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Former CAA Interim Director David Raizman and Denise Murrell, who received the Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for her catalog Posing Modernity: The Black Model From Manet and Matisse to Today, at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo

CAA invites nominations and self-nominations for individuals to serve on our Awards for Distinction, Publication Grant, Fellowship, and Travel Grant juries. Terms begin August 2020.

Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2020. CAA’s president and vice president for committees appoint jury members for service.

Awards for Distinction Juries

CAA has vacancies in ten of the fourteen juries for the annual Awards for Distinction for three years (2020–23). Terms begin in August 2020; award years are 2021–23.

  • Alfred H. Barr Jr. Award for museum scholarship in the history of art/Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for museum scholarship in the history of art published by smaller institutions: two vacancies
  • Frank Jewett Mather Award for art criticism: two vacancies
  • Charles Rufus Morey Book Award for non-catalogue books in the history of art: one vacancy
  • Arthur Kingsley Porter Prize for articles written by younger scholars in The Art Bulletin: one vacancy
  • Artist Award for Distinguished Body of Work: two vacancies
  • Distinguished Artist Award for Lifetime Achievement: one vacancy
  • Distinguished Feminist Awards for Scholars and Artists: one vacancy
  • Distinguished Teaching of Art History Award: one vacancy
  • Excellence in Diversity Award: four vacancies

Publication Grant Juries

CAA has vacancies on our Millard Meiss Publication Fund grant jury for four years (2020–24) and the Terra Foundation for American Art Publication Grant jury for one year (2020-21).

  • Millard Meiss Publication Fund: three vacancies
  • Terra Foundation for American Art Publication Grant: one vacancy

Professional Development Fellowship Juries

CAA has vacancies on our Professional Development Fellowship juries for three years (2020–23). Terms begin August 2020.

  • Professional Development Fellowship in Visual Arts: three vacancies
  • Professional Development Fellowship in Art History: two vacancies

Travel Grant Juries

CAA has vacancies on our Art History Fund for Travel to Special Exhibitions jury for three years (2020–23). Terms begin August 2020.

  • Art History Fund for Travel to Special Exhibitions: two vacancies

HOW TO APPLY

Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and a CV (an abbreviated CV no more than two pages may be submitted). Please send all materials by email to Cali Buckley (cbuckley@collegeart.org), CAA grants and special programs manager; submissions must be sent as Microsoft Word or Adobe PDF attachments.

For questions about jury service and responsibilities, contact Tiffany Dugan (tdugan@collegeart.org), CAA director of programs and publications.

Deadline: July 31, 2020 

Nicole Archer.

We’re delighted to introduce readers to Nicole Archer, the current Editor-in-Chief of Art Journal Open (AJO), CAA’s online forum for the visual arts that presents artists’ projects, conversations and interviews, scholarly essays, and other forms of content from across the cultural field. Founded in 2012 as an open-access affiliate of Art JournalArt Journal Open has been independently edited since 2014. It remains open access and is always free to explore.

Nicole Archer researches contemporary art and design, with an emphasis in textile and garment histories. She is an Assistant Professor in the Department of Art and Design at Montclair State University, where she extends this research through a teaching practice that encourages students to explore politics and aesthetics via close examinations of style, embodiment, and desire.

Amidst the end of the academic year, we corresponded with her over email to learn more about her research, her thoughts on the impact of COVID-19, and her aspirations for Art Journal Open.


Where are you from originally?

I was born in Brooklyn and raised mainly in South Florida, but I spent most of my adult life in San Francisco. In 2018, I returned to New York City.

What pathways led you to the work you do now?

My path has been shaped by a long line of committed feminist art historians, theorists, and activists who have inspired me to pursue work that is wildly curious, ethically responsible, and politically committed to issues of social justice. This, coupled with the fact that I started my college career in the mid-1990s, when the field of Visual Studies was demanding that Art History be held accountable for the role it played in supporting certain cultural hegemonies. It was a time when we were recognizing the benefit that many art historical methods could bring to critical cultural studies (and vice versa).

