CAA News Today

Depiction of eryngoes, De materia medica, MS M 652, f. 57r., The Morgan Library & Museum (relates to Griebeler, Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean)

MEET THE GRANTEES 

Twice a year, CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy. 

Thanks to the generous bequest of the late Prof. Millard Meiss, CAA began awarding these publishing grants in 1975. 

SPRING 2022 GRANTEES 

Claudia Calirman, Dissident Bodies: Brazilian Women Artists, (1960s-2020s), Duke University Press 

Karen Mary Davalos and Tatiana Reinoza, Self Help Graphics at Fifty: A Cornerstone of Latinx Art and Collaborative Artmaking, University of California Press 

Andrew Griebeler, Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean, University of Chicago Press  

Joan Kee, The Geometries of Afro Asia: Art beyond Solidarity, University of California Press  

Miriam Kienle, Queer Connections: Ray Johnson’s Correspondence Art Network, University of Minnesota Press  

Murad Mumtaz, Faces of God: Images of Muslim Devotion in Indian Painting, Brill 

 

We’re delighted to announce that twenty-four scholars have been awarded Terra Foundation for American Art Research Travel Grants in 2022.

These grants provide support to doctoral, postdoctoral, and senior scholars from both the US and outside the US for research topics dedicated to the art and visual culture of the United States prior to 1980.

The Terra Foundation prioritizes projects that interrogate and broaden definitions of American art and lends support for projects engaged in transforming or complicating how the story of American art is told. To expand histories of American art, we encourage projects that reflect a commitment to inclusive and equitable research and museum practice; generate new scholarship and interpretive frameworks; employ critical methodologies and innovative models; and/or engage diverse partners and audiences.

 

INTERNATIONAL RESEARCH TRAVEL GRANTS FOR US-BASED SCHOLARS

Doctoral Scholars

Manon Gaudet, Yale University, “Beyond Landscape: Property and the Contested Ground of North American Visual Culture, 1900-1945”

Michaela Haffner, Yale University, “The Visual Culture of Naturopathic Cures & the Fashioning of White Wellness”

Annie Ochmanek, Columbia University, “Conceptualism and the Connexionist World: The Art of Eduardo Costa, Hannah Weiner, Christine Kozlov, and Stanley Brouwn”

Constanza Robles, Boston University, “Visualizing Alliances through Art and Architecture: Pan Americanism, Hispanismo and Latin Americanism in World Fairs, 1901-1929”

Lea Stephenson, University of Delaware, “’Wonderful Things’: Egyptomania, Empire, and the Senses, 1870-1922”

Postdoctoral & Senior Scholars

Maria Elena Buszek, University of Colorado, Denver, “Art of Noise: Feminist Art and Popular Music

John J. Curley, Wake Forest University, “Critical Distance: Black American Artists in Europe 1957-1968”

Emily Voelker & Erin Hyde Nolan, UNC Greensboro and Maine College of Art, “Reading Native American Portraits in Ottoman: Global Economies of Nineteenth-century Survey Photograph”

 

INTERNATIONAL RESEARCH TRAVEL GRANTS TO THE UNITED STATES

Doctoral Scholars

Marion Belouard, University of Limoges, “Painting nature, exchanging knowledge. John James Audubon (1785-1851), a rare bird in Atlantic history?”

Cora Chalaby, University College London, “Control Systems: Helen Frankenthaler, Joan Mitchell, Alma Thomas, and Howardena Pindell’s Orderly Abstractions”

Clara Johanna Lauffer, Central Institute for Art History, Munich, “Rewriting the ‘pictures generation’: the production of white masculinity in appropriation art”

Mylène Palluel, Université Paris 1 Panthéon-Sorbonne, “The ‘Longue durée’ paradigm in 1960s American art and social sciences. Case studies in Minimal Art, Conceptual Art and Land Art”

Mona Schubert, University of Cologne, “Photographic Media at documenta in the 1970s and the US-American Art Scene”

