Standards & Guidelines

AFRICAN AMERICAN STUDIES/ ART HISTORY

Abiodun, Rowland, Henry John Drewal, and John Pemberton, III. Yoruba: Nine Centuries of African Art and Thought. New York: Abrams, 1989. (Lindsay)

Bearden, Romare and Harry Henderson. A History of African-American Artists from 1792 to the Present. New York: Pantheon Books, 1993. (Itami)

Bolme, Albert. The Art of Inclusion: Representing Blacks in the Nineteenth Century. Washington and London: Smithsonian, 1990. (Roth)

Bontemps, Arna Alexandra. Forever Free: Art by African-American Women 1862-1980, exh. cat. Alexandria, Virginia: Stephenson, Inc., 1980. (Roth)

Campbell, Mary Schmidt, David Driskell, David Levering Lewis, and Deborah Willis Ryan. Harlem: Renaissance Art of Black America. New York: The Studio Museum in Harlem and Abrams, 1987. (Roth)

Campbell, Mary Schmidt, ed. Tradition and Conflict: Images of a Turbulent Decade 1963-1973, exh. cat. New York: The Studio Museum in Harlem, 1985. (Roth)

Dent, Gina, Ed. Black Popular Culture: A Project by Michele Wallace. Seattle: Bay Press, 1992. (Roth)

Flomenhaft, Eleanor, ed. Faith Ringgold, a 25 Year Survey. Hempstead, NY: Fine Arts Museum of Long Island, 1990. (Roth)

Frye, Gladys-Marie, Ph.D. Stitched from the Soul: Slave Quilts from the Ante-Bellum South. New York: Dutton Studio Books and Museum of American Folk Art, 1989. (Roth)

hooks, bell. Black Looks. Race and Representation. Boston: South End Press, 1992. (Harlan and Itami)

_____. Outlaw Culture Resisting Representation. New York: Routledge, 1994 (Itami)

_____. Yearning: Race, Gender and Cultural Politics. Boston: South End Press, 1990. (Harlan)

King-Hammond, Leslie. Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists. New York: Midmarch Arts Press, 1995. (Roth)

Lewis, Samella, with foreword by Floyd Coleman. African American Art and Artists. Berkeley, Los Angeles and London: University of California Press, 2nd edition, 1990. (Roth)

Mason, John. Four New World Yoruba Rituals. Brooklyn: Yoruba Theological Archministry, 1985. (Lindsay)

McElroy, Guy C. Facing History: The Black Image in American Art 1710-1940. San Francisco: Bedford Art Publishers and Washington, D.C.: The Corcoran Gallery of Art, 1990. (Roth)

Powell, Richard J. Homecoming: The Art and Life of William H. Johnson. New York and London: The National Museum of American Art in association with W.W. Norton, 1992. (Roth)

Riggs, Marlon. Color Adjustment. Video 60 minutes. Electronic Art Intermix, 536 Broadway, New York, NY 10012, (212) 966-4605. (Golden)

_____. Tongues Untied. Video 60 minutes. Electronic Art Intermix, 536 Broadway, New York, NY 10012, (212) 966-4605. (Golden)

Ringgold, Faith. We Flew Over the Bridge: The Memoirs of Faith Ringgold. Boston: Little, Brown and Company, 1995 (Roth)

Thompson, Robert Farris. Face of the Gods: Art and Altars of Africa and the African. New York: Museum of African Art and Munich: Prestel, 1993. (Itami)

Thompson, Robert Farris. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House, 1983. (Lindsay)

Vogel, Susan. ART/artifact. New York: The Center for African Art, 1988. (Lindsay)

Wallace, Michele. "Defacing History." Art in America (December 1990). (Roth) Wallace, Michele and Gina Dent, eds. Black Popular Culture. Seattle: Bay Press, 1992. (Lippard)

West, Cornell. Race Matters. Boston: Beacon Press, 1993. (Harlan)

ASIAN AMERICAN STUDIES/ ART HISTORY

Across the Pacific: Korean and Korean American Art, exh. cat. Flushing, NY: Queens Museum, 1993. (Roth)

