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CAA News Today

CAA wishes to thank the artists, scholars, curators, critics, educators, and other professionals in the visual arts who generously served as Career Services mentors—for the Artists’ Portfolio Review, Career Development Mentoring, the Mock Interviews, and the Professional Development Roundtables—during the 2015 Annual Conference in New York. CAA also appreciates the work of leaders of the Professional-Development Workshops and speakers at Orientation.

Orientation

Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; and Jo-Ann Morgan, Western Illinois University.

Artists’ Portfolio Review

Virginia Fabbri Butera, College of Saint Elizabeth; Michael Bzdak, Johnson & Johnson; Susan Canning, College of New Rochelle; Brian Curtis, University of Miami; Peter Kaniaris, Anderson University; Jason Lahr, University of Notre Dame; Matthew LaRose, Park University; Preston B. Lawing, Saint Mary’s University of Minnesota; Suzanne Lemakis; Sharon Lippman, Art Without Walls; Craig Lloyd, College of Mount St. Joseph; Judith Pratt, Judith Pratt Studio; Habibur Rahman, Claflin University; Steve Teczar, Maryville University of St. Louis; and David Voros, University of South Carolina.

Career Development Mentoring

Susan Altman, Middlesex County College; Frances Altvater, University of Hartford; Michael Aurbach, Vanderbilt University; Brian Bishop, Framingham State University; Colin Blakeley, Eastern Michigan University; Karen Carter, Kendall College of Art and Design, Ferris State University; Leda Cempellin, South Dakota State University; Jaia Chen, Shelton State Community College; Kevin Concannon, Virginia Polytechnic Institute and State University; Anne D’Alleva, University of Connecticut; Rebecca DeRoo, Rochester Institute of Technology; James Farmer, Virginia Commonwealth University; Joan Giroux, Columbia College Chicago; Reni Gower, Virginia Commonwealth University; Jim Hopfensperger, Western Michigan University; Dennis Ichiyama, Purdue University; Carol Krinsky, New York University; Elisabeth Leach; Heather McPherson, University of Alabama, Birmingham; Jo-Ann Morgan, Western Illinois University; Jeff Nathanson, Arts Council of Princeton; Niki Nolin, Columbia College Chicago; Mark O’Grady, Pratt Institute; Christopher Olszewski, Savannah College of Art and Design; Morgan Paine, Florida Gulf Coast University; Doralynn Pines, Metropolitan Museum of Art, retired; Judith Pratt, Judith Pratt Studio; David Raizman, Drexel University; Jack Risley, University of Texas at Austin; Dinah Ryan, the Principia; Paul Ryan, Mary Baldwin College; Gerald Silk, Tyler School of Art, Temple University; Andrew Jay Svedlow, University of Northern Colorado; Joe A. Thomas, Zuckerman Museum of Art, Kennesaw State University; Larry Thompson, Samford University; Ann Tsubota, Raritan Valley Community College; Philip Van Keuren, Southern Methodist University; and Barbara Yontz, St. Thomas Aquinas College.

Professional Development Roundtables

Michael Aurbach, Vanderbilt University; Brian Curtis, University of Miami; Dennis Ichiyama, Purdue University; Peter Kaniaris, Anderson University; and Leo Morrissey, Georgian Court University.

Mock Interview Sessions

Dina Bandel, Virginia Commonwealth University, Qatar; Colin Blakely, Eastern Michigan University; Maria Ann Conelli, Brooklyn College, City University of New York; Jacqueline Coutré, Queens University; Stephanie Dickey, Queens University; Adam Fung, Texas Christian University; Carol Garmon, University of Mary Washington; Joann Giroux, Columbia College Chicago; Bertha Gutman, Delware County Community College; Kim Hartswick, Brooklyn College, City University of New York; Rebecca Harvey, Ohio State University; Richard Heipp, University of Florida; Heidi Hogden, University of South Dakota; David Howarth, Zayed University; Eldred Hudson, University of North Carolina, Charlotte; Dennis Ichiyama, Purdue University; Matt King, Virginia Commonwealth University; Andrea Kirsch, Rutgers University; David LaPolambara, Ohio University; Brittany Lockard, Wichita State University; Carolyn Martin; Tamryn McDermott; Jo-Ann Morgan, Western Illinois University; Thomas Post, Kendall College of Art and Design; Lauren Puzier, Sotheby’s Institute of Art; David Yager, University of California, Santa Cruz; and Megan Koza Young, Prospect New Orleans.