Clara Royer, Université Paris 1 Panthéon-Sorbonne, “Slow-Scan: the (geo)political turn of media arts (1960-1990)”

Yana Shtilman, Université de Paris, “Public image, private lives: Creating the image of the “New Negro” woman in the Harlem Renaissance (1920-1943)”

Achang Su, China Academy of Art, “The Identity Issues and Abstract Transformation in the works of Modern Chinese-American Artist George Chann from 1950s to 1960s”

Postdoctoral & Senior Scholars

Alice Butler, Courtauld Institute of Art, “The Perversions of Textile in Feminist Art”

Anne-Claire Faucquez, Université Paris 8, “The narrativization of colonial slavery in American museums: arts and representations” (collaborating with Androula Michael)

Roula Matar, École nationale supérieure d’architecture de Versailles, “James Johnson Sweeney’s Contribution to a Critical and Didactical Approach to Exhibition Installation”

Androula Michael, Université de Picardie Jules Verne – UFR des arts, “The narrativization of colonial slavery in American museums: arts and representations” (collaborating with Anne-Claire Faucquez)

Yvonne Schweizer, Eberhard Karls Universität Tübingen, “Linking Mediatization and Mediation. Art Institutions as Media Producers since 1970”

Harry Weeks, Newcastle University, “The Artist’s Second Shift”

Andrew Witt, Humboldt-Universität zu Berlin, “Exile Modernism: Photography c. 1940”

LEARN MORE ABOUT THE TERRA FOUNDATION RESEARCH TRAVEL GRANTS

Filed under: Grants and Fellowships — Tags:

Grantee Rachel Stephens with her students from the University of Alabama at the Birmingham Museum of Art for the exhibition “Black Out: Silhouettes Then and Now” on on June 12, 2019.

CAA’s Art History Fund for Travel to Special Exhibitions is designed to award instructors of qualifying undergraduate and graduate art history classes funds to cover the costs (travel, accommodations, and admission fees) associated with students and instructors attending museum special exhibitions throughout the United States and worldwide.

The awardees for 2022 are:

Terri Geis, New York University, Abu Dhabi, United Arab Emirates
Course: “International Surrealisms”
Exhibition: Surrealism Beyond Borders, Tate London

Christopher Heuer, University of Rochester, NY
Course: “Pilgrimage/Exhibition/Biennale”
Exhibition: 59th Annual Venice Biennale, 2022, Theme: “The Milk of Dreams”

Allison Stagg, Technische Universität Darmstadt, Darmstadt, Germany
Course: “19th Century American and German Landscape Painting: Gendered Connections”
Exhibition: Women, Art, and Land: Reframing the Hudson River School at the Thomas Cole Historic Site, Catskill, NY

 

Applications for the next round of grants will be accepted by CAA beginning in fall 2022.

CAA is pleased to announce the 2022 recipients of the Terra Foundation for American Art International Publication Grant. 

The Terra Foundation for American Art International Publication Grant supports book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that are under contract with a publisher. The Terra Foundation supports projects that share expansive narratives of American art. Projects should focus primarily on visual art made before 1980. 

The six grantees for 2022 are: 

Isabelle Bonnet and Sophie Hacket, Casa Susanna, Editions Textuel 

Betsy Boone, Spanish Element in Our Nationality: Spain and America at the World’s Fairs and Centennial Celebrations, 1876-1915, Centro de Estudios Europa Hispanica 

Julia Bryan-Wilson, Louise Nevelson: Drag, Color, Join, Face, Yale University Press 

Josh T. Franco, Marfa, Marfa: Minimalism, Rasquachismo, and Questioning Decolonial Aesthetics in Far West Texas, Duke University Press 

Sophie Lynford, Painting Dissent: Art, Ethics, and the American Pre-Raphaelites, Princeton University Press 

