Join Now      Log In

CAA News Today

Submit a Proposal for Idea Exchange at CAA 2020

posted by September 16, 2019

Idea Exchange at the 2018 CAA Annual Conference. Photo: Rafael Cardenas

We launched Idea Exchange at the 2018 Annual Conference in Los Angeles in response to members who expressed an interest in holding informal roundtable discussions on topics ranging from fellowship applications and gallery representation to student engagement in the classroom and preserving women artists’ legacies. See a list of previous discussion topics here.

We’re offering Idea Exchange again in 2020 and we’re looking for CAA members to serve as discussion leaders.

Propose a topic that you would like to discuss with your colleagues for a sixty-minute roundtable at the conference. It can relate to professional development, teaching, or current events, such as the debate surrounding Confederate monuments or the #MeToo movement in the arts. Be creative. The conversations are meant to be lively and engaging. Please submit your Idea Exchange proposals by November 1, 2019.

SUBMIT IDEA EXCHANGE TOPIC

In order to submit an Idea Exchange topic, you will need to have your member ID and password ready. If you do not have an individual ID number and password or you do not know it, please contact member services by email at membership@collegeart.org or by phone at 212-691-1051, ext. 1.

Idea Exchange will be held in the Hilton Chicago, Lower Level, Salon B, during the following times:

Wednesday, February 12: 10:30 AM; 12:30 PM; 2:00 PM; 4:00 PM

Thursday, February 13: 10:30 AM; 12:30 PM; 2:00 PM; 4:00 PM

Friday, February 14: 10:30 AM; 12:30 PM; 2:00 PM; 4:00 PM

Saturday, February 15: 10:30 AM; 12:30 PM

For more information on Idea Exchange, contact Mira Friedlaender, manager of the Annual Conference, at mfriedlaender@collegeart.org or by phone at (212) 392-4405.

Filed under: Annual Conference, Education, Teaching — Tags:

Poster sessions at the 2018 CAA Annual Conference in Los Angeles. Photo: Rafael Cardenas

We’re excited to announce a Call for Participation for a special poster session dedicated to undergraduate research for the 2020 Annual Conference in Chicago, February 12-15. 

Organized by Alexa Sand, Chair of the Division of Arts and Humanities for the Council on Undergraduate Research, and Professor of Art History and Director of Undergraduate Research at Utah State University, this session is one of several events planned for CAA 2020 to provide more opportunities for undergraduate participation.

Submissions should be sent via this google form by October 31, 2019.

Selected presenters will be notified by December 1 and will need to join CAA at the student membership rate prior to participation in the conference. Participants will also be required to register for the conference.

Undergraduate research—whether part of a faculty-directed project, class-based, or an individual pursuit on the part of a student—is an ideal example of active and engaged learning. Students in art history identify questions, evaluate source material, test ideas and theories, and produce reports in some form, usually including a significant written component. In the studio art and design fields, research can take a different form, with creative practice being one way outcomes of a project can be delivered.

This poster session will be dedicated to presenting outstanding examples of undergraduate research. Submissions are invited from students conducting research such as object and/or medium studies, text-based analysis, experimental archaeology, thesis research, and/or creative inquiry. Students may choose to present findings from ongoing research or from recently completed projects.

We also encourage submissions from faculty and museum professionals who have experience with mentoring undergraduate research in Art History, Studio Art, Graphic Design, Visual Communication, and other creative fields. Faculty posters may address specific projects or case studies of student research projects, assessment of undergraduate research, characteristics of successful programs, or other approaches that addresses the challenges and benefits to students of undergraduate research.

This project proposal is part of CAA’s Undergraduate Outreach Initiative organized collaboratively by CAA’s Education Committee, Committee on Diversity Practices, Students and Emerging Professionals Committee, and the Division of Arts and Humanities, Council on Undergraduate Research.

Please contact Alexa Sand directly at alexa.sand@usu.edu with any questions.

