About the Grant
CAA was awarded a short-term grant from the Andrew W. Mellon Foundation in 2013 to fund the Meiss/Mellon Author’s Book Award. The grant was a temporary measure to provide financial relief to scholars in art history and visual studies who are responsible for funding the image programs in their publications. Through this grant CAA provided awards to emerging scholars for their first publication to help defray the high costs of image licensing and reproduction for monographs in art history and visual studies. Awardees were selected on the basis of the quality and demonstrated financial need of their project.
A similar award (SAH-Mellon Author Awards) for scholars publishing their first monograph on the history of the built environment was administered by the Society for Architectural Historians. Both the CAA and SAH awards provided leading authors with the financial resources to acquire images for scholarly publications.
The Meiss/Mellon Author’s Book Award supported publication of scholarly monographs, which continue to be the most highly valued demonstration of scholarly competence. Unfortunately, many authors today must provide both a fully realized text and the financial resources for its image program. The cost for image rights and licensing, especially for digital publications, can be prohibitively high.
In order to capitalize on CAA’s expertise in the funding of art publications, the guidelines, jury processes, and award procedures for the Meiss/Mellon Author’s Book Award were similar to those currently in place for CAA’s Millard Meiss Publication Fund grant. The jury comprised distinguished mid-career or senior scholars who are members of CAA and whose specializations cover a broad range of art scholarship. The jury had discretion over the number of awardees and the size of the grant to be awarded to each. The grants were made directly to authors to defray the costs of image acquisitions.
Below is a list of all recipients of the Meiss/Mellon Author’s Book Award. The grant was a temporary measure to provide financial relief to scholars in art history and visual studies who are responsible for funding the image programs in their publications.
Amy R. Bloch, Lorenzo Ghiberti’s Gates of Paradise: Humanism, History, and Artistic Philosophy in the Italian Renaissance, Cambridge University Press
Susan Cahan, The Politics of Race in American Museums, 1966–1972, Duke University Press
Maggie Popkin, The Architecture of the Roman Triumph: Monuments, Memory, and Identity, Cambridge University Press
Akiko Walley, Constructing the “Dharma King”: Hōryūji Śākyamuni Triad and the Birth of the “Prince Shōtoku Cult,” Brill
Sonal Khullar, Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990, University of California Press
Pepper Stetler, Stop Reading! Look! Modern Vision and the Weimar Photographic Book, University of Michigan Press
Sarah Hamill, David Smith in Two Dimensions: Photography and the Matter of Sculpture, University of California Press
Ara H. Merjian, Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism, Paris, (New Haven: Yale University Press, 2013)
Claudia Brittenham, The Cacaxtla Paintings: How Art Shaped the Identity of an Ancient Central Mexican City, University of Texas Press
Chelsea Foxwell, In Search of Images: Kano Hogai and the Making of Modern Japanese-Style Painting, University of Chicago Press
Jesse Locker, Artemisia Gentileschi: The Language of Painting, Yale University Press
Megan R. Luke, Kurt Schwitters: Space, Image, Exile (Chicago: University of Chicago Press, 2014)
Karl Whittington, Body-Worlds: Opicinus de Canistris and the Medieval Cartographic Imagination (Toronto: Press of the Pontifical Institute of Mediaeval Studies, 2013)