posted by CAA — July 23, 2021
We’re pleased to announce the appointment of two new editors for CAA publications: Christy Anderson, was selected to be Editor-in-Chief of The Art Bulletin. Balbir Singh will take the post as Reviews Editor of Art Journal. They begin their three-year terms July 1, 2022. Learn more about their work below.
Christy Anderson | Incoming Editor-in-Chief of The Art Bulletin
Christy Anderson is an architectural historian with a special interest in the buildings of Renaissance and Baroque Europe. Professor Anderson has taught at Yale University, the Courtauld Institute, MIT, and the University of Toronto. At Yale she received a Morse Faculty Fellowship as well as numerous teaching prizes. She received her Ph.D. from the School of Architecture at the Massachusetts Institute of Technology. As a Kress Fellow at the Courtauld Institute of Art and later as a Research Fellow at Worcester College, Oxford University, she studied the annotations made by the English architect Inigo Jones (1573–1652) in his collection of treatises and humanist literature. This work on literacy, architectural language, and the construction of the professional architect appeared in her book Inigo Jones and the Classical Tradition (Cambridge, 2006).
Balbir Singh | Incoming Reviews Editor of Art Journal
Balbir Singh’s scholarship focuses on the convergence of racial, gendered, and religious embodiment, with migration and policing under violent conditions of imperial and domestic security technologies. She is at work on her first book, “Militant Bodies: Violence and Visual Culture under Islamophobia,” which is rooted in questions that center post-9/11 racial and religious hyper-policing of Muslims and Sikhs, especially as they relate to bodily comportment and the donning of religious garments. Additionally, she is beginning research on a second book project — “Whose Terror? Vexed Attachments and the Contradictions of Freedom.”
This time of year, members have the opportunity to provide an important contribution to CAA’s four journals—either by serving as a volunteer member of an editorial board or by applying to be an editor-in-chief or reviews editor.
Below are 14 opportunities to help shape the editorial vision of CAA’s publications.
Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below. You may apply for more than one position. The deadline for all applications is April 15, 2021. Terms of service vary, but they all begin July 1, 2021.
The Art Bulletin: 2 Editorial Board members
The Art Bulletin: Editor(s)-in-Chief
Art Journal/AJO: 1 Editorial Board member
Art Journal: Reviews Editor
caa.reviews: 2 Editorial Board members
caa.reviews Council of Field Editors: 7 openings
Early Modern European Art (North)
Latin American Art
Exhibitions New York
Exhibitions Northwest US
Exhibitions Southeast US
Byron Ellsworth Hamann discusses Chinese Porcelain in Colonial Mexico: The Material Worlds of an Early Modern Trade by Meha Priyadarshini. Read the full review at caa.reviews.
Prita Meier discusses Unfixed: Photography and Decolonial Imagination in West Africa by Jennifer Bajorek. Read the full review at caa.reviews.
posted by CAA — October 01, 2020
We’re pleased to announce the appointment of three new editors for CAA publications: editor designate Eddie Chambers, who will take up his post as Editor-in-Chief of Art Journal, July 2021 – June 2024; Julie Nelson Davis, current Editor-in-Chief of caa.reviews, July 2020 – June 2023; and editor designate Stephanie Porras, who will take up her post as Reviews Editor of The Art Bulletin, July 2021 – June 2024. Learn more about their work below.
Eddie Chambers | Incoming Editor-in-Chief of Art Journal, July 2021 – June 2024
Eddie Chambers was born in Wolverhampton, England. He gained his PhD from Goldsmiths College, University of London in 1998, for his study of press and other responses to the work of a new generation of Black artists in Britain, active during the 1980s. He joined the Department of Art and Art History at the University of Texas at Austin in January 2010 where he is now a Professor. His books include Things Done Change: The Cultural Politics of Recent Black Artists in Britain (Rodopi Editions, Amsterdam and New York, 2012), Black Artists in British Art: A History Since the 1950s, (I. B. Tauris, London and New York, 2014, reissued 2015), and Roots & Culture: Cultural Politics in the Making of Black Britain, published 2017 (I. B. Tauris/Bloomsbury). He is the editor of the recently-published Routledge Companion to African American Art History. His forthcoming book is World is Africa: Writings on Diaspora Art (Bloomsbury, 2021).
Julie Nelson Davis | Current Editor-in-Chief of caa.reviews, July 2020 – June 2023
Julie Nelson Davis is Professor of the History of Modern Asian Art at the University of Pennsylvania. Recognized as one of the world’s foremost authorities on Japanese prints and illustrated books, Davis teaches a wide range of courses on East Asian art and material culture in the greater global context. After receiving her BA from Reed College, Davis completed her MA and PhD from the University of Washington and studied at Gakushūin University in Tokyo. She is author of Utamaro and the Spectacle of Beauty (Reaktion Books, 2007 and 2021), Partners in Print: Artistic Collaboration and the Ukiyo-e Market (University of Hawai’i Press, 2015), and Picturing the Floating World: Ukiyo-e in Context (in press). Davis was recently a guest curator for the Freer and Sackler Galleries for an exhibition on Utamaro (2017) and is preparing an exhibition of Japanese illustrated books at the University of Pennsylvania. She is currently working on a new project on issues of imitation, homage, and fakery in early modern Japanese art and their legacies into the present. In addition to her tenure as caa.reviews Editor-in-Chief from 2020 to 2023, Davis served as the field editor for Japanese art from 2001 to 2010 and a board member from 2007 to 2011.
Stephanie Porras | Incoming Reviews Editor of The Art Bulletin, July 2021 – June 2024
Stephanie Porras is Associate professor of Art History in the Newcomb Art Department at Tulane University, specializing in early modern art made in Northern Europe and across the Spanish world. Author of Pieter Bruegel’s Historical Imagination (Pennsylvania State University Press, 2016) and Northern Renaissance Art: Courts, Commerce, Devotion (Laurence King, 2018), Porras has also published widely on topics ranging from Albrecht Dürer’s drawings to Hispano-Philippine ivories. Her current book project, The First Viral Images considers the mobility of early modern artworks and their role in processes of globalization, and has been supported by fellowships at the New York Public Library, the Sterling and Francine Clark Art Institute, and the Center for Advanced Study in the Visual Arts at the National Gallery of Art.
Martha Scott Burton considers Among Others: Blackness at MoMA, edited by Darby English and Charlotte Barat, about the museum’s history of representation and inclusivity. Read the full review at caa.reviews.
Peter D. McDonald examines a unique creative practice through Asemic: The Art of Writing by Peter Schwenger. Read the full review at caa.reviews.
Theresa Avila explores a revolutionary figure’s impact in Simón Bolívar: Travels and Transformations of a Cultural Icon, edited by Maureen G. Shanahan and Ana María Reyes. Read the full review at caa.reviews.
Heather Diack writes about an emblematic German artist in Schizogenesis: The Art of Rosemarie Trockel by Katherine Guinness. Read the full review at caa.reviews.