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posted by CAA — Mar 23, 2018

            

Susanna Temkin reviews Adiós Utopia: Art in Cuba Since 1950 edited by Ana Clara Silva and Eugenio Valdés Figueroa. Read the full review at caa.reviews.

Namiko Kunimoto writes about Bachelor Japanists: Japanese Aesthetics and Western Masculinities by Christopher Reed. Read the full review at caa.reviews.

Anne Helmreich explores The Complete Writings and Pictures of Dante Gabriel Rossetti, freely distributed by IATH and the NINES consortium under a Creative Commons License, www.rossettiarchive.org, edited by Jerome J. McGann. Read the full review at caa.reviews.

Cecelia Feldman examines About Antiquities: Politics of Archaeology in the Ottoman Empire by Zeynep Ҫelik. Read the full review at caa.reviews. 

David Karmon writes about Drawing and the Senses: An Early Modern History by Caroline O. Fowler. Read the full review at caa.reviews.

Nina Dubin discusses Classicisms edited by Larry F. Norman and Anne Leonard. Read the full review at caa.reviews.

Manuel Aguilar-Moreno reviews the exhibition catalogue Golden Kingdoms: Luxury Arts in the Ancient Americas edited by Joanne Pillsbury, Timothy F. Potts, and Kim N. Richter. Read the full review at caa.reviews.

John Muse writes about the exhibition Yoonmi Nam: Still at The Print Center in Philadelphia. Read the full review at caa.reviews.

Meghan Tierney reviews Art and Vision in the Inca Empire: Andeans and Europeans at Cajamarca by Adam Herring. Read the full review at caa.reviews.

Naraelle Hohensee explores the Heilbrunn Timeline of Art History, a digital resource of the Metropolitan Museum of Art. Read the full review at caa.reviews.

Emily Neumeier discusses The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East by Kishwar Rizvi. Read the full review at caa.reviews.

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