Filed under: Annual Conference, Students — Tags:

CAA-Getty Scholars at the 2019 Annual Conference in New York. Photo: Ben Fractenberg

The Getty Foundation has awarded CAA a grant to fund the CAA-Getty International Program for a ninth consecutive year. The Foundation’s support will enable CAA to bring twenty international visual-arts professionals to the 108th Annual Conference, taking place February 12-15, 2020 in Chicago. Fifteen individuals will be first-time participants in the program and five will be alumni, returning to present papers during the conference. The CAA-Getty International Program provides funds for travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships to art historians, artists who teach art history, and museum curators.

The application portal is now open. Grant guidelines and the 2020 application can be found here.

“The Getty Foundation is proud to continue its commitment to the CAA-Getty International Program and offer support that brings together diverse scholars from around the world,” says Joan Weinstein, acting director of the Getty Foundation. “CAA’s dedication to this joint program strengthens the annual conference and builds the field of art history as a global discipline.”

Since the CAA-Getty International Program’s inception in 2012, it has brought over 120 first-time attendees from 46 countries to CAA’s Annual Conference. Historically, the majority of international registrants at the conference have come from North America, the United Kingdom, and Western European countries. The CAA-Getty International Program has greatly diversified attendance, adding scholars from Central and Eastern Europe, Russia, Africa, Asia, Southeast Asia, the Caribbean, and South America. The majority of the participants teach art history, visual studies, art theory, or architectural history at the university level; others are museum curators or researchers.

One measure of the program’s success is the remarkable number of international collaborations that have ensued, including an ongoing study of similarities and differences in the history of art among Eastern European countries and South Africa, attendance at other international conferences, publications in international journals, and participation in panels and sessions at subsequent CAA Annual Conferences. Former grant recipients have become ambassadors of CAA in their countries, sharing knowledge gained at the Annual Conference with their colleagues at home. The value of attending a CAA Annual Conference as a participant in the CAA-Getty International Program was succinctly summarized by alumnus Nazar Kozak, Senior Researcher, Department of Art Studies, National Academy of Sciences of Ukraine “To put it simply, I understood that I can become part of a global scholarly community. I felt like I belong here.”

Read our Member Spotlight with Nazar Kozak.

About the Getty Foundation

The Getty Foundation fulfills the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world. Through strategic grant initiatives, it strengthens art history as a global discipline, promotes the interdisciplinary practice of conservation, increases access to museum and archival collections, and develops current and future leaders in the visual arts. It carries out its work in collaboration with the other Getty Programs to ensure that they individually and collectively achieve maximum effect.

Motivated by an Idea Exchange roundtable held at the 2019 Annual Conference in New York, CAA announces the formation of a Working Group Against Harassment and Assault, aimed at addressing issues related to sexual harassment and power dynamics at the Annual Conference.

The working group is made up of CAA members from around the country, many of whom have experience effecting change at their own institutions in this arena. The working group members are:

Sonia De Laforcade, Princeton University

Claire Kovacs, Binghamton University Art Museum

Karen Leader, Florida Atlantic University

Daniel Quiles, School of the Art Institute of Chicago

Leanne Zalewski, Central Connecticut State University

The working group will meet several times over the summer of 2019 to formulate suggestions to the Board of Directors. These recommendations are intended to aid CAA in addressing the systemic and structural dynamic of power and privilege that makes space for predatory behavior at the Annual Conference.

Filed under: Annual Conference

Women’s suffragists parade in New York City in 1917, carrying placards with the signatures of more than a million women. (New York Times Photo Archives)

In collaboration with the Committee on Women in the Arts, CAA seeks to offer a selection of sessions, papers, speakers, and related programming for the 2020 Conference in celebration of the Centennial of Women’s Suffrage in the US, while also acknowledging the discriminatory practices that limited voting rights for Indigenous women and women of color, even after the passage of the 19th amendment in 1920.

We hope 50% of the conference’s content will be focused on women-centered research, artistic presentations, and discourse, and addresses the intersectional and transnational complexity of race, ethnicity, class, age, body size, disability, gender and sexual orientation in the arts. Reinforcing inclusivity beyond binary understandings of gender, this initiative seeks to advance a forum for increased dialogue within the context of this historical moment.

