Join Now      Log In

CAA News Today

RAAMP (Resources for Academic Art Museum Professionals) Coffee Gatherings are monthly virtual chats aimed at giving participants an opportunity to informally discuss a topic that relates to their work as academic art museum professionals. 

Coffee Gathering: Curatorial Work as Academic Labor 

On Tuesday, September 24 at 3:00 PM (EST) RAAMP will be speaking with Meredith Lynn and Claire L. Kovacs.

To RSVP to this coffee gathering, please email Cali Buckley at cbuckley@collegeart.org

Meredith Lynn is an artist, curator, and educator based in Tallahassee, Florida. In her art practice she frequently explores the historical, political, and social issues surrounding land management and ownership. Her curatorial specialty is contemporary art, with a particular focus in interactive and new media art. Her work has been supported by the National Endowment for the Arts, the Indiana Arts Commission, the Minnesota State Arts Board, Northern Lights, and the Florida Department of Cultural Affairs and most recently shown at the Morris Graves Museum of Art in Arcata, California and the Wiregrass Museum in Dothan, Alabama. She is curator of the Museum of Fine Arts at Florida State University where she also teaches in the Department of Art.

Claire L. Kovacs is the Curator of Collections and Exhibitions at Binghamton University. She obtained her PhD from the University of Iowa and her master’s and bachelor’s degrees from Case Western Reserve University – all in art history. She has curated exhibitions at the Figge Art Museum, Coe College, Krasl Art Center, DePaul University, and at Augustana College, where she was (until recently) the Director of the Augustana Teaching Museum of Art. Her strategies for curatorial work and programming emphasize the ways that academic museums explore contemporary issues, foster interdisciplinary inquiry, create space for a multiplicity of voices and perspectives, and function as a site of dynamic community engagement. She underscores intersectional equity, diversity, accessibility and inclusion in her curatorial work. Her research practice grapples with ways that art historical research can support ‘The Common Good’ (to borrow a phrase from the NEH), using curatorial practice and writing as a mechanism by which to amplify under-told stories.

Submit to RAAMP

RAAMP (Resources for Academic Art Museum Professionals) aims to strengthen the educational mission of academic art museums by providing a publicly accessible repository of resources, online forums, and relevant news and information. Visit RAAMP to discover the newest resources and contribute.

RAAMP is a project of CAA with support from The Andrew W. Mellon Foundation.