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New in caa.reviews

posted by May 17, 2019

    

Katie Knowles reviews the exhibition Dior: From Paris to the World. Read the full review at caa.reviews.

Deborah Ziska writes about Intentional Practice for Museums: A Guide for Maximizing Impact by Randi Korn. Read the full review at caa.reviews.

Katie Geha discusses Al Taylor: What Are You Looking At? by Michael Rooks. Read the full review at caa.reviews.

Amy Bryzgel explores Left Performance Histories: Recollecting Artistic Practices in Eastern Europe, edited by Judit Bodor, Adam Czirak, Astrid Hackel, Beata Hock, Andrej Mircev, and Angelika Richter. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 10, 2019

 Thomas Crow reviews Andy Warhol: From A to B and Back Again by Donna De Salvo. Read the full review at caa.reviews.

Mary Thomas writes about La Raza by Colin Gunckel. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 03, 2019

              

Constanze Graml reviews The Art of Libation in Classical Athens by Milette Gaifman. Read the full review at caa.reviews.

Katie MJ Larson writes about Drawn to Purpose: American Women Illustrators and Cartoonists by Martha H. Kennedy. Read the full review at caa.reviews

Nancy Demerdash-Fatemi explores Technologies of the Image: Art in 19th-Century Iran, edited by David J. Roxburgh and Mary McWilliams. Read the full review at caa.reviews.

Debra Schmidt Bach discusses Chippendale’s “Director”: The Designs and Legacy of a Furniture Maker at the Metropolitan Museum of Art, and Chippendale’s “Director”: A Manifesto of Furniture Design by Morrison H. Heckscher. Read the full review at caa.reviews.

Jonathan P. Ribner reviews Delacroix by Sébastien Allard, Côme Fabre, Dominique de Font-Réaulx, Michèle Hannoosh, Mehdi Korchane, and Asher Miller. Read the full review at caa.reviews.

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New in caa.reviews

posted by April 26, 2019

Rebekah Compton writes about Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy by James Grantham Turner. Read the full review at caa.reviews

 

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New in caa.reviews

posted by April 05, 2019

Nancy Kellar discusses Real Fake: The Story of a Zapotec Urn, edited by Justin Jennings and Adam T. Sellen. Read the full review at caa.reviews.

Carl Lounsbury writes about Building Reputations: Architecture and the Artisan, 1750–1830 by Conor Lucey. Read the full review at caa.reviews.

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New in caa.reviews

posted by March 29, 2019

Meredith Gamer reviews Colouring the Caribbean: Race and the Art of Agostino Brunias by Mia L. Bagneris. Read the full review at caa.reviews.

Christine Giviskos reviews The Power of Prints: The Legacy of William M. Ivins and A. Hyatt Mayor by Freyda Spira and Peter Parshall. Read the full review at caa.reviews

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New in caa.reviews

posted by March 22, 2019

Ginger Elliott Smith reviews Mary Corse: A Survey in Light, edited by Kim Conaty. Read the full review at caa.reviews.

Caroline Levitt writes about A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture by Sharon Hecker. Read the full review at caa.reviews.

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Attendees at the 2019 Annual Conference in New York. Photo: Ben Fractenberg

Each spring, members have the opportunity to provide critical service to the field and gain an inside view by volunteering to work on a CAA editorial board, committee, or jury.

Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.

CURRENT OPPORTUNITIES

Professional Committees—Seeking New Members
Committees: Design, Diversity Practices, Intellectual Property, Women in the Arts, Education, International, Museum, Professional Practices, Services to Artists, Student and Emerging Professionals
Deadline: September 18

CLOSED OPPORTUNITIES

Art Journal Open—Editor-in-Chief
Deadline: April 1

caa.reviews—Editor-in-Chief
Deadline: April 1

caa.reviews—Four Field Editors
Design History, Eighteenth-Century Art, Architecture and Urbanism, Theory and Historiography
Deadline: April 15

The Art Bulletin—Editorial Board Members
Deadline: April 15

Annual Conference—CAA Council of Readers
New this year, we’re asking members to serve a crucial role in shaping conference content.
Deadline: April 18

Annual Conference—Annual Conference Chair
Deadline: April 29

Annual Conference—Awards for Distinction Juries
Deadline: May 13

Millard Meiss Publication Fund—Jury Members
Deadline: May 13

Professional Development Fellowships in Art History and Visual Art—Jury Members
Deadline: May 13

New in caa.reviews

posted by March 15, 2019

      

Ray Hernández-Durán reviews Mexican Costumbrismo: Race, Society, and Identity in Nineteenth-Century Art by Mey-Yen Moriuchi. Read the full review at caa.reviews.

Peter C. Sturman writes about Chinese Painting and Its Audiences by Craig Clunas. Read the full review at caa.reviews.

Fabio Guidetti discusses The Serpent Column: A Cultural Biography by Paul Stephenson. Read the full review at caa.reviews.

Thomas Dalla Costa examines Paolo Veronese and the Practice of Painting in Late Renaissance Venice by Diana Gisolfi. Read the full review at caa.reviews.

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New in caa.reviews

posted by March 08, 2019

 

Camilla Murgia reviews Picturing War in France: 1792–1856 by Katie Hornstein. Read the full review at caa.reviews

Drew Sawyer discusses Paradise of Exiles: Early Photography in Italy at the Metropolitan Museum of Art. Read the full review at caa.reviews

Patricia Jane Graham explores JapanAmerica: Points of Contact, 1876–1970, edited by Nancy E. Green and Christopher Reed. Read the full review at caa.reviews

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