The submissions portal for the 2020 CAA Annual Conference is now open with a deadline of April 30.

Submit a Proposal

Filed under: Advocacy, Annual Conference

Registration at the 2019 CAA Annual Conference in New York. Photo: Ben Fractenberg

Thank you to everyone who participated in our 2019 Annual Conference survey! Each year we work to make the Annual Conference better than the year before. It’s a large effort that takes the time of many people. We only do it once year but we need to have it perfect from that first hour registration is open, and your direct feedback helps us make that happen.

Here is what you told us about your experience this year:

  • Up from last year, 79% of you were satisfied with the Annual Conference
  • 75% liked the content of the sessions but only half of you thought the sessions represented a balance of time periods
  • 75% liked your online experience with CAA
  • 74% liked the Book and Trade Fair
  • 67% thought that the conference was welcoming and inclusive

Here’s what you liked about the conference:

  • Professional development offerings and workshops
  • Networking opportunities
  • Diverse sessions, good variety, good from a scholarly point
  • Staff—easy to find someone to help
  • Very smooth check-in process
  • Pay-as-you-Wish Day Pass
  • Conference in one building (as opposed to LA)
  • New York is a good destination – museums and galleries
  • Length of the sessions, committees’ lunch, opportunity to participate on a panel
  • Mentoring
  • Welcoming and stimulating, not the “high-brow” style of years’ past; friendly, collegial spirit
  • More inclusion of design
  • Many people got to participate
  • Planning features on website
  • Childcare
  • Book and Trade Fair
  • Convocation
  • Open sessions on diversity and other topics
  • Tables where people could sit and talk

Here is what you want to think about for next year’s conference:

  • Conference was too long, and conference fatigue was inevitable
  • Need more offerings for mentoring and interviewing
  • Bring back the free paper schedule program
  • 90-minute sessions are too short for 5 presenters; 8:30 is too early for some sessions
  • Too many things are scheduled at the same time
  • Too much for art historians rather than artists
  • Not enough for art historians
  • New York is always a problem with weather and too expensive ($13 for a glass of wine?)
  • Could never find the soul to the conference —leaves me feeling sad about our field
  • Very few senior scholars or mid-career attended, making it feel like a graduate student mentoring event
  • Too many sessions on the same topics and at the same time
  • Needs more transparency on how sessions are selected and put together
  • There was a lack of diverse topics
  • Way too large and overwhelming—no one had a chance to network—conference is no longer an academic one
  • Abstracts should be available online
  • The website is very confusing
  • Too many presenters read from their papers, looking down
  • Nothing to attract scholars or historians
  • Why are there almost no artists outside of academia at CAA

Here is what you told us about you:

  • About 67% of you are art historians; 24% are practicing artists
  • 77% of you are associated with a college or university and nearly half of you are either full-time faculty or department chairs
  • 75% of you pay for your membership fees yourself; about half of you are fortunate to have your employer to pay for it

Planning to submit a proposal for CAA 2020? The submissions portal for next year’s Annual Conference in Chicago closes April 30. We invite proposals for sessions, lightning rounds, poster sessions, and workshops from visual arts professionals working across the field in all disciplines.

SUBMIT A PROPOSAL

Filed under: Annual Conference, Surveys

There is strength in numbers. Every day, CAA is working on behalf of professionals in the visual arts to create resources, build networks, and encourage scholarship at the highest levels. The louder our voice, the more we can do.

Rejoin CAA during the month of April and get 25% off any Tiered membership level.

REJOIN NOW

Plan on participating in the 2020 Annual Conference in Chicago, February 12-15, 2020? Submissions are due April 30, 2019.

Join your colleagues and fellow professionals in creating the programming for the largest gathering of art historians, artists, designers, curators, arts administrators, museum professionals, and others in the visual arts.

Now is the perfect time to rejoin and save.

Offer valid from April 1–April 30, 2019, 11:59 PM EST, to individual lapsed members for a one-year membership. Discount applies only to those whose membership has lapsed between January 1, 2012 and January 1, 2018. Log in to your CAA account to view the discount code.

Questions? Contact Member Services at 212-691-1051, ext. 1.

Filed under: Annual Conference, Membership

Serve on a CAA Award Jury

posted by March 28, 2019

CAA invites nominations and self-nominations for individuals to serve on ten of the fourteen juries for the annual Awards for Distinction for three years (2019–22). Terms begin in May 2019; award years are 2020–22.

CAA’s fourteen awards honor artists, art historians, authors, curators, critics, and teachers whose accomplishments transcend their individual disciplines and contribute to the profession as a whole and to the world at large.

Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2019. CAA’s president and vice president for committees appoint jury members for service.

Jury vacancies for spring 2019:

  • The Art Journal Award: two members
  • Alfred H. Barr Jr. Award: three members
  • Frank Jewett Mather Award for Art Criticism: one member
  • Charles Rufus Morey Book Award: two members
  • Arthur Kingsley Porter Prize: two members
  • CAA/AIC Award for Distinction in Scholarship and Conservation: one member
  • Distinguished Artist Award for Lifetime Achievement:  one member
  • Distinguished Lifetime Achievement Award for Writing on Art: two members
  • Distinguished Feminist Award: one member
  • Distinguished Teaching of Art Award: one member

Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and a CV (an abbreviated CV no more than two pages may be submitted). Please send all materials by email to Cali Buckley, CAA grants and special programs manager; submissions must be sent as Microsoft Word or Adobe PDF attachments. For questions about jury service and responsibilities, contact Tiffany Dugan, CAA director of programs and publications.

Deadline: May 13, 2019

Attendees at the 2019 Annual Conference in New York. Photo: Ben Fractenberg

Each spring, members have the opportunity to provide critical service to the field and gain an inside view by volunteering to work on a CAA editorial board, committee, or jury.

Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.

CURRENT OPPORTUNITIES

Professional Committees—Seeking New Members
Committees: Design, Diversity Practices, Intellectual Property, Women in the Arts, Education, International, Museum, Professional Practices, Services to Artists, Student and Emerging Professionals
Deadline: September 18

CLOSED OPPORTUNITIES

Art Journal Open—Editor-in-Chief
Deadline: April 1

caa.reviews—Editor-in-Chief
Deadline: April 1

caa.reviews—Four Field Editors
Design History, Eighteenth-Century Art, Architecture and Urbanism, Theory and Historiography
Deadline: April 15

The Art Bulletin—Editorial Board Members
Deadline: April 15

Annual Conference—CAA Council of Readers
New this year, we’re asking members to serve a crucial role in shaping conference content.
Deadline: April 18

Annual Conference—Annual Conference Chair
Deadline: April 29

Annual Conference—Awards for Distinction Juries
Deadline: May 13

Millard Meiss Publication Fund—Jury Members
Deadline: May 13

Professional Development Fellowships in Art History and Visual Art—Jury Members
Deadline: May 13

Women’s suffragists parade in New York City in 1917, carrying placards with the signatures of more than a million women. (New York Times Photo Archives)

In collaboration with the Committee on Women in the Arts, CAA seeks to offer a selection of sessions, papers, speakers, and related programming for the 2020 Conference in celebration of the Centennial of Women’s Suffrage in the US, while also acknowledging the discriminatory practices that limited voting rights for Indigenous women and women of color, even after the passage of the 19th amendment in 1920.

We hope 50% of the conference’s content will be focused on women-centered research, artistic presentations, and discourse, and addresses the intersectional and transnational complexity of race, ethnicity, class, age, body size, disability, gender and sexual orientation in the arts. Reinforcing inclusivity beyond binary understandings of gender, this initiative seeks to advance a forum for increased dialogue within the context of this historical moment.

The submissions portal for the 2020 CAA Annual Conference is now open with a deadline of April 30.

Submit a Proposal

Filed under: Advocacy, Annual Conference — Tags: