Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Colleges Are Slashing Adjuncts’ Hours to Skirt New Rules on Health-Insurance Eligibility
Allison G. Armentrout, an adjunct instructor at Stark State College, doesn’t get paid by the hour. She earns $4,600 to teach two English composition courses. But now she carefully tracks how many hours she works on an electronic time sheet. On a recent week, she spent three hours preparing for her lectures, close to six hours in the classroom, and sixteen more grading assignments for a grand total of about twenty-five hours. She came in under the college’s new twenty-nine-hour-a-week wire designed to keep her ineligible for health-care coverage under the Patient Protection and Affordable Care Act. (Read more in the Chronicle of Higher Education.)
Women on the Verge
A lady in a bonnet is shaking up the art world. When After Lunch, Berthe Morisot’s portrait of a doe-eyed woman, sold for $10.9 million in February, it set a record as the most expensive work by a female artist ever sold at auction. It also helped power a wave of interest among collectors and dealers looking to identify undervalued female artists. While an age-old debate rages over whether talent, sexism, or lack of promotion has held many women out of the art world’s boys club, everyone agrees that prices for female artists have always lagged behind those of their male counterparts. (Read more in the Wall Street Journal.)
Born Digital: Rhizome’s Heather Corcoran
When Heather Corcoran was appointed executive director of the art and technology nonprofit Rhizome last summer—replacing the long-time director Lauren Cornell, who had resigned in the spring to curate the New Museum’s triennial with Ryan Trecartin—she was an unknown quantity in New York. Nevertheless, her entire career has focused on the overlapping fields of contemporary art and technology (mostly in the United Kingdom), making the twenty-nine-year-old Canadian a good fit for Rhizome. (Read more in Art in America.)
Meet the First Digital Generation. Now Get Ready to Play by Their Rules
Anna Daniszewski, a sophomore at Bard College, takes a dozen or more cell-phone pictures daily, usually around dusk or after dark—moody shots of found objects, bare branches against a gray sky, or lighted windows in the distance, evoking the way sensitive, artistic young men and women have always felt about life. You can totally imagine Goethe doing the same thing, preserving each precious instant of angst for the posterity that would someday recognize his genius. Except Daniszewski doesn’t preserve them all—she is embracing the ephemeral. (Read more in Wired.)
Open Access: Four Ways It Could Enhance Academic Freedom
Are politicians stealing our academic freedom? Is their fetish with open-access publishing leading to a “pay to say” system for the rich? And will the trendy goal of making publicly financed research freely available skew the world of scholarship even further toward the natural sciences? I don’t think so. But it took me a while to get there. (Read more in the Guardian.)
Credit without Teaching
Earlier this year Capella University and the new College for America began enrolling hundreds of students in academic programs without courses, teaching professors, grades, deadlines, or credit-hour requirements, but with a path to genuine college credit. The two institutions are among a growing number that are giving competency-based education a try. Students can earn credit by successfully completing assessments that prove their mastery in predetermined competencies or tasks—maybe writing in a business setting or using a spreadsheet to perform calculations. (Read more at Inside Higher Ed.)
Spirituality and Sprite, Aisle 1? What an Artist Sees in Walmart
Most people would be hard-pressed to call Walmart a source of artistic inspiration. Yet that’s exactly what the artist Brendan O’Connell sees in the sprawling big-box stores. For the past decade, O’Connell has been snapping photographs inside dozens of Walmarts. The images have served as inspiration for an ongoing series of paintings of everyday life—much of which involves shopping, which he calls “that great contemporary pastime.” (Read more from National Public Radio.)
Top 10 Online Colleges Names the “Top 30 Most Beautiful College Art Galleries”
A website dedicated to college rankings, Top 10 Online Colleges, recently named the “30 Most Beautiful College Art Galleries” in the world. The international list is based on qualities such as reputation, location, architecture, history, and artistic culture, making a handy web resource for students to learn more about the role of fine arts in college life. (Read more at BWW Art World.)
The program for this year’s Arts Advocacy Day, which took place April 8–9 in Washington, DC, consisted of advocacy training and a lecture and performances by the renowned cellist Yo-Yo Ma on the first day, followed by a morning kickoff event with legislators, a briefing on current legislation, and visits to Capitol Hill on the second day. CAA sent two advocates to represent the organization: Hannah O’Reilly Malyn, CAA development associate, and Anne Collins Goodyear, president of the CAA Board of Directors.
Monday’s advocacy training from the event’s sponsor, Americans for the Arts, followed the same format as it has in previous years, with meetings on current legislative issues facing the arts. Leaders offered compelling statistics to help make the case for arts funding as well as useful tips on how to advocate more effectively. Participants even engaged in role-playing sessions to quickly gain experience for the potential directions their conversations might take.
In the evening, Yo-Yo Ma delivered the twenty-sixth annual Nancy Hanks Lecture on Arts and Public Policy at the John F. Kennedy Center for the Performing Arts, discussing the importance of “Art for Life’s Sake.” His moving speech, which centered on how the arts form an integral part of the human experience, was part of a program that included the cellist’s performances with the dancer Lil Buck, the bagpiper and pianist Cristina Pato, and members of MusiCorps, a group that rehabilitates injured soldiers through learning to play instruments and record their music. Watch the lecture and performances on Americans for the Arts’ YouTube channel; more documentation from the night is also available online.
On Tuesday morning, advocates gathered on Capitol Hill for a kickoff event that featured talks from Louise Slaughter and Leonard Lance, cochairs of the Congressional Arts Caucus. Yo-Yo Ma and Matt Sorum, the drummer for Velvet Revolver who was once a member of Guns ‘n’ Roses, also spoke. In partnership with the United States Conference of Mayors, Americans for the Arts honored Senator Tom Harkin with the 2013 National Award for Congressional Arts Leadership for his distinguished contributions to the field. After the event, teams of advocates gathered by home state and paid visits to the offices of their representatives, asking them to support increased funding for the National Endowment for the Arts (NEA), to protect tax deductions for charitable donations, and to introduce fair-market-value tax deductions for artists donating their own works to nonprofit institutions. In addition, advocates proposed the idea of adding the arts to the STEM acronym—converting it into STEAM—and discussed other issues pertaining to the arts in America. CAA’s Hannah O’Reilly Malyn visited the offices of three Democratic representatives from New York: Joseph Crowley, Nydia Velázquez, and Jerrold Nadler.
As a federal employee, Anne Collins Goodyear is ineligible to participate in lobbying activities. (She is currently associate curator of prints and drawings at the Smithsonian Institution’s National Portrait Gallery.) However, on Tuesday, April 9, she attended a White House briefing that featured remarks from Joan Shigekawa, acting NEA chairman, and Abel López, board chairman of Americans for the Arts. The briefing summarized the goals of the NEA and other White House initiatives in the arts. In an attempt to stave off further budget cuts and to guarantee its ability to award grants in every congressional district, the NEA has requested approximately $155 million from the 2014 federal budget. The agency is clearly dedicated to demonstrating the practical benefits of the arts, stressing that “the arts mean business,” according to Victoria McCullough of the White House’s Office of Public Engagement. McCullough emphasized President Barack Obama’s recognition of the importance of the arts nationally and for education in particular. To this end, Bess Evans of the White House’s Office of Science and Technology Policy spoke about the value of the arts in positioning students as creators, not just consumers.
Jamie Bennett, NEA chief of staff and moderator for the briefing, updated attendees on interagency partnerships. Among these are: (1) a Citizens’ Institute on Rural Design (CIRD), sponsored by the NEA with the US Department of Agriculture (USDA), about which Judy Canales, deputy undersecretary for the department, spoke; and (2) the development of an Arts and Cultural Production Satellite Account at the Bureau of Economic Analysis (BEA), discussed by Dave Wasshausen, chief of the bureau’s Industry Sector Division. To further its ability to offer positive benefits, the NEA has partnered with the USDA to fund design workshops in rural communities to help encourage creative solutions to design challenges. In an attempt to assess the quantitative benefit of the arts, the NEA has also joined forces with the BEA to conduct an arts and cultural analysis that will enable the bureau to measure the benefit of the arts for the gross domestic product. A joint report is anticipated in 2014.
CAA has been awarded a $20,000 grant from the National Endowment for the Arts (NEA) to support the next ARTspace, taking place during the 2014 Annual Conference in Chicago. Initiated twelve years ago by CAA’s Services to Artists Committee, ARTspace is a forum for presenting programming designed by artists for artists that is free and open to the public. Held at each conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education and is among the most vital and exciting aspects of the yearly meeting.
The grant, which is the NEA’s fifth consecutive award to CAA for ARTspace, will help fund ARTexchange, the popular open-portfolio event for artists, and [Meta] Mentors, which has recently addressed such topics as making a living as an artist with and without a dealer. ARTspace programming at the 2013 conference in New York also included several panels on the intersections of art and ethics, law, and social change.
Designed to engage CAA’s artist members as well as the general public, ARTspace offers program sessions free of charge and includes diverse activities such the Annual Artists’ Interviews (most recently with Mira Schor and Janine Antoni); screenings of film, video, and multimedia works; live performances; and papers and presentations that facilitate a conversational yet professional exchange of ideas and practices.
Image: the painter and writer Mira Schor (left) participated in CAA’s Annual Artists’ Interviews, hosted by ARTspace during the 2013 Annual Conference in New York. Schor was interviewed by Stuart Horodner, artistic director of the Atlanta Contemporary Art Center (photograph by Bradley Marks)
“I am grateful for the opportunity to have become associated with an agency that plays such a critical role in humanities research and public programming,” he said. “America needs an infrastructure of ideas as well as bridges, and no institution over the past half century has done more to strengthen the idea base of our democracy than the NEH. The humanities are an essential corollary to the nation’s increasing focus on science, technology, engineering, and math (STEM).”
Under Leach’s leadership, the agency created a Bridging Cultures program designed to promote understanding and mutual respect for diverse groups within the United States and abroad. As part of this effort, the NEH supported programs designed to expand citizen understanding of American history and values, the civil rights movement, and foreign cultures.
In addition, the agency helped launch a National Digital Public Library to establish a unified gateway to digital collections of books, artworks, and artifacts from libraries, museums, and other cultural sites across the country. He presided over the culmination of decades-long projects such as the publication of the Autobiography of Mark Twain and the Dictionary of American Regional English.
Leach is the ninth NEH chairman. Prior to being named to the post in August 2009, he was a professor at the Woodrow Wilson School at Princeton University and interim director of the Institute of Politics and lecturer at the John F. Kennedy School of Government at Harvard University. From 1977 to 2007, he represented Iowa in the House of Representatives, where he chaired the Banking and Financial Services Committee, the Subcommittee on Asian and Pacific Affairs, and the Congressional-Executive Commission on China.
Carole Watson, NEH deputy chairman, will be the acting head of the endowment until a permanent replacement is nominated by President Barack Obama and confirmed by the Senate.
Image: Jim Leach, chairman of the National Endowment for the Humanities (photograph by Greg Powers and Audrey Crewe)
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
Jeffrey Abt. King Street Gallery, Morris and Gwendolyn Cafritz Foundation Arts Center, Montgomery College, Takoma Park, Maryland, February 8–March 14, 2013. Jeffrey Abt: Observations/Contemplations. Paintings and mixed media.
Ander Mikalson. Temple Contemporary, Temple University, Philadelphia, Pennsylvania, January 30–February 12, 2013. A Score for a Dinosaur. Performance.
Ander Mikalson. Institute for Contemporary Art, Maine College of Art, Portland, Maine, January 23–April 7, 2013. A Score for Two Dinosaurs. Performance.
Joseph S. Lewis III. The Phatory, New York, February 2–March 31, 2013. Security Blanket. Dye sublimation prints on polyester quilts.
Thomas Matsuda. East Wing Gallery, Raymond M. LaFontaine Fine Arts Center, Mount Wachusett Community College, Gardner, Massachusetts, February 18–March 15, 2013. Purification. Sculpture and work on paper.
Kathryn Kelley. Art League Houston, Houston, Texas, January 18–March 8, 2013. The Uncontrollable Nature of Grief and Forgiveness (or lack of). Installation.
Sharon Louden. Holly Johnson Gallery, Dallas, Texas, April 6–June 22, 2013. Simple Strokes. Animation, painting, drawing, and sculpture.
Mara De Luca. Luis De Jesus Gallery, Los Angeles, California, February 23–March 30, 2013. Cruise Collection 2013: New Paintings by Mara De Luca. Painting.