Brown Bag Lunches/Sessions

Leda Campellin, South Dakota State University; Maria Ann Conelli, Brooklyn College, City University of New York; Jacqueline Coutré, Queens University; Lauren Grace Kilroy-Ewbank, Brooklyn College, City University of New York; Brittany Lockard, Wichita State University; Carolyn Martin; Tamryn McDermott; Lauren Puzier, Sotheby’s Institute of Art; Georgia Strange, University of Georgia; and Megan Koza Young, Prospect New Orleans.

Professional Development Workshops

Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Barbara Bernstein, Virginia Center for the Creative Arts and University of Virginia; Steven Bleicher, Coastal Carolina University; Mika Cho, California State University, Los Angeles; Curtis Fletcher, University of Southern California; Amanda French, George Mason University; Gigi Rosenberg; and Blaise Tobia, Drexel University.

CAA warmly thanks the many contributions of the following dedicated members who joined CAA in 1963 or earlier. This year, the annually published list welcomes seventeen artists, scholars, and curators whose distinguished exhibitions, publications, and teaching practices have shaped the direction and history of art over the last fifty years.

1963: Lilian Armstrong; Richard Brilliant; Eric G. Carlson; Dean Carter; Vivian L. Ebersman; Lois M. Fink; Françoise Forster-Hahn; Walter S. Gibson; Caroline M. Houser; Susan Koslow; Osmund Overby; E. Solomon; Lauren Soth; Richard E. Spear; Virginia Stotz; Roxanna A. Sway; and Roger A. Welchans.

1962: Jo Anne Bernstein; Phyllis Braff; Jacquelyn C. Clinton; Shirley S. Crosman; Frances D. Fergusson; Gloria K. Fiero; Jaroslav Folda; Ben F. Freedman; Rosalind R. Grippi; Harlan H. Holladay; Seymour Howard; Alfonz Lengyel; Mary L. Maughelli; David Merrill; Francis V. O’Connor; John T. Paoletti; Thomas L. Sloan; Allen Staley; Elisabeth Stevens; Anne Betty J. Weinshenker; and William D. Wixom.

1961: Matthew Baigell; Margaret Diane David; W. Bowdoin Davis Jr.; David Farmer; J. D. Forbes; Isabelle Hyman; Henry A. Millon; Clifton C. Olds; Marion E. Roberts; David Rosand; and Conrad H. Ross.

1960: Shirley N. Blum; Kathleen Weil-Garris Brandt; Mojmir S. Frinta; Dan F. Howard; W. Eugene Kleinbauer; Edward W. Navone; Linda Nochlin; J. J. Pollitt; and Claire Sherman.

1959: Adele M. Ernstrom; Geraldine Fowle; Carol H. Krinsky; James F. O’Gorman; Charles S. Rhyne; and Ann K. Warren.

1958: William D. Badgett; Samuel Y. Edgerton Jr.; Naomi Miller; Damie Stillman; and Clare Vincent.

1957: Marcel M. Franciscono; Bruce Glaser; E. Haverkamp-Begemann; and John F. Omelia.

1956: Svetlana L. Alpers; Norman W. Canedy; John Goelet; Joel Isaacson; John M. Schnorrenberg; and Jack J. Spector.

1955: Lola B. Gellman; Irving Lavin; Marilyn A. Lavin; and Suzanne Lewis.

1954: Franklin Hamilton Hazlehurst; Patricia C. Loud; Thomas J. McCormick; Jules D. Prown; Jane E. Rosenthal; Irving Sandler; Lucy Freeman Sandler; Harold Edwin Spencer; and A. Richard Turner.

1953: Dorathea K. Beard; Margaret McCormick; Seymour Slive; and Jack Wasserman.

1951: Wen C. Fong; and Carl N. Schmalz Jr.

1950: Alan M. Fern; and Marilyn J. Stokstad.

1949: Dario A. Covi; and Ann-Sofi Lindsten.

