CAA News Today
Exhibitions Curated by CAA Members
posted by CAA — Apr 15, 2011
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
April 2011
Rembrandt van Rijn, Self-Portrait with Raised Saber, 1634, etching, with touches of burin (state II of II), retouched by a later hand with brush and gray ink, image: 4 13/16 x 4 in., sheet: 4⅞ x 4 in. Fondation Custodia, Collection Frits Lugt, Paris (artwork in the public domain)Colin B. Bailey, Margaret Iacono, and Joanna Sheers. Rembrandt and His School: Masterworks from the Frick and Lugt Collections. Frick Collection, New York, February 15–May 15, 2011.
Brian Bishop, Untitled (Passage: Seventeen), 2010, casein on paper, 5 x 5 in. (artwork © Brian Bishop)Robert Bunkin and Colleen Randall. Charged Brushes: Ten Artists from the Registry. Painting Center, New York, March 1–26, 2011.
Unknown Russian artist, The Virgin of the Sign, late 16th–early 17th century, tempera on wood with gilt, 28 x 34½ in. Chazen Museum of Art. Gift of Joseph E. Davies, 37.1.3 (artwork in the public domain; photograph by Eric Tadsen)Thomas E. A. Dale. Holy Image, Sacred Presence: Russian Icons, 1500–1900. Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin, March 12–June 5, 2011.
Baby quilt by Katumbi Muzavar from Karnataka-India, 2005 (photograph by Henry John Drewal)Henry John Drewal. Soulful Stitching: Patchwork Quilts by Africans (Siddis) in India. Latimer/Edison Gallery, Schomburg Center for Research in Black Culture, New York Public Library, New York, February 1–June 30, 2011.
Alexandre Rapin, Self-Portrait, 19th century, graphite on paper. Dahesh Museum of Art. Gift of DeCourcy E. McIntosh. 2002.63 (artwork in the public domain)J. David Farmer and Alia Nour. The Essential Line: Drawings from the Dahesh Museum of Art. Palitz Gallery, Lubin House, Syracuse University, New York, February 9–March 24, 2011.
Rachel Hines, Lollygagging, November 8, 2010, performance at Oregon State University (artwork © Rachel Hines; photograph by Maggie Hudson)Julie Green. Three Rache(a)ls: Rachel Hines, Rachael Huffman, and Rachel Warkentin. Fairbanks Gallery, Oregon State University, Corvallis, Oregon, November 8–29, 2010.
Michelle Y. Hyun. Dear Pratella, what do you hear?. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, May 1–22, 2011.
Ellen G. Landau. Mercedes Matter: The Hofmann Years. Wiegand Gallery, Notre Dame de Namur University, Belmont, California, January 26–February 26, 2011.
Bruce Goff at his University of Oklahoma School of Architecture office, ca. 1954. Bruce A. Goff Archives, Ryerson and Burnham Archives, Art Institute of Chicago (photograph by Philip B. Welch and provided by Scott W. Perkins)Scott W. Perkins and Ghislain d’Humieres. Bruce Goff: A Creative Mind. Price Tower Arts Center, Bartlesville, Oklahoma, January 9–May 1, 2011.
Bruce Goff, animation still of an unrealized design, John Garvey House project, Urbana, Illinois, 1952 (animation by Skyline Ink Animation Studios, Oklahoma City; photograph provided by Scott W. Perkins)Scott W. Perkins and Ghislain d’Humieres. Bruce Goff: A Creative Mind. Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 9, 2010–January 2, 2011.
Mary Salvante and Ellie Brown. Body, Mind, and Hair. Rowan University Art Gallery, Glassboro, New Jersey, October 11–November 13, 2010.
Torkwase Dyson, Untitled (West African mask, V-8 Model engine, and bling t-shirt), 2008, mixed media, plastic, wood, bullet heads, and cotton, 24 x 8 x 13 in. (artwork © Torkwase Dyson; photograph provided by Flanders Art Gallery)Michelle Joan Wilkinson. Material Girls: Contemporary Black Women Artists. Reginald F. Lewis Museum of Maryland African American History and Culture, Baltimore, Maryland, February 12–October 16, 2011.
Helen Frankenthaler Adriatic, 1968, acrylic on canvas, 132⅛ x 93 in. Norton Simon Museum, Gift of the Artist. P.1969.138 (artwork © 2011 Helen Frankenthaler; photograph © 2011 Artists Rights Society [ARS], New York)Gloria Williams. Surface Truths: Abstract Painting in the Sixties. Norton Simon Museum, Pasadena, California, March 25–August 15, 2011.
caa.reviews Seeks Field Editors for Books and Exhibitions
posted by Betty Leigh Hutcheson — Apr 14, 2011
An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.
caa.reviews Council of Field Editors
caa.reviews invites nominations and self-nominations for five individuals to join its Council of Field Editors, which commissions reviews of books, exhibitions, and related media within an area of expertise or geographic region, for a three-year term: July 1, 2011–June 30, 2014. Candidates may be art historians, critics, curators, or other professionals in the visual arts; institutional affiliation is not required.
