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posted by CAA — Apr 27, 2018

             

Augustus Durham reviews Speculative Blackness: The Future of Race in Science Fiction by andré m. carrington. Read the full review at caa.reviews.

Heidi Gearhart writes about L’imitation de l’Antiquité dans l’art medieval (1180–1230) by Laurence Terrier Aliferis. Read the full review at caa.reviews.

A.L. McMichael explores Photogrammar: http://photogrammar.yale.edu/, a digital platform produced by Yale University and the National Endowment for the Humanities. Read the full review at caa.reviews.

Laura Lisbon examines Agnes Martin: Night Sea by Suzanne P. Hudson. Read the full review at caa.reviews.

Seeta Chaganti looks at Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400–circa 1204 by Cynthia Hahn. Read the full review at caa.reviews.

Colleen O’Reilly writes about the exhibition Kul’ttovary: Bringing Culture into the Soviet Home at the William Johnston Building Gallery at Florida State University. Read the full review at caa.reviews.

Bridget R. Cooks reviews Muse: Mickalene Thomas Photographs by Mickalene Thomas. Read the full review at caa.reviews.

Barbara Reisinger discusses Art about AIDS: Nan Goldin’s Exhibition Witnesses: Against Our Vanishing by Sophie Junge. Read the full review at caa.reviews.

Caroline Hillard explores Italian Renaissance Courts: Art, Pleasure and Power by Alison Cole. Read the full review at caa.reviews.

Suzanne Singletary reviews Louis Kahn: The Power of Architecture by William Curtis. Read the full review at caa.reviews.

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