Armor, John, and Peter Wright. Manzanar. Commentary by John Hersey. Photographs by Ansel Adams. New York: Times Books, Random House, 1988. (Itami)

Asian Women United of California. Making Waves: An Anthology of Writings By and About Asian American Women. Boston: Beacon Press, 1989. (Roth)

Ding, Loni. The Color of Honor: The Japanese American Soldier in World War II. 1989. Video 90 minutes. Vox Productions, 2335 Jones Street, San Francisco, CA 94133, 415-673-6428. (Itami)

Ding, Loni. Nisei Soldier: Standard Bearer for an Exiled People, 1984. Video 30 minutes. Vox Productions, 2335 Jones Street, San Francisco, CA 94133, 415-673-6428. (Itami)

Gish, Jen. Typical American. Boston: Houghton Mifflin/ Seymour Lawrence, 1991. (Itami)

Higa, Karen. The View from Within: Japanese American Art from the Internment Camps, 1942-1945. Los Angeles: Wight Art Gallery and the Japanese American National Museum, c. 1992. (Roth)

Ichioka. Yuji. The Issei: The World of First Generation Japanese Immigrants, 1885-1924. New York: The Free Press, 1988. (Itami)

Lee, Gene. China Boy. New York: Dutton, Penguin Books, 1991. (Itami)

Machida, Margo. Asia America: Identities in Contemporary Asian American Art. New York: The Asia Society Galleries and The New Press, 1994. (Roth)

Mura, David. Turning Japanese. Memoirs of a Sansei. New York: Doubleday/Anchor Press. (Itami)

Nakano, Mei T. Japanese American Women: Three Generations 1890-1990 with Okaasan by Grace Shibata. Berkeley: Mina Press Publishing and San Francisco National Japanese American Historical Society, 1990. (Itami)

Trask, Haunani-Kay. From a Native Daughter: Colonization and Sovereignty in Hawaii. Monroe, ME.: Common Courage Press, 1993. (Harlan)

Periodicals:

Amerasia Journal. Published three times a year by the Asian American Studies Center, U.C.L.A. 3230 Campbell Hall, 405 Hilgard Ave. UCLA, Los Angeles, CA 90024-1546 (310)825-2968. (Itami)

CULTURAL STUDIES

Baldwin, James and Margaret Mead. A Rap on Race. New York: Bantam Doubleday Dell Publishing Group, Inc./A Laurel Book, 1971, 1992. (Sorell)

Bell, Derrick. Faces at the Bottom of the Well: The Permanence of Racism. New York: Basic Books, 1992. (Macko)

Berger, Maurice. How Art Becomes History: Essays on Art, Society, and Culture in Post-New Deal America. New York: HarperCollins, 1992. (Charland)

Berger, Maurice, ed. Modern Art and Society: An Anthology of Social and Multicultural Readings. New York: HarperCollins, 1994. (Jackson)

Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994. (Biswas)

Bourdieu, P. "Cultural Reproduction and Social Reproduction." In Karabel and Halsey, eds. Power and Ideology in Education. Oxford: Oxford University Press, 1977. (Charland)

Brett, Guy. Through Our Own Eyes: Popular Art and Modern History. Philadelphia: New Society Publishers and London: GMP Publishers, Ltd., 1987. (Jackson and Rushing)

Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge: Harvard University Press, 1988. (Jackson)

Corrin, Lisa G., ed. Mining the Museum: An Installation by Fred Wilson. Seattle: The New Press, 1994. (Roth)

Disparities and Connections: The Excluded on Postmodernism. (Introduction by Elizam Escobar) Chicago: Axe St. Arena, 1991. (Lippard)

Durham, Jimmie. A Certain Lack of Coherence: Writings on Art and Cultural Politics. London: Kala Press, 1993. (ed. Jean Fisher) (Lippard)

Fanon, Frantz, with foreword by Homi K. Bhabha. Black Skin, White Masks. London: Pluto Press, 1986. (Biswas)

Ferguson, Russell, Martha Gever, Trinh T. Minh-ha, and Cornell West, eds. Out There: Marginalization and Contemporary Cultures. New York: New Museum of Contemporary Art and Cambridge: M.I.T. Press, 1990. (Jackson)

