The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The quarterly journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by CAA.
Selected content from each print issue of Art Journal is published on Art Journal Open.Submit to Art Journal
The journal is archived at Taylor & Francis Online and indexed in Bibliography of the History of Art, Art Index, and Arts and Humanities Citation Index. Back issues may also be read online in ProQuest, EBSCO, and other online archives.
To purchase back issues of Art Journal from 1998 to the present, please contact Routledge, Taylor & Francis at firstname.lastname@example.org or 800-354-1420. All orders are subject to availability. You may browse the tables of contents for past issues of Art Journal.