When did you first become a CAA member?

I have been a CAA member since 2011, but I was an avid reader of Art Journal and The Art Bulletin long before that (thanks to my library access).

What are you working on or thinking about currently?

I am currently finishing a book manuscript that considers how textiles (our key mediums of comfort and security) have been strategically manipulated over the last two decades to aid in the systematic reshaping of what constitutes “legitimate” versus “illegitimate” forms of state violence. The book tells interwoven, materially grounded stories regarding global arts and design practice, on the one hand, and military, police, and governmental action, on the other, to theorize how feelings of insecurity are produced, aesthetically.

My path has been shaped by a long line of committed feminist art historians, theorists, and activists who have inspired me to pursue work that is wildly curious, ethically responsible, and politically committed to issues of social justice.

What are your thoughts on the impact of COVID-19 on the work you do? On the field?

I think the current pandemic makes two things particularly clear. First, it highlights the important role that art and design can play in helping a society understand (and bear) emergent and acutely difficult circumstances. From movie marathons, artist talks, and book readings that we have enjoyed during our nights spent ‘sheltering in place,’ to the protest banners, photographs, and balcony performances that have led our communities towards acts of collective care and solidarity with one another.

Second, COVID-19 puts the varied inequities that underwrite the field in high relief. It makes the economic precarity of so many cultural workers glaringly obvious, and it forces us to recognize how undervalued cultural work actually is. We need to ask why we have allowed the arts to become so defunded and privatized (despite the social value it clearly delivers). Calls for austerity are circulating, and we know this means further cuts to already underfunded public arts initiatives. We need to resist this and seize this moment as an opportunity to insist on our value. We need to stop undercutting ourselves and our peers, and refuse to accept the exploitation of adjunct professors and graduate student teachers. We must do this as we push against the increasingly prohibitive costs of arts education.

What led you to be interested in working on Art Journal Open?

It is our shared responsibility, as arts and design professionals, to constantly “check” our field of practice—to find time to celebrate what we are doing well, and to redress and learn from our shortcomings. I believe this responsibility is a cornerstone of AJO’s editorial mission. Working on AJO is a unique opportunity to hold myself, and others, accountable on this front.

What is your vision for Art Journal Open during your tenure?

I hope to build on the solid foundation laid by the journal’s previous editors, and to further emphasize the open dimension of the publication’s identity—to treat “Open” as a verb, a call to action. We hope to accomplish this by leveraging the journal’s digital format, to open space for more multi-media Creative Projects, and to take advantage of our lack-of-paywall to help draw new readers to AJO and new voices to CAA.

The first three pieces published after Nicole Archer fully took over as Editor-in-Chief of Art Journal Open.

What would you say is your top arts-related recommendation (book, website, resource) at the moment?

I know I am late to this, but I recently found an online radio station called NTS and it is giving me life! I miss trusting my night to a DJ, hearing a new song out of nowhere, and dancing with strangers. I am also tired of soundscapes controlled by algorithms. People should give it a listen in their studios and kitchens, and at their computers and writing desks.

 

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A post shared by The Fabric Workshop and Museum (@fabricworkshop) on

A favorite artwork?

Last year, I had the opportunity to see Sonya Clark’s Monumental Cloth, The Flag We Should Know at the Fabric Workshop and Museum in Philadelphia, and I have not been able to stop thinking about it since. Clark’s work epitomizes the important role art can play in ensuring that political discourse maintains its complexity in the face of a mediascape set on transforming these conversations into flat lines in the sand.

At the center of the exhibit was a monumental replica (15’x30’) of a white dish towel waived by Confederate troops in April 1865, before General E. Lee negotiated the terms of the Confederacy’s surrender. Displayed in a manner akin to the Star Spangled Banner (a centerpiece of the Smithsonian National Museum of American History’s collection), Monumental Cloth presented the Confederate Truce Flag as testament to a decisive moment in US history. It demanded that we ask why we do not know this flag, as a means to discuss anti-Blackness and the persistence of white supremacy in the United States. It provided a poignant, aesthetic counterstrategy to other manners of “memorializing” the Confederacy. The exhibit offered spaces of contemplation alongside opportunities for direct action—by setting-up looms that visitors could use to weave additional Truce Flag replicas, in opposition to the endless flow of commercially produced items made to bear the image of the Confederate Battle Flag.

