Join Now      Log In

CAA News Today

CAA Internship Program

posted by September 12, 2019

Starting in September 2018, CAA introduced a new internship program in its New York office for undergraduate and graduate students and recent graduates. Specifically, the program is designed for those who wish to gain experience and develop skills in the following areas:

  • Events and Conference Programming
  • Publications and Digital Publications
  • Marketing & Communications
  • Membership Development

Each intern will be assigned a discrete, clearly defined project (or projects) to be completed during the internship period.

The number of hours will depend on the preference of the CAA department, but will generally expected to work 20-30 hours per week in CAA’s New York office sometime between the hours of 9:00 AM to 6:00 PM, Monday to Friday. All internships require a commitment of eight consecutive weeks. Interns are expected to be commit three days per week

Eligibility

  • Candidates must have successfully completed their junior year at an undergraduate college in any field of study.
  • Candidates must have secure housing in the New York area which will allow them to complete the entire internship period.
  • Candidates should have had some office experience and should be generally familiar with Microsoft Office, especially Word and Excel. Familiarity with Microsoft Office 365 preferable.

Internship sessions

  • Fall 2019 – 8 weeks (September 15 through December 15)
  • Spring 2020 – 8 weeks (January 15 through May 15)
  • Summer 2020 – 8 weeks (June 1 through August 15)

There will be two interns per session.

Compensation

Each intern will receive a stipend of $500 per month paid bimonthly along with CAA’s regular payroll. Interns will be viewed as independent contractors and no deductions will be made, however a 1099 will be issued and interns are expected to pay all taxes as required under law.

Course credit

CAA will make every effort to assist successful candidates to obtain college credit, if applicable.  Please coordinate with your institution’s administrator for semester credit. CAA can provide letters of confirmation and/or complete necessary forms.

To apply

Please submit a cover letter indicating your departmental interests (please rank two preferred departments), and CV to Daniel Tsai, CAA Programs and Publications Administrator: dtsai@collegeart.org. Please also list two professional references and the means to contact them via telephone or email. No phone calls please.

Applications will be accepted until positions are filled.

Events and Conference Programming Internship Tasks:

Assists with Annual Conference Special Events/Special Projects

  • pre-conference workshops
  • Key Conversation Panels
  • events for students and emerging professionals
  • Museum visits and tours

Assists with the research and facilitation of the Network Hall programming.

Assists with the research and development and implementation of workshops and programs throughout the year.

Publications and Digital Publications Internship Tasks:

  • Assisting with checking layouts and copyediting
  • Proofreading the reviewsadmin site to ensure uniformity of titles, format
  • Checking all the links on Art Journal Opensite to make sure they work

Marketing & Communications Internship Tasks:

  • Editing and proofreading
  • Visual design and layout assistance
  • Social media
  • Assembling press files
  • Website review and content review
  • Assembling press hits files
  • Assembling digital metrics files
  • General communications and strategy research

Membership Development Internship Tasks:

  • Database cleanup
  • Assist with membership growth strategy
  • Renewal address file clean up
  • Membership card file address clean up, folding cards, post office delivery
  • Updating IP addresses indiv/org claims for missing issues
  • Returned publications for indiv/orgs
  • Adding/updating primary contacts for organizations
  • Possible outreach to lapsed organizational members

The CAA is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, gender expression, or political affiliation.

Apply to be a CAA Campus Ambassador

posted by May 02, 2019

CAA 2018 Annual Conference attendees. Photo: Rafael Cardenas

CAA is seeking Ambassadors in the New York, Boston, and Chicago areas to represent CAA and give short talks about the organization to their fellow classmates and students in nearby schools.

The selected Ambassadors will be compensated for each talk and given a complimentary CAA Annual Conference registration and one-year CAA membership at the student level. Ambassadors will collect feedback at their talks and have check-ins with CAA staff leading the project.

To be considered for the CAA Ambassador role, applicants must be currently enrolled in a visual arts-focused program at a university or college in the New York, Boston, or Chicago area. Applicants should be in their junior year or higher. Master’s degree, Master of Fine Arts, and PhD candidates are encouraged to apply. Familiarity with CAA and its programs is necessary for this role. Candidates should feel enthusiastic about spreading the word about CAA and feel comfortable speaking in front of groups. The Ambassador role is a two-semester commitment (fall and spring) with a maximum of five talks given on campuses each semester.

To be considered for the CAA Ambassador Program, please submit your resume or CV, cover letter expressing your interest, and one reference to Alison Chang at achang@collegeart.org.

Applications will be accepted until the positions are filled.

Pay-as-you-Wish Is Back for CAA 2019

posted by February 05, 2019

The Pay-as-you-Wish Day Pass is back for the CAA 2019 Annual Conference in New York City, February 13-16! For the third year in a row we are happy to offer the pass as a way for students, adjunct faculty, or anyone not able to afford a full conference registration to attend any part of the conference for a full day.

Pay-as-you-Wish is available onsite only at the New York Hilton Midtown. It is open to everyone, CAA members and non-members alike, with no advance registration needed. Pay-as-you-Wish purchases can be made with any registration staff or the Pay-as-you-Wish helpers in the registration area. 