Graburn, Nelson H. H., ed. Ethnic and Tourists Arts: Cultural Expressions from the Fourth World. Berkeley: University of California Press, 1976. (Rushing)

Grossberg, Lawrence, et al, eds. Cultural Studies. New York: Routledge, Chapman and Hall Inc., 1992. (Sorell)

Hart, L. M. "Aesthetic Pluralism and Multicultural Art Education." Studies in Art Education: A Journal of Issues and Research (1991): Vol. 32, No. 3, pp. 145-159. (Charland)

Hiller, Susan, ed. The Myth of Primitivism. London and New York: Routledge, 1991. (Lippard)

Holland, D. and N. Quinn. Cultural Models in Language and Thought. New York: Cambridge University Press, 1987. (Charland)

hooks, bell. Ain't I a Woman: Black Women and Feminism. Boston: South End Press, 1981. (Macko)

_____. Art on My Mind: Visual Politics. New York: The New Press, 1955. (Roth)

_____. Talking Back: Thinking Feminist, Thinking Black. Boston: South End Press, 1989. (Macko)

_____. Teaching to Transgress: Education as the Practice of Freedom. New York: Routledge, 1994. (Itami)

____. Yearning: Race, Gender, and Cultural Politics. Boston: South End Press, 1989. (Macko)

JanMohamed, Adbdul, R. and David Lloyd. The Nature and Context of Minority Discourse. Oxford and New York: Oxford University Press, 1990. (Rushing)

Jordon, June. Technical Difficulties. New York: Harper and Row, 1994. (Macko)

Julien, Isaac. Looking for Langston. Video. A Channel 4 Production, U.K. (Biswas)

Kabbani, Rana. Europe's Myths of the Orient: Devise and Rule. London: Macmillan, 1985. (Biswas)

Kahn, Douglas and Diane Neumaier, eds. Cultures in Contention. Seattle: The Real Comet Press, 1985. (Jackson and Sorell)

Karp, Ivan and Steven D. Lavine, eds. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, D.C.: Smithsonian Institution Press, 1991. (Sorell)

Kruger, Barbara and Phil Mariani, eds. Remaking History. (Dia Art Foundation, Discussions in Contemporary Culture No. 4) Seattle: Bay Press, 1989. (Jackson)

Krupat, Arnold. Ethnocriticism. Berkeley: University of California Press, 1992. (Lippard) Lacy, Suzanne, ed. Mapping the Terrain. Seattle: Bay Press, 1994. (Lippard)

Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon Books, 1990. (Jackson and Sorell)

McCarthy, C. and W. Crichlow, eds. Race, Identity, and Representation in Education. New York: Routledge, 1993. (Charland)

McEvilley, Thomas. Art and Otherness: Crisis in Cultural Identity. Kingston, New York: McPherson & Company, Publishers, 1992. (Jackson)

Mies, Maria, and Vandana Shiva. Ecofeminism. Halifax, Nova Scotia: Fernwood, 1993. (Macko)

Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge, MA: Harvard University Press, 1992. (Macko)

O'Brien, Mark and Craig Little, eds. Reimaging America: The Arts of Social Change. Philadelphia and Santa Cruz: New Society Publishers, 1990. (Jackson)

Price, Sally. Primitive Art in Civilized Places. Chicago: University of Chicago Press, 1989. (Lippard)

Rubin, Arnold, ed. Marks of Civilization: Artistic Transformation of the Human Body. Los Angeles: Museum of Cultural History/University of California, Los Angeles. 1988. (Sorell)

Said, Edward. Culture and Imperialism. New York: Alfred A. Knopf, 1993. (Rushing)

Simonson, Rick and Scott Walker, eds. Multicultural Literacy: Opening the American Mind. Graywolf Annual Five, St. Paul: Graywolf Press, 1988. (Lippard)

Spivak, Gayatri Chakravorty. In Other Worlds: Essays in Cultural Politics. New York: Methuen, 1987. (Biswas)

_____. The Post-Colonial Critic: Interviews, Strategies, Dialogues. New York: Routledge, 1990. (Biswas)

Tomhave, R. D. "Value Bases Underlying Conceptions of Multicultural Education: An Analysis of Selected Literature in Art Education." Studies in Art Education: A Journal of Issues and Research. (1992): Vol. 34, No. 1. (Charland)

Torgovnick, Marianna. Gone Primitive: Savage Intellects, Modern Lives. Chicago: University of Chicago Press, 1990. (Lippard)

Trinh, T. Minh-ha. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press, 1989. (Harlan)

Valsiner, J. "Ontogeny of Co-Construction of Culture within Socially Organized Environmental Settings." In Child Development Within Culturally Structured Environments. Norwood, New Jersey: Ablex Publishing, 1988. (Charland)

Walker, Alice. You Can't Keep a Good Woman Down. New York: Harcourt Brace Jovanovich, 1981. (Macko)

Williams, Patrick and Laura Chrisman. Colonial Discourse and Post-Colonial Theory. New York: Columbia University, 1994. (Rushing)

Wollen, Peter. Raiding the Icebox: Reflections on Twentieth Century Culture. Bloomington and Indianapolis: Indiana University Press, 1993. (Jackson)

GENDER AND SEXUAL POLITICS

Barthes, Roland. Incidents. Berkeley and Los Angeles: University of California Press, 1992. Translated by Richard Howard. (Golden)

Before Stonewall. Video 87 minutes. MPI Home Video, Oak Forest, IL, c. 1984. (Macko)

Broude, Norma and Mary D. Garrard, eds. The Power of Feminist Art: the American Movement of the 1970s, History, and Impact. New York: Abrams, 1994. (Roth)

Butler, Judith. Bodies that Matter: On the Discursive Limits of "Sex." London: Routledge, 1993. (Macko)

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge, Chapman and Hall, Inc., 1990. (Macko)

Chauncey, George. Gay New York. Gender, Urban Culture and the Making of the Gay Male World 1891-1940. New York: BasicBooks, 1994. (Golden)

Gever, Martha, John Greyson and Pratibha Parmar, eds. Queer Looks: Perspectives on Lesbian and Gay Film and Video. New York and London: Routledge, 1993. (Roth)

Hein, Hilde and Carolyn Korsmeyer, eds. Aesthetics in Feminist Perspective. Bloomington: Indiana University Press. 1993. (Lindsay)

Lorde, Audre. Sister Outsider. Freedom, CA: The Crossing Press, 1984. (Macko)

Miller, D.A. Bringing Out Roland Barthes. Berkeley and Los Angeles: University of California Press, 1992. (Golden)

Raven, Arlene, ed. Crossing Over: Feminism and Art of Social Concern. Ann Arbor, Michigan: UMI Research Press, 1988. (Sorell)

Russo, Vito. The Celluloid Closet: Homosexuality in the Movies. New York: Harper & Row, 1981, 1987. (Golden)

Saslow, James M., ed. Bibliography of Gay and Lesbian Art. New York: Gay and Lesbian Caucus, College Art Association, 1994. (Roth)

Snitow, Ann, and Sharon Thompson. Powers of Desire: The Politics of Sexuality. New York: Monthly Review Press, 1983. (Biswas)

Tharu, Susie and K. Lalita. Women Writing in India 600 B.C. to the Present. New York: Feminist Press, 1991. (Biswas)

Walker, Alice, and Pratibha Parmar. Warrior Marks: Female Genital Mutilation and the Sexual Blinding of Women. London: Jonathan Cape, 1994. (Biswas)

Wittig, Monique. The Lesbian Body. Boston: Beacon Press, 1986. (Macko)

Wittig, Monique. The Straight Mind and Other Essays. Boston: Beacon Press, c. 1992. (Macko)

General

Beardsley, Monroe C. Aesthetics: Problems in Philosophy of Criticism. 2nd ed. Indianapolis: Hackett Publishing Company, Inc., 1981. (Charland)

Bolton, Richard, ed. Contest of Meaning: Critical Histories of Photography. Cambridge: M.I.T. Press, 1989, 1992. (Golden)

