The Veil in Manet's Paris, University of Minnesota Press, 2006

Khullar, Sonal, Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990, University of California Press, 2015

Kim, Jinah, Receptacle of the Sacred: Illustrated Manuscripts and the Buddhist Book Cult in South Asia, University of California Press, 2013

Kindall, Elizabeth, Geo-Narratives of a Filial Son: The Paintings and Travel Diaries of Huang Xiangjian (1609–1673), Harvard University Asia Center, 2017

King, Richard, ed., Art in Turmoil: The Chinese Cultural Revolution, 1966–76, University of British Columbia Press, 2010

Kita, Sandy, The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e, University of Hawai‘i Press, 1999

Kleutghen, Kristina, Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palace, University of Washington Press, 2015

Kline, Naomi Reed, Maps of Medieval Thought: The Hereford Paradigm, Boydell and Brewer, 2012

Klingensmith, Samuel, The Utility of Splendor: Ceremony, Social Life, and Architecture at the Court of Bavaria, 1600–1800, University of Chicago Press, 1993

Ko, Dorothy, The Social Life of Inkstones: Artists and Scholars in Early Qing China, University of Washington Press, 2016

Koerner, Joseph Leo, The Reformation of the Image, Reaktion Books, 2003

Kornbluth, Genevra, Engraved Gems of the Carolingian Empire, Pennsylvania State University Press, 1995

Koss, Juliet, Modernism after Wagner, University of Minnesota Press, 2010

Krinsky, Carol, Synagogues of Europe: Architecture, History, Meaning, Architectural History Foundation, 1985

Krmpotich, Cara, and Laura Peers, This Is Our Life: Haida Material Heritage and Changing Museum Practice, University of British Columbia Press, 2014

Kunzle, David, The History of the Comic Strip: The Nineteenth Century, University of California Press, 1990

Lachman, Charles, Evaluations of Sung Dynasty Painters of Renown: Liu Tao-Ch’un’s Sung-Ch’ao Ming-Hua P’ing, E. J. Brill, 1989

Laing, Ellen J., Selling Happiness: Calendar Posters and Visual Culture in Early Twentieth-Century Shanghai, University of Hawai‘i Press, 2004

Lajer-Burcharth, Ewa, Necklines: The Art of Jacques-Louis David after the Terror, Yale University Press, 1999

Lang, Karen, Chaos and Cosmos: On the Image in Aesthetics and Art History, Cornell University Press, 2006

Lapatin, Kenneth, Chryselephantine Statuary in the Ancient Mediterranean World, Oxford University Press, 2001

Larson, Barbara, The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon, Pennsylvania State University Press, 2005

Lawton, Carol L., Attic Document Reliefs, Clarendon Press, 1995

Leighten, Patricia, The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris, University of Chicago Press, 2013

Lee, Anthony, Painting on the Left: Diego Rivera, Radical Politics, and San Francisco’s Public Murals, University of California Press, 1999

Levesque, Catherine, Journey through Landscape in Seventeenth-Century Holland: The Haarlem Print Series and Dutch Identity, Pennsylvania State University Press, 1994

Lewis, Suzanne, The Art of Matthew Paris in the Chronica Majorca, University of California Press, 1987

Lillich, Meredith Parsons, Stained Glass of Saint-Père de Chartres, Wesleyan University Press, 1978

Lin, Wei-Cheng, Building a Sacred Mountain: The Buddhist Architecture of China’s Mount Wutai, University of Washington Press, 2014

Lippit, Miya Mizuta, Aesthetic Life: The Artistic Discourse of Beauty in Modern Japan, Harvard University Press

Liscomb, Kathlyn Maureen, Learning from Mount Hua: A Chinese Physician’s Illustrated Travel Record and Painting Theory, Cambridge University Press, 1993

Loh, Maria, Still Lives: Death, Desire, and the Portrait of the Old Masters, Princeton University Press, 2015

Lowden, John, Illuminated Prophet Books: A Study of Byzantine Manuscripts of the Major and Minor Prophets, Pennsylvania State University Press, 1988

Lowden, John, The Making of the Bibles Moralisées, vol. 1, The Manuscripts; vol. 2, The Book of Ruth, Pennsylvania State University Press, 2000

Luber, Katherine Crawford, Albrecht Dürer and the Venetian Renaissance, Cambridge University Press, 2005

Luchs, Alison, Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490–1530, Cambridge University Press, 1995

Lyman, Thomas W., Saint-Sernin in Toulouse: The Art of the Early Romanesque Builder, Pennsylvania State University Press

Lyons, Tryna, The Artists of Nathadwara: Continuity and Change in a Rajasthani Chitrakar Community, Mapin Publishing, 2003

Madigan, Brian C., The Temple of Apollo Bassistas, vol. 2, The Sculpture, American School of Classical Studies at Athens, 1992

Maginnis, Hayden B. J., Painting in the Age of Giotto: A Historical Reevaluation, Pennsylvania State University Press, 1997

Maimon, Vered, Singular Images, Failed Copies: William Henry Fox Talbot and the Early Photograph, University of Minnesota Press, 2015

Maltz-Leca, Leora, William Kentridge: Process as Metaphor and Other Doubtful Enterprises, University of California Press

Mansbach, Steven, Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890–1939, Cambridge University Press, 1999

Marrinan, Michael, Painting Politics for Louis-Philippe: Art and Ideology in Orléanist France, 1830–1848, Yale University Press, 1988

Massey, Jonathan, Crystal and Arabesque: Claude Bragdon, Ornament, and Modern Architecture, University of Pittsburgh Press, 2009

Mathews, Thomas F., Armenian Gospel Iconography: The Tradition of the Glajor Gospel, Dumbarton Oaks Research Library and Collection, 1991

Maxwell, Robert, The Art of Medieval Urbanism: Parthenay in Romanesque Aquitaine, Pennsylvania State University Press, 2007

McLean, Alick McDonnell, Architecture, Piety, and Political Identity in a Tuscan City-State, Yale University Press, 2008

McPhee, Sarah, Bernini and the Bell Towers: Architecture and Politics at the Vatican, Yale University Press, 2002

McPherson, Heather, Art and Celebrity in the Age of Reynolds and Siddons, Pennsylvania State University Press

McTighe, Sheila, Nicolas Poussin’s Landscape Allegories, Cambridge University Press, 1996

Mead, Christopher Curtis, Charles Garnier’s Paris Opéra: Architecture, Empathy, and the Renaissance of French Classicism, Architectural History Foundation, 1991

Mehring, Christine, Blinky Palermo: Abstraction of an Era, Yale University Press, 2009

Melion, Walter S., Shaping the Netherlandish Canon: Karel van Mander’s Schilder-Boeck, University of Chicago Press, 1991

Meyer, Richard, Outlaw Representation: Censorship and Homosexuality in Twentieth-Century America, Oxford University Press, 2001

Michaud, Eric, The Cult of Art in Nazi Germany, Stanford University Press, 2004

Miller, Arthur G., Living with the Dead: Painted Tombs of Oaxaca, Mexico, Cambridge University Press, 1995

Miller, Mary Ellen, and Claudia Lozoff Brittenham, The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak, University of Texas Press, 2013

Mittman, Asa Simon, and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript, Arizona Center for Medieval and Renaissance Studies, 2013

Morgan, Nigel, Early Gothic Manuscripts [II], 1250–1285, Harvey Miller, 1988

Moskowitz, Anita, Italian Gothic Sculpture, c. 1250–c. 1400, Cambridge University Press, 2000

Muller, Jeffrey M., Rubens: The Artist as Collector, Princeton University Press, 1989

Murray, Gale B., Toulouse-Lautrec: The Formative Years, 1878–1891, Clarendon Press, 1991

Murray, Stephan, Beauvais Cathedral: Architecture of Transcendence, Princeton University Press, 1989

Murray, Stephen, Building Troyes Cathedral: The Late Gothic Campaign, Indiana University Press, 1987

Necipoğlu, Gülru, Architecture, Ceremonial, and Power: The Topkapi Palace in the Fifteenth and Sixteenth Centuries, Architectural History Foundation, 1991

Neer, Richard, Style and Politics in Athenian Vase-Painting: The Craft of Democracy, ca. 530–460 BCE, Cambridge University Press, 2002

Nees, Lawrence, A Tainted Mantle: Hercules and the Classical Tradition at the Carolingian Court, University of Pennsylvania Press, 1991

Neff, Amy, A Soul's Journey into God: Art, Theology, and Devotion in a Franciscan Manuscript of the Late Duecento, Pontifical Institute of Mediaeval Studies

Nelson, Steven, From Cameroon to Paris: Mousgoum Architecture In and Out of Africa, University of Chicago Press, 2007

Nemerov, Alexander, The Body of Raphaelle Peale: Still Life and Selfhood, 1812–1824, University of California Press, 2001

Neuman, Robert, Robert de Cotte and the Perfection of Architecture in Eighteenth-Century France, University of Chicago Press, 1994

Obler, Bibiana, Intimate Collaborations: Kandinsky and Münter, Arp and Taeuber, Yale University Press, 2014

O’Brien, David, After the Revolution: Antoine-Jean Gros, Painting, and Propaganda under Napoleon, Pennsylvania State University Press, 2004

Offner, Richard, A Critical and Historical Corpus of Florentine Painting: A Legacy of Attributions, Institute of Fine Arts, New York University, 1980

Oleksijczuk, Denise Blake, The First Panoramas: Visions of British Imperialism, University of Minnesota Press, 2011

Oliver, Judith, Gothic Illumination in the Diocese of Liege, c. 1250–c. 1330, Peeters, 1988

O’Neil, Megan E., Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, University of Oklahoma Press, 2012

Ostrowitz, Judith, Interventions: Native American Art for Far-Flung Territories, University of Washington Press, 2009

Ousterhout, Robert, Master Builders of Byzantium, Princeton University Press, 1999

Palermo, Charles, Fixed Ecstasy: Joan Miró in the 1920s, Pennsylvania State University Press, 2007

Paquette, Catha, At the Crossroads: Diego Rivera and his Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts, University of Texas Press, 2017

Park, J. P., Art by the Book: Painting Manuals and the Leisure Life in Late Ming China, University of Washington Press, 2012

Pastan, Elizabeth Carson, Les vitraux du choeur de la Cathédrale de Troyes (XIIIe siècle), Corpus Vitrearum, 2006

Patton, Pamela, Art of Estrangement: Redefining the Jews in Reconquest Spain, Pennsylvania State University Press, 2013

Paul, Carole, The Borghese Collections and the Display of Art in the Age of the Grand Tour, Ashgate, 2008

Peffer, John M., Art and the End of Apartheid, University of Minnesota Press, 2009

Pentcheva, Bissera, The Sensual Icon: Ritual, Space, and the Senses in Byzantium, Pennsylvania State University Press, 2010

Peterson, Jeanette F., Visualizing Guadalupe: From the Black Madonna to the Queen of the Americas, University of Texas Press, 2014

Pinson, Stephen C., Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre, University of Chicago Press, 2012

Pinto, John, The Trevi Fountain, Yale University Press, 1986

Plesch, Véronique, Painter and Priest: Giovanni Canavesio's Visual Rhetoric and the Passion Cycle at La Brigue, University of Notre Dame Press, 2006

Poggi, Christine, Inventing Futurism: The Art and Politics of Artifical Optimism, Princeton University Press, 2008

Pollack, Martha D., Turin 1564–1680: Urban Design, Military Culture, and the Creation of the Absolutist Capital, University of Chicago Press, 1991

Pon, Lisa, A Printed Icon in Early Modern Italy: Forlì’s Madonna of the Fire, Cambridge University Press, 2015

Popkin, Maggie, The Architecture of the Roman Triumph: Monuments, Memory, and Identity, Cambridge University Press, 2016

Porras, Stephanie, Pieter Bruegel’s Historical Imagination, Pennsylvania State University Press, 2016

Pressly, William L., The French Revolution as Blasphemy: Johan Zoffany’s Paintings of the Massacre at Paris, August 10, 1792, University of California Press, 1999

Promey, Sally M., Spiritual Spectacles: Vision and Image in Mid-Nineteenth-Century Shakerism, Indiana University Press, 1993

Promey, Sally, Painting Religion in Public: John Singer Sargent’s Triumph of Religion at the Boston Public Library, Princeton University Press, 1999

Puglisi, Catherine R., Franceso Albani, Yale University Press, 1999

Quinlan-McGrath, Mary, Influences: Art, Optics, and Astrology in the Italian Renaissance, University of Chicago Press, 2013

Radycki, Diane, Paula Modersohn-Becker: The First Modern Woman Artist, Yale University Press, 2013

Ramírez-Weaver, Eric, A Saving Science: Capturing the Heavens in Carolingian Manuscripts, Pennsylvania State University Press, 2017

Reichle, Natasha, Violence and Serenity: Late Buddhist Sculpture from Indonesia, University of Hawai‘i Press, 2007

Reynolds, Ann Morris, Robert Smithson: Learning from New Jersey and Elsewhere, MIT Press, 2002

Rice, Louise, The Altars and Altarpieces of New St. Peter’s: Outfitting the Basilica, 1621–1666, Cambridge University Press, 1997