Kim Shifflett. Branigan Cultural Center Museum, Las Cruces, New Mexico, April 5–27, 2013. Borderland. Painting.
posted by Christopher Howard — April 19, 2013
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
The CWA Picks for April 2013 are composed of seven significant exhibitions now on view in Europe, the United Kingdom, and the United States. The Moderna Museet in Stockholm, Sweden, is hosting the traveling retrospective Hilma af Klint: A Pioneer of Abstraction, and the Museo Nacional Centro de Arte Reina Sofía in Madrid is presenting a survey of work by Cristina Iglesias, who lives and works in the Spanish capital. Visitors to the British Isles can see daring painting and sculpture in Dorothy Iannone: Innocent and Aware at the Camden Arts Centre in London and extraordinary photographs by Edith Tudor-Hart at the Scottish National Portrait Gallery in Edinburgh. Across the pond, institutions in New York are displaying hybrid drawings by the Italian Pop artist Giosetta Fiorni, video installations and photographs by the Belgian filmmaker Chantal Akerman, and strikingly innovative prints by the American Impressionist Mary Cassatt.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: installation view of Cristina Iglesias: Metonymy at the Museo Nacional Centro de Arte Reina Sofía in Madrid
Anne Collins Goodyear, president of the CAA Board of Directors and associate curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, will represent CAA at the United States Copyright Office public roundtable on resale royalties for artists, to be held on April 23, 2013, in Washington, DC. Please download and review the agenda for the roundtable.
posted by CAA — April 18, 2013
The American Alliance of Museums (AAM) sent the following email on April 17, 2013.
Act Now – Ask Your Senators to Support the IMLS Office of Museum Services!
Again this year, museum champion Senator Kirsten Gillibrand is circulating a letter urging the Senate Appropriations Committee to provide robust funding in FY14 for the Office of Museum Services (OMS) at the Institute of Museum and Library Services (IMLS).
The deadline to sign on to this letter is Wednesday, April 24, 2013.
Ask your Senators to sign the OMS appropriations letter today!
House OMS Letter Sets New Record; Keep Momentum Going in the Senate!
The House version of this year’s OMS appropriations letter has already closed and, while we’re still tabulating the final list of signers, we do know that a new record of at least 95 Representatives signed the letter.
“This year’s record-setting effort in the House of Representatives is a testament to the hard work of museum advocates nationwide,” said Alliance President Ford W. Bell. “But we can’t afford to lose any momentum, so I hope everyone will take one minute to contact their Senators today.”
The Office of Museum Services received $30.8 million in the FY12 appropriations cycle, but was cut to $29.2 million in FY13 as a result of across-the-board cuts known as “sequestration.” While President Obama has proposed increasing its budget in FY14, the Office of Museum Services’ funding will ultimately be decided by Congress, so it is imperative that legislators hear from their constituents.
Thank you for taking action on this important issue!
Please visit www.aam-us.org/advocacy to learn more about Alliance advocacy for museums.
Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Arts and Humanities Endowments Would Edge Up under Obama’s Budget
Federal funds for the National Endowments for the Arts and for the Humanities would remain stable under President Barack Obama’s proposed budget for the 2014 fiscal year. His budget proposal, released last week, would raise each endowment’s budgets by roughly $200,000, to $154.5 million for the coming fiscal year. The two endowments offer grants to colleges for research and fellowships in the arts and humanities, among other activities. (Read more in the Chronicle of Higher Education.)
Video of Instructor at USC Sets Off Controversy, but Is Context Missing?
A video of an instructor at the University of Southern California bashing Republicans in class goes viral and is cited as evidence of liberal indoctrination. But critics don’t mention that he was hired as an adjunct instructor for a program that seeks partisans—liberals and conservatives alike. (Read more at Inside Higher Ed.)
How Photographers Joined the Self-Publishing Revolution
Having long since shaken off the kind of stigma that still attaches to, say, self-published fiction, the self-published photobook is currently a mini-phenomenon within the bigger thriving culture of photography book publishing. The wider context for this DIY approach is the availability of relatively cheap digital technology and the attendant rise of social media–led networking, which allows photographers to disseminate, market, and sell their own books without recourse to the traditional artist–publisher relationship. (Read more in the Guardian.)