Blandy, D. and K. G. Congdon, eds. Art In a Democracy. New York: Teachers College Press, 1987. (Charland)

Cole, Johnnetta B., ed. Anthropology for the Nineties: Introductory Readings. New York: The Free Press, 1988. (Lindsay)

Duncan, Carol. The Aesthetics of Power: Essays in Critical Art History. London: Cambridge University Press, 1993. (Charland)

Frueh, Joanne, Cassandra Langer, and Arlene Raven, eds. New Feminist Criticism. New York: Harper Collins, 1994. (Macko)

Gritzer, G. "The Role of Gender, Class and Race in the Student Careers of Artists." Art & Academe (1992): Vol. 5, No. 1, pp. 22-39. (Charland)

High Performance. (Lippard)

Louie, Regan and Carlos Villa, eds. Worlds in Collision: Dialogues on Multicultural Issues. San Francisco: International Scholars Publications/ San Francisco Art Institute, 1995. (Roth)

O'Brien, Mark and Craig Little, eds. Reimaging America: The Arts of Social Change. Philadelphia: New Society, 1990. (Lippard)

Pollock, Griselda. Vision and Difference: Femininity, Feminism and the Histories of Art. London: Routledge, 1988. (Macko)

Robinson, Hilary, ed. Visibly Female: Feminism and Art Today. New York: Universe Books, 1988. (Macko)

Takaki, Ronald. A Different Mirror. Boston: Little, Brown, 1993. (Lippard)

Third Text. P.O. Box 3509, London NW 6 3PQ, Tel/Fax: 071-372 0826. (Lippard)

Witzling, Mara R., ed. Voicing Our Visions: Writings by Women Artists. New York: Universe Books, 1991. (Macko)

Wolff, J. "Questioning the Curriculum: Arts, Education and Ideology." Studies in Art Education: A Journal of Issues and Research (1990): Vol. 31, No. 4, pp. 198-206. (Charland)

LATIN AMERICA AND LATINO STUDIES/ ART HISTORY

Ades, Dawn. Art in Latin America: The Modern Era, 1820-1980. New Haven: Yale University Press, 1989. (Bosch)

Anzaldua, Gloria, ed. Making Face, Making Soul: Creative and Critical Perspective by Feminists of Color. San Francisco: Aunt Lute Books, 1990. (Macko)

Benitez, Marimar and Lydia Milagros Gonzalez. La Tercera Raiz: Presencia Africana en Puerto Rico. San Juan: Centro de Estudios de la Realidad Puertorriquena de Instituto de Cultura Puertorriquena, 1992. (Lindsay)

Bolivar Arostegui, Natalia. Los Orishas en Cuba. La Habana, Cuba: Ediciones Union. 1990. (Lindsay)

Cabreca, Lydia. EI Monte. 6th ed. Miami: Coleccion de Chicereku, 1986. (Lindsay)

Camnitzer, Luis. New Art of Cuba. Austin: University of Texas Press, 1994. (Bosch)

Cancel, Luis. The Latin American Spirit: Art and Artists in the United States 1920-1970. New York: Abrams, 1989. (Lindsay)

Catlin, Stanton Loomis. Art of Latin America since Independence. New Haven: Yale University Press, 1966. (Bosch)

Cockcroft, Eva Sperling, and Holly Barnet-Sanchez. Signs from the Heart: California Chicano Murals. Venice, California: Social and Public Art Resource Center, 1990. (Roth)

Dellepiane, Antonio. Estudios de Historia y Arte Argentinos. Buenos Aires: El Atenes, 1929. (Bosch)

Fusco, Coco. English Broken Here. New York: New Press, 1995. (Lippard)

Goldman, Shifra. Contemporary Mexican Painting in a Time of Change. Austin: University of Texas Press, c. 1981. (Bosch)

_____. Dimensions of the Americas: Art and Social Change in Latin America and the United States. Chicago: University of Chicago Press, 1994. (Roth)

Gonzalez-Wippler, Migene. Santeria: The Religion. A Legacy of Faith, Rites and Magic. New York: Harmony Books, 1989. (Lindsay)