Roberts, Mary, Istanbul Exchanges: Ottomans, Orientalists, and Nineteenth-Century Visual Culture, University of California Press, 2015

Rosand, David, Drawing Acts: Studies in Graphic Expression and Representation, Cambridge University Press, 2002

Rovine, Victoria L., African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear, Indiana University Press, 2014

Rowe, Dorothy C., After Dada: Marta Hegemann and the Cologne Avant-Garde, Manchester University Press, 2013

Roxburgh, David, The Persian Album, 1400–1600: From Dispersal to Collection, Yale University Press, 2013

Rudolph, Conrad, The “Things of Greater Importance”: Bernard of Clairvaux’s Apologia and the Medieval Attitude toward Art, University of Pennsylvania Press, 1990

Ruggles, D. Fairchild, Gardens, Landscape, and Vision in the Palaces of Islamic Spain, Pennsylvania State University Press, 1999

Rykwert, Joseph, The Dancing Column: On Orders in Architecture, MIT Press, 1996

Safran, Linda, The Medieval Salento: Art and Identity in Southern Italy, University of Pennsylvania Press, 2014

Saltzman, Lisa, Anselm Kiefer and Art after Auschwitz, Cambridge University Press, 2000

Sandler, Lucy Freeman, Gothic Manuscripts, 1285–1385, Harvey Miller, 1986

Saslow, James M., The Medici Wedding of 1589, Yale University Press, 1996

Satkowski, Leon, Giorgio Vasari: Architect and Courtier, Princeton University Press, 1993

Schastok, Sara L., The Samalaji Sculptures and Sixth Century Art in Western India, E. J. Brill, 1985

Schleif, Corine, and Volker Schier, Katerina’s Windows: Donation and Devotion, Art and Music, as Heard and Seen in the Writings of a Late Birgittine Nun, Pennsylvania State University Press, 2009

Schmidt, Freek, Passion and Control: Dutch Architectural Culture of the Eighteenth Century, Ashgate, 2015

Schulz, Anne Markham, Giammaria Mosca Called Padovano: A Renaissance Sculptor in Italy and Poland, Pennsylvania State University Press, 1998

Scott, John Beldon, Images of Nepotism: The Painted Ceilings of Palazzo Barberine, Princeton University Press, 1991

Sena, Yun Chiahn, From Archaism to Antiquarianism: Antiquity in Song Culture, University of Washington Press

Seyller, John William, Workshop and Patron in Mughal India: The Freer Rāmāyana and Other Illustrated Manuscripts of ‘Abd al-Rahīm, Artibus Asiae, 1999

Sharp, Jane Ashton, Russian Modernism between East and West: Natal'ia Goncharova and the Moscow Avant-Garde, Cambridge University Press, 2006

Shaw, Jennifer L., Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France, Yale University Press, 2002

Shell, Hanna Rose, Hide and Seek: Camouflage, Photography, and the Media of Reconnaissance, Zone Books, 2012

Shen, Hsueh-man, Authentic Replicas: Buddhist Art in Medieval China, University of Hawai'i Press

Sidlauskas, Susan, Body, Place, and Self in Nineteenth-Century Painting, Cambridge University Press, 2000

Slifkin, Robert, Out of Time: Philip Guston and the Refiguration of Postwar American Art, University of California Press, 2013

Smalls, James, The Homoerotic Photography of Carl Van Vechten: Public Face, Private Thoughts, Temple University Press, 2006

Smith, Norris Kelly, Here I Stand: Perspective from Another Point of View, Columbia University Press, 1994

Smith, T’ai, Bauhaus Weaving Theory: From Feminine Craft to Mode of Design, University of Minnesota Press, 2014

Soussloff, Catherine, The Subject in Art: Portraiture and the Birth of the Modern, Duke University Press, 2006

Srinivasan, Doris Meth, Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art, E. J. Brill, 1997

Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Account, 1760–1840, MIT Press, 1984

Stahl, Harvey, Picturing Kingship: History and Painting in the Psalter of Saint Louis, Pennsylvania State University Press, 2007

Steinhardt, Nancy Shatzman, Liao Architecture, University of Hawai‘i Press, 1997

Stetler, Pepper, Stop Reading! Look! Modern Vision and the Weimar Photographic Book, University of Michigan Press, 2015

Stewart, Andrew, Greek Sculpture, 2 vols., Yale University Press, 1990

Stewart, Andrew, Attalos, Athens, and the Akropolis: The Pergamene Little Barbarians and their Roman and Renaissance Legacy, Cambridge University Press, 2004