The journal seeks field editors for books in three areas: Chinese and Korean art, early modern and southern European art, and nineteenth-century art. Field editors for exhibitions are needed in two regions: New York and the Northeastern United States covering art prior to 1800, and the Southwestern US covering art of all periods.
Working with the caa.reviews editor-in-chief, the caa.reviews Editorial Board, and CAA’s staff editor, each field editor selects content to be reviewed, commissions reviewers, and reviews manuscripts for publication. Field editors for books are expected to keep abreast of newly published and important books and related media in his or her field of expertise, and those for exhibitions should be aware of current and upcoming exhibitions (and other related projects) in their geographic regions. The Council of Field Editors meets annually at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, caa.reviews Editorial Board, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline: May 18, 2011.
Solo Exhibitions by Artist Members
posted by CAA — Feb 22, 2011
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
February 2011
Abroad
Jesseca Ferguson, Tome XXIV, 2010, pinhole Argyrotype with collaged elements, 12 x 10 x ⅛ in. (artwork © Jesseca Ferguson; photograph by Peter Harris)Jesseca Ferguson. Fox Talbot Museum, Lacock Abbey, Lacock, Chippenham, United Kingdom, January 2–June 26, 2011. Handmade Pictures by Jesseca Ferguson. Photography
Mid-Atlantic
Judith K. Brodsky, Women, Love, Philosophy III, 2000, etching with attached red ribbon,Judith K. Brodsky. Bernstein Gallery, Robertson Hall, Woodrow Wilson School of Public and International Affairs, Princeton University, Princeton, New Jersey, December 6, 2010–January 6, 2011. Women. Mixed-media printmaking.
Invitation card for Nicholas Hill’s Kyoto Calligraphy LessonsNicholas Hill. NAP Museum and Exhibition Space, Kutztown, Pennsylvania, January 21–March 5, 2011. The Kyoto Calligraphy Lessons: Cyanotypes by Nicholas Hill. Cyanotype.
Midwest
Yueh-Mei Cheng, Shambala, 2007, acrylic on handmade paper, 26 x 26 in. (artwork © Yueh-Mei Cheng)Yueh-Mei Cheng. Hastings Museum of Natural and Cultural History, Hastings, Nebraska, January 16–March 11, 2011. Visual Chess. Painting.
Cynthia Greig, Nature Morte no. 4 (Still Life Inside and Out), 2009, chromogenic development print, 24 x 32 in. (artwork © Cynthia Greig)Cynthia Greig. Oakland University Art Gallery, Rochester, Michigan, January 7–February 20, 2011. Cynthia Greig: Subverting the (Un)Conventional. Photography and installation.
Rosemary Williams. Soap Factory, Minneapolis, Minnesota, December 18, 2010–February 20, 2011. Belongings. Site-specific video installation.
Northeast
Richmond Ackam, Fruitage, 2003, acrylic on vellum, 10 in. diameter (artwork © Richmond Ackam)Richmond Ackam. 3rd Floor Gallery, John Jay College of Criminal Justice, City University of New York, New York, January 27–February 20, 2010. Richmond Ackam: “Ackamism.” Painting.
June Blum. Resnick Gallery, Library Learning Center, Long Island University, Brooklyn Campus, Brooklyn, New York, January 24–February 25, 2011. Black and White Paintings: An Overview. Painting.
Margot Lovejoy. Stephan Stoyanov Gallery, New York, February 10–March 13, 2011. Margot Lovejoy: The Confess Project. Installation.
Lorna Ritz, Darkness Falling, 2010, oil on canvas, 40 x 50 in. (artwork © Lorna Ritz)Lorna Ritz. Trailside Gallery, Northampton, Massachusetts, January 8–February 4, 2011. Darkness Falling. Painting.
Fay Stanford, Bingo Queen, 2010, woodcut, 18 x 12 in. (artwork © Fay Stanford)Fay Stanford. SoHo 20 Gallery Chelsea, New York, February 1–26, 2011. Love and Dementia. Woodcut, monoprint, and ink drawing.
South
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)Linda Stein. Anne Wright Wilson Fine Arts Gallery, Georgetown College, Georgetown, Kentucky, March 3–April 7, 2011. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
West
Betsy Lohrer Hall, Horizon II, 2009, gouache on paper, 60 x 42 in. (artwork © Betsy Lohrer Hall; photograph by Gene Ogami)Betsy Lohrer Hall. El Camino College Art Gallery, Torrance, California, February 14–March 11, 2011. The Spaces In Between. Painting, installation, and performance.
Exhibitions Curated by CAA Members
posted by CAA — Feb 15, 2011
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December.To learn more about submitting a listing, please follow the instructions on the main Member News page.
February 2011
Jean François Millet, Dandelions, 1867–68, pastel on tan wove paper, 16 x 19¾ in. Museum of Fine Arts, Boston. Gift of Quincy Adams Shaw through Quincy Adams Shaw, Jr., and Mrs. Marian Shaw Haughton (artwork in the public domain; photograph © Museum of Fine Arts, Boston)Helen Burnham. Millet and Rural France. Museum of Fine Arts, Boston, September 4, 2010–May 30, 2011.
Jill Moser, And Aenigma Was His Name, O!, page from The Introvert, 2010, I/XII, unique hand-painted collaborative artist’s book on BFK Rives paper, 13 x 19½ in. (open dimension). Poetry by Charles Bernstein and drawing by Jill Moser. Gervais Jassaud of Collectif Generation, Paris (photograph by Mary Benyo and provided by the artist)Judith Tolnick Champa. Extravagant Drawing. Dorsky Gallery Curatorial Programs, Long Island City, New York, February 6–April 10, 2011.
Maria Saffiotti Dale. Hidden Treasures: Illuminated Manuscripts from Midwestern Collections. Chazen Museum of Art, Madison, Wisconsin, December 18, 2010–February 27, 2011.
Lucy Farley, nine-in-one sampler rug, 1980, 66 x 65 in. Work pledged to the Heard Museum (artwork © Lucy Farley; photograph provided by the Santa Fe Collection)Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Heard Museum, Phoenix, Arizona, February 5–May 22, 2011.
Judith Keller with the assistance of Alana West. Photography from New China. J. Paul Getty Museum, Los Angeles, California, December 7, 2010–April 24, 2011.
Michele White. Vija Celmins: Television and Disaster, 1964–1966. Menil Collection, Houston, Texas, November 19, 2010–February 20, 2011.
Solo Exhibitions by Artist Members
posted by CAA — Dec 22, 2010
See when and where CAA members are exhibiting their art, and view images of their work.
To learn more about submitting a listing, please see the instructions on the main Member News page.
December 2010
Abroad
Melissa Potter, Swinging Little Lamb, circa 1974 (feminine traits from Gender Assignment), 2010, print-on-demand book (artwork © Melissa Potter)Melissa Potter. Zvono Gallery, Belgrade, Serbia, November 15–27, 2010. New Works by Melissa Potter. Painting, photography, video, and print-on-demand book.
Mid-Atlantic
Dahlia Elsayed, And Then Some, 2010, acrylic on paper, 14 x 11 in. (artwork © Dahlia Elsayed)Dahlia Elsayed. Aljira, a Center for Contemporary Art, Newark, New Jersey, October 28, 2010–January 8, 2011. … And Then Some. Painting.
Dennis Farber, The Album Project, 2010, collage, cabinet cards, and inkjet print (artwork © Dennis Farber; photograph provided by the Maryland Institute College of Art)Dennis Farber. Pinkard Gallery, Bunting Center, Maryland Institute College of Art, Baltimore, Maryland, January 28–March 13, 2011. Mixed media.
Joseph Lewis III, I Can Still Win, 2008, digital print on Stonehenge 300 gram paper, 38 x 47½ in. (artwork © Joseph Lewis III; photograph provided by the Maryland Institute College of Art)Joseph Lewis III. Meyerhoff Gallery, Fox Building, Maryland Institute College of Art, Baltimore, Maryland, December 9, 2010–January 9, 2011. THE WORD. Digital prints.
Kathleen Vaccaro, Thanksgiving, 2009, oil on canvas, 42 x 75 in. (artwork © Kathleen Vaccaro)Kathleen Vaccaro. Draw the Line Gallery, Doylestown, Pennsylvania, November 5–29, 2010. Winter Nostalgia. Painting.
Midwest
Rachel Epp Buller, Swirling Stories, 2010, monoprint, 22 x 30 in. (artwork © Rachel Epp Buller)Rachel Epp Buller. Balcony Gallery, CityArts, Wichita, Kansas, December 5–30, 2010. Stories: Monoprints and More. Monoprints, woodblock prints, and handmade books.
Alison Crocetta, production photograph of Lift, 2004 (artwork © Alison Crocetta; photograph by David Pardoe and provided by the Weston Art Gallery)Alison Crocetta. Alice F. and Harris K. Weston Art Gallery, Aronoff Center for the Arts, Cincinnati, Ohio, June 17–August 28, 2010. Moving Images by Alison Crocetta. Film and video.