Griswold del Castillo, Richard, Teresa McKenna, and Yvonne Yarbro-Bejarano, eds. Chicano Art: Resistance and Affirmation (CARA): An Interpretive Exhibition of the Chicano Art Movement, 1965-1985. Los Angeles: Wight Art Gallery/University of California Los Angeles, 1991. (Sorell)

Herrera, Hayden. Frida, A Biography of Frida Kahlo. New York: Perennial Press, 1983. (Golden)

Heyck, Denis Lynn Daly. Barrios and Borderlands: Cultures of Latinos and Latinas in the United States. New York: Routledge, Chapman and Hall, Inc., 1994. (Sorell)

Jacob, Mary Jane. Ana Mendieta. The "Silueta" Series. New York: Galerie Lelong, 1991.

Lindsay, Arturo. Santeria Aesthetics in Contemporary Latino Art. Washington, DC: Smithsonian Institution Press, forthcoming 1995. (Lindsay)

Lucie-Smith, Edward. Latin American Art of the 20th Century. London and New York: Thames and Hudson, c. 1993. (Bosch)

MacManus, Irene. Juan Gonzalez. New York: Hudson Hills Press, 1995? (Bosch)

Madison, Soyini, ed. The Woman That I Am: The Literature and Culture of Contemporary Women of Color. New York: St. Martin's Press, 1994. (Macko)

Martinez, Juan. Cuban Art and National Identity: The Vanguardia Painters, 1927-1950. Gainsville: University Press of Florida, 1994. (Bosch)

Meiselas, Susan. Nicaragua. New York: Pantheon Books, 1981. (Golden)

Mosquera, Gerardo, and Rachel Weiss. The Nearest Edge of the World: Art and Cuba Now. Cambridge: Polarities, Inc., 1990. (Lindsay)

Murphy, Joseph M. Santeria: An African Religion in America. Boston: Beacon Press, 1988. (Lindsay)

Pescatello, Ann M., ed. The African in Latin America. New York: Alfred A. Knopf. 1975.

Rodman, Selden. Genius in the Backlands: Popular Artists of Brazil. Old Greenwich, CT: Devin-Adair, Co., 1977. (Bosch)

Romera, Antonio R. Chile. Washington: Pan American Union, 1963. (Bosch)

Sullivan, Edward. Julio Larraz. New York: Hudson Hills Press, 1989. (Bosch)

Romotsky, Jerry, and Sally R. Los Angeles Barrio Calligraphy. Los Angeles: Dawson's Book Shop, 1976. (Sorell)

Periodicals:

Latin American Art (Back Issues)--New Title as of March 1995 Artworld (Bosch)

Art Nexus (Bosch)

Exhibition catalogues with substantial essays and information:

Latin American Art of the 20th Century. New York: Museum of Modern Art/Abrams, c. 1993. (Bosch)

Bosch, Lynette M.F. Islands in the Stream: Seven Cuban American Artists. Cortland, New York: S.U.N.Y., 1993. (Bosch)

Santos: An Exhibition of the Religious Folk Art of New Mexico. Fort Worth, Texas: Amon Carter Museum of Western Art, 1964. (Bosch)

Latin American Paintings From the Collection of the Solomon R. Guggenheim Museum. Center for Inter-American Relations Art Gallery, 1969. (Bosch)

Colonial Spanish Art of the Americas. Reading Public Museum Art Gallery, c. 1975. (Bosch)

Contemporary Latin American Artists: Exhibitions at the Organization of American States 1965-85. Metuchen, N.J.: Scarecrow Press, 1993. (Bosch)

Holliday T. Day. Art of the Fantastic: Latin American, 1920-1987. Indianapolis: Indianapolis Museum of Art, c. 1987. (Bosch)

El Taller Torres-Garcia: The School of the South and its Legacy. Austin, Texas: Archer M. Huntington Art Gallery, The University of Texas at Austin, 1993. (Bosch)

Fletcher, Valerie. Crosscurrents of Modernism: Four Latin American Pioneers: Diego Rivera, Joaquin Torres-Garcia, Wilfredo Lam, Matta. Washington, D.C.: Hirshhorn Museum and Sculpture Garden in Association with the Smithsonian Institution Press, 1992. (Bosch)