What are you looking forward to?

Honestly, I am looking forward to the end of the Trump presidency, and to the possibility that the moment we are in could force real political and cultural change; that conversations around universal basic income and healthcare will gain traction, and that widespread recognition of the systemic racism inherent in the criminal justice system will open the door to both abolishing the prison system and defunding and demilitarizing the police that tyrannize communities of color in the US.

NICOLE ARCHER BIOGRAPHY

Nicole Archer researches contemporary art and design, with an emphasis in textile and garment histories. She is an Assistant Professor in the Department of Art and Design at Montclair State University, where she extends this research through a teaching practice that encourages students to explore politics and aesthetics via close examinations of style, embodiment, and desire.

Her work has been published in various journals, edited collections, and arts publications, including: Criticism: A Quarterly Journal for Literature and the Arts; Textile: The Journal of Cloth and Culture; Trap Door: Trans Cultural Production and the Politics of Visibility (published by the New Museum + MIT Press); Where are the Tiny Revolts? (published by the CCA Wattis Institute for Contemporary Arts + Sternberg Press); Women and Performance: A Journal of Feminist Theory.


Explore Art Journal Open.

Filed under: AJO, Art History, CAA Conversations, Publications — Tags:

CAA invites nominations and self-nominations for a field editor in the area of East Asian Art for the caa.reviews Council of Field Editors for a three-year term July 1, 2020–June 30, 2023. An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to art history, visual studies, and the arts.

Working with the caa.reviews editor-in-chief, the caa.reviews Editorial Board, and CAA’s staff editor, each field editor selects content to be reviewed, commissions reviewers, and considers manuscripts for publication. Field editors for books are expected to keep abreast of newly published and important books and related media in their fields of expertise, and those for exhibitions should be aware of current and upcoming exhibitions (and other related projects) in their geographic regions.

The Council of Field Editors meets yearly at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference. Members of all CAA committees and editorial boards volunteer their services without compensation.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a statement describing your interest in and qualifications for appointment, a CV, and your contact information to managing editor Joan Strasbaugh, jstrasbaugh@collegeart.org. In the subject line please include Field Editor, East Asian Art.

Deadline (extended): June 1, 2020

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Filed under: caa.reviews, Publications, Service

The Art Journal/AJO Editorial Board invites nominations and self-nominations for the position of editor-in-chief for the term July 1, 2021–June 30, 2024 (with service on the Art Journal/AJO Editorial Board in 2020–21 as editor designate, and in 2024–25 as past editor). Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture.

Working with the editorial board, the editor-in-chief (EIC) is responsible for the content and character of the journal. The EIC solicits content, reads all submitted manuscripts, sends submissions to peer reviewers, and provides guidance to authors concerning the form and content of submissions; develops projects; makes final decisions regarding content; and may support fundraising efforts on the journal’s behalf. A candidate may be an artist, art historian, art critic, art educator, curator, or other art professional. The EIC works closely with CAA’s New York staff.

The EIC attends the three meetings each year of the Art Journal/AJO Editorial Board—held in the spring and fall by teleconference or in New York, and in February at the CAA Annual Conference—and submits an annual report to CAA’s Board of Directors. The EIC is responsible for expenses related to travel and lodging.

The position usually requires 20 hours a week. CAA provides financial compensation for course releases, usually to the EIC’s employer.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on the Art Journal/AJO Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. A CV, a letter of interest from the nominee, and at least one letter of recommendation must accompany each nomination. Please email to Joan Strasbaugh, Managing Editor, jstrasbaugh@collegeart.org, and include “Art Journal Editor-in-Chief Search” in the subject line.