A Page from Our Handbook: Building Your Internet Presence
Because the internet is contemporary culture’s primary means for communication and information dissemination, having an active online presence is essential for artists. The web continues to rapidly evolve, so what follows are some basic ways to think about building and refining how you represent yourself and your work online. What’s most important is for you to find the best way to communicate the clarity, force, and excellence of your work and put that online. (Read more at Creative Capital.)
Cell Phones in the Classroom: What’s Your Policy
Are we old fuddy-duddies when we ask (demand) students to put away their cell phones in the classroom or clinical areas? Students tell me this is just the way it is now, but I disagree. What is the answer to this problem? Are faculty members being too demanding by placing cell-phone restrictions in syllabi or clinical handbooks? (Read more in Faculty Focus.)
Advocates Say Ethnic Studies Misunderstood, Needlessly under Fire
Ron Scapp, president of the National Association for Ethnic Studies, exited the airplane headed to his annual board meeting last week in Fort Collins, Colorado, ready to galvanize ethnic-studies program chairs from colleges across the country. He said he felt a sense of urgency because there were too many headlines in the news recently that might have detrimental consequences for ethnic-studies programs across the board. (Read more at Diverse Issues in Higher Education.)
Why Not a Two-Tier System?
In recent years, some very smart people—such as Michael Bérubé, Marc Bousquet, Anthony Grafton, and William Pannapacker—have offered their thoughts about how to fix graduate education and, by extension, the academic labor market, which, we all seem to agree, has “unraveled.” I approach this issue from a different perspective: as someone who does not work at a prestigious research university but rather at a two-year teaching college; as someone with several decades of experience on faculty search committees; and as someone who does not hold a PhD but instead something much closer to what Bérubé describes as “a rigorous four-year MA.” (Read more in the Chronicle of Higher Education.)
My students, especially soon-to-be master’s-degree recipients, frequently ask about whether PhD programs are a good career path. Given the difficulties of this job market, even for students in a professional program who have experience in the field, the prospect of a PhD can seem like a permanent safe harbor. Appearances deceive, though, as a tight academic job market and a deepening reliance on adjuncts make even employment after the PhD a difficult proposition. It’s no surprise, then, that there’s been an increasingly strident pushback to the idea that PhDs are necessary. (Read more at Inside Higher Ed.)
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
Harris Fogel, an artist and associate professor at University of the Arts in Philadelphia, Pennsylvania, has been appointed director of the photography program in the school’s College of Art, Media, and Design.
Museums and Galleries
Matthew Affron, associate professor of art history at the University of Virginia in Charlottesville and director of special curatorial projects for the school’s Fralin Museum of Art, has joined the Philadelphia Museum of Art in Pennsylvania as the new Muriel and Philip Berman Curator of Modern Art. Affron will begin his new duties on September 1, 2013.
Margarita Aguilar, director of El Museo del Barrio in New York since 2011, has resigned from her position. She was also a curator at the museum from 1998 to 2006.
Colin B. Bailey, deputy director and chief curator of the Frick Collection in New York, has been named director of the Fine Arts Museums of San Francisco in California.
Antonia Boström, senior curator of sculpture and decorative arts at the J. Paul Getty Museum in Los Angeles, California, has been appointed director of curatorial affairs at the Nelson-Atkins Museum of Art in Kansas City, Missouri.
Stephen Gleissner, chief curator of the Wichita Art Museum in Wichita, Kansas, has resigned from his position.
Cody Hartley, formerly director of gifts of arts at the Museum of Fine Arts, Boston, in Massachusetts, has become the next director of curatorial affairs for the Georgia O’Keeffe Museum in Santa Fe, New Mexico.
Risha K. Lee, formerly a postdoctoral fellow at the National University of Singapore’s Institute for Southeast Asian Studies, has been named Jane Emison Assistant Curator of Indian and Southeast Asian Art at the Minneapolis Institute of Arts in Minnesota.
Kate Nesin, formerly a Mellon fellow at the Toledo Museum of Art in Toledo, Ohio, has joined the Art Institute of Chicago in Illinois as its new associate curator of contemporary art.
Kim Sajet, formerly president and chief executive of the Historical Society of Pennsylvania in Philadelphia, has become the new director of the Smithsonian Institution’s National Portrait Gallery in Washington, DC.
Organizations and Publications
Walter Robinson, formerly editor of Artnet magazine, has been hired as a bimonthly columnist for Artspace.com.