Suggested Pay-as-you-Wish Day Pass price: $25 

The Pay-as-you-Wish Day Pass allows for full, one-day access to the conference, and if you want to return the next day, a full day pass must be purchased. 

The Annual Conference will feature over 300 sessions, a bustling Book and Trade Fair, and the free and open to the public Academic and Cultural Network Hall with professional development workshops, Idea Exchange, and booths of leading cultural non-profits and educational institutions.  

Browse the Full Conference Schedule  

The Keynote Speaker for 2019 will be Joyce J. Scott, sculptor, craftsperson, and 2016 MacArthur Fellow. The Distinguished Artist Interviews will feature Julie Mehretu interviewed by Julia Bryan-Wilson and Guadalupe Maravilla interviewed by Sheila Maldonado. The Distinguished Scholar for the 107th CAA Annual Conference is Dr. Elizabeth Boone, the Martha and Donald Robertson Chair in Latin American Studies at Tulane University. 

Meet the 2018 Professional Development Fellows

posted by January 28, 2019

CAA has awarded two 2018 Professional Development Fellowships—one in art history and one in visual art—to graduate students in MFA and PhD programs. In addition, CAA has named one honorable mention in art history and two in visual art. The fellows and honorable mentions both receive a complimentary one-year CAA membership and registration for the 2019 Annual Conference in New York City.

The recipient of the $10,000 fellowship in art history is C.C. McKee, a dual PhD candidate in the Department of Art History at Northwestern University and the École des hautes études en sciences sociales in Paris. Accepting the $10,000 fellowship in visual art is Camila Labarca Linaweaver, a MFA candidate in Printmaking at the University of Oklahoma.

The honorable mention for art history goes to Julia Vázquez, a PhD candidate in the Department of Art History & Archaeology at Columbia University. The honorable mentions in visual art are awarded to Kira Dominguez Hultgren, who is earning a MFA/MA in Fine Arts and Visual and Critical Studies at California College of the Arts, and Rowan Renee, who is currently pursuing their MFA at the University of Michigan.

The two fellows and three honorable mentions will be formally recognized at the 107th Annual Conference during Convocation on Wednesday, February 13, 2019.

CAA’s fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2019 fellowship cycle will open in the late spring.

FELLOW IN ART HISTORY

C.C. McKee

C.C. McKee is a dual doctoral candidate in the Department of Art History at Northwestern University (advised by Huey Copeland) and the École des hautes études en sciences sociales in Paris (advised by Anne Lafont). McKee received his BA from the University of California, Berkeley as a double major with honors in the history of art and highest honors in history.

McKee’s current dissertation project takes up art and visual culture from the francophone Caribbean during the long nineteenth century, arguing that, on the one hand, painting could bolster imperial authority by eliding the coeval inhumane violence and ecological brutality of colonialism. On the other, these artworks are inadvertent repositories for parallel ecologies opening onto embodied African diasporic knowledge of the Caribbean landscape.

This project represents one facet of McKee’s broader investment in the transhistorical relationship between colonialism (particularly during the seventeenth through nineteenth centuries) and its continued effects in the present. These interests include, art of the Atlantic World, contemporary African and African diasporic art, and queer aesthetic practices; all of which are indebted to black feminist, ecocritical, postcolonial, and psychoanalytic theories. McKee has developed these perspectives in various pieces of art criticism; with exhibitions at the Block Museum, Iceberg Projects (Chicago, IL), and the Ghetto Biennale (Port-au-Prince, Haiti); as well as in a forthcoming article for Art Journal. Moving forward, McKee will pursue a scholarly and curatorial practice that challenges the boundaries between the university classroom and the museum, between academic publication and exposing a broad public to the rich artistic traditions of the Caribbean.

FELLOW IN VISUAL ART

Camila Labarca Linaweaver

Camila Labarca Linaweaver was born in Santiago, Chile and immigrated to the United States at the age of 7. She lived and studied in Texas and holds a BFA from The University of Houston Clear Lake. She is a first-generation college graduate and is currently an MFA Printmaking candidate at The University of Oklahoma. While pursuing her graduate studies she has taught undergraduate courses in Printmaking and Drawing. Linaweavers focus within the printmaking medium is almost exclusively on singular and experimental prints. Using the landscape as a metaphor, she crafts narratives of immigrant displacement, loss, and alienation. Recently she has delved into time-based work, subjecting monotypes to various stop motion processes. Her unique approach to confronting her personal history as an immigrant results in highly nuanced imagery that aims to bridge opposing sides and create positive discourse within the context of global immigration issues.

As an emerging artist, Linaweaver has exhibited extensively throughout the US and has chosen to pursue a career in academia. In the future she aspires to participate in residencies and exhibitions that focus on community engagement and the intersection of landscape, identity, and culture.