Deadline (extended): June 1, 2020

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Filed under: Art Journal, Publications, Service

Attendees at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo

Each spring, members have the opportunity to provide crucial service to the field and gain an inside view by volunteering to work on a CAA committee or editorial board.

Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.

CURRENT OPPORTUNITIES

Art Journal—Editor-In-Chief
Deadline (extended): June 1, 2020

caa.reviews—Field Editor for East Asian Art
Deadline (extended): June 1, 2020

Publications Committee—Two Members
Deadline (extended): June 1, 2020

PAST OPPORTUNITIES

Art Journal / Art Journal Open (AJO) Editorial Board—Three Members
Deadline: April 15, 2020

The Art Bulletin Editorial Board—One Member
Deadline: April 15, 2020

The Art Bulletin—One Reviews Editor or Coeditor Team
Deadline: April 15, 2020

caa.reviews Editorial Board—Three Members (One an Emerging Professional)
Deadline: April 15, 2020

caa.reviews—Eight Field Editors
African Art, African Diaspora/African American Art, Architecture and Urban Planning, Asian Art, Contemporary Art, Exhibitions: East Coast, Exhibitions: Midwest, Exhibitions: West Coast
Deadline: April 15, 2020

CAA invites nominations and self-nominations for two individuals to serve on the caa.reviews Editorial Board for four-year terms, July 1, 2020–June 30, 2024. Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals with stature in the field and experience writing or editing books and/or exhibition reviews; institutional affiliation is not required.

One of the editorial board seats is reserved for an Emerging Professional, defined as an active member of CAA who is in graduate school or in the first two (2) years of their career after graduate school.

CAA encourages applications from candidates with a strong record of scholarship who are committed to the imaginative development of caa.reviews. An online journal, caa.reviews is devoted to the peer review of recent books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.

The editorial board advises the editor-in-chief and field editors for the journal and helps them to identify books and exhibitions for review and to solicit reviewers, articles, and other content for the journal. The editorial board guides the journal’s editorial program and may propose new initiatives for it. Members stay abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and academic conferences, symposia, and other events in their fields.

The caa.reviews Editorial Board meets three times a year, twice in the spring and fall and once at the CAA Annual Conference in February. Members also attend the annual meeting of the caa.reviews Council of Field Editors at the Annual Conference. Members pay their travel and lodging expenses to attend the meeting at the conference. Meetings in the spring and fall are currently held by teleconference. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members and should not currently serve on the editorial board of a competitive journal or another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Interested applicants should submit a cover letter describing their interest in and qualifications for appointment, editorial vision and/or experience, as well as additional relevant information regarding experience commissioning and/or writing reviews and related research, curatorial, or creative projects. Please send material to managing editor Joan Strasbaugh, jstrasbaugh@collegeart.org, with either caa.reviews Editorial Board member or Emerging Professional in the subject line.

Deadline: April 15, 2020

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caa.reviews Seeks Eight Field Editors

posted by January 27, 2020

CAA invites nominations and self-nominations for EIGHT individuals to join the caa.reviews Council of Field Editors for a three-year term July 1, 2020–June 30, 2023. An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to art history, visual studies, and the arts.

The journal seeks eight field editors in the following areas:

  • African Art
  • African Diaspora/African American Art
  • Architecture and Urban Planning
  • Asian Art
  • Contemporary Art
  • Exhibitions: East Coast
  • Exhibitions: Midwest
  • Exhibitions: West Coast

Working with the caa.reviews editor-in-chief, the caa.reviews Editorial Board, and CAA’s staff editor, each field editor selects content to be reviewed, commissions reviewers, and considers manuscripts for publication. Field editors for books are expected to keep abreast of newly published and important books and related media in their fields of expertise, and those for exhibitions should be aware of current and upcoming exhibitions (and other related projects) in their geographic regions.

The Council of Field Editors meets yearly at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference. Members of all CAA committees and editorial boards volunteer their services without compensation.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a statement describing your interest in and qualifications for appointment, a CV, and your contact information to managing editor Joan Strasbaugh, jstrasbaugh@collegeart.org. In the subject line please include Council of Field Editors [and the subject area you are applying for].

Deadline: April 15, 2020

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Filed under: caa.reviews, Publications, Service

The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for a three-year term July 1, 2021–June 30, 2024 (with service as incoming reviews editor designate July 1, 2020–June 30, 2021). The Art Bulletin, published quarterly by CAA, features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. Candidates should be published authors of at least one book.

The reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s editorial director in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in the fields of art history, criticism, theory, visual studies, and museum publishing. This is a three-year term, which includes membership on the Art Bulletin Editorial Board.

The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board held three times a year: in the spring and fall plus one at the CAA Annual Conference in February. The fall and spring meetings are currently held by teleconference. Members are expected to pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation. The reviews editor submits an annual report to CAA’s Board of Directors.

Candidates must be current CAA members in good standing and should not be simultaneously serving on the editorial board of a competitive journal or on another CAA editorial board or committee. The Art Bulletin also encourages nominations from two-person editorial teams representing divergent and/or complementary fields and approaches. CAA seeks applications from colleagues who will contribute to the diversity of perspectives on the Art Bulletin Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a letter describing your or your nominee’s interest in and qualifications for appointment, a CV, and your contact information to Joan Strasbaugh, Managing Editor, at JStrasbaugh@collegeart.org.

Deadline: April 15, 2020

Finalists will be interviewed on the afternoon of Friday, May 1, in New York.

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Filed under: Art Bulletin, Publications, Service

The Art Bulletin Seeks Editorial Board Member

posted by January 27, 2020

CAA invites nominations and self-nominations for one individual to serve on the The Art Bulletin Editorial Board for a four-year term, July 1, 2020–June 30, 2024. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required. The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

The editorial board advises The Art Bulletin editor-in-chief and assists by seeking authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; may propose new initiatives for the journal; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.

The Art Bulletin Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are held by teleconference. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal. Members may not publish their own work in the journal during the term of service. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on The Art Bulletin Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a letter describing your interest in and qualifications for appointment, a CV, and your contact information to managing editor Joan Strasbaugh, at jstrasbaugh@collegeart.org.

Deadline: April 15, 2020

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Filed under: Art Bulletin, Publications, Service

CAA invites nominations and self-nominations for two members-at-large to serve on the Publications Committee for a three-year term, from July 1, 2020, to June 30, 2023.  

The Publications Committee is a consultative body that meets three times a year: in the spring, in the fall, and again at the CAA Annual Conference in February. Through its chair, the CAA vice president for publications, the committee advises the CAA Publications staff and the CAA Board of Directors on publications projects and meets with chairs of the editorial boards of The Art BulletinArt Journal/AJO, and caa.reviews. The committee chooses candidates to serve on CAA’s book-grant juries; sponsors a practicum session at the Annual Conference; and, with the CAA vice president for publications, serves as liaison to the board, membership, editorial boards, book-grant juries, and other CAA committees. 

Committee members pay their travel and lodging expenses to attend the meeting at the Annual Conference. Meetings in the spring and fall are held by teleconference. Members of all committees volunteer their services to CAA without compensation. 

We encourage applications from individuals who have served as members of CAA editorial boards in the past, and/or have considerable writing, editorial, or publishing experience. Candidates must be current CAA members and may not serve concurrently on other CAA committees or editorial boards. Applicants may not be individuals who have served as members of a CAA editorial board within the past five years. The Publications Committee is committed to upholding CAA’s values statement on diversity and inclusion.  

Please address in your application how your experience would contribute to the Publications Committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Appointments are made by the CAA president in consultation with the CAA vice president for publications.  

Please email a letter of interest, a CV, and your contact information to managing editor Joan Strasbaugh at jstrasbaugh@collegeart.org. Please include “Publications Committee” in the subject line. 

Deadline (extended): June 1, 2020 

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Filed under: Committees, Publications, Service