Andrew Witt, California in Catastrophe, MIT Press 

Filed under: Grants and Fellowships

Meet the 2021 Professional Development Fellows

posted by February 18, 2022

CAA is pleased to announce the recipients of the 2021 Professional Development Fellowships. The recipient of the $10,000 fellowship in visual arts is Christine Lee, California Institute of the Arts and the recipient of the $10,000 fellowship in art history is Jenny Tang, Yale University. An honorable mention in visual arts goes to Malene Barnett, Temple University and an honorable mention in art history goes to Maia Nichols, University of California, San Diego. All fellows and honorable mentions receive a complimentary one-year CAA membership and registration for the 2022 Annual Conference.

 


2021 PROFESSIONAL DEVELOPMENT FELLOWSHIP IN VISUAL ARTS

Christine Lee, California Institute of the Arts

Christine Yerie Lee is a visual artist primarily working in video, installation and sculpture. Raised in the American South by immigrant parents from South Korea, her practice explores performativity and identity-formation, often using the body to articulate ideas concerning resistance to hegemonic power structures in hopes to create a future yet to be imagined or narrativized. By engaging with folklore, history, and pop culture, her work addresses personal and collective memory, hybridity, and authenticity. Her material explorations reflect the poetics informed by these notions and are often activated in her digital works. Through intersectional inquiry and worldbuilding, she aims to illuminate the distinct and parallel threads of the human experience to provide pathways for connection. Lee received a BFA in Apparel Design from Rhode Island School of Design in 2010 and worked as a fashion designer for a decade prior to graduate school. She currently resides in Los Angeles and will complete her MFA in Art at California Institute of the Arts in May 2021.

HONORABLE MENTION IN VISUAL ARTS


Malene Barnett, Temple University

Malene Barnett is a multi-disciplinary artist, entrepreneur, and authority on the cultural traditions and practices of art in the African diaspora and how it translates into her vision of the modern black experience. From her sculptural ceramic tiles and vessels to mixed media paintings to handwoven rugs, Barnett continues to evolve her craft and share her African heritage with a global audience. Using archival materials like glass, fiber and clay, she uncovers a deeper language of her legacy and an authentic understanding of her cultural identity. A passionate connector and expert ambassador, her mission is to use art as a tool to create community impact and open doors for the next generation of black artists and expand the conversation around marginalization in the arts and create greater opportunities for inclusion.

As the founder of the Black Artists + Designers Guild, a global platform and curated collective of independent black makers, she constantly seeks new ways to define the Black narrative and experience for a new generation while bringing awareness to inequality. Her work has been praised in Interior Design Magazine, New York Magazine, Traditional Home, Elle Decor, HGTV Magazine, Luxe + Design Magazine, and House Beautiful. She was also on the cover of Brownstoner Magazine and Wendy Goodman’s Designer Lives video series with New York Magazine’s The Cut. Her entrepreneurial spirit was captured in the NY Times bestselling book “In the Company of Women ” and Home by Hygge & West. She has appeared as a guest speaker on Morning Joe, MSNBC Your Business, and TEDx. Malene’s works have been exhibited at Museum of Science and Industry, Dallas African American Museum, Jane Hartsook Gallery, Mindy Solomon Gallery, Baltimore Clayworks, DAAP Galleries, and The Clay Studio.

 


2021 PROFESSIONAL DEVELOPMENT FELLOWSHIP IN ART HISTORY

Jenny Tang is a doctoral candidate in History of Art and Film & Media Studies at Yale University, where she specializes in modern and contemporary art, media, and visual culture of the Atlantic world. Tang’s dissertation combines original archival research and a feminist postcolonial perspective to show how layered twentieth-century regimes of race and citizenship in the United States shaped modernist imaginations of the body across the Atlantic. From photomontage and abstraction to security and confinement, this work recasts the history of modernism through the lens of Asian American and African American racial formation. In addition to her scholarly practice, Tang writes criticism on the cultural politics of art, film, and music. She has also contributed to exhibitions and programs at the Studio Museum in Harlem and the Museum of Modern Art, where she was a 2020-21 Mellon-Marron Research Fellow in the Department of Painting and Sculpture. At Yale, she co-organized the group exhibition New Genealogies with photographer John Edmonds at the Yale School of Art. Tang currently teaches foundational topics in art history in the Department of Art History and the Rose Hill Honors Program at Fordham University.