HONORABLE MENTION IN ART HISTORY

Julia Vázquez

Julia Vázquez is a PhD candidate in the Department of Art History & Archaeology at Columbia University, where she is currently completing a dissertation titled “The Artist as Curator: Diego Velázquez, 1623-1660.” Her dissertation reconsiders the curatorial career of Diego Velázquez at the court of King Philip IV of Spain. It examines the major redecoration projects that Velázquez executed for galleries in the Spanish royal palace, considering the ways that his ambitions and interests as a painter found a new expression in this medium. It also analyzes significant paintings that Velázquez made in response to the royal art collection, considering the impact on his painting practice not only of its contents, but also of its display. Her research therefore proposes the career of Diego Velázquez at the Hapsburg court as a major episode in the history of the artist-curator, ultimately arguing that Velázquez’s simultaneous creative identities as painter to the king and curator of his art collection were mutually transformative.

Previously, Julia has held internships and fellowships at the Musée du Louvre, the Whitney Museum of American Art, the Meadows Museum, the Museo Nacional del Prado, and the National Gallery of Art. While at the Meadows, she curated two exhibitions: “Picasso’s Dream and Lie of Franco: The Spanish Civil War in Print” (summer 2017) and “Murillo at the Meadows: A 400th-Anniversary Celebration” (2017-2018). She is currently the Hilla Rebay International Fellow at the Solomon R. Guggenheim Museum, the Museo Guggenheim Bilbao, and the Collezione Peggy Guggenheim.

HONORABLE MENTIONS IN VISUAL ART

Kira Dominguez Hultgren

Kira Dominguez Hultgren (b. 1980) is a California-, Utah-, and Minnesota-based textile artist. She studied French postcolonial theory and literature at Princeton University (BA Comparative Literature, 2003), and performance and fine arts in Río Negro, Argentina from 2010-2012. While in Patagonia, she apprenticed with master weaver Mary Coronado, where Dominguez Hultgren studied the process and history of indigenous warp-faced weaving of Mallín Ahogado on a Mapuche vertical post loom.

Today, Dominguez Hultgren combines her interests in postcolonial theory and weaving in both her art and writing-research practice. In her third year at California College of the Arts, Dominguez Hultgren is earning a dual-degree MFA/MA in Fine Arts and Visual and Critical Studies. Her research interests include material and embodied rhetorics, loom technologies, decolonizing material culture, and analyzing textiles as a performative critique against the visual. She has won numerous awards including California College of the Art’s All College Honors Graduate Fine Art Award, the Edwin Anthony and Adalaine Boudreaux Cadogan Scholarship, and the Lenore Tawney Fiber and Material Studies Scholarship. Dominguez Hultgren is represented by Eleanor Harwood Gallery in San Francisco, where she had her first solo show, Wingspan, in 2018.

Rowan Renee

Rowan Renee is a genderqueer artist who uses photography to interrogate how sexual bodies are gendered, victimized, policed and punished. Through photographic, printmaking and sculptural techniques, they produce and appropriate images that intervene on issues of authorship, the representation of queer and feminine bodies within the art-historical canon, and the intersection of homophobia and misogyny in sex law and copyright law. The disjunctures of pleasure and abjection, felt through jouissance, informs their manipulation of images. Through artistic labor, they see a means to construct transformative meaning from experiences of violence, persecution and erasure that threaten queer and feminine subjects.

Currently pursuing their MFA at the University of Michigan, Renee works between Ann Arbor, Michigan and  Brooklyn, NY. Their career began in 2006, when they joined The Miss Rockaway Armada, a collaborative flotilla of thirty people who floated down the Mississippi river on junk rafts built from NYC construction waste. Recently, they have received awards from the Aaron Siskind Foundation, the Rema Hort Mann Foundation and the Anchorage Museum of Art, as well as fellowships from the Jerome Foundation and the McColl Center for Visual Art. In 2018 they were named an Elsie Choy Lee Scholar by the University of Michigan. Their solo exhibitions include Z at Pioneer Works (2015), Bodies of Wood at The Aperture Foundation (2017), and No Honor No Heart at the Center for Visual Arts Toledo (2019). Their work has been profiled on NPR, in The New York Times, VICE, Hyperallergic, Huffington Post, American Photo Magazine and Guernica, among many other publications.

Meet the 2018 CAA Campus Ambassadors

posted by December 05, 2018

Launched this fall, the CAA Ambassador Program is now in full swing. CAA Ambassadors are representing the organization in New York and Chicago and giving presentations to their fellow classmates and students in nearby schools. Meet the inaugural class of ambassadors below.

Interested in becoming a future CAA Ambassador? Learn more here.

Rikki Byrd

Rikki Byrd is a writer, educator and scholar, with research interests in Black studies, visual culture, fashion history and cultural studies. Her research has appeared at Art Basel: Miami and has been published or is forthcoming in various academic journals and books. She has also written for Teen Vogue, Art.sy, and Hyperallergic, among several other media outlets. She has lectured and participated in panel discussions with Google and The Council of Fashion Designers of America, Parsons School of Design, Junior High! in Los Angeles and Saint Louis Art Museum. Most recently, Rikki was a faculty member at Washington University in St. Louis in the Sam Fox School of Design & Visual Arts and the African and African American Studies department. She is currently a PhD student in African American Studies at Northwestern University. 

J. English Cook

J. English Cook is a PhD candidate at the Institute of Fine Arts, NYU, where she specializes in intersections between architecture, cinema, and urban theory. Her dissertation examines the impact of cinema on the postwar spread of phenomenology, particularly as expressed in architects’ re-articulation of notions of spatial experience. She previously received an MA with distinction from the Institute of Fine Arts and a BA with highest honors from Williams College. A native of Atlanta, Georgia, she is currently the Graduate Curatorial Assistant at the Grey Art Gallery, NYU, and has worked as a Curatorial Assistant in Modern and Contemporary Art at the High Museum, Atlanta, and as the Commissioner’s Assistant for the US Pavilion at the 2010 Venice Architecture Biennale. She has produced performances at Momentum Worldwide, a time-based media gallery in Berlin, and has interned in curatorial departments at the Museum of Modern Art, the Whitney Museum of American Art, and the Williams College Museum of Art.

Rebecca Pollack

Rebecca Pollack is a doctoral candidate in art history at the CUNY Graduate Center. Her dissertation “Contextualizing British Holocaust Memorials and Museums: Form, Content, Politics,” examines the publicly funded Holocaust commemorative projects in Britain. She currently holds fellowships from the Memorial Foundation for Jewish Culture, the Jewish Studies Center at the CUNY Graduate Center, and the Paul Mellon Centre for British Art.  

Mia Rubin

Mia Rubin is a recent Parsons School of Design graduate. Mia is the Events and Conference Programming Intern at CAA and one of CAA’s newest ambassadors. She will assist with planning the Annual Conference. Mia will help organize pre-conference workshops, key conversation panels, events for students, and museum tours. She will research and help develop workshops and programs throughout the year.  

Urooj Shakeel

Urooj Shakeel is a graduate student at the School of the Art Institute of Chicago in the Master of Arts in Arts Administration & Policy program. She is also the Leadership Investment and Communications Field Fellow at The Field Foundation of Illinois. Currently, Urooj is working on her thesis project and is designing a library exchange box in the shape of a Pakistani truck that is painted in the traditional art form known as Truck Art. This project examines activating public space for educative functions on Chicago’s Devon Avenue for preadolescents. As a leader, Urooj also serves on the SAIC Graduate Advisory Panel, working closely with the Graduate Dean’s Office to bring attention to graduate student interests through information sharing and problem solving. She earned her BS in Marketing and BA in Art History from Wayne State University in Detroit, Michigan.

CAA Announces Campus Ambassador Program

posted by September 24, 2018

CAA 2018 Annual Conference attendees. Photography by Rafael Cardenas

Students have always been vital to CAA. Our student membership, which is nearly one quarter of our entire membership, has always been vocal, engaged, and eager. This fall we are looking to our students to help carry CAA into the future with the launch of the CAA Ambassador Program.

CAA is seeking Ambassadors in the New York, Boston, and Chicago areas to represent CAA and give short talks about the organization to their fellow classmates and students in nearby schools. The six selected Ambassadors will be compensated for each talk and given a complimentary CAA Annual Conference registration and one-year CAA membership at the student level. Ambassadors will collect feedback at their talks and have check-ins with CAA staff leading the project.

To be considered for the CAA Ambassador role, applicants must be currently enrolled in a visual arts-focused program at a university or college in the New York, Boston, or Chicago area. Applicants should be in their junior year or higher. Master’s degree, Master of Fine Arts, and PhD candidates are encouraged to apply. Familiarity with CAA and its programs is necessary for this role. Candidates should feel enthusiastic about spreading the word about CAA and feel comfortable speaking in front of groups. The Ambassador role is a two-semester commitment (fall and spring) with a maximum of five talks given on campuses each semester.

To be considered for the CAA Ambassador Program, please submit your resume or CV, cover letter expressing your interest, and one reference to Alison Chang at achang@collegeart.org.

Applications will be accepted until the positions are filled.

Brenna K. Murphy, Grief Work (Shroud). Detail. Cotton yarn and artist’s hair, 100 ft x 40 in. 2017 Professional Development Fellow in Visual Art.

The Professional Development Fellowships program supports promising artists, designers, craftspersons, historians, curators, and critics who are enrolled in MFA, PhD, and other terminal degree programs. Fellows are honored with $10,000 unrestricted grants to help them with various aspects of their work.

One award will be presented to a practitioner—an artist, designer, and/or craftsperson—and one award will be presented to an art, architecture, and/or design historian, curator, or critic. Fellows also receive a free, one-year CAA membership and complimentary registration to the Annual Conference. Honorable mentions, given at the discretion of the jury, also earn a free one-year CAA membership and complimentary conference registration.

CAA initiated its fellowship program in 1993 to help student artists and art historians bridge the gap between their graduate studies and professional careers. Past recipients include artists and thinkers such as Marin Sarve-Tarr (2015), Maggie Cao (2014), La Toya Ruby Frasier (2006), Risë Wilson (2002), Chitra Ganesh (2001), Miguel Luciano (2000), Miwon Kwon (1996), and Blake Stimson (1995), among many others.