Outside Cuba: Contemporary Visual Artists. New Jersey: Rutgers State University of New Jersey, 1989. (Bosch)

Cuba/USA: The First Generation. Washington, D.C.: Fondo del Sol Visual Arts Center, 1991. (Bosch)

Beardsley, John. Hispanic Art in the United States: Thirty Contemporary Painters and Sculptors. New York: Museum of Fine Arts, Abbeville Press, 1987. (Bosch)

Bibliographies:

Findlay, James A. Modern Latin American Art: A Bibliography. Westport, CT: Greenwood Press, 1983. (Bosch)

Handbook of Latin American Art: A Bibliographic Compilation. ABCCLIO, Information Services, c. 1984. (Bosch)

Middle Eastern and Islamic Art

‘Ali, Wijdan. Modern Islamic Art: Development and Continuity. Gainesville: University Press of Florida, 1997.

‘Ali, Wijdan, ed. Contemporary Art from the Islamic World. With the assistance of Suhail Bisharat. Foreword by Prince El Hassan Bin Talal. London: Scorpion Pub. on behalf of the Royal Society of Fine Arts, Amman, 1989.

Alloula, Malek. The Colonial Harem. Translated by Myrna Godzich and Wald Godzich. Introduction by Barbara Harlow. Minneapolis: University of Minnesota Press, 1986.

Aga-Oglu, Mehmet. “Remarks on the Character of Islamic Art.” The Art Bulletin 36, no. 3 (September 1954): 175-202.

Bierman, Irene A. Writing Signs: The Fatimid Public Text. Berkeley: University of California Press, 1998.

Blair, Sheila S., and Jonathan M. Bloom.  The Art and Architecture of Islam: 1250-1800. New Haven: Yale University Press, 1995.

“The Mirage of Islamic Art: Reflections on the Study of an Unwieldy Field.” The Art Bulletin 85, no. 1 (March 2003): 152-84.

Bloom, Jonathan M. Paper Before Print: The History and Impact of Paper in the Islamic World. New Haven: Yale University Press, 2001.

Brend, Barbara. Islamic Art. Cambridge, MA: Harvard University Press, 1991.

Canby, Sheila Canby. “Farangi Saz: The Impact of Europe on Safavid Painting.” In Silk and Stone: The Art of Asia. Edited by Jill Tulden. 46-59. London: Hali Publications, 1996.

Diba, Layla S., and Maryam Ekhtiar, eds.  Royal Persian Paintings: The Qajar Epoch, 1785- 1925.  Brooklyn: Brooklyn Museum of Art in association with I.B. Tauris Publishers, 1998.

Dodd, Erica Cruikshank.  “The Image of the Word: Notes on the Religious Iconography of Islam.”  Berytus 18 (1969): 35-62.

Ettinghausen, Richard. “The Character of Islamic Art.” In The Arab Heritage.  Edited by Nabih Amin Faris. 251-67. New York: Russell & Russell, 1963.

“Arabic Epigraphy: Communication or Symbolic Affirmation.” In Near Eastern Studies Numismatics, Iconography, Epigraphy and History: Studies in Honor of George C. Miles.  Edited by Dickran K. Kouymijian. 297-317. Beirut: American University of Beirut, 1974.

Ettinghausen, Richard et al. Islamic Art and Architecture, 650-1250. New Haven: Yale University Press, 2001.

Flood, Finbarr Barry. “From the Prophet to Postmodernism? New World Orders and the End of Islamic Art.” In Making Art History: A Changing Discipline and its Institutions. Edited by Elizabeth Mansfield. London: Routledge, 2007.

Gonzalez, Valérie. “The Double Ontology of Islamic Calligraphy: a Word-Image on a Folio from the Museum of Raqqada (Tunisia).” Derman Festscrift: 1-28.

Grabar, Oleg. The Formation of Islamic Art. New Haven: Yale University Press, 1987.

The Mediation of Ornament. Princeton: Princeton University Press, 1992.

