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New in caa.reviews

posted by July 12, 2019

Kelli Wood reviews the V&A exhibition Videogames: Design/Play/DisruptRead the full review at caa.reviews.

Amalia Ramírez Garayzar discusses Jennifer Jolly’s Creating Pátzcuaro, Creating Mexico: Art, Tourism, and Nation Building under Lázaro CárdenasRead the full review at caa.reviews.

Oscar E. Vázquez writes about The Americas Revealed: Collecting Colonial and Modern Latin American Art in the United States by Edward J. Sullivan. Read the full review at caa.reviews.

    

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posted by July 05, 2019

         

Myriam Pilutti Namer reviews the two-volume book Reconstructing the Lansdowne Collection of Classical Marbles by Elizabeth Angelicoussis. Read the full review at caa.reviews.

Trevor Stark discusses the English translation of Sebastian Egenhofer’s Towards an Aesthetics of Production. Read the full review at caa.reviews.

Yukiko Kawamoto explores A History of Roman Art by Steven L. Tuck. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 28, 2019

   

Marta Zboralska explores the Cooper Hewitt exhibition Saturated: The Allure and Science of Color. Read the full review at caa.reviews.

Dario Donetti discusses Peter Fane-Saunders’s Pliny the Elder and the Emergence of Renaissance Architecture. Read the full review at caa.reviews.

Elena Tiribilli reviews Pocket Museum: Ancient Egypt by Campbell Price. Read the full review at caa.reviews.

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posted by June 21, 2019

       

Emilie Boone reviews the catalogue I Too Sing America: The Harlem Renaissance at 100, by Wil Haygood, Carole Genshaft, Nannette V. Maciejunes, Anastasia Kinigopoulo, and Drew Sawyer. Read the full review at caa.reviews.

Aneta Georgievska-Shine covers the exhibition Vermeer and the Masters of Genre Painting: Inspiration and RivalryRead the full review at caa.reviews.

Farshid Emami discusses the book Persian Art: Collecting the Arts of Iran for the V&A by Moya Carey. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 14, 2019

 

Emily Orr covers two publications on Norman Bel Geddes, The Man Who Designed the Future by B. Alexandra Szerlip, and Nicolas P. Maffei’s Norman Bel Geddes: American Design Visionary. Read the full review at caa.reviews.

Sonya S. Lee discusses the exhibition The Jeweled Isle: Art from Sri Lanka, currently on view at Los Angeles County Museum of Art. Read the full review at caa.reviews.

James King, FRSC, reviews Higher States: Lawren Harris and His American Contemporaries by Roald Nasgaard and Gwendolyn Owens. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 07, 2019

     

Erin Silver discusses Jennifer L. Shaw’s Exist Otherwise: The Life and Works of Claude Cahun. Read the full review at caa.reviews.

Megan Driscoll reviews Henry Taylor: The Only Portrait I Ever Painted of My Momma Was Stolen, with contributions by Zadie Smith, Sarah Elizabeth Lewis, Charles Gaines, and Rachel Kaadzi Ghansah. Read the full review at caa.reviews.

John Muse delves into the exhibition Suzanne Bocanegra: Poorly Watched Girls. Read the full review at caa.reviews

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New in caa.reviews

posted by May 31, 2019

Michele Valerie Ronnick reviews Posing Modernity: The Black Model from Manet and Matisse to Today by Denise Murrell. Read the full review at caa.reviews.

Jason Nguyen writes about Stones to Stains: The Drawings of Victor Hugo, edited by Cynthia Burlingham and Allegra Pesenti. Read the full review at caa.reviews.

Elizabeth Benjamin explores Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 by Michael Marrinan. Read the full review at caa.reviews.

Hazel Clark reviews Pink: The History of a Punk, Pretty, Powerful Color by Valerie Steele. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 24, 2019

       

Lisa Claypool reviews Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925–1937 by William Schaefer. Read the full review at caa.reviews.

Katherine Shingler writes about Matisse’s Poets: Critical Performance in the Artist’s Book by Kathryn Brown. Read the full review at caa.reviews.

Yang Wang discusses The Art of Resistance: Painting by Candlelight in Mao’s China by Shelley Drake Hawks. Read the full review at caa.reviews.

Frances Blythe reviews Edvard Munch: Between the Clock and the Bed, edited by Gary Garrels, Jon-Ove Steihaug, and Sheena Wagstaff. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 17, 2019

    

Katie Knowles reviews the exhibition Dior: From Paris to the World. Read the full review at caa.reviews.

Deborah Ziska writes about Intentional Practice for Museums: A Guide for Maximizing Impact by Randi Korn. Read the full review at caa.reviews.

Katie Geha discusses Al Taylor: What Are You Looking At? by Michael Rooks. Read the full review at caa.reviews.

Amy Bryzgel explores Left Performance Histories: Recollecting Artistic Practices in Eastern Europe, edited by Judit Bodor, Adam Czirak, Astrid Hackel, Beata Hock, Andrej Mircev, and Angelika Richter. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 10, 2019

 Thomas Crow reviews Andy Warhol: From A to B and Back Again by Donna De Salvo. Read the full review at caa.reviews.

Mary Thomas writes about La Raza by Colin Gunckel. Read the full review at caa.reviews.

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