Marcia Freedman, Cluttered, 2009, oil on canvas, 36 x 42 in. (artwork © Marcia Freedman)Marcia Freedman. Western Illinois University Art Gallery, Macomb, Illinois, October 26–November 18, 2010. Marcia Freedman: Inside/Outside. Painting and drawing.
Megan Geckler. Wexner Center for the Arts, University of Ohio, Columbus, Ohio. November 9, 2010–January 2, 2011. Spread the ashes of the colors. Environmental sculpture.
Jennifer Palmer, In My Secret, 2007, mixed media on poplar, 3 x 5 in. (artwork © Jennifer Palmer)Jennifer Palmer. Foundry Art Centre, St. Charles, Missouri, December 10, 2010–January 14, 2011. Asleep and Dreaming. Painting and drawing.
Northeast
Joy Garnett, Roil, 2010, oil on canvas, 54 x 60 in. (artwork © Joy Garnett)Joy Garnett. Winkleman Gallery, New York, October 15–November 13, 2010. Boom & Bust. Painting.
Pamela Pecchio, On Longing, Distance and Heavy Metal #1, 2010, archival pigment print from large-format negative, 30 x 40 in. (artwork © Pamela Pecchio)Pamela Pecchio. Daniel Cooney Fine Art Gallery, New York, January 6–February 12, 2011. On Longing, Distance and Heavy Metal. Photography.
Mary Ting, Insomnia, 2009–10, watercolor and collage, 24 x 18 in. (artwork © Mary Ting)Mary Ting. Lambent Foundation, New York. October 10–December 23, 2010. Insomnia and Other Stories. Drawing, printmaking, photography, video, and sculptural installation.
South
Sharon Lee Hart, Aries, Resident of Catskill Farm Animal Sanctuary, 2010, archival inkjet print, 40 x 40 inches (artwork © Sharon Lee Hart)Sharon Lee Hart. Tinney Contemporary Gallery, Nashville, Tennessee, December 4–23, 2010. Sanctuary. Photography.
Marcus Kenney, KicKitic, 2010, reclaimed taxidermy, fabric, gar, felt, turtle shell, beads, twine, buttons, plastic, and miscellaneous objects, 36 x 38 x 25 in. (artwork © Marcus Kenney)Marcus Kenney. Marcia Wood Gallery, Atlanta, Georgia, November 18, 2010–January 1, 2011. Romance 2020. Mixed-media painting and sculpture.
Marcus Kenney, Defend Boundaries (Establish Validity), 2007, mixed media on canvas, 48 x 48 in. (artwork © Marcus Kenney)Marcus Kenney. Masur Museum of Art, Monroe, Louisiana, November 4, 2010–January 22, 2011. Marcus Kenney: Almanac 2020. Mixed-media painting and sculpture.
Conrad Ross, Chinese Landscape #1, oil, digital prints, and sand on canvas (artwork © Conrad Ross)Conrad Ross. Tennessee Valley Museum of Art, Tuscumbia, Alabama, September 12–November 12, 2010. China on My Mind. Mixed-media painting, intaglio, woodcut, relief, and collé.
Linda Stein, Defender 696, 2010, leather, metal, and mixed media, 38 x 22 x 14 in. (artwork © Linda Stein)Linda Stein. Neil Britton Art Gallery, Virginia Wesleyan College, Norfolk, Virginia, January 5–February 16, 2011. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
Exhibitions Curated by CAA Members
posted by CAA — Dec 15, 2010
Check out details on recent exhibitions organized by CAA members who are also curators.
To learn more about submitting a listing, please see the instructions on the main Member News page.
December 2010
Jean-Léon Gérôme, The Snake Charmer, ca. 1870, oil on canvas, 83.8 x 122.1 cm (artwork in the public domain)Scott Allan and Mary Morton. The Spectacular Art of Jean-Léon Gérôme. J. Paul Getty Museum, Los Angeles, California, June 15–September 12, 2010.
Leslie K. Brown. Traces: Daniel Ranalli, Cape Work 1987–2007. Provincetown Art Association and Museum, Provincetown, Massachusetts, October 15, 2010–January 16, 2011.
Rachel Epp Buller. Mothers. Woman Made Gallery, Chicago, Illinois. November 5–December 23, 2010.
Fahamu Pecou, POP, 2010, acrylic and gold leaf on canvas, 66 x 49½ in. (artwork © Fahamu Pecou; photograph provided by Artadia and Lyons Wier Gallery, New York)Dina Deitsch. Southern Exposure: Artadia Awardees 2009 Atlanta. Mills Gallery, Boston Center for the Arts, Boston, Massachusetts, November 19, 2010–January 2, 2011.