Gruber, Christiane et al. Visual Culture in the Modern Middle East: Rhetoric of the Image. Bloomington: Indiana University Press, 2013.

Hillenbrand, Robert.  Islamic Art and Architecture.  London: Thames and Hudson, 1999. Hodgson, Marshall G. S. “Islam and Image”: 220-259. Leoni, Francesca, and Mika Natif, eds. Eros and Sexuality in Islamic Art. Burlington: Ashgate, 2013.

Necipoğlu, Gülru. “Framing the Gaze in Ottoman, Safavid, and Mughal Palaces.” Ars Orientalis 23 (1993): 303-42

The Topkapı Scroll: Geometry and Ornament in Islamic Architecture: Topkapı Palace Museum Library MS H. 1956. Santa Monica: Getty Center for the History of Art and the Humanities, 1995.

Roxburgh, David J.  Prefacing the Image: The Writing of Art History in Sixteenth-Century Iran. Boston: Brill, 2001.

Ruggles, D. Fairchild, ed. Women, Patronage, and Self-Representation in Islamic Societies. Albany: State University of New York, 2000.

Islamic Art and Visual Culture: An Anthology of Sources. Malden: Wiley-Blackwell, 2011.

Said, Edward W. Orientalism. New York: Vintage Books, 1994.

Tabbaa, Yasser. The Transformation of Islamic Art during the Sunni Revival. Seattle: 2001.

Vernoit, Stephen, ed.  Discovering Islamic Art: Scholars, Collectors and Collections, 1850-1950. London: I B Tauris, 2000.

Postcolonial Studies

Alloula, Malek.  The Colonial Harem.  Translated by Myna Godzich and Wald Godzich. Minneapolis: University of Minnesota, 1986.

Behdad, Ali. Belated Travelers: Orientalism in the Age of Colonial Dissolution. Durham: Duke University Press, 1994.

Bhabha, Homi. The Location of Culture. London: Routledge, 1994.

Chatterjee, Partha.  The Nation and its Fragments: Colonial and Postcolonial Histories. Princeton: Princeton University Press, 1993.

Demos, T.J.  Return to the Postcolony: Specters of Colonialism in Contemporary Art. Berlin: Sternberg Press, 2013.

Fabian, Johannes.  Time and the Other: How Anthropology Makes its Object.  Second Edition. New York: Columbia University Press, 2002.

Fanon, Frantz. A Dying Colonialism. Translated by Haakon Chevalier. Introduction by Adolfo Gilly. New York: Grove Press, 1965.

Black Skin, White Masks. Translated by Charles Lam Markmann. New York: Grove Press, 1967.

The Wretched of the Earth. Preface by Jean-Paul Sartre. Translated by Constance Farrington. New York: Grove Press, 1968.

Guha, Ranajit, ed. A Subaltern Studies Reader, 1986-1995. Minneapolis: The University of Minnesota Press, 1997.

Harris, Jonathan D., ed. Identity Theft: The Cultural Colonization of Contemporary Art. Liverpool: Liverpool University Press, 2008.

Landry, Donna and MacLean, Gerald, eds. The Spivak Reader: Selected Works of Gayatri Chakravorty Spivak.  New York: Routledge, 1996.

Lewis, Reina. Gendering Orientalism: Race, Femininity and Representation. London: Routledge, 1996.

Anne McClintock, Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. London: Routledge, 1995.

Mignolo, Walter. The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization. Ann Arbor: University of Michigan Press, 1995.

Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton: Princeton University Press, 2000.

Oguibe, Olu. “In the ‘Heart of Darkness.’” Third Text 23 (Summer 1993): 3-8. Said, Edward W. Orientalism. New York: Vintage Books, 1994. Spivak, Gayatri Chakravorty. “Can the Subaltern Speak? Speculations on Widow-sacrifice.” Wedge 7/8 (Winter/Spring 1985): 120-30.

The Post Colonial Critic: Interviews, Strategies, Dialogues. New York: Routledge, 1990.

Yeğenoğlu, Meyda.  Colonial Fantasies: Towards a Feminist Reading of Orientalism. Cambridge: Cambridge University Press, 1998.

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