ARE YOU ELIGIBLE?

CAA seeks applications from students who are current members; will receive their MFA or PhD degree in the calendar year 2019, following the year of application (2018 for the current fellowship cycle); and have outstanding capabilities and demonstrate distinction in their contribution to art history and the visual arts.

A jury of artists, curators, and other professionals will review all applications in fall 2018 and announce the recipients in January 2019.

HOW TO APPLY

APPLY FOR THE PHD FELLOWSHIP

APPLY FOR THE MFA FELLOWSHIP

DEADLINES

PhD Fellowship: October 1, 2018

MFA Fellowship: November 16, 2018

CONTACT

For more information about the CAA fellowship program, please contact Aakash Suchak, grants and special programs manager, at asuchak@collegeart.org.

CAA Internship Program

posted by May 31, 2018

Attendees (art historian Julia Elizabeth Neal on the right) at the 2018 CAA Annual Conference in Los Angeles. Photo: Rafael Cardenas

Starting in September 2018, CAA will begin a new internship program in its New York office for undergraduate and graduate students and recent graduates. Specifically, the program is designed for those who wish to gain experience and develop skills in the following areas:

  • Events and Conference Programming
  • Publications and Digital Publications
  • Marketing & Communications
  • Membership Development

Each intern will be assigned a discrete, clearly defined project (or projects) to be completed during the internship period.

The number of hours will depend on the preference of the CAA department, but will generally expected to work 20-30 hours per week in CAA’s New York office sometime between the hours of 9:00AM to 6:00PM, Monday to Friday. All internships require a commitment of eight consecutive weeks. Interns are expected to be commit three days per week.


Eligibility

  • Candidates must have successfully completed their junior year at an undergraduate college in any field of study.
  • Candidates must have secure housing in the New York area which will allow them to complete the entire internship period.
  • Candidates should have had some office experience and should be generally familiar with Microsoft Office, especially Word and Excel. Familiarity with Microsoft Office 365 preferable.

Internship sessions

  • Fall 2018 – 8 weeks (September 15 through December 15)
  • Spring 2019 – 8 weeks (January 15 through May 15)
  • Summer 2019 – 8 weeks (June 1 through August 15)

There will be two interns per session.

Compensation

Each intern will receive a stipend of $500 per month paid bimonthly along with CAA’s regular payroll. Interns will be viewed as independent contractors and no deductions will be made, however a 1099 will be issued and interns are expected to pay all taxes as required under law.

Course credit

CAA will make every effort to assist successful candidates to obtain college credit, if applicable.  Please coordinate with your institution’s administrator for semester credit. CAA can provide letters of confirmation and/or complete necessary forms.

To apply

Please submit a cover letter indicating your departmental interests (please rank two preferred departments), and CV to Daniel Tsai, CAA Programs and Publications Administrator: dtsai@collegeart.org. Please also list two professional references and the means to contact them via telephone or email. No phone calls please.

Applications will be accepted until positions are filled.

Events and Conference Programming Internship Tasks:

Assists with Annual Conference Special Events/Special Projects

  • pre-conference workshops
  • Key Conversation Panels
  • events for students and emerging professionals
  • Museum visits and tours

Assists with the research and facilitation of the Network Hall programming.

Assists with the research and development and implementation of workshops and programs throughout the year.

Publications and Digital Publications Internship Tasks:

  • Assisting with checking layouts and copyediting
  • Proofreading the reviews admin site to ensure uniformity of titles, format
  • Checking all the links on Art Journal Open site to make sure they work

Marketing & Communications Internship Tasks:

  • Editing and proofreading
  • Visual design and layout assistance
  • Social media
  • Assembling press files
  • Website review and content review
  • Assembling press hits files
  • Assembling digital metrics files
  • General communications and strategy research

Membership Development Internship Tasks:

  • Database cleanup
  • Assist with membership growth strategy
  • Renewal address file clean up
  • Membership card file address clean up, folding cards, post office delivery
  • Updating IP addresses indiv/org claims for missing issues
  • Returned publications for indiv/orgs
  • Adding/updating primary contacts for organizations
  • Possible outreach to lapsed organizational members

The CAA is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, gender expression, or political affiliation.

Conference Submissions for CAA 2019

posted by February 27, 2018

CAA 2019 Annual Conference
February 13-16, 2019
New York, NY
Hilton Midtown

Beginning March 1, 2018, CAA members are invited to submit the following proposals for review to the 2019 CAA Annual Conference Committee: Complete Sessions, Sessions Soliciting Contributors, and Individual Paper/Project proposals. Submissions that cover the breadth of current thought and research in art and art practice, art and architectural history, theory and criticism, studio art, pedagogical issues, museum and curatorial practice, conservation, design, new media, and developments in technology are encouraged.

The submissions portal closed on April 27, 2018.

PROPOSAL SUBMISSION TYPES
Complete Session
The organizer has complete information about the session including names and affiliations of all session participants, presentation titles, abstract texts, etc.