Installation view of A Turning Point (photograph by Ann Lane Hedlund)Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Cooper Gallery, Morrill Hall, University of Nebraska State Museum, Lincoln, Nebraska, October 1–November 30, 2010.
Robyn G. Peterson. Eye for an Eye: Photographs of Modern Artists by Modern Artists from the Collection of John W. Green. Yellowstone Art Museum, Billings, Montana, October 7, 2010–January 9, 2011.
Three unisex motorcycle uniforms (photograph © The Museum at FIT, New York)Valerie Steele. Japan Fashion Now. Museum at FIT, Fashion Institute of Technology, State University of New York, New York, September 17, 2010–April 2, 2011.
Richmond Barthé, Self Portrait, ca. 1940, painted plaster, lifesize. Collection of Phillip H. Rubin (artwork © Richmond Barthé; photograph by Margaret Rose Vendryes)Margaret Rose Vendryes. Richmond Barthé: The Seeker. Ohr-O’Keefe Museum of Art, Biloxi, Mississippi, November 6, 2010–June 12, 2011.
Solo Exhibitions by Artist Members
posted by CAA — Nov 22, 2010
See when and where CAA members are exhibiting their art, and view images of their work.
To learn more about submitting a listing, please see the instructions on the main Member News page.
November 2010
Abroad
Installation view of works in Don’t Worry, Be Happy: Castle Bravo (top); Atomic Yo Yo Trick (left); and Bricked-in TV (right) (artworks © Brit Bunkley)Brit Bunkley. Mary Newton Gallery, Wellington, New Zealand, August 18–September 11, 2010. Don’t Worry, Be Happy. Sculpture, digital C-type prints, and video.
Mid-Atlantic
Patricia Villalobos Echeverría, Outbreak, 2010, EPS foam on wall, dimensions variable (artwork © Patricia Villalobos Echeverr’a)Patricia Villalobos Echeverría. Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania, September 10–November 7, 2010. Outbreak. Installation, sculpture, and video.
Midwest
Pete Driessen, detail of Gorgonica Fleet (Orange/Metallic Green), 2010, mixed-media installation, dimensions variable (artwork © Pete Driessen)Pete Driessen. They Won’t Find Us Here Gallery, Minneapolis, Minnesota, October 8–22, 2010. Nauticalia Tentacalus: YeOldeSe(a)menShoppe. Mixed-media installation.
Northeast
Robert Berlind, Red Leaves, 2007, oil on linen, 30 x 35 in. (artwork © Robert Berlind)Robert Berlind. David Findlay Jr. Fine Art, New York, November 4–27, 2010. Recent Paintings. Oil on linen and board.
Adrienne Der Marderosian, Reverie, No. 2, 2010, collage, 9 x 3 3/4in. (artwork © Adrienne Der Marderosian)Adrienne Der Marderosian. Belmont Public Library, Belmont, Massachusetts, October 1–30, 2010. New Works. Collage.
Daniel Hill, Red Gray Grid 1, 2009, archival pigment print, 22 x 33 in. (artwork © Daniel Hill)Daniel Hill. Painting Center, New York, November 2–27, 2010. From Paint to Print. Acrylic painting and archival pigment prints.
Daniel Ranalli, Spiral Start #9, from the series Snail Drawings, 1995/2009, photographic diptych of archival inkjet prints, 20 x 28 in. (artwork © Daniel Ranalli; photograph provided by Gallery Kayafas)Daniel Ranalli. Provincetown Art Association and Museum, Provincetown, Massachusetts, October 15, 2010–January 16, 2011. Traces: Cape Work 1987–2007. Installation and documentation.
South
Christopher McNulty, 20,249 Days, 2007, dart holes in paper, 42 x 42 in. (artwork © Christopher McNulty)Christopher McNulty. Blue Star Contemporary Art Center, San Antonio, Texas, September 30–October 30, 2010. Days. Work on paper.
Jeff Whipple, Seizing the Day, 2009, oil on canvas, 40 x 60 in. (artwork © Jeff Whipple)Jeff Whipple. Museum of Florida Art, DeLand, Florida, September 3–November 21, 2010. Seizing the Day. Painting, drawing, sculpture, photography, and video.
West
Kay Kang, Conversation with My Father, 1997, sumi ink on rice paper, with acrylic and mounted on canvas, 54 x 132 in. (artwork © Kay Kang)Kay Kang. Alumni Hall Gallery, San Francisco State University, San Francisco, California, August 20–December 10, 2010. Conversation with My Father. Sumi ink on rice paper and acrylic mounted on canvas.