Stiles, Kristine, Correspondence Course: An Epistolary History of Carolee Schneemann and Her Circle, Duke University Press, 2010

Street, Richard Steven, Photographing Farmworkers in California, Stanford University Press, 2004

Sullivan, Edward J., Baroque Painting in Madrid: The Contribution of Claudio Coello, with a Catalogue Raisonné of His Works, University of Missouri Press, 1986

Swan, Claudia, Art, Science, and Witchcraft in Early Modern Holland: Jacques de Gheyn II (1565–1629), Cambridge University Press, 2005

Tabbaa, Yasser, Constructions of Power and Piety in Medieval Aleppo, Pennsylvania State University Press, 1997

Talvacchia, Bette, Taking Positions: On the Erotic in Renaissance Culture, Princeton University Press, 1999

Taws, Richard, The Politics of the Provisional: Visual Culture in Revolutionary France, Pennsylvania State University Press, 2013

Thunø, Erik, The Apse Mosaic in Early Medieval Rome: Time, Network, and Repetition, Cambridge University Press, 2015

Todd, Ellen Wiley, The “New Woman” Revised: Painting and Gender Politics on Fourteenth Street, University of California Press, 1993

Townsend-Gault, Charlotte, Native Art of the Northwest Coast: A History of Changing Ideas, University of British Columbia Press, 2014

Trevelyan, Amelia, Miskwabik, Metal of Ritual: Metallurgy in Precontact Eastern North America, University of Kentucky Press, 2014

Tronzo, William, The Cultures of His Kingdom: Roger II and the Cappella Palatina in Palermo, Princeton University Press, 1997

Troy, Nancy, Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier, Yale University Press, 1991

Turpin, John, John Hogan: Irish Neoclassical Sculpture in Rome, Irish Academic Press, 1982

van Dyke, James, Franz Radziwill and the Contradictions of German Art History, 1919–45, University of Michigan Press, 2010

Vázquez, Oscar E., The End Again: Degeneration and Visual Culture in Modern Spain,Pennsylvania State University Press, 2016

Vinograd, Richard, Boundaries of the Self: Chinese Portraits, 1600–1900, Cambridge University Press, 1992

Wang, Eugene Y., Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China, University of Washington Press, 2015

Weems, Jason, Barnstorming the Prairies: How Aerial Vision Shaped the Midwest, University of Minnesota Press, 2015

Weigert, Laura, French Visual Culture and the Making of Medieval Theater, Cambridge University Press, 2015

Weisenfeld, Gennifer, Mavo: Japanese Artists and the Avant-Garde, 1905–1931, University of California Press, 2002

Weiss, Daniel H., Art and the Crusade in the Age of Saint Louis, Cambridge University Press, 1998

Welch, Katherine E., The Roman Amphitheater: From its Origins to the Colosseum, Cambridge University Press, 2009

Werth, Margaret, The Joy of Life: The Idyllic in French Art, circa 1900, University of California Press, 2002

Whiting, Cécile Marie, Pop L.A.: Art and the City in the 1960s, University of California Press, 2008

Whittington, Karl, Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination, Pontifical Institute of Mediaeval Studies, 2014

Widdifield, Stacie G., The Embodiment of the National in Late Nineteenth-Century Mexican Painting, University of Arizona Press, 1996

Williams, John W., The Illustrated Beatus: A Corpus of the Illustrations of the Commentary of the Apocalypse, 3 vols., Harvey Miller Publishers, 1994

Williams, Robert, Raphael and the Modernity of Italian Renaissance Art, Cambridge University Press

Wohl, Hellmut, The Aesthetics of Italian Renaissance Art: A Reconsideration of Style, Cambridge University Press, 1999

Wohl, Helmut, The Paintings of Domenico Veneziano: A Study in Florentine Art of the Early Renaissance, New York University Press, 1980

Wright, Beth S., Painting and History during the French Restoration: Abandoned by the Past, Cambridge University Press, 1997

Wunder, Amanda, Sacred Art and Society in Seventeenth-Century Seville, Pennsylvania State University Press

Yegül, Fikret, Baths and Bathing in Antiquity, Architectural History Foundation, 1992

Young, Marnin, Realism in the Age of Impressionism: Painting and the Politics of Time, Yale University Press, 2015

Yule, Paul, Early Cretan Seals: A Study in Chronology, Verlag Philipp von Zabern, 1981

Zemel, Carol, Van Gogh’s Progress: Utopia, Modernity, and Late-Nineteenth-Century Art, University of California Press, 1997