The Art Bulletin
About the Journal
On the cover: Susan Hiller, Witness, 2000, seen in an installation at Tate, London, audio-sculpture: 400 speakers, wiring, steel structure, 10 CD players, switching equipment, lights; suspended from ceiling and walls, dimensions variable (artwork © Susan Hiller; photograph by Todd White Art Photography, London, and provided by the Timothy Taylor Gallery, London)
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year: in March, June, September, and December.
The journal is archived in JSTOR and indexed in Bibliography of the History of Art, Art Index, and Arts and Humanities Citation Index. Back issues may also be read online in ProQuest, Ebsco, and other online archives.
The Art Bulletin is available only as a benefit of CAA membership. Limited quantities of back issues a]re available for purchase. Please send address changes and claims to Member Services.
How to Contribute
The Art Bulletin welcomes submissions from scholars worldwide and at every stage in their career. Please read the submission and style guidelines for more information on the process.