Session Soliciting Contributors
The organizer proposes a session title and abstract that will require a call for participation. The list of accepted Sessions Soliciting Contributors will be posted on the CAA website in late June or early July, 2018. Session organizers select papers and projects based on their own requirements. See CAA 2019 Call for Participation section below for more information.

Individual Paper/Project
An individual CAA member may submit an abstract (with title), which, if accepted, will be included in the 2019 conference as part of a composed session with others accepted in this category based on subject area or compatible content.

OPENS: March 1, 2018
DEADLINE: April 27, 2018 [closed]

Please note: To submit a proposal, individuals must be current CAA members. All session participants, including presenters, chairs, moderators, and discussants, must also be current individual CAA members. Please have your CAA Member ID handy as well as the member IDs of any and all participants as this is a required field on the submission form. Please note that institutional member IDs cannot be used to submit proposals. If you are not a current individual member, please renew your membership or join CAA.

The Annual Conference Committee members review over 800 submissions each year. They take into account subject areas and themes that arise from accepted proposals to present as a broad and diverse a program as possible. The Committee selects between 250-300 sessions for each conference and it must, at times, make difficult decisions on submissions of high merit.

CAA schedules the conference program so that there are back-to-back sessions with similar content. However, given the number of sessions, this is not always possible. All sessions are 90 minutes in length and are scheduled Wednesday, February 13, through Saturday, February 16, in the following timeslots:

  • 8:30—10:00 AM
  • 10:30 AM—12:00 PM
  • 2:00—3:30 PM
  • 4:00—5:30 PM
  • 6:00—7:30 (Thursday, February 14, and Friday, February 15, only)

CAA AFFILIATED SOCIEITES AND CAA COMMITTEES

CAA Affiliated Societies and CAA Committees may each submit for one guaranteed session in the Complete Session or Session Soliciting Contributors category according to the general session proposal deadlines. Visit Affiliated Society membership for more information on participating in the CAA Annual Conference.

GENERAL PROPOSAL SUBMISSION INFORMATION

  • Session and paper/project abstracts should be no more than 250 words in length.
  • Please follow the Chicago Manual of Style for your submission.
  • The accuracy of information in the submission is important as, if selected, it will be transferred to the conference program, abstracts booklet, website, etc., exactly as written.

KEY DATES

  • March 1 – April 27: Call for Proposals (includes Complete Session, Session Soliciting Contributors, Individual Paper/Project)
  • Early July: Notifications sent to all submitters
  • July: Call for Participation for accepted Sessions Soliciting Contributors posted on CAA website
  • End July: Notifications sent to accepted individual paper/project participants regarding composed session configurations
  • Late August: Organizers of Sessions Soliciting Contributors finalize session information and notify accepted contributors
  • September 4: Deadline for updated accepted session content entered into portal by original submitter for all categories for print and web publications (includes any required edits to abstracts, titles, and speaker order)
  • mid-September: CAA 2019 Annual Conference schedule finalized
  • October 8: CAA 2019 Annual Conference schedule posted on CAA website; online conference registration opens
  • December 16: Early conference registration closes
  • December 17: Advance conference registration opens
  • February 8: Advance conference registration closes

FORTHCOMING CALLS FOR SUBMISSIONS

Poster Session
OPENS: May 21, 2018
DEADLINE: August 15, 2018
CAA invites proposal submissions for Poster Sessions at the CAA 2019 Annual Conference. Poster Sessions offer excellent opportunities for informal discussion and conversation focused on topics of scholarly or pedagogical research. Proposals require a description of the project (up to 250 words), with a title and member CV.

Exhibitor Session
OPENS: May 23, 2018
DEADLINE: September 14, 2018
Registered exhibitor at the 2019 conference are welcome to propose full sessions or workshops (ninety minutes in length) for inclusion in the full-conference program. These sessions should convey practical information, professional expertise, or historical/scholarly content and may not be used for direct marketing, sales or promotion of products, publications, or services or programs.

Call for Participation for accepted Sessions Soliciting Contributors
The CAA 2019 Call for Participation (CFP) for accepted Sessions Soliciting Contributors will be posted on the CAA Annual Conference website on June 29, 2018. Submissions will be accepted for review through August 6, 2018.

Beginning June 29th, 2018, single paper or project submissions in response to the CFP should be sent directly to the session chair(s)—if there is more than one session chair, send materials to both chairs. Proposals should include a proposal form (found at the end of the CFP), an abstract of your presentation, a cover letter to chair(s), a shortened CV, and work documentation (if necessary).

FREQUENTLY ASKED QUESTIONS

Q: Do I have to be a CAA member to submit a proposal?

A: All conference participants (presenters, chairs, discussants) must be CAA members to participate in the annual conference. A CAA member ID number will be requested for all conference participants in the online submission form. However, if you do not have all CAA ID numbers available for participants, you may enter them when you obtain them. If you are not a member of CAA at the time you submit the proposal, you will not be prevented from submitting. You may work on the submission in stages until the proposal deadline.

Q: Is CAA membership required to participate on a CAA session?