Janet Marcavage, Such Fancies, 2010, cut screen prints, approx. 30 x 48 in. (artwork © Janet Marcavage)Janet Marcavage. University Gallery, Pacific Lutheran University, Tacoma, Washington, October 13–November 10, 2010. Such Fancies. Serial prints and cutout.
Exhibitions Curated by CAA Members
posted by CAA — Nov 15, 2010
Check out details on recent exhibitions organized by CAA members who are also curators.
To learn more about submitting a listing, please see the instructions on the main Member News page.
November 2010
Jan Gossart, Saint Luke Drawing the Virgin, ca. 1520–22, oil on panel, 43 1/8 x 32¾ in. (artwork in the public domain)Maryan Ainsworth. Man, Myth, and Sensual Pleasures: Jan Gossart’s Renaissance. Metropolitan Museum of Art, New York, October 6, 2010–January 17, 2011.
Leonard Baskin, Leonard Baskin AET 42, 1962, color woodcut on paper, 32 x 23½ in. Delaware Art Museum, Gift of Alfred Appel, Jr., 2009 (artwork © Estate of Leonard Baskin; photograph provided by Galerie St. Etienne, New York)Heather Campbell Coyle. Leonard Baskin: Art from the Gift of Alfred Appel, Jr. Delaware Art Museum, Wilmington, Delaware, September 26, 2010–January 9, 2011.
Suchan Kinoshita, Clock, 2010, clocks and prepared surveillance mirror (artwork © Suchan Kinoshita; photograph by Museum Ludwig/Ulrich Tillmann)Emily Joyce Evans and Kasper König. Suchan Kinoshita: In 10 Minutes. Museum Ludwig, Cologne, Germany, October 9, 2010–January 30, 2011.
Man Ray, Noire et Blanche, 1926, gelatin-silver print, 17 15/16 x 22 15/16 in. (artwork © 2010 Man Ray Trust/SODRAC)Wendy A. Grossman. Man Ray, African Art, and the Modernist Lens. Museum of Anthropology, University of British Columbia, Vancouver, British Columbia, Canada, October 29, 2010–January 23, 2011.
Ron Gorchov, Rasulka, 2008, oil on canvas, 60 x 80 x 13 in. (artwork © Ron Gorchov; photograph by Tom Powel and provided by the artist)Tom Huhn and Isabel Taube. Between Picture and Viewer: The Image in Contemporary Painting. Visual Arts Gallery, School of Visual Arts, New York, November 23–December 22, 2010.
Ronnie Tjampitjinpa, Tingari Ceremonies at the Site of Pintjun, 1989, acrylic on canvas, 152 x 180 cm. Gabrielle Pizzi Collection, Melbourne (artwork © 2010 Ronnie Tjampitjinpa, Aboriginal Arts Agency)Kasper König, Emily Joyce Evans, and Falk Wolf. Remembering Forward: Australian Aboriginal Painting since 1960. Museum Ludwig, Cologne, Germany, November 20, 2010–March 20, 2011.
Installation view of Colors of the Oasis: Central Asian Ikats (photograph provided by the Textile Museum)Sumru Belger Krody. Colors of the Oasis: Central Asian Ikats. Textile Museum, Washington, DC, October 16, 2010–March 13, 2011.
Installation view of El Greco: Los Apóstoles, santos y “locos de Dios” at the Museo de Guadalajara (photograph by David Blázquez)Fernando Marías and María Cruz de Carlos Varona. El Greco: Los Apóstoles, santos y “locos de Dios.” Museo de la Merced, Ciudad Real, Spain, November 20, 2010–January 20, 2011.
John Henry Haynes, Ziggurat, 1893–94, archival print. Penn Museum negative #5680 (artwork in the public domain)Robert Ousterhout and Renata Holod. Archaeologists and Travelers in Ottoman Lands. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, Pennsylvania, September 26, 2010–February 6, 2011.
Solo Exhibitions by Artist Members
posted by CAA — Oct 22, 2010
See when and where CAA members are exhibiting their art, and view images of their work.
To learn more about submitting a listing, please see the instructions on the main Member News page.
October 2010
Abroad
Cynthia Greig. Witzenhausen Gallery, Amsterdam, the Netherlands, November 13–December 11, 2010. Nature Morte: The Matter of Life and Death. Color photography.
Midwest
Annie Feldmeier Adams, Requiem, 2010, four-channel sound installation in the Fern Room of Chicago’s Lincoln Park Conservatory (artwork © Annie Feldmeier Adams)Annie Feldmeier Adams. Lincoln Park Conservatory, Chicago, Illinois, September 19, 2010–January 31, 2011. Requiem. Four-channel sound installation.