1948: William S. Dale; and Peter H. Selz.

1947: Dericksen M. Brinkerhoff; David G. Carter; Ellen P. Conant; Ilene H. Forsyth; and J. Edward Kidder Jr.

1945: James Ackerman.

As 2012 comes to a close and CAA looks toward the year to come, it is time for us to consider the future of our publications. CAA’s long-standing, highly regarded print journals, The Art Bulletin and Art Journal, deliver much of the world’s leading scholarship in art history and visual studies. CAA member support of the Publications Fund helps maintain each publication’s preeminent position. I encourage you to join our growing list of donors this year.

The Art Bulletin, which covers the full range of art history in essays by some of the world’s most acclaimed art scholars, marks its centennial in 2013, celebrating one hundred years of exemplary scholarship and leadership in the field. Art Journal, in print since 1929, is an ever-evolving forum for topics in modern and contemporary art. Next spring will see the first issue of its new editor-in-chief, Lane Relyea. The youngest CAA publication, the born-digital caa.reviews, annually presents hundreds of reviews of books, exhibitions, publications, projects, conferences, and symposia as the sole art journal devoted exclusively to reviews. Founded in 1998, it celebrates its fifteenth anniversary this year with an Annual Conference panel discussion about its origin, evolution, and future. Together, these three journals promote new scholarship and practices in the visual arts to an international audience.

At a time when academic publishing offers fewer venues for discussion and debate, the visibility and vitality of The Art Bulletin, Art Journal, and caa.reviews continue to broaden. The journals reach tens of thousands of readers annually and remain essential resources—none of which would be possible without the support of donors.

Contributors who give at a level of $250 or higher are prominently acknowledged in the publication they support for four consecutive issues, as well as on the publication’s website for one year. On behalf of the artists, scholars, writers, and reviewers who publish in the journals, I hope CAA can count on your support this year.

Thank you for your consideration of this request. Your ongoing commitment is essential to our success—and very much appreciated.

With best regards,

 

 

Anne Collins Goodyear
CAA Board President

As 2012 comes to a close, the College Art Association extends thanks for your ongoing membership and support. Members, like you and me, are the engine and purpose for CAA, and it is through our help that CAA provides the myriad programs and services that so many artists, art historians, and other professionals in the visual arts depend upon. This fall, please consider making a generous contribution to CAA’s Annual Fund.

The Annual Fund is integral to CAA’s mission, providing flexible funding to supplement the project-specific support that comprises the majority of charitable gifts to the organization. CAA is dedicated to continuing prized resources that members have come to expect, including:

  • The orchestration of the world’s preeminent conference for artists, art historians, critics, conservators, curators, students, and other professionals in the visual arts
  • The production of its highly regarded publications: The Art Bulletin, Art Journal, and caa.reviews
  • An abundance of online resources, including the Online Career Center for job listings, Standards and Guidelines for professional practices, and CAA News to keep you informed of developments in the field
  • Essential advocacy work to promote federal support of the visual art
  • Fellowships to graduate students and publishing grants for books in art history
  • Travel grants to students and international professionals to attend the Annual Conference
  • The production of yearly directories of graduate programs in the arts, which provide detailed information on higher-education programs in studio art and design, art and architectural history, curatorial studies, and more

CAA is dedicated to remaining a progressive voice and indispensible resource in the visual arts, but can only do so with the help and participation of its membership. Your contribution to the Annual Fund will allow CAA to make its active, essential voice in the art world a vital one into the future.

My great thanks for your ongoing support of CAA and contribution to this year’s appeal.

Sincerely,

 

 

Patricia McDonnell
CAA Vice President for External Affairs

P.S. Contributions to CAA’s Annual Fund are 100 percent tax deductible.

Filed under: Acknowledgments, Membership

Since membership fees cover less than half of CAA’s operating costs, voluntary contributions from members significantly help to facilitate the wide range of programs and services that the organization offers. In the Acknowledgments section of its website, CAA recognizes the distinguished contributors for each of the following in calendar year 2011:

  • The Centennial Campaign celebrates CAA’s one hundredth anniversary, a celebratory landmark for any organization but particularly so for CAA given its dynamic influence in shaping the study and practice of the visual arts
  • The Donors Circle of Patron, Sponsoring, and Sustaining Members includes individuals who contribute to CAA above and beyond their regular dues
  • Life Members are individuals who make one-time payments of $5,000 and remain active CAA members for life
  • The Art Bulletin Publication Fund supports the production of CAA’s preeminent scholarly journal covering all areas and periods of art history
  • The Art Journal Publication Fund supports the production of CAA’s cutting-edge quarterly of contemporary art and ideas
  • The caa.reviews Publication Fund supports the production of CAA’s online journal devoted to critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
  • The Annual Conference Travel Grants help cover expenses for graduate students in art history and studio art, and for international artists and scholars, who attend the CAA Annual Conference

CAA offers additional ways to contribute to the organization. Through Planned Giving, you can include CAA in your will. You can also purchase Benefit Prints by the artists Willie Cole and Buzz Spector or a collection of Art Journal Artists’ Projects by Barbara Bloom, Clifton Meador, Mary Lum, and William Pope.L. For general inquiries on CAA’s campaigns and funds, please contact Hannah O’Reilly Malyn, CAA development associate, at 212-392-4435.

 

CAA warmly thanks the many contributions of the following dedicated members who joined CAA in 1961 or earlier. This year, the annually published list welcomes fourteen new members. Twelve are distinguished scholars and curators whose teaching, publications, and exhibitions have shaped the history of art over the last fifty years. The other two are celebrated artists: G. Kendall Shaw, a painter and former professor based in Brooklyn who showed recent work in a solo exhibition in New York this past fall; and Conrad H. Ross, a printmaker who lives and works in Alabama, where he taught at Auburn University for many years.

1961: Matthew Baigell; Malcolm Campbell; Margaret Diane David; W. Bowdoin Davis Jr.; David Farmer; J. D. Forbes; Isabelle Hyman; Henry A. Millon; Clifton C. Olds; Marion E. Roberts; David Rosand; Conrad H. Ross; G. Kendall Shaw; and Alan Shestack.

1960: Shirley N. Blum; Kathleen Weil-Garris Brandt; David C. Driskell; Mojmir S. Frinta; Dan F. Howard; W. Eugene Kleinbauer; Edward W. Navone; Linda Nochlin; and J. J. Pollitt.

1959: Edward Colker; Geraldine Fowle; Edith M. Hoffman; Carol H. Krinsky; James F. O’Gorman; Charles S. Rhyne; and Ann K. Warren.

1958: Samuel Y. Edgerton Jr.; Damie Stillman; and Clare Vincent.

1957: Marcel M. Franciscono; Bruce Glaser; William C. Loerke; Susan R. McKillop; and John F. Omelia.

1956: Svetlana L. Alpers; Norman W. Canedy; John Goelet; Joel Isaacson; John M. Schnorrenberg; and Jack J. Spector.

1955: Lola B. Gellman; Irving Lavin; Marilyn A. Lavin; and Suzanne Lewis.

1954: Franklin Hamilton Hazlehurst; Patricia C. Loud; Thomas McCormick; Jules D. Prown; Jane E. Rosenthal; Irving Sandler; Lucy Freeman Sandler; Harold E. Spencer; and A. Richard Turner.

1953: Dorathea K. Beard; Margaret McCormick; John W. Straus; and Jack Wasserman.

1951: Wen C. Fong; and Carl N. Schmalz Jr.

1950: Jane Dillenberger; Alan M. Fern; and Marilyn J. Stokstad.

1949: Dario A. Covi; Norman B. Gulamerian; and Ann-Sofi Lindsten.

1948: William S. Dale; Clarke H. Garnsey; and Peter H. Selz.

1947: Dericksen M. Brinkerhoff; David G. Carter; Ellen P. Conant; Ilene H. Forsyth; and J. Edward Kidder Jr.

1946: Mario Valente.

1945: James Ackerman; Paul B. Arnold; and Rosalie B. Green.