HONORABLE MENTION IN ART HISTORY

Maia Nichols, University of California, San Diego

Maia Nichols is a Lebanese American-Canadian doctoral candidate in art history, criticism and theory at University of California San Diego specializing in 20th century French and North African visual and material culture, postcolonial theory, and the history of social psychiatry. She holds degrees in psychology and visual art from the University of British Columbia in Vancouver and a masters in aesthetics and politics from the California Institute of the Arts. She additionally engages in art practice and has taught studio art drawing at UC San Diego. Her work has been exhibited internationally. Her art criticism has been published in venues such as Flash Art International, Hyperallergic, and Diagram. Her dissertation, researched in France with support from a four-year Canadian Social Sciences and Humanities Research Council Doctoral Fellowship, engages art historical visual and material culture methods and theories to consider the institutional history of French colonial North Africa’s progression to independence during the social psychiatry movement, drawing on a range of archival evidence of material culture and experience.

 


ABOUT THE PROFESSIONAL DEVELOPMENT FELLOWSHIP

CAA’s Professional Development Fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2022 fellowship cycle will be due December 15, 2022. Learn more.

CAA offers Annual Conference support grants to graduate students in art history and to international artists and scholars. Meet this year’s recipients of our named support grants and find information about their presentations at the conference and their corresponding session below. Dozens of other support grants were given to CAA members through the Presidents Council of CAA and the “Pay it Forward” initiative.


CAA TRAVEL GRANT IN MEMORY OF ARCHIBALD CASON EDWARDS, SENIOR, AND SARAH STANLEY GORDON EDWARDS

The CAA Support Grant in Memory of Archibald Cason Edwards, Senior, and Sarah Stanley Gordon Edwards was made possible by Mary D. Edwards. The grant supports women who are emerging scholars at either an advanced stage of pursuing a doctoral degree or who have received their PhD within the two years prior to the submission of the application.

 

Kristan Hanson, Dumbarton Oaks
Presentation at the Annual Conference: “Nurturing Growth: Eva Gonzalès’s La Plante favorite and Berthe Morisot’s Fillette aux jacinthes”
Session: Enchanted by Nature: Picturing Gendered Plants and Female Agency in Europe and China (17th – 19th Century)

Kristan M. Hanson is an art historian and plant humanist. Her research examines the historical significance of individual plants and botanical forms in art to deepen understandings of human/plant interactions and anthropogenic environmental change. She currently holds a consultancy as Managing Digital Editor for the Plant Humanities Initiative at Dumbarton Oaks, prior to which she was a 2020–2021 academic year fellow. Hanson has also received fellowships and awards to support her research from the Oak Spring Garden Foundation, HASTAC Scholars program, Hall Center for the Humanities, and Institute for Digital Research in the Humanities.

 

Cynthia Kok, Yale University
Presentation at the Annual Conference: “’Een bloempoth van parlemoer’: Painting Life in Dirck van Rijswijck’s Mother-of-Pearl Floral Panels”
Session: Analogous Matter: Skeuomorphism as Method

Cynthia Kok is a Ph.D. candidate at Yale University. Her dissertation focuses on sensorial engagement in making and craft experiments with mother-of-pearl in the early modern Dutch world. Cynthia received her MA from Bard Graduate Center and her BA from the University of California, Berkeley. She has held curatorial internships at the Metropolitan Museum of Art’s Costume Institute, the Frick Collection, and the Smithsonian American Art Museum and she is the 2021-2023 Kress History of Art Institutional Fellow at the Leiden University Centre for the Arts in Society (LUCAS).

 

Honorable Mention:

Shoghig Halajian, University of California San Diego
Presentation at the Annual Conference: “Destroying the Form: On the Spatial Politics of Rafa Esparza’s bust: A Mediation on Freedom”
Session: Monumentality in Art: Memory, History, and Impermanence in Diaspora

Shoghig Halajian is a curator and art historian, who serves on the Board of Directors at Human Resources LA and was previously Assistant Director at LACE (Los Angeles Contemporary Exhibitions). She is co-editor of the online journal Georgia, in collaboration with Anthony Carfello and Suzy Halajian, which is supported by a Creative Capital | Andy Warhol Foundation Arts Writers Grant. She has presented projects at the Hammer Museum and the ONE Archives at USC Libraries in Los Angeles; Le Magasin–National Center for Contemporary Art in Grenoble; Al Ma’mal Foundation for Art in Jerusalem, UKS in Oslo, among others. She was a 2021 Research Fellow at Ocean Space–TBA 21 in Venice. She is a Ph.D. candidate in Art History, Theory and Criticism with a Critical Gender Studies emphasis at University of California, San Diego, where her research explores contemporary queer aesthetics and performance through a critical race lens, focusing on artistic experiments with collaboration.


SAMUEL H. KRESS FOUNDATION CAA CONFERENCE SUPPORT FELLOWSHIP FOR INTERNATIONAL SCHOLARS

Recognizing the value of the international exchange of ideas and experience among art historians, the Kress Foundation is offering support for international scholars participating as speakers at the 2022 CAA Annual Conference. The scholarly focus of the papers must be European art before 1830.

 

Lorenzo Vigotti, Kunsthistorisches Institut in Florenz
Presentation at the Annual Conference: “Diplomatic Exchanges and Architectural Inventions along the Silk Road: The Case of Soltaniyeh and Santa Maria del Fiore”
Session:  Beyond the Silk Road

Lorenzo is a trained architect with a M. Arch. from the University of Florence, Italy, and a Ph.D. in architectural history from Columbia University with a dissertation on the origin of the Renaissance palace. He is currently a post-doc at the Kunsthistorisches Institut in Florence, where he studies the shift in spatial organization in domestic residences between the 14th and the 15th century, with an emphasis on early collecting practices and the birth of the studiolo as a manifestation of power by the urban oligarchy. Together with Shahid Beheshti University in Tehran, Iran, Lorenzo is exploring the circulation of architectural knowledge between medieval Persia and Italy, specifically the materiality and the problems of preservation of brick dome structures. Finally, he oversees the virtual reconstruction of the now lost Florentine ghetto at the Medici Archive Project.

 

Ana Cristina Howie, University of Cambridge
Presentation at the Annual Conference: “’Favoured Black Attendants’ in ‘Splendid State Portraits’? Genoese merchants, Flemish painters, and the Spanish Atlantic Slave Trade”
Session:  Archive, Object, Image: Reading Against the Grain in the Dutch and Spanish “Golden Ages”

Ana is originally from New Zealand and completed her bachelor’s degree in the History of Art and French at the University of Auckland. She continued her studies at the Université Paris-Sorbonne, then earned her MA in the History of Art at the Courtauld Institute in London, specializing in early modern Netherlandish artistic production. She began her PhD under the supervision of Professor Ulinka Rublack at the University of Cambridge in 2019, funded by the Prince of Wales International Scholarship. Her doctoral research investigates the relationships between women, dress, and portraiture in seventeenth-century Genoa, with a focus on the oeuvres of Flemish painters Peter Paul Rubens and Antony van Dyck. She is the recipient of the inaugural Society for Renaissance Studies/British School in Rome Residential Doctoral Research Scholarship for 2021/22. Her work and projects have been supported by the Royal Historical Society, Centre for Research in the Arts, Social Sciences and Humanities, Magdalene College, Cambridge, and the Cambridge Trust.

 

Iro Katsaridou, Museum of Byzantine Culture, Thessaloniki, Greece
Presentation at the Annual Conference: “Through Foreign Eyes: Curating the 1821 Greek War of Independence”
Session: Instrumentalizing Memory and the Politics of Commemoration

Iro Katsaridou was recently (2021) appointed Director of the Thessaloniki Museum of Photography, Greece. Previously, she has worked as curator of modern and contemporary art at the Museum of Byzantine Culture in Thessaloniki. She studied art history at the Aristotle University of Thessaloniki and the Université Paris I-Sorbonne, and also pursued museum studies at the City University of New York. Her doctoral dissertation (Aristotle University, 2010) focused on contemporary Greek photography. Iro has researched photography and art in wartime (World War I and II), curated exhibitions and edited related catalogues in this particular field. More recently (2021) she has curated an exhibition at the Museum of Byzantine Culture on the aspects of Philhellenic movements in art and the Greek War of Independence. She has taught as adjunct faculty at several Greek universities. She has co-edited two books on photography during the Nazi Occupation of Greece (1941-1944), one on the art of World War I in Greece, and written articles and book chapters on photography, museum policies, as well as the relationship between contemporary Greek art and politics. She has presented her research in international conferences, while in 2019 and 2020 she participated in the CAA-Getty International Program.

 

Jana Kantoříková, Sorbonne University/CNRS
Presentation at the Annual Conference: “Crucified Women: The Way of the Cross in the Symbolist Movement”
Session: Women in Art in the second part of the 19th century-early part of the 20th

Jana Kantoříková is an associated researcher at the Center of Interdisciplinary Research on Central, Eastern and Balkanic Europe at Sorbonne University/CNRS. She received her PhD in Slavic Philology, History of Czech Literature and Literary Theory at the Charles University in Prague and the University of Regensburg (2018). She taught at the University of Passau (Germany) and the Sorbonne University. Her research focuses on European modernisms and cultural transfers between France, Germany and the Czech lands, for example “Horror Fragmenti in Czech Symbolism” in Angst, Anxiety, Anguish in Fin de Siècle Art and Literature (Cambridge Scholars Publishing, 2020) or “Le Cycle de la volupté et de la mort : ‘livre empoisonné’ et ornementation du péché” in L’art (décoratif) du livre fin-de-siècle: éloge du parergon (Éditions Otrante, 2021). She is currently working on projects related to the reception of Friedrich Nietzsche in Central Europe and the blackness imagery in the Czech lands in the 19th century.

 

Judith Noorman, University of Amsterdam
Presentation: “The Invisibility Myth. Women, Art and Household Consumption in the Dutch Republic”
Session at the Annual Conference: Archive, Object, Image: Reading Against the Grain in the Dutch and Spanish “Golden Ages”

Judith Noorman is Assistant Professor of Art History in the Early Modern Period and Director of the Amsterdam Centre for Studies in Early Modernity (both at the University of Amsterdam). As of September 2021, she is leading a governmentally funded NWO VIDI project: The Female Impact. Women, Art and Household Consumption in the Dutch Republic, 1580-1720. She earned her PhD at the Institute of Fine Arts, New York University and has conducted postdoctoral research at the Drawing Institute, Morgan Library & Museum. At the 110th CAA Annual Conference, she is presenting a paper on The Invisibility Myth. Women, Art and Household Consumption in the Dutch Republic, as part of the HNA-sponsored session Archive, Object, Image: Reading Against the Grain in the Dutch and Spanish “Golden Ages”, which is chaired by Carrie J. Anderson and Marsely Kehoe.


CAA-GETTY INTERNATIONAL PROGRAM

Every year since 2012, the CAA-Getty International Program has enabled art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conference. This program is funded on an annual basis by the Getty Foundation. Meet the CAA-Getty International Program participants here.

Feathered Tabard, 15th–16th century Peru, Chimú, cotton and feathers, Dimensions: H. 30 × W. 25 in. (76.2 × 63.5 cm), Fletcher Fund, 1959, The Metropolitan Museum of Art

MEET THE GRANTEES

Twice a year, CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.

Thanks to the generous bequest of the late Prof. Millard Meiss, CAA began awarding these publishing grants in 1975.

 

The Millard Meiss Publication Fund grantees for Fall 2021 are: 

Monica Amor, Gego: Weaving the Space In-Between. Art, Architecture, Design, and Craft at the Edge of Modernity, Yale University Press 

Sampada Aranke, Death’s Futurity: The Visual Life of Black Power, Duke University Press  

Shulamith Behr, Women Artists in Expressionism: From Empire to Emancipation, Princeton University Press  

Suzaan Boettger, The Passions of Robert Smithson, University of Minnesota Press 

Claudia Brittenham, Unseen Art: Memory, Vision, and Power in Ancient Mesoamerica, University of Texas Press  

Kai jun Chen, China Made: Technocratic Culture in the Qing Imperial Porcelain Industry, 1680–1750, University of Washington Press  

Stephanie Porras, The First Viral Images: Maerten de Vos, Antwerp Print, and the Early Modern Globe, Penn State University Press  

Frederic Schwartz, The Culture of the Case: Madness, Crime, and Justice in Modern German Art, The MIT Press 

Briana Smith, Free Berlin: Art, Urban Politics, and Everyday Life, The MIT Press 

Karin Zitzewitz, Infrastructure and Form: The Global Networks of Indian Contemporary Art, 1991–2008, University of California Press  

 

View a list of all recipients of the Millard Meiss Publication Fund from 1975 to the present. The list is alphabetized by author’s last name and includes book titles and publishers.

BACKGROUND

Books eligible for a Meiss grant must currently be under contract with a publisher and be on a subject in the arts or art history. The deadlines for the receipt of applications are March 15 and September 15 of each year. Please review the Application Guidelines and the Application Process, Schedule, and Checklist for complete instructions.

CONTACT

Questions? Please contact Cali Buckley, Content Manager for Education and Intellectual Property, at cbuckley@collegeart.org.

Filed under: Grants and Fellowships

CAA has produced this reel with a compilation of events, scholarship, programs, and initiatives CAA from the last year. See below for a full list of each item (in order of appearance in the video) with links to learn more.

Programming:

CAA’s first virtual Annual Conference

Mariam Ghani in conversation with Laura Anderson Barbata

In Conversation with Dr. Nancy Odegaard

Theresa Avila, Annual Conference Program Chair in conversation with Meme Omogbai

An Inaugural Evening with CAA Distinguished Awardees and Artists

CAA Then & Now: Reflections on the Centennial Book and the Next Century

Karen Leader, author of Chapter 12: Advocacy

 

Opportunities:

Publication, travel, and support grants

 

Publications and Publications Programming:

Artist Project, Elana Mann for Art Journal Open

Roundtable discussion for Art Journal Open, Holding Space…

Art Journal and The Art Bulletin

caa.reviews book and exhibition reviews

caa.reviews’s dissertation roster, 2020

 

Global Programs

CAA-Getty International Program

CAA-Getty 10-Year International Program online publication

 

Podcasts

CAA Conversations by CAA’s Education Committee

 

CAA’s 110th Annual Conference will take place in Chicago from February 17-19, followed by virtual live sessions to be held in Zoom from March 3-5. For more information and to register go to this link.

Meet the 2021 Wyeth Award Winners!

posted by November 18, 2021

A blue work of art by Howardena Pindell.

Howardena Pindell, Night Flight, 2015-16, mixed media on canvas, 75 X 63 in. (190.5 X 160 cm) (artwork © Howardena Pindell; photograph provided by Garth Freenan Gallery, New York)

MEET THE GRANTEES

Since 2005, the Wyeth Foundation for American Art has supported the publication of books on American art through the Wyeth Foundation for American Art Publication Grant, administered by CAA. The 2021 grantees are:

  • Emilie Boone, A Nimble Arc: James Van Der Zee and Photography, Duke University Press
  • Sarah Cowan, Howardena Pindell: Reclaiming Abstraction, Yale University Press
  • Elizabeth Hamilton, Charting the Afrofuturist Imaginary in African American Art: The Black Female Fantastic, Taylor & Francis
  • Jacqueline Taylor, Amaza Lee Meredith Imagines Herself Modern: Architecture and the Black American Middle Class, The MIT Press

Read a list of all recipients of the Wyeth Foundation for American Art Publication Grant from 2005 to the present.

BACKGROUND

For the Wyeth Foundation for American Art Publication Grant, “American art” is defined as art created in the United States, Canada, and Mexico. Eligible for the grant are book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. The deadline for the receipt of applications is September 15 of each year.

Guidelines
Process, Materials, and Checklist

CONTACT

Questions? Please contact Cali Buckley, Content Manager, Education and Intellectual Property, at cbuckley@collegeart.org.

Filed under: Books, Grants and Fellowships — Tags:

We’re delighted to announce fourteen scholars have been awarded Terra Foundation for American Art Research Travel Grants in 2021. 

These grants provide support to doctoral, postdoctoral, and senior scholars from both the US and outside the US for research topics dedicated to the art and visual culture of the United States prior to 1980.

International Research Travel Grants for US-based Scholars 

Doctoral Scholars 

Thomas Busciglio-Ritter, The University of Delaware, “‘The Union of Excellences’: An Atlantic History of Early American Landscape Views (1790–1860)”

Ann Tartsinis, Stanford University, “Modernism in Pieces: Transatlantic Visual Culture Between the Wars”

Postdoctoral & Senior Scholars 

Caroline Riley, Boston University, “Thérèse Bonney’s Photography: The Politics of Art, the Body,and War from 1920–1970”

Nadia Sethi, University of Washington, “Alaska Native Cultural Belongings held in Museums in Estonia, Finland and Sweden”

Kay Wells, University of Wisconsin-Milwaukee, “Uncanny Revivals: Designing Early America during the Rise of Fascism”

International Research Travel Grants to the United States  

Doctoral Scholars

Max Böhner, Humboldt-Universität zu Berlin, Germany, “Twilight Aesthetics: Queer Visual Culture in the United States Between 1945 and 1969”

Sarah Happersberger, Justus-Liebig-Universität Giessen, Germany, “Connection, Community, Kinship, Network: Women Artists Performing Togetherness in the Long 1970s”

Jacqueline Mabey, University College London, England, “This Must Be the Place: Mapping Artistic Kinship and Economic Change in Downtown New York, 1973–1987”

Ana Gabriela Rodriguez, The Courtauld Institute of Art, England, “Tracing Puerto Rican Graphic Arts: Bridging Workshops and Crossing Borders, 1940s –1970s”

Frances Varley, The Courtauld Institute of Art, England, “Identity, Provincialism and Modernism in the US and Britain from a Comparative Perspective, c. 1870–1914”

Wen Yao, The University of York, England, “A Travelling Surrealist: Mobility and Representation in Stella Snead’s Paintings, Photographs and Collages Made in the US (1940–1980)”

Postdoctoral & Senior Scholars 

Dafne Cruz Porchini, Universidad Nacional Autónoma de México, “Jean Charlot: A French Artist in the United States and Mexico (1921–1944)”

Maria Stavrinaki, Université Paris I Panthéon–Sorbonne, France, “‘After History’: Variations on a Theme in the Art and Thought of the 1950s–1960s”

Emily Warner, Independent Scholar, “Abstraction Unframed: Abstract Murals at Midcentury”

Learn more about the Terra Foundation Research Travel Grants

Filed under: Art History, Grants and Fellowships, Research — Tags: