Craig Houser, author of Chapter 5: “The Changing Face of Scholarly Publishing: CAA’s Publication Program.”
posted by CAA — December 09, 2021
As part of CAA’s 10-year anniversary celebration of its publication The Eye, the Hand, the Mind: 100 Years of the College Art Association, chapter authors reflect on their contributions and how their impressions of the field have changed. Our second video in the series features Craig Houser, who wrote Chapter 5, “The Changing Face of Scholarly Publishing: CAA’s Publication Program.”
Craig Houser is the director of the MA in Art History and its concentration in Art Museum Studies at the City College of New York. His scholarship has addressed institutional politics related to studio art and art history, as well as issues in gender and sexuality in modern and contemporary art.
posted by CAA — November 30, 2021
CAA has produced this reel with a compilation of events, scholarship, programs, and initiatives CAA from the last year. See below for a full list of each item (in order of appearance in the video) with links to learn more.
Publications and Publications Programming:
CAA’s 110th Annual Conference will take place in Chicago from February 17-19, followed by virtual live sessions to be held in Zoom from March 3-5. For more information and to register go to this link.
posted by CAA — July 23, 2021
We’re pleased to announce the appointment of two new editors for CAA publications: Christy Anderson, was selected to be Editor-in-Chief of The Art Bulletin. Balbir Singh will take the post as Reviews Editor of Art Journal. They begin their three-year terms July 1, 2022. Learn more about their work below.
Christy Anderson | Incoming Editor-in-Chief of The Art Bulletin
Christy Anderson is an architectural historian with a special interest in the buildings of Renaissance and Baroque Europe. Professor Anderson has taught at Yale University, the Courtauld Institute, MIT, and the University of Toronto. At Yale she received a Morse Faculty Fellowship as well as numerous teaching prizes. She received her Ph.D. from the School of Architecture at the Massachusetts Institute of Technology. As a Kress Fellow at the Courtauld Institute of Art and later as a Research Fellow at Worcester College, Oxford University, she studied the annotations made by the English architect Inigo Jones (1573–1652) in his collection of treatises and humanist literature. This work on literacy, architectural language, and the construction of the professional architect appeared in her book Inigo Jones and the Classical Tradition (Cambridge, 2006).
Balbir Singh | Incoming Reviews Editor of Art Journal
Balbir Singh’s scholarship focuses on the convergence of racial, gendered, and religious embodiment, with migration and policing under violent conditions of imperial and domestic security technologies. She is at work on her first book, “Militant Bodies: Violence and Visual Culture under Islamophobia,” which is rooted in questions that center post-9/11 racial and religious hyper-policing of Muslims and Sikhs, especially as they relate to bodily comportment and the donning of religious garments. Additionally, she is beginning research on a second book project — “Whose Terror? Vexed Attachments and the Contradictions of Freedom.”
This time of year, members have the opportunity to provide an important contribution to CAA’s four journals—either by serving as a volunteer member of an editorial board or by applying to be an editor-in-chief or reviews editor.
Below are 14 opportunities to help shape the editorial vision of CAA’s publications.
Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below. You may apply for more than one position. The deadline for all applications is April 15, 2021. Terms of service vary, but they all begin July 1, 2021.
The Art Bulletin: 2 Editorial Board members
The Art Bulletin: Editor(s)-in-Chief
Art Journal/AJO: 1 Editorial Board member
Art Journal: Reviews Editor
caa.reviews: 2 Editorial Board members
caa.reviews Council of Field Editors: 7 openings
Early Modern European Art (North)
Latin American Art
Exhibitions New York
Exhibitions Northwest US
Exhibitions Southeast US
posted by Allison Walters — January 13, 2021
Usually when I sit down to write the introduction to a forthcoming issue of Art Journal, I am pleasantly surprised to find intrinsicconnections between the work we do as artists, historians, and critics. In past issues we have learned to look differently, to take matters personally, and to think in the present tense. And somehow we have done all this against an evolving (and often terrifying) backdrop of political, economic, social, environmental, and health crises. As I write this essay in early October, the pressure of reality—including the upcoming US presidential election—has made it difficult for many of us to orient ourselves to our research and creative practices. But, at the same time, the urgency of this work has never seemed more real.
In 2015 Toni Morrison wrote an essay for The Nation that, in part, framed her own feelings of helplessness in times of political and social turmoil. These days I find myself turning to these words again and again:
This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.
I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge—even wisdom. Like art.
And so we must keep writing, making, and teaching. We must try to cultivate wisdom instead of succumbing to despair.
With Morrison’s mandate in mind I introduce this special edition of Art Journal: an issue centered on Blackness. The ideas represented here have been carefully brought into an intentional conversation around the experiences, expressions, and theorizations of Blackness. We have artist projects by two Black women—Allison Janae Hamilton and Chanell Stone—and all the book and exhibition reviews center on works by and about Black artists (thanks to the tireless effort of our reviews editor, Mechtild Widrich). The feature essays reorient our attention to artists—Mark Bradford, Samuel Levi Jones, Glenn Ligon, Howardena Pindell, Jack Whitten—who explore the histories, sensations, and consequences of Blackness in their work.
As argued so compellingly by Leigh Raiford in her essay, “Our work is to recognize how white supremacy functions as a way of seeing that any person of any race or positionally can work to undo.” I hope that in editing the first issue of Art Journal to focus exclusively on Blackness, I have provided a counterweight to the ideology of white supremacy that has infected our political landscape in the United States and (in so many ways) the history of art itself. As we mourn the murders of Ahmaud Arbery, Breonna Taylor, and George Floyd and the deaths of thousands from COVID-19, let us also work toward the new future and find meaning in the chaos.
– Jordana Moore Saggese
The entire issue of Art Journal Winter 2020 is free to read through March 31, 2021.
posted by CAA — October 01, 2020
We’re pleased to announce the appointment of three new editors for CAA publications: editor designate Eddie Chambers, who will take up his post as Editor-in-Chief of Art Journal, July 2021 – June 2024; Julie Nelson Davis, current Editor-in-Chief of caa.reviews, July 2020 – June 2023; and editor designate Stephanie Porras, who will take up her post as Reviews Editor of The Art Bulletin, July 2021 – June 2024. Learn more about their work below.
Eddie Chambers | Incoming Editor-in-Chief of Art Journal, July 2021 – June 2024
Eddie Chambers was born in Wolverhampton, England. He gained his PhD from Goldsmiths College, University of London in 1998, for his study of press and other responses to the work of a new generation of Black artists in Britain, active during the 1980s. He joined the Department of Art and Art History at the University of Texas at Austin in January 2010 where he is now a Professor. His books include Things Done Change: The Cultural Politics of Recent Black Artists in Britain (Rodopi Editions, Amsterdam and New York, 2012), Black Artists in British Art: A History Since the 1950s, (I. B. Tauris, London and New York, 2014, reissued 2015), and Roots & Culture: Cultural Politics in the Making of Black Britain, published 2017 (I. B. Tauris/Bloomsbury). He is the editor of the recently-published Routledge Companion to African American Art History. His forthcoming book is World is Africa: Writings on Diaspora Art (Bloomsbury, 2021).
Julie Nelson Davis | Current Editor-in-Chief of caa.reviews, July 2020 – June 2023
Julie Nelson Davis is Professor of the History of Modern Asian Art at the University of Pennsylvania. Recognized as one of the world’s foremost authorities on Japanese prints and illustrated books, Davis teaches a wide range of courses on East Asian art and material culture in the greater global context. After receiving her BA from Reed College, Davis completed her MA and PhD from the University of Washington and studied at Gakushūin University in Tokyo. She is author of Utamaro and the Spectacle of Beauty (Reaktion Books, 2007 and 2021), Partners in Print: Artistic Collaboration and the Ukiyo-e Market (University of Hawai’i Press, 2015), and Picturing the Floating World: Ukiyo-e in Context (in press). Davis was recently a guest curator for the Freer and Sackler Galleries for an exhibition on Utamaro (2017) and is preparing an exhibition of Japanese illustrated books at the University of Pennsylvania. She is currently working on a new project on issues of imitation, homage, and fakery in early modern Japanese art and their legacies into the present. In addition to her tenure as caa.reviews Editor-in-Chief from 2020 to 2023, Davis served as the field editor for Japanese art from 2001 to 2010 and a board member from 2007 to 2011.
Stephanie Porras | Incoming Reviews Editor of The Art Bulletin, July 2021 – June 2024
Stephanie Porras is Associate professor of Art History in the Newcomb Art Department at Tulane University, specializing in early modern art made in Northern Europe and across the Spanish world. Author of Pieter Bruegel’s Historical Imagination (Pennsylvania State University Press, 2016) and Northern Renaissance Art: Courts, Commerce, Devotion (Laurence King, 2018), Porras has also published widely on topics ranging from Albrecht Dürer’s drawings to Hispano-Philippine ivories. Her current book project, The First Viral Images considers the mobility of early modern artworks and their role in processes of globalization, and has been supported by fellowships at the New York Public Library, the Sterling and Francine Clark Art Institute, and the Center for Advanced Study in the Visual Arts at the National Gallery of Art.
posted by CAA — January 27, 2020
Each spring, members have the opportunity to provide crucial service to the field and gain an inside view by volunteering to work on a CAA committee or editorial board.
Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.
Deadline (extended): June 1, 2020
caa.reviews—Field Editor for East Asian Art
Deadline (extended): June 1, 2020
Publications Committee—Two Members
Deadline (extended): June 1, 2020
Art Journal / Art Journal Open (AJO) Editorial Board—Three Members
Deadline: April 15, 2020
The Art Bulletin Editorial Board—One Member
Deadline: April 15, 2020
The Art Bulletin—One Reviews Editor or Coeditor Team
Deadline: April 15, 2020
caa.reviews Editorial Board—Three Members (One an Emerging Professional)
Deadline: April 15, 2020
caa.reviews—Eight Field Editors
African Art, African Diaspora/African American Art, Architecture and Urban Planning, Asian Art, Contemporary Art, Exhibitions: East Coast, Exhibitions: Midwest, Exhibitions: West Coast
Deadline: April 15, 2020
posted by CAA — November 11, 2019
CAA invites nominations and self-nominations for two individuals to serve on the Art Journal / AJO Editorial Board for a three-and-one-half-year term: January 1, 2020–June 30, 2023 Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals; institutional affiliation is not required. Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture. AJO is an online forum for the visual arts that presents artists’ projects, conversations and interviews, scholarly essays, and other forms of original content. Committed to fostering new intellectual exchanges in the fields of modern and contemporary art, AJO prioritizes material that makes meaningful use of the web and publishes on a rolling basis.
The editorial board advises the Art Journal and AJO editors-in-chief and assists them in seeking authors, articles, artists’ projects, and other content for the journal; performs peer review and recommends peer reviewers; guides the journals’ editorial programs and may propose new initiatives for them; promotes and advocates for both journals; and may support fundraising efforts on their behalf. Members also assist the editors-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, exhibitions, and events.
The Art Journal / AJO Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The fall and spring meetings are currently held by teleconference. Members are expected to pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.
Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journals during the term of service. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on the Art Journal / AJO Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your or your nominee’s interest in and qualifications for appointment, a CV, and your contact information to Joan Strasbaugh, Managing Editor, at JStrasbaugh@collegeart.org or c/o CAA, 50 Broadway, 21st floor, New York, NY 10004.
Deadline: Sunday, December 8, 2019
In celebration of Indigenous Peoples’ Day we have brought out from behind the paywall two issues of Art Journal in their entirety: our Summer 2017 issue on Indigenous Futures, (featuring Postcommodity’s Repellent Fence on the cover) and our Fall 1992 issue on Recent Native American Art. Articles from each will be open access until the end of October.
posted by CAA — June 13, 2019
In commemoration of the 50th anniversary of the Stonewall Riots and in celebration of Pride Month, we’ve made a collection of articles from Art Journal and The Art Bulletin focused on LGBTQ+ histories and perspectives free to read and explore online.
These articles will remain open access on Taylor & Francis through August 31, 2019.
We wish to thank Edward Rossa, CAA Summer 2018 intern, for his research on this archive.
|Things are Queer||Jonathan Weinberg||Volume 55/Issue 4/1996|
|Making Trouble for Art History: The Queer Case of Girodet||James Smalls||Volume 55/Issue 4/1996|
|Imminent Domain: Queer Space in the Built Environment||Christopher Reed||Volume 55/Issue 4/1996|
|Goodbye Lesbian/Gay History Hello Queer Sensibility||Robert Atkins||Volume 55/Issue 4/1996|
|Unmasking Pablo’s Gertrude: Queer Desire and the Subject of Portraiture||Robert S. Lubar||Volume 79/Issue 1/1997|
|Biblical Gender Bending in Harlem: The Queer Performance of Nugent’s Salome||Ellen McBreen||Volume 57/Issue 3/1998|
|The Melancholia of AIDS: Interview with Douglas Crimp||Tina Takemoto||Volume 62/Issue 4/2003|
|Love Among the Ruins: David Cannon Dashiell’s Queer Mysteries||Alison Mairi Syme||Volume 63/Issue 4/2004|
|Robert Rauschenberg’s Queer Modernism: The Early Combines and Decoration||Tom Folland||Volume 92/Issue 4/2010|
|Conversations on Queer Affect and Queer Archives||Tirza True Latimer||Volume 72/Issue 2/2013|
|Imaginary Archives: A Dialogue||Julia Bryan-Wilson & Cheryl Dunye||Volume 72/Issue 2/2013|
|Queer Pier: 40 Years||Thomas J. Lax, Jeannine Tang, A. Naomi Jackson, Parallel Lines, Ginger Brooks Takahashi & Marvin J. Taylor||Volume 72/Issue 2/2013|
|Queer Formalisms: Jennifer Doyle and David Getsy in Conversation||Jennifer Doyle & David J. Getsy||Volume 72/Issue 4/2013|
|Why I Hate Diversity||Jonathan D. Katz||Volume 76/Issue 3-4/2017|
|Reading Jack Smith’s The Beautiful Book Reparatively||Paisid Aramphongphan||Volume 78/Issue 1/2019|