Membership fees cover less than half of CAA’s operating costs; thus voluntary contributions from members significantly help to make possible the wide range of programs and services that the organization offers. In a new website section called Acknowledgments, CAA recognizes the distinguished contributors for each of the following:

  • The Centennial Campaign celebrates CAA’s one hundredth anniversary, a celebratory landmark for any organization but particularly so given the organization’s dynamic influence in shaping the study and practice of the visual arts
  • The Annual Campaign helps CAA maintain affordable membership dues and Annual Conference fees, implement its myriad programs and publications, and serve the international community of professionals in the visual arts
  • The Donors Circle of Patron, Sponsoring, and Sustaining Members includes individuals who contribute to CAA above and beyond their regular dues
  • Life Members are individuals who make one-time payments of $5,000 and remain active CAA members for life
  • The Art Bulletin Publication Fund supports the production of CAA’s preeminent scholarly journal covering all areas and periods of art history
  • The Art Journal Publication Fund supports the production of CAA’s cutting-edge quarterly of contemporary art and ideas
  • The caa.reviews Publication Fund supports the production of CAA’s online journal devoted to critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
  • The Annual Conference Travel Grants help cover expenses for graduate students in art history and studio art, and for international artists and scholars, who attend the CAA Annual Conference

CAA offers additional ways to contribute to the organization. Through Planned Giving, you can include CAA in your will. You can also purchase Benefit Prints by the artists Willie Cole and Buzz Spector or a collection of Art Journal Artists’ Projects by Barbara Bloom, Clifton Meador, Mary Lum, and William Pope.L. For general inquiries on CAA’s campaigns and funds, please contact Sara Hines, CAA development and marketing manager, at 212-691-1051, ext. 216.

 

CAA warmly thanks the many contributions of the following dedicated members who joined CAA in 1960 or earlier. This year, the annually published list welcomes nine new members. Seven are distinguished scholars whose teaching and publications have shaped the history of art over the last fifty years. The other two are celebrated artists with deep roots in the Great Plains: Dan Howard, a painter and longtime professor and department chair at the University of Nebraska in Lincoln; and Edward Navone, a draftsman and painter who taught for many years at Washburn University in Topeka, Kansas.

1960: Shirley N. Blum; David C. Driskell; Mojmir S. Frinta; Dan F. Howard; W. Eugene Kleinbauer; Ruth Mellinkoff; Edward W. Navone; Linda Nochlin; and J. J. Pollitt.

1959: Adele M. Ernstrom; Geraldine Fowle; Edith M. Hoffman; Carol H. Krinsky; James F. O’Gorman; Charles S. Rhyne; and Ann K. Warren.

1958: William D. Badgett; Samuel Y. Edgerton, Jr.; Damie Stillman; Eric Van Schaack; and Clare Vincent.

1957: Marcel M. Franciscono; Bruce Glaser; William C. Loerke; Susan R. McKillop; John F. Omelia; and Frances P. Taft.

1956: Svetlana L. Alpers; Norman W. Canedy; John Goelet; Joel Isaacson; John M. Schnorrenberg; and Jack J. Spector.

1955: Carroll W. Brentano; Lola B. Gellman; Oleg Grabar; Irving Lavin; Marilyn A. Lavin; Suzanne Lewis; and Leo Steinberg.

1954: Franklin Hamilton Hazlehurst; Patricia C. Loud; Thomas McCormick; Alfred K. Moir; Jessie J. Poesch; Jules D. Prown; Jane E. Rosenthal; Irving Sandler; Lucy Freeman Sandler; and Harold E. Spencer.

1953: Dorathea K. Beard; Margaret McCormick; Seymour Slive; John W. Straus; and Jack Wasserman.

1951: Wen C. Fong; J. Richard Judson; and Carl N. Schmalz Jr.

1950: Jane Dillenberger; Alan M. Fern; and Marilyn J. Stokstad.

1949: Dario A. Covi; Norman B. Gulamerian; and Ann-Sofi Lindsten.

1948: William S. Dale; Clarke H. Garnsey; and Peter H. Selz.

1947: Dericksen M. Brinkerhoff; David G. Carter; Ellen P. Conant; Ilene H. Forsyth; and J. Edward Kidder, Jr.

1946: Mario Valente.

1945: James Ackerman; Paul B. Arnold; and Rosalie B. Green.

1940: Creighton Gilbert.