Affiliated Society News shares the new and exciting things CAA’s affiliated organizations are working on including activities, awards, publications, conferences, and exhibitions.
Interested in becoming an Affiliated Society? Learn more here.
Women’s Caucus for Art (WCA)
Historians of Netherlandish Art (HNA)
Call for Session Proposals for HNA Sponsored panel at CAA 2021:
HNA is seeking submissions for our sponsored panel at the College Art Association’s annual conference, which will be held February 10-13th, 2021, in New York City.
Proposals should address the session description:
Published in 1678, Samuel van Hoogstraten’s painting treatise, Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere wereld (Introduction to the Academy of Painting, or the Visible World), is simultaneously a pedagogical guide and a theoretical treatise on art, grounded in the painter’s practical knowledge. Written in the vernacular for an audience of Dutch artists, as well as collectors, connoisseurs, amateurs and lovers of art, Hoogstraten’s text has been mined by art historians for its conceptual vocabulary, classical referents, theories of optics and vision, and for its salacious anecdotes about Hoogstraten’s famous teacher, Rembrandt. This session seeks papers addressing the key themes of this heterogeneous text, and/or the multi-faceted career of its author, in honor of the 2020 publication of the first English translation of van Hoogstraten’s work by Celeste Brusati. Beyond the writings of van Hoogstraten, papers may address broader questions of artistic pedagogy and travel, artists’ writings, material knowledge and embodied practice, imitation and aesthetic judgment in the early modern Low Countries.
Please send proposals (ca. 250 words) and CVs to email@example.com by May 10.
Association of Print Scholars (APS)
The Association of Print Scholars (APS) is pleased to award the third annual Collaboration Grant to Jennifer Chuong of Harvard University and Kailani Polzak of Williams College. The grant of $1,000 will support Imprinting Race, a two-day interdisciplinary event, planned for Fall 2020, that will include a keynote lecture, studio workshop, and roundtable discussion that will explore printmaking’s role in tangibly shaping and challenging ideas of racial difference during the long eighteenth century.
This year’s jurors also awarded an Honorable Mention in the amount of $500 to interdisciplinary artist and educator Trisha Gupta for her project, Build a Bigger Table, Not a Higher Wall. This event will include a lecture and woodblock printing demonstration for 150 participants of all ages and skill levels, who will participate in art-making activities using recycled textiles and paper as a means to explore the stories and traditions of immigrants from a diverse range of cultures.
The APS Collaboration Grant funds public programs and projects that foster collaboration between members of the print community through events like lectures, conferences, workshops, and other public programs. APS is currently accepting submissions for the 2021 Collaboration Prize (due January 31, 2021). For eligibility requirements and proposal submissions visit the APS website.
The Association of Print Scholars is additionally pleased to announce our 2021 CAA panel “The Graphic Conscience,” chaired by Dr. Ksenia Nouril, The Jensen Bryan Curator at The Print Center in Philadelphia. The session invites papers addressing transhistorical and transnational case studies of print as a tool for raising public consciousness.
Visual Resources Association News
The VRA international conference for image media professionals scheduled to take place at the Royal Sonesta Harbor Court Hotel in Baltimore from March 24-27, 2020, was cancelled due to the pandemic. Plans move forward for the next VRA conference to be held in Chicago in March 2021 and then Baltimore in 2022. The Annual Business Meeting was held virtually via Zoom on March 25th. Committees, task forces, and chapters also held meetings remotely during the conference week. Alternative ways to deliver the conference sessions and workshops are being explored, including publishing in the VRA Bulletin https://online.vraweb.org/index.php/vrab, the organization’s open access electronic journal of professional practice.
The Visual Resources Association is a multidisciplinary organization, founded in 1982, dedicated to furthering research and education in the field of image management within the educational, cultural heritage, and commercial environments. Since its foundation and even earlier, VRA has been affiliated with or had committee ties to CAA http://vraweb.org/.
The VRA Foundation (VRAF) continues to sponsor the Summer Educational Institute for Digital Stewardship of Visual Information (SEI), which is a joint project with the Art Libraries Society of North America (ARLIS/NA). This year it was scheduled to take place from June 23-26 at Northwestern University in Evanston, IL, but was also cancelled due to the COVID-19 outbreak. For more information, see https://vrafoundation.org/summer-educational-institute/ and if you have any additional questions, please contact SEI Co-Chairs Courtney Baron or Bridget Madden. Meanwhile, the VRAF continues its other initiatives, including regional workshops, professional development grants, project grants, and internship awards.
For more information about the important work and professional development activities sponsored by the Visual Resources Association or the VRA Foundation, please contact Maureen Burns, VRA’s CAA Affiliate Representative at firstname.lastname@example.org or 310-489-3792.
BSA (Bibliographical Society of America)
1. Online instruction resources: To help teachers and scholars move forward in the midst of the current health crisis, the BSA website maintains an actively curated list of online instruction resources, including digital repositories for book history teaching, research, & more at https://bibsocamer.org/news/online-instruction-resources-digital-repositories-for-book-history-teaching-more/.
If you know of a resource that should be included, please email email@example.com with the name and URL of the resource, and short description of what it offers.
2. Webinars: BSA is also offering free, forty-minute webinars throughout the spring 2020 season. Please find a complete list of online learning opportunities here https://bibsocamer.org/news/news-webinars-and-opportunities-for-mutual-aid/ and spread the word to your friends and colleagues. Registration required.
3. BSA Fellowships: To foster the study of books and other textual artifacts in traditional and emerging formats, and in keeping with the value which the Society places on the field of bibliography as a critical interpretative framework for understanding such artifacts, the BSA funds a number of fellowships designed to promote bibliographical inquiry and research. For more information see https://bibsocamer.org/awards/fellowships/. Deadline: 1 November 2020.
ATSAH (Association for Textual Scholarship in Art History)
ATSAH Recent Publications Additional – May 20, 2020
Lynette M.F. Bosch, Professor of Art History and Distinguished Professor at SUNY, Geneseo
Lynette M. F. Bosch, Mannerism, Spirituality and Cognition: The Art of Enargeia, Routledge Press, 2020.
Lynette M. F. Bosck, Demi, Skira Press, 2019.
Charles Burroughs, Professor of Art History at SUNY, Geneseo
Charles Burroughs, “Honour, Classical Architecture, and the Issue of Slavery.” In The Oxford Handbook of the Reception of the Classical Tradition in Architecture, ed. Nicholas Temple, Andrzej Piotrowski, and Juan Heredia (Oxford University Press, 2019), 151-163.
Charles Burroughs, “Mannerism and Architecture: Varieties of Extraordinary in Serlio’s Extraordinary Book.” In Readings on Italian Mannerism II: Architecture and Sculpture, ed. Liana de Girolami Cheney (Peter Lang Publishing, Berlin and New York, 2020), 139-52.
Deborah H. Cibelli, Professor of Art History, Nicholls State University
Deborah H. Cibelli, “Beardsley’s ‘Strife for Love in a Dream'”, in Anxiety, Angst, Anguish in Fin de Siècle Art and Literature, eds. Rosina Neginsky, Marthe Segrestin, and Luba Jurgenson. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2020.
Liana De Girolami Cheney, Professor of Art History (emerita) UMASS Lowell
Liana De Girolami Cheney, “Lavinia Fontana’s Galatea: Personification of Fortune and Venus”
The Journal of Literature and Art Studies vol. 10. no. 1 (January 2020): 42-59.
Liana De Girolami Cheney, “Giorgio Vasari’s Neptune as Cosimo I de’ Medici: The Element of Water as a Political Symbol,” in The Iconography of Water, ed. Pilar Diez del Coral (Lisbon: University of Lisbon, CHAM, 2020), 30-45.
Liana De Girolami Cheney, “Interplay of Grotesques in Giorgio Vasari and Cristofano Gherardi,” in Between Allegory and Natural Philosophy. New Perspectives on Renaissance Grotesques, ed . Damiano Acciarino, Università Ca’ Foscari Venezia and University of Toronto (Fall 2019), 297-330.
Massimiliano Rossi, Professor of Art History, University of Salerno, Italy
La fortuna figurativa del poema epico-cavalleresco, in Letteratura e arti visive nel Rinascimento, a cura di Gianluca Genovese e Andrea Torre, Roma, Carocci, 2019, pp. 261-281.
Vero e falso nella decorazione effimera tra Cinque e Seicento in Veneto: materia e immaginazione all’origine di un canone eccentrico, in The Gentle Art of Fake. A Conference on Copies, Fakes and Appropriations in Contemporary Arts, Milano, Accademia di Brera – Università IULM, 15-16 gennaio 2019, a cura di Tommaso Casini e Laura Lombardi, Cinisello Balsamo (MI), Silvana Editoriale, 2019, pp. 223-231.
L’Elogio dell’Abate Cortenovis: una lezione di metodo lanziano, in Luigi Lanzi a Udine 1796-1801. Storiografia artistica, cultura antiquaria e letteraria nel cuore d’Europa, Convegno di Studi, Udine, 21-23 novembre 2018, a cura di Paolo Pastres, Firenze, Olschki, 2020, pp. 133-145.
Ecfrasi epica e celebrazione dinastica in Bracciolini, tra Bernini e i Barberini, in Francesco Bracciolini. Gli «ozi» e la corte, Introduzione di Maria Cristina Cabani, a cura di Federico Contini e Andrea Lazzarini, Pisa, PUP, 2020, pp. 323-342.
Rosina Neginsky, President of ALMSD, University of Illinois
“Anxiety in Redon’s Works: The Invention of a New Visual Language.” in Anxiety, Angst, Anguish in the Fin de Siècle Art and Literature, edited by Rosina Neginsky, Marthe Segrestin, and Luba Jurgenson. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2020.
posted by CAA — May 06, 2020
CAA invites nominations and self-nominations for a field editor in the area of East Asian Art for the caa.reviews Council of Field Editors for a three-year term July 1, 2020–June 30, 2023. An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to art history, visual studies, and the arts.
Working with the caa.reviews editor-in-chief, the caa.reviews Editorial Board, and CAA’s staff editor, each field editor selects content to be reviewed, commissions reviewers, and considers manuscripts for publication. Field editors for books are expected to keep abreast of newly published and important books and related media in their fields of expertise, and those for exhibitions should be aware of current and upcoming exhibitions (and other related projects) in their geographic regions.
The Council of Field Editors meets yearly at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference. Members of all CAA committees and editorial boards volunteer their services without compensation.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a statement describing your interest in and qualifications for appointment, a CV, and your contact information to managing editor Joan Strasbaugh, firstname.lastname@example.org. In the subject line please include Field Editor, East Asian Art.
Deadline (extended): June 1, 2020
Want articles like these in your inbox? Sign up for our weekly newsletter:
View this post on Instagram
In response to COVID-19, artists, curators, institutions and organizations have initiated virtual exhibitions, presentations, screenings, and curated newsletters, among other innovative approaches, welcoming the public to online platforms and opening dialogues on a range of topics. May 2020 CWA Picks present a number of initiatives that not only demonstrate ways in which social media channels and websites can be repurposed in light of social distancing measures currently in place; but most importantly emphasize the social role of the arts being a healing positive force in these unprecedented challenging times. May Picks focus on the power of the collective and mutual support in the context of questioning our being in the world.
- Nottingham Contemporary, UK: 3D Online exhibition ‘Still I Rise: Feminisms, Gender, Resistance’, exploring a global history of resistance movement through a gendered perspective: https://www.nottinghamcontemporary.org/whats-on/still-i-rise/
- AutoZine ‘Friendship as a Form of Life’ on the importance of friendship: ‘We face each other without terms or convenient words, with nothing to assure us about the meaning of the movement that carries us toward each other. We have to invent, from A to Z, a relationship that is still formless, which is friendship…’: https://resonanceaudiodistro.org/2016/06/11/friendship-as-a-form-of-life-audiozine/ (Listen / Read / Print)
- Jackie Wang’s text ‘Oceanic Feeling & Communist Affect’, exploring the concept of oceanic feeling as a radical reorientation towards the world: https://friendship-as-a-form-of-life.tumblr.com/post/162453258727/friendship-as-a-form-of-life-friendship-as-a (Read / Print)
- Gasworks, a non-profit contemporary visual art organization working at the intersection between UK and international practices and debates, organizes online screenings. From May 11-17, 2020, Maryam Jafri, ‘Mouthfeel’, a short film investigating the politics of food production in the context of overconsumption: https://www.gasworks.org.uk/events/maryam-jafri-mouthfeel-online-screening/
- Hauser & Wirth, founded in Zurich, an international modern and contemporary art gallery presents an online exhibition Louise Bourgeois: Drawings 1947 – 2007, exploring Bourgeois’s rich emotional terrain: https://vip-hauserwirth.com/louise-bourgeois-works-on-paper/
- An Instagram exhibition #ARTISTSINQUARANTINE created by @giadapellicari involving artists living in ‘confined red areas’ in Italy due to coronavirus pandemic: https://www.instagram.com/artistsinquarantine/?hl=en
- Online platform How Can We Think of Art at a Time Like This?, co-curated by Barbara Pollack and Anne Verhallen, invites artists to exchange ideas at the time of current pandemic crisis: https://artatatimelikethis.com
- Micol Hebron, Los Angeles based artist, organises ‘Feminist Friday – USA’. Now run via Zoom, this community event provides a platform for discussion of contemporary feminist issues: https://www.facebook.com/Feminist-Friday-USA-1722541601351749
- The National Museum of Women in the Arts (NMWA), the only major museum in the world solely dedicated to championing women through the arts, makes available online resources celebrating women artists who are changing the world: https://nmwa.org/nmwa–at-home
posted by CAA — May 04, 2020
The CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.
After a short hiatus, we’re happy to share a new episode on decolonizing college art curriculum with Shylah Pacheco Hamilton and Vreni Michelini-Castillo.
Shylah Pacheco Hamilton is an Afro-Surrealist filmmaker whose creative research interests meet at the crossroads of experimental video, Black and Chicana feminist theory, and ritual performance. Her most recent work consists of experimental video and installation that explores social justice, memory, dreams, and ritual performance of the sacred. She is Chair of Diversity Studies at California College of the Arts, and teaches in the First Year Program.
Vreni Michelini-Castillo a/k/a Chhoti Maa is a multidisciplinary cultural producer with 11 years of experience working through art, cultural organizing, music, red medicine and traditional Mexican danza. She teaches at 67 Sueños, California College of the Arts, and San Francisco State University.