Yueh-Mei Cheng, Wind Horse 1223, 2009, acrylic and watercolor on handmade paper, 26 x 26 in. (artwork © Yueh-Mei Cheng)Yueh-Mei Cheng. Taliesin, Frank Lloyd Wright Foundation, Spring Green, Wisconsin, July 25–September 25, 2010. Art Exhibition of Yueh-Mei Cheng. Painting.
Invitation card for Nicholas Hill’s exhibition at Miller GalleryNicholas Hill, Miller Gallery, Otterbein University, Westerville, Ohio, October 18–November 20, 2010. The Santiago and Valparaiso Projects: New Work by Nicholas Hill. Printmaking and collage.
Nicholas Hill, Raskolnikoff Night, 2009, carborundum aquatint and encaustic print, 14 x 12 in. (artwork © Nicholas Hill)Nicholas Hill, Crandall Art Gallery, Mount Union College, Alliance, Ohio, November 2–December 10, 2010. The Dresden Journals. Printmaking and painting.
Jonathan W. Hils, Passenger, 2010, welded steel, fencing, and plastic play balls, 15 x 5 x 4 ft. (artwork © Jonathan W. Hils)Jonathan W. Hils. Oklahoma City Museum of Art, Oklahoma City, Oklahoma, September 9, 2010–January 2, 2011. Intersection. Sculpture.
Vesna Jovanovic, Cordiform Permutation, 2008, watercolor and colored pencil, 60 x 40 in. (artwork © Vesna Jovanovic)Vesna Jovanovic. Contemporary Art Center of Peoria, Peoria, Illinois, September 11–October 30, 2010. Vesna Jovanovic: Ceramic Sculpture and Drawings. Ceramics and drawing.
Patrick Luber, Benign Tumors, 2010, wood, beverage cans, brass nails, safety glass, and laser-cut steel, 30 x 24 x 5½ in. (artwork © Patrick Luber)Patrick Luber. Moss-Thorns Art Gallery, Fort Hays State University, Hays, Kansas, October 22–November 19, 2010. A Beautiful Obsession. Sculpture.
Northeast
Cythia Greig, Nature Morte 12 (Vanitas), chromogenic development print, 20 x 24 in., 2010 (artwork © Cynthia Greig)Cynthia Greig. Clark Gallery, Lincoln, Massachusetts, November 2–27, 2010. Nature Morte. Color photography.
Roger Shimomura, American vs. Japanese, 2010, acrylic on canvas, 54 x 54 in. (artwork © Roger Shimomura)Roger Shimomura. Flomenhaft Gallery, New York, October 28–December 11, 2010. An American Knockoff. Painting.
South
Virginia Derryberry, Lauren Flying Solo, 2010, oil on six canvases, total size: 96 x 168 in. (artwork © Virginia Derryberry)Virginia Derryberry. Nashville International Airport, Nashville, Tennessee, September 14, 2010–March 6, 2011. Lauren Flying Solo. Oil on canvas.
Virginia Derryberry, detail of The Alchemical Wedding, 2010, oil on canvas, 72 x 48 in. (artwork © Virginia Derryberry)Virginia Derryberry. Fine Arts Gallery, ValdostaState University, Valdosta, Georgia, September 20–October 8, 2010. Alchemical Narratives. Oil on canvas.
Exhibitions Curated by CAA Members
posted by CAA — Oct 15, 2010
Check out details on recent exhibitions organized by CAA members who are also curators.
To learn more about submitting a listing, please see the instructions on the main Member News page.
October 2010
Will Barnet, Waiting, 1973–74, watercolor and graphite on paper, 17½ x 17 3/8 in. (artwork © Will Barnet; photograph provided by Alexandre Gallery, New York, NY, Stephen Stinehour Edition)Peter Barnet, Anne Betty Weinshenker, Gail Stavitsky, and M. Teresa Lapid Rodriguez. Will Barnet. George Segal Gallery, Montclair State University, Montclair, New Jersey, September 21–December 11, 2010.
Francisco de Goya y Lucientes, Regozijo (Mirth), (Album D. 4), ca. 1816–20, brush and ink and wash and chalk, 9 3/8 x 5 13/16 inches (artwork in the public domain; image provided by the Frick Collection and the Hispanic Society of America, New York)Jonathan Brown, Lisa A. Banner, and Susan Grace Galassi. The Spanish Manner: Drawings from Ribera to Goya. Frick Collection, New York, October 5, 2010–January 9, 2011.
Lee Friedlander, Shadow—New York City, 1968, silver print, 6¼ x 9½ in. Collection of the Virginia Museum of Fine Arts, John Barton Payne Fund, 74.6.8/15 (artwork © Lee Friedlander; photograph provided by Fraenkel Gallery, San Francisco, and the Eleanor D. Wilson Museum)Christine Carr and Amy G. Moorefield. The Fleeting Glimpse: Selections in Modern and Contemporary Photography from the Virginia Museum of Fine Arts. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia, September 16–December 4, 2010.
Susan Earle. Site Specifics. Spencer Museum of Art, University of Kansas, Lawrence, Kansas, August 28, 2010–January 16, 2011.
Kent Bellows, Self-Portrait: August, 1995 (Target), 1995, acrylic and oil on panel, 29 x 19½ in. Private Collection (artwork © Kent Bellows Studio and Center for Visual Arts)Molly S. Hutton. Beyond Realism: The Works of Kent Bellows 1970–2005. Joslyn Art Museum, Omaha, Nebraska, September 25, 2010–January 16, 2011.
Joris Hoefnagel, Guide for Constructing the Letters k and l, about 1591–96, watercolors, gold and silver paint, and ink on parchment, leaf: 6 9/16 x 4 7/8 in. (16.6 x 12.4 cm). Accession No. 86.MV.527.144v. J. Paul Getty Museum, Los Angeles, Ms. 20, fol. 144v (artwork in the public domain; photograph provided by the J. Paul Getty Museum)Thomas Kren. Illuminated Manuscripts from Belgium and the Netherlands. J. Paul Getty Museum, Los Angeles, California, August 24–November 7, 2010, and November 9, 2010–February 6, 2011.
Alec Soth, Fondation Pierre Bergé and Yves Saint Laurent, Moujik IV, Paris, 2007, pigmented ink print (artwork © Alec Soth and provided by Weinstein Gallery and the Minneapolis Institute of Arts)David E. Little. Embarrassment of Riches: Picturing Global Wealth, 2000–2010. Minneapolis Institute of Arts, Minneapolis, Minnesota, September 16, 2010–January 2, 2010.
Installation view of El Greco: Los Apóstoles, santos y “locos de Dios” at the Museo de Guadalajara (photograph by David Blázquez)Fernando Marías and María Cruz de Carlos Varona. El Greco: Los Apóstoles, santos y “locos de Dios.” Museo de Guadalajara, Palacio del Infantado, Guadalajara, Spain, September 16–November 14, 2010.
Paul Strand, Church gateway, Hidalgo, 1933, handpulled gravure print, 16¼ x 12½ in. in. (artwork © Paul Strand; photograph provided by the Aperture Foundation)Anthony Montoya and James Krippner. Paul Strand in Mexico. Aperture Foundation, New York, September 9–November 13, 2010.
The Trial of the Duke of Alençon, Jean Fouquet, Tours, about 1459–60. From Concerning the Fates of Illustrious Men and Women (Des cas des nobles hommes et femmes; original text in Latin); Giovanni Boccaccio, author; Laurent de Premierfait, translator. The Bayerische staatsbibliothek, Munich. Ms. Cod. Gall. 6, fol. 2v (artwork in the public domain)Elizabeth Morrison and Anne D. Hedeman. Imagining the Past in France, 1250–1500. J. Paul Getty Museum, Los Angeles, California, November 16, 2010–February 6, 2011.
Charles Marville, Reconstruction of the Column on the Place Vendôme, 1875, albumen silver print, 14 x 9¾ in. Janos Scholz Collection of 19th-Century European Photographs. 1984.012.038 (artwork in the public domain)Micheline Nilsen. Documenting History, Charting Progress, and Exploring the World. Snite Museum of Art, Notre Dame University, Notre Dame, Indiana, September 5–October 31, 2010.
John Romanski, Requiem, 2010, birch tree on acrylic painted birch board, 11 x 14 in. (artwork © John Romanski)John Romanski. 402 Years Later. Nashawannuck Gallery, Easthampton, Massachusetts, October 9–November 9, 2010.
Installation view of Americanana. From left, works by Jasper Johns, Donald Judd, James Turrell, Robert Gober, Greely Myatt, and Josephine Halvorson (photograph by John Bentham and provided by the Hunter College Art Galleries)Katy Siegel. Americanana. Bertha and Karl Leubsdorf Art Gallery, Hunter College, City University of New York, New York, September 16–December 4, 2010.
Kristina Van Dyke. Objects of Devotion. Menil Collection, Houston, Texas, August 13–October 31, 2010.
Tani Buncho, View of Matsushima, 1826, ink and colors on silk, 32 2/5 x 45 1/5 in. Clark Family Collection (artwork in the public domain; photograph provided by the Berkeley Art Museum and Pacific Film Archive)Julia M. White and Andreas Marks. Flowers of the Four Seasons: Ten Centuries of Art from the Clark Center for Japanese Art and Culture. University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, California, August 25–December 12, 2010.