A: Yes, ALL session participants (presenters, chairs, discussants) must be members of CAA in order to participate in vetted conference sessions.

Q: Is CAA membership required to participate on an Affiliated Society guaranteed session?

A: Yes, all session participants (presenters, chairs, discussants) must be members of CAA in order to participate in guaranteed Affiliated Society sessions.

Q: Can someone who is not a CAA member participate in a panel?

A: We require all conference session participants to be CAA individual members.

Q: How long is a session?

A: All CAA 2019 sessions are ninety minutes in length. Please plan either session or paper/project presentations accordingly.

Q: How many people should be on a panel?

A: For a traditional ninety-minute session, we suggest one chair, four participants, and one discussant. This format allows introductions, fifteen-minute presentations, and Q&A. CAA encourages innovative session formats but all session participants must plan accordingly.

Q: How many ways can I participate in conference sessions?

A: To allow a greater number of CAA members to participate in the conference, CAA members can participate in the following roles only once during a conference: chair, presenter, discussant. They can serve in all three roles, but cannot perform any of these roles more than once. For example, they can serve as chair and present in one session, and serve as discussant at another session, but cannot present twice.

Q: Can I attend the session for free if I am presenting on that session?

A: While you cannot attend a session for free, even for the one you are presenting in, we do offer a number of conference registration options including full registration, day passes, and single session time slot tickets.

Q: Can I plan something other than a traditional panel?

A: YES! Feedback from our attendees reveals that they want to take in information and learn in formats other than several people sitting at table in front of a session room. They very much want more interaction with panel participants. We strongly encourage you to think about presenting your content in a manner other than the traditional panel format. While planning your session, you are reminded that we cannot deviate from the ninety-minute time limitation.

Q: Can I have a two-part session?

A: The Annual Conference Committee aims to include as many contributors as possible reflecting the range of scholarship and expertise. In the submission process, please make the request and the committee will evaluate this based on the number of subject areas received as well as the logistical possibilities.

Q: If I am selected to participate as an individual paper/project participant how is my session arranged?

A: Accepted individual paper/projects are organized by the Annual Conference Committee and the CAA staff into what is called Composed Sessions with other individual paper/projects based on subject area or compatible content. Since there is no formal chair for Composed Sessions a mentor is assigned to the group to provide guidance as needed. Sometimes participants identify one in the group to act as chair, sometimes a CAA member outside the group is asked to lead, other groups choose to go without this formal role.

Q: Are there sessions that are free and open to the public?

A: The mid-day time slot (12:30 – 1:30 PM) is free and open to the public. This time slot is reserved for business meetings and special conversations on hot topics for the field. There are other events throughout the conference which are also free. Check the schedule when it is posted in October for details. Please remember to check back often as the schedule is updated as the conference approaches.

For more information about session proposals for the 2019 Annual Conference, please contact Mira Friedlaender, CAA manager of programs, at 212-392-4405 or Tiffany Dugan, CAA director of programs and publications, at 212-392-4410.

 

CAA has awarded two 2017 Professional Development Fellowships—one in art history and one in visual art—to graduate students in MFA and PhD programs across the United States. In addition, CAA has named one honorable mention in art history and one in visual art. The fellows and honorable mentions both receive a complimentary one-year CAA membership and free registration for the 2018 Annual Conference in Los Angeles.

The recipient of the $10,000 fellowship in art history is Sooran Choi, a PhD candidate in Art History at CUNY Graduate Center. Accepting the $10,000 fellowship in visual art is Brenna K. Murphy, a MFA candidate in Studio Art at the University of Michigan Stamps School of Art & Design.

The honorable mention for art history goes to Murad Khan Mumtaz, a PhD candidate in the Department of Art and Architectural History at the University of Virginia. The recipient of an honorable mention in visual art is Courtney N. Ryan, a MFA candidate in Ceramics and Sculpture at Georgia Southern University.

Suzanne Preston Blier, president of the CAA Board of Directors, will formally recognize the two fellows and two honorable mentions at the 106th Annual Conference during Convocation, taking place on Wednesday, February 21, 2018, at the Los Angeles Convention Center.

CAA’s fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2019 fellowship cycle will open in the late spring.

FELLOW IN ART HISTORY

Sooran Choi

Sooran Choi will complete her PhD in Art History at The Graduate Center, City University of New York, in summer 2018. Her dissertation The South Korean “Avant-Garde,” 1967-1992: Subterfuge as Radical Agency concerns the South Korean avant-garde under Cold War military dictatorships from 1967 to 1992, and focuses on the social and political tension between the military dictatorships and the opposition of political dissidents comprised mostly of artists, students, and intellectuals, who defined themselves as “avant-garde artists.” By examining various forms of performative and conceptual art along with the recontextualized rhetoric of the avant-garde in South Korea, Choi argues South Korean artists appropriated and repurposed various Euro-American post-WWII avant-garde practices such as Fluxus, Happenings, Conceptualism, and Environmental art to mask their social and political critique to evade censorship and torture by the military juntas. A re-purposed avant-garde as covert political agency, Choi contends, proved useful for the South Korean artists to further their own social and political ends, and requires a renewed and nuanced interpretation of non-Western art historical trajectories beyond the binary of center/periphery model, and expands the existing discourse on the avant-garde.

Choi has received a Center for Place, Culture and Politics Dissertation Fellowship, and research grants from The Academy of Korean Studies, and the City University of New York. Choi’s scholarly interest in diverse art historical trajectories has carried over into her teaching as an Adjunct Lecturer at the City University of New York and the Fashion Institute of Technology (SUNY) where she teaches art history. Her past writing included topics such as East Asian artists in diaspora, alternative art spaces in South Korea, Gwangju Biennials, the Korean War Memorial in Battery Park (NYC), Japanese students at the Bauhaus, and the eroticism of Japanese Shunga art.

 

FELLOW IN VISUAL ART

Brenna K. Murphy

Brenna K. Murphy explores the experience of loss and its relationship to the body using fiber-based techniques such as weaving, embroidery, and lace-making. She holds a B.F.A. from the University of North Carolina – Chapel Hill where she graduated with Highest Honors and was the recipient of the Alexander Julian Prize, an award for the Department of Art’s “best students making work with a high standard of design,” and is currently pursuing an M.F.A. from the University of Michigan Stamps School of Art & Design.

A working artist for many years, Brenna has exhibited widely throughout the U.S. and internationally in China, Nepal, and France in community art centers, commercial galleries, and corporate venues. Her work has also been featured in exhibitions at museums and universities such as the Hunter Museum of American Art in Tennessee, the Patan Museum in Kathmandu, the University of Pennsylvania, Moore College of Art & Design, and the Tyler School of Art at Temple University. She has taught courses, led workshops, and given lectures at venues such as the Kathmandu University Center for Art & Design, the Nepal Art Council, and the Tyler School of Art, and her work has been collected by the Henry-Copeland Permanent Art Collection at the University of North Carolina and the prestigious West Collection. She is the recipient of many awards, including a competitive two-year fellowship from the Center for Emerging Visual Artists and the Fleisher Art Memorial Wind Challenge Award in Philadelphia, and has attended several artist residencies, such as the Santa Fe Arts Institute in New Mexico, the Kathmandu Contemporary Arts Centre in Nepal, and the CAMAC Centre d’Art and Cité Internationale des Arts in France.

 

HONORABLE MENTIONS IN ART HISTORY AND VISUAL ART

Murad Khan Mumtaz

Murad Khan Mumtaz is a Pakistani-American scholar who examines historical intersections of art, literature and religious expression in South Asia. His primary research focuses on devotional portraiture with a special interest in representations of Muslim saints in early modern India. He is also an artist trained in the traditional practices of North Indian painting, which he exhibits, researches and teaches internationally.

A native of Lahore, Mumtaz was educated at Pakistan’s National College of Arts, where he first studied Indian painting under the guidance of Ustad Bashir Ahmed. He later completed an MFA in visual art as a Fulbright Scholar at Columbia University. He is currently a doctoral candidate in the Department of Art and Architectural History at the University of Virginia and is working toward the completion of his dissertation, “Objects of Devotion: Representations of Muslim Saints in Early Modern South Asian Painting,” which he expects to defend in April 2018.

Mumtaz has been awarded fellowships from the American Institute of Indian Studies, the American Institute of Pakistan Studies and the CLIR-Mellon Program for dissertation research in original sources. As a Theodore Rousseau Fellow of the Metropolitan Museum of Art he has carried out research in European museums and libraries. He was recently appointed an art history research fellow of the Freer-Sackler Galleries at the Smithsonian Institution in Washington, DC.

Courtney N. Ryan

Receiving her Master of Fine Arts in Ceramics and Sculpture this May, Courtney Ryan is known for her intricate clay sculptures that appear to have emerged organically from their surroundings. She currently resides in Statesboro, Georgia, near Savannah, where she teaches Two-Dimensional and Three-Dimensional design courses as an Instructor of Record at Georgia Southern University. Upon graduation, Courtney intends to continue her studio practice while exhibiting work as she searches for her future career. As an aspiring professor of art, she wants to continue teaching and remain involved within the art world both professionally and academically.

Over the course of her graduate career, Courtney has had the opportunity to travel abroad to experience the Venice Biennale, as well as spend two summers in Ireland on residency through the European Council. As an avid presenter, Courtney has participated in conferences such as SECAC, SLSA, and of course CAA. Last August, she had her first solo exhibition, Domestic Consumption, at Columbus State University, and has since shown her work at other universities including the University of Georgia, Georgia State University, and Augusta University. Featured in Sculpture Magazine as an Honorable Mention for the 2017 Outstanding Student Achievement Award, Courtney continues to push her work into new realms. Currently she is exhibiting in The Delaware Contemporary Museum’s 2017 MFA Biennale: Domestic, as well as an upcoming show-swap with Aalto University in Helsinki, Finland. Having just completed a 40-foot mural and a public arts sculpture, Courtney is also heavily involved in her local community.