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Honorees this year include Eleanor Antin, Joseph Leo Koerner, Maud K. Lavin, Annet Couwenberg, Harriet Senie, Kyle Staver, and many other scholars, artists, and teachers

CAA Annual Conference, Chicago, February 12-15, 2020

Eleanor Antin

We are pleased to announce the recipients and finalists of the 2020 CAA Awards for Distinction. Among the winners this year is Eleanor Antin, recipient of the 2020 Distinguished Artist Award for Lifetime Achievement. Born in the Bronx in 1935 to immigrant parents, Antin is an innovator and pioneer as a feminist artist, a performance and installation artist, a conceptual artist, filmmaker, and writer. She is an emeritus Professor of Visual Arts at the University of California, San Diego and author of several books including An Artist’s Life by Eleonora Antinova and Conversations with Stalin. Antin’s solo museum exhibitions have appeared at the MoMA, the Whitney Museum, and, in 2019, the Los Angeles County Museum of Art with her retrospective, Eleanor Antin: Time’s Arrow. Her awards include a Guggenheim Fellowship and a 2006 Women’s Caucus for Art Lifetime Achievement Award.

Joseph Leo Koerner

Joseph Leo Koerner is the recipient of the 2020 Distinguished Lifetime Achievement Award for Writing on Art. His achievements include four landmark books on sixteenth-century paintings: The Moment of Self-Portraiture in German Renaissance Art (University of Chicago Press, 1993), The Moment of Self-Portraiture in German Renaissance Art (University of Chicago Press, 2003), The Reformation of the Image (Reaktion Books, 2004), and Bosch and Bruegel: From Enemy Painting to Everyday Life (Princeton University Press, 2016). Koerner has also written widely on more recent artists, from Caspar David Friedrich to Paul Klee, and explored early-twentieth century Vienna through a documentary project and a semi-autobiographical film.

Maud K. Lavin

Dr. Maud K. Lavin is the recipient of the 2020 Distinguished Feminist Award for scholarship. Over the course of three decades, Lavin has worked tirelessly as a key pioneer in the field of feminist art history and visual studies. She is the author of numerous books including the first English-language book on Berlin Dada artist Hannah Hoch, Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch (Yale University Press, 1993), and most recently,  Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan, co-edited with Ling Yang and Jamie Zhao (Hong Kong University Press, 2017). She is a professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

The Awards for Distinction will be presented during Convocation at the CAA Annual Conference on Wednesday, February 12 at 6:00 PM at the Hilton Chicago. This event is free and open to the public.

The full list of 2020 CAA Awards for Distinction Recipients

Distinguished Artist Award for Lifetime Achievement

Eleanor Antin

Distinguished Lifetime Achievement Award for Writing on Art

Joseph Leo Koerner

Distinguished Feminist Award—Scholar

Maud K. Lavin

Distinguished Teaching of Art Award

Annet Couwenberg

Distinguished Teaching of Art History Award

Harriet Senie

Artist Award for Distinguished Body of Work

Kyle Staver

CAA/AIC Award for Distinction in Scholarship and Conservation

Jeanne Marie Teutonico

Award for Excellence in Diversity

3Arts

Outstanding Leadership in Philanthropy Award

Terra Foundation for American Art

Charles Rufus Morey Book Award

J. P. Park
A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏn Korea (1700–1850)
University of Washington Press, 2018

Finalists

Chanchal B. Dadlani
From Stone to Paper: Architecture as History in the Late Mughul Empire
Yale University Press, 2019

Barbara Furlotti
Antiquities in Motion: From Excavation Sites to Renaissance Collections
Getty Publications, 2019

Matthew Looper
The Beast Between: Deer in Maya Art and Culture
University of Texas Press, 2019

Alfred H. Barr Jr. Award

Karl Kusserow and Alan C. Braddock
Nature’s Nation: American Art and Environment
Princeton University Art Museum, 2019
with contributions by Miranda Belarde-Lewis, Teddy Cruz, Rachael Z. DeLue, Mark Dion, Fonna Forman, Laura Turner Igoe, Robin Kelsey, Anne McClintock, Timothy Morton, Rob Nixon, Jeffrey Richmond-Moll, Kimia Shahi, and Jaune Quick-to-See-Smith

Honorable Mention

Esther Gabara
Pop América, 1965–1975
Duke University Press, 2018

Finalists

Cathleen Chaffee
Introducing Tony Conrad: A Retrospective
Albright-Knox Art Gallery, Buffalo, NY, in association with Koenig Books, London, 2019

Jessica Morgan and Alexis Lowry
Charlotte Posenenske: Work in Progress
Dia Art Foundation and Walther König, 2019

Elizabeth Morrison
Book of Beasts: The Bestiary in the Medieval World
Getty Publications, 2019

Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions

Denise Murrell
Posing Modernity: The Black Model from Manet and Matisse to Today
Yale University Press in association with The Miriam and Ira D. Wallach Art Gallery, Columbia
University in the City of New York, 2018

Honorable Mention

Phillip Earenfight
Shan Goshorn: Resisting the Mission
Trout Gallery, Dickinson College, 2019

Finalists

Tracy L. Adler
Jeffery Gibson: This is The Day
Prestel Publishing, 2018

Faith Brower, Heather Ahtone, and Seth Hopkins
Warhol and the West
University of California Press, 2019

Frank Jewett Mather Award for Art Criticism

Darby English
To Describe a Life: Notes from the Intersection of Art and Race Terror
Yale University Press, 2019

Art Journal Award

Philip Glahn and Cary Levine
“The Future Is Present: Electronic Café and the Politics of Technological Fantasy”
Art Journal, vol. 78, no. 3 (Fall 2019): 100–121

Arthur Kingsley Porter Prize

Claudia Brittenham
“Architecture, Vision, and Ritual: Seeing Maya Lintels at Yaxchilan Structure 23″
The Art Bulletin, vol. 101, no. 3 (September 2019): 8–36

Learn about the juries that select the recipients of the CAA Awards for Distinction.

VISIT THE CONFERENCE SITE

Meet the 2020 Travel Grant Recipients

posted by January 29, 2020

CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. Meet this year’s recipients below.

CAA GRADUATE STUDENT CONFERENCE TRAVEL GRANTS

CAA awards Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to the Annual Conference.

Maureen Burdock, University of California, Davis

Josephine Lee, Parsons School of Design

Brantly Hancock Moore, University of North Carolina at Chapel Hill

Nicole Winning, University of Massachusetts at Dartmouth

CAA INTERNATIONAL MEMBER CONFERENCE TRAVEL GRANTS

CAA awards the International Member Conference Travel Grant to artists and scholars from outside the United States as partial reimbursement of travel expenses to the Annual Conference.

Alex Burchmore, Australian National University

Panos Kompatsiaris, National Research University Higher School of Economics,Moscow

Stephen Adéyemí Folárànmí, Rhodes University, South Africa

CAA TRAVEL GRANT IN MEMORY OF ARCHIBALD CASON EDWARDS, SENIOR, AND SARAH STANLEY GORDON EDWARDS

Established by Mary D. Edwards with the help of others, the CAA Travel Grant in Memory of Archibald Cason Edwards, Senior, and Sarah Stanley Gordon Edwards supports women who are emerging scholars at either an advanced stage of pursuing a doctoral degree or who have received their PhD within the two years prior to the submission of the application.

Kristen Nassif, University of Delaware
Paper: Seeing Through Blindness: Disability, Tactile Relief Maps, and Geography
Session: Disability in the Arts: The Active Participation of People with Disabilities in the Arts

Shirlynn Sham, Yale University
Paper: The Eighth Wonder of the World: Design and Danger in Marc and Isambard Brunel’s Thames Tunnel Project
Session: Topographical Drawing

SAMUEL H. KRESS FOUNDATION CAA CONFERENCE TRAVEL FELLOWSHIP FOR INTERNATIONAL SCHOLARS

Recognizing the value of first-hand exchanges of ideas and experience among art historians, the Kress Foundation is offering support for international scholars participating as speakers at the 2020 CAA Annual Conference. The scholarly focus of the papers must be European art before 1830.

Sophie Ong, Rutgers University
Paper: ‘I pray…that I may have sommethyng for my nekke’: Understanding Jewelry and Its Popularity in the Late Middle Ages and Today
Session: Kitsch and Craft in the Middle Ages: Making Medieval Art Popular

Bruno Ligore, Nice University, France
Paper: Embodying the Antique in the Early 19th Century: Ballet Masters’ Drawing Practices
Session: Dancing in the archives: choreographers’ drawings as resources for art historians (19th-20th centuries)

Halyna Kohut, Ivan Franko National University of Liviv, Ukraine
Paper: Is it the Rug or the ‘Other’?
Session: Different Shades of Othering: Orientalism/Occidentalism in the World of Art

Elisa Antonietta Daniele, University of Verona, Italy
Paper: Performing Bodies, Dancing Trifles: Drawing New Worlds in Il Tabacco, Commemorative Album for the Courtly Ballet Staged in Turin (1650)
Session: Early Modern Animation: Mascarades, Ballet, Automata

Estefanía López-Salas, Universidade da Coruña, Spain
Paper: Towards a Web-Based Representation of Spatial Change Over Time at San Julián de Samos
Session: Advanced Topics in Digital Art History: 3D (Geo)Spatial Networks

Elena Granuzzo, Independent Scholar, Italy
Paper: The Cicognara Library and Michelangelo Buonarroti: A Historiographical Reading through the Sources
Session: Historic Libraries and the Historiography of Art (II)

CAA-GETTY INTERNATIONAL PROGRAM

Every year since 2012, the CAA-Getty International Program has brought between fifteen and twenty art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conference. This program is funded on an annual basis by the Getty Foundation. Click here to meet the CAA-Getty International Program participants.

ARTexchange2020

Workshops • Performances • Exhibition

at Columbia College Chicago, Hokin Gallery, 623 South Wabash
February 12–February 24, 2020
Gallery Hours: Monday–Friday 9:00am–10:00pm; Saturday, 9:00am–5:00pm

Take part in workshops and performances facilitated by artists: Noah Breuer, Wendy DesChene + Jeff Schmuki, Jennifer Natalya Fink & Julie Laffin, Carol Flueckiger, Visda Goudarzi & Artemi-Maria Gioti, MiHyun Kim, Jill Odegaard, Lydia See, Christine Stiver.

View dynamic installations co-created with the public. Visitors can interact with many of the installations even when facilitating artists are not present. Come by every day to see how the space changes. Workshops and events are “drop-in” friendly. You can come and go for any time during facilitated workshops.

CAA’s Services to Artists Committee (SAC), in collaboration with the “Hokin Project,” a gallery management practicum course at Columbia College Chicago, presents ARTexchange 2020 as an opportunity for artists to share their work and build affinities with other artists, historians, curators, cultural producers, and the public.

The exhibition will remain on view through February 24, 2020.

For a full listing of all SAC programming at the 108th CAA conference, see here.

And don’t forget the ARTexchange Reception, Friday, February 14, 7:00pm–8:30pm.

Black Lunch Table — Wikipedia Edit-a-thon

Join us for a Wikipedia edit-a-thon hosted by the Black Lunch Table. Their initiative creates and improves articles about Black visual artists. Celebrating artists of color, women artists, and artists with disabilities, this program supports inclusion and recognition of intersectionality. No prior experience necessary. Bring a computer and a friend!

This programming is partially funded by the Office of Academic Diversity, Equity, and Inclusion, Columbia College Chicago.

Workshop times: Thursday, 10:30am–1:30pm; Friday, 10:30am–1:30pm in the Media Lounge

Noah Breuer – CB&S Rubbings and Print Project

Noah Breuer leads a printmaking workshop, utilizing engraved designs inspired by CB&S, his great-great-grandfather’s textile factory that was seized along with all Jewish-owned property in German-occupied areas during WWII. Participants leave with their own book and contribute one copy for visual materials to be built upon by the next participants.

Workshop times: Wednesday, 4:00pm–6:00pm; Thursday, 4:00pm–6:00pm; Friday, 12:00pm–2:00pm

Wendy DesChene + Jeff Schmuki – Ostraka

Join DesChene and Schmuki in celebration of our fundamental right to vote through Ostraka, a collaborative installation that mirrors a 5th-century BC Athenian tradition, where citizens would inscribe the name of a person they wanted to politically neutralize on a shard of broken pottery called an ostrakon.

Workshop times: Wednesday, 2:00pm–4:00pm; Friday, 12:00pm–2:00pm

Jennifer Natalya Fink & Julie Laffin – UNDERBELLY

Join artists Fink and Laffin in a performance and “modern suffragette” march, retracing the steps of historical suffrage parades. Airing some dirty laundry to expose the underbelly of the movement, participants will wear two-sided sashes imprinted with both positive and negative statements related to the suffragette movement and voting rights.

Performance time: Thursday, 4:00pm–6:00pm

If you want to be a modern suffragette and participate in the march, sign up here to be contacted by the artists. Meet at the Hokin Gallery at 3:40 pm. Don’t forget to dress weather appropriate.

Carol Flueckiger – Solitude of Selfie

Flueckiger’s project explores Elizabeth Cady Stanton’s 19th century women’s suffrage address “Solitude of Self”. Participants will be prompted to engage with Stanton’s speech and make response drawings. Works will be pinned to the wall and later scanned and integrated into a book honoring the 100th anniversary of the 19th amendment.

Workshop times: Wednesday, 9:00am–11:00am; Friday, 9:00am–11:00am

Visda Goudarzi & Artemi-Maria Gioti – Soundsourcing

Soundsourcing is a participatory performance orchestrated by artists Goudarzi and Gioti. In this collaborative sound performance, audience members contribute vocal sounds (words, phonemes and noises) which are picked up by two condenser microphones and processed by laptop performers in real-time. The artists invite participation in this unique sound creation process.

Performance time: Friday, 7:00pm–8:00pm

MiHyun Kim – Stories Become Data

Stories Become Data is an interactive digital environment that invites participants to add their own stories to a collective narrative. MiHyun Kim will lead a workshop utilizing iPads and projection to create a space for participants to share and to visualize their stories collectively and simultaneously through real time.

Workshop time: Friday, 2:00pm–4:00pm

Jill Odegaard – Woven Welcome

Woven Welcome is a community-based art project that utilizes the form of a woven rug as a statement of the interconnectedness of individuals. Join artist Jill Odegaard in creating this artistic metaphor, and engage in a dialogue with other conference attendees and community members.

Workshop times: Wednesday, 6:00pm–10:00pm; Friday, 9:00am–12:00pm

Lydia See – BMC Playbook

Lydia See’s BMC Playbook encourages the examination and manipulation of materials, space, and the collective spirit. This collaborative project, resulting in an installation in the Hokin Gallery, includes a series of chance operations based on a generative BMC card game, inspired by material study workshops at Black Mountain College.

Workshop time: Thursday, 4:00pm–6:00pm

Materials and instructions are available outside facilitated workshop times for the entire exhibition.

Christine Stiver – Banquet Art

Stiver’s participatory performance Banquet Art is modeled after one of Caroline Shawk Brooks’ own sculpting demonstrations in which she sculpted one face after another on the same bust of butter. Participants will sculpt a series of portraits, starting with Napoleon and George Washington, a litany of “great leaders” will follow.

Workshop time: Friday, 4:00pm–8:00pm

Ongoing

Graduate Student Screenings

A curated selection of current MA/MFA videos/digital artworks, premieres at the Media Lounge Wednesday. Participating artists: ANDiLAND, Jorge Bañales, Andrea Bagdon, Jacklyn Brickman/Heather Taylor, Christian Casas, Danielle Damico, Jesse Egner, Caleb Engstrom, Mary Gring, Selena Ingram, Bibiana Medkova, Carolina Montejo, Strange Lens, Maria V, F. C. Zuke

VISIT THE CONFERENCE SITE

Meet the 2020 Student Scholarship Winners

posted by January 28, 2020

CAA Student Scholarships
with support from tf-logo
blick-utrecht-logo-bw-prof

For the fourth year in a row, CAA is proud to partner with our sponsors, multinational publisher, Routledge, Taylor & Francis, and art materials specialist, Blick Art Materials, on student scholarships to assist CAA student members with conference costs.

Routledge, Taylor & Francis Student Scholarship

CAA Annual Conference Premier Sponsor, Routledge, Taylor & Francis supports four CAA student members with a $250 scholarship. The 2020 winners are:

Samara Johnson

Samara Johnson holds a BFA in Painting and Drawing, BA in French from Sonoma State University, and in May 2020 will complete her MFA in Painting and Drawing from University of Colorado at Boulder. She was born and raised in Moose Pass, Alaska. Her upbringing has inspired her to create artworks that involve use of organic materials and synthetic skins, which brings backwoods aesthetic into a contemporary setting through abstracted dimensional wall works. The artist also volunteers as a horse handler for equine assisted psychotherapy in Boulder, Colorado, which has allowed her to explore, in her work, how systems and relationships of the non-human can help humans better understand their nervous systems and emotions.

Jordan Reznick

Jordan Reznick is an artist and PhD candidate in Visual Studies at University of California Santa Cruz. Their dissertation, “Settler Modernism: Alfred Stieglitz’s The Steerage and the Vicissitudes of American Whiteness, 1890-1930″ traces how one iconic photograph came to be known as the first modernist American photograph and how, at each stage of its trajectory into the modernist canon, it was interpreted through narratives that served to modernize settler colonial myths. Reznick’s Gallery of Illustrious Queers explores transgender identity and life experiences through portrait photography. Their work has been widely exhibited in the United States, including at Aperture Gallery in New York and the Portland Museum of Art in Oregon. Reznick teaches Photography and Art History at San Francisco Art Institute and California College of the Arts. They earned an MFA in Photography and an MA in Visual & Critical Studies from California College of the Arts, and a BFA in Photography from New York University.

Tamara Toledo

Tamara Toledo is a PhD Art History and Visual Culture candidate at York University. Toledo is a Chilean-born Toronto-based scholar, curator and artist, graduate of OCAD University and holds an MFA from York University. Toledo is co-founder of the Allende Arts Festival and of Latin American Canadian Art Projects – LACAP. For over a decade, she has curated numerous exhibitions offering spaces and opportunities to artists of Latin American descent to showcase their work. She designed and has been curating the Latin American Speakers Series for which she has invited internationally renowned contemporary artists and curators to Toronto such as Gerardo Mosquera, Luis Camnitzer, Tania Bruguera, Alfredo Jaar, among many others to articulate and discuss issues of identity and intercultural dynamics in contemporary art. Toledo has presented her work at various conferences in Montreal, New York, Vancouver and Toronto. Her writing has appeared in ARM Journal, C Magazine, Fuse and Canadian Art. Her practice often follows an interdisciplinary approach and touches on notions of memory, identity, Latin American diasporas, transnationalism, issues of power, representation and international artistic-cultural interaction. Toledo is presently the Curator of Sur Gallery, the only space dedicated to contemporary Latin American art in Canada.

Jessica Zeglin

Jessica Zeglin uses sound, drawing, textiles, and installation to engage skills of attentiveness, listening, and care for ourselves, our human, and our other-than-human kin. Her work is field and research-based, combining perspectives from ecology, biology, fine art, craft art, and decolonial critique of these fields, with emphasis on the nuances of everyday life. She has shown work at the Weisman Art Museum, the Tamarind Institute, the University of New Mexico Art Museum, and in parks, plazas, city, and country, to audiences of many and audiences of one. Originally from rural and small-town Wisconsin, she is currently a candidate for the MFA in Art and Ecology at the University of New Mexico. You can see more of her work at www.jessicazeglin.com.

Blick Art Materials Student Scholarship

CAA Annual Conference Advocate Sponsor, Blick Art Materials supports four CAA student members with a $250 scholarship. The 2020 winners are:

Noah Cox

Noah Cox is a third year, Art History student studying at New College of Florida. He has recently begun research for his baccalaureate thesis focusing on the art, architecture, and landscape of Bok Tower Gardens in Lake Wales, Florida. His undergraduate research in the past has focused on public art around the New College campus with a focus on student mural work. He currently works as an intern at the Sarasota Art Museum and is planning on furthering his career in the museum field.

Amanda Kendrick 

Amanda Kendrick is from Michigan where she received her BFA in Studio Art from Albion College in 2017. She is currently a second year Painting MFA student at Purdue University, where she teaches Foundations Drawing. Her work is rooted in familial relationships and childhood memories. She lives with her fiancé in Lafayette, Indiana.  

Defne Kırmızı 

Defne Kırmızı is a PhD candidate Boston University in the History of Art & Architecture Department. Her dissertation focuses on the conceptual art practices and exhibition histories in Turkey between the years 1974-1994.

Anna Paluch

Anna (Ania) Paluch is a Polish-Canadian PhD student in Cultural Mediations at Carleton University, situated on unceded Algonquin territory in Ottawa, Canada. Her research focus is on Indigenous and Slavic Futurism, spaces of cultural hybridity, and post-memory in the diaspora, specifically around diasporic and mixed identity. She is a curator, mixed-media artist and co-director of the Indigenous+Diasporic Friendship Festival in Ottawa, connecting diasporic/immigrant communities with local Indigenous communities through art, academia and culture.

Criteria for the Scholarship

Awardees were chosen at random and fulfilled the following criteria:

  • Individuals were registered for the Annual Conference by the Early Registration deadline
  • Individuals are current CAA members with proof of student status
  • Individuals did not receive conference registration or travel reimbursement from their institution or employer

We look forward to seeing you in Chicago next month! The 108th Annual Conference is February 12-15, 2020. Click here to explore the conference program.

Attendees at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo

Each spring, members have the opportunity to provide crucial service to the field and gain an inside view by volunteering to work on a CAA committee or editorial board.

Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.

CURRENT OPPORTUNITIES

Art Journal—Editor-In-Chief
Deadline (extended): June 1, 2020

caa.reviews—Field Editor for East Asian Art
Deadline (extended): June 1, 2020

Publications Committee—Two Members
Deadline (extended): June 1, 2020

PAST OPPORTUNITIES

Art Journal / Art Journal Open (AJO) Editorial Board—Three Members
Deadline: April 15, 2020

The Art Bulletin Editorial Board—One Member
Deadline: April 15, 2020

The Art Bulletin—One Reviews Editor or Coeditor Team
Deadline: April 15, 2020

caa.reviews Editorial Board—Three Members (One an Emerging Professional)
Deadline: April 15, 2020

caa.reviews—Eight Field Editors
African Art, African Diaspora/African American Art, Architecture and Urban Planning, Asian Art, Contemporary Art, Exhibitions: East Coast, Exhibitions: Midwest, Exhibitions: West Coast
Deadline: April 15, 2020

Sign Up for Mock Interviews at CAA 2020

posted by January 06, 2020

Interview booths at the 2018 Annual Conference in Los Angeles. Photo: Rafael Cardenas

Each year at CAA, the Students and Emerging Professionals Committee (SEPC) offers 30-minute mock interviews for those looking to develop and refine interviewing skills, including job-seekers. Participants practice one-on-one with a seasoned interviewer and receive candid feedback.

SEPC makes every effort to accommodate all applicants, however, space is limited. Interviews are available by appointment via the pre-conference Google Registration Form. Registration is Monday,  January 6 to Friday, January 31. Participants will be notified of their slot by e-mail. With confirmation, we’ll request a CV and cover letter for your interviewer. On-site registration will be available at the conference, but pre-registering is strongly recommended for those whose conference plans are confirmed to get more tailored training and feedback.

Free of charge, CAA members only. Sign up via the pre-conference Google Registration Form.

Announcing Pay-as-You-Wish Day for CAA 2020

posted by December 13, 2019

Attendees at the 2019 Annual Conference in New York. Photo: Ben Fractenberg

We’re looking forward to seeing everyone in Chicago, February 12-15, 2020 for the Annual Conference.

We are excited to announce that we will offer Pay-as-You-Wish for one day, Friday, February 14, thanks to generous support from the Carl & Marilynn Thoma Art Foundation. 

On Wednesday, Thursday, and Saturday, we will offer a variety of onsite registration options including:

  • Single-session timeslot ticket— $20
  • Book & Trade Fair only pass— $20
  • One Day Pass (includes sessions and Book & Trade Fair)— $100
  • Full conference registration— prices vary depending on membership tier

In addition, we have extended Early Registration until 11:59 PM (EST), Wednesday, December 18! Take advantage of early registration, the lowest rates for the full conference, and don’t forget to grab a ticket for our Opening Reception, hosted by Columbia College Chicago.

CLICK HERE TO REGISTER

VISIT THE CONFERENCE SITE

HOTELS AND TRAVEL

Filed under: Annual Conference

Apply for a Childcare Grant for CAA 2020

posted by December 06, 2019

Attendees at 2018 Annual Conference in Los Angeles. Photo: Rafael Cardenas

Thanks for your interest! As of January 2, 2020, childcare grants are at capacity and the application portal is closed.


CAA recognizes the need among members for childcare support during the Annual Conference. In our effort to better meet these needs, CAA now offers grants of up to $250 per family.

Grants are available for CAA members who are registered for the conference and will bring their child to the conference, or who will incur extra care-giving expenses while away from their dependents.

APPLICATION CLOSED

Deadline to apply: January 5, 2020

Grant funding is limited and grants will be filled on a first-come, first-served basis. (If you signed up for the now-canceled onsite care with Kiddie Corp, you will be given priority.) The grants will be given as a reimbursement for expenses up to $250 upon submission of receipts or invoices.

Examples of allowable expenses

  • Childcare expenses incurred on-site at the conference.
  • Daycare above and beyond what is normally scheduled because member is attending the conference (for example, overtime at a daycare center, cost of a sitter, etc.)
  • Travel expenses incurred in bringing a caregiver/family member to supervise your child at the conference or at your home.
  • Travel expenses incurred in bringing a child to a caregiver/family member.

Note: Care must occur during the conference dates. Attendees are responsible for making their own arrangements. CAA does not sanction or recommend childcare providers and does not assume responsibility or liability for childcare services of any sort. It is the responsibility of the parent(s) to thoroughly investigate all childcare providers.

Expenses not eligible for reimbursement

  • Normally scheduled childcare expenses in your home city.
  • Toys, and tickets to museums, amusement parks, etc.
  • Travel or other expenses related to the attendee’s participation in the meeting, conference registration, meals, or other expenses the attendee would already be incurring by attending the meeting.

Reimbursement procedure

  • Reimbursement forms will be distributed to grantees upon notification, the completed PDF must accompany a scan of receipts.
  • Recipients of a grant must submit receipts for reimbursable expenses by email to Mira Friedlaender, mfriedlaender@collegeart.org with the subject line “Child Care Reimbursement”, by March 5, 2020
  • Reimbursements will be distributed within 3-4 weeks of CAA’s receipt of complete documentation.

Grants will be awarded on a rolling basis. The deadline to apply for the grant is January 5, 2020.

APPLICATION CLOSED

Questions about childcare grants for the Annual Conference? Email mfriedlaender@collegeart.org

The following Chicago-based childcare services are available for attendees seeking childcare during conference. CAA has no contract with these service providers, and this list should not be considered an endorsement of any companies listed.

American Childcare
207 East Ohio Street, 121, Chicago, IL 60611
Phone: 312-644-7300
Website: http://www.americanchildcare.com/hotel_babysitting.htm

College Sitters
1000 West Diversey Parkway, 234, Chicago, IL 60614
Phone: 773-697-9326
E-mail: lincolnparkil@collegenannies.com
Website: http://www.collegenanniesandtutors.com/nechicagoil

Sitters Studio
Phone: 312-890-8194
E-mail: bookchicago@sittersstudio.com
Website: http://www.sittersstudio.com/hotel-care/

Filed under: Annual Conference

Apply to Join the CAA Council of Readers

posted by November 26, 2019

In preparation for the spring submission cycle for the 2021 Annual Conference in New York, the Annual Conference Committee will appoint up to 22 new members to the Council of Readers. Council members read and rate session and presentation proposals and serve a crucial role in the review process for the Annual Conference.

Over 950 proposals are submitted for review each year for selection to the conference program. Each proposal is read by three Council members. By providing their time, knowledge, and expertise of their fields, the council helps to shape the conference program.  Each member of the Council reviews up to 60 proposals per year from across CAA’s fields of study and as much as possible from within their self-identified scholarly focus and knowledge. Most proposals include one 250-word abstract, while complete session submissions can include 4-5 abstracts (1250 words). Each reader receives a similar amount of content.

Requirements for Readers

  • Current CAA membership
  • Time commitment to read and review no more than 60 proposals online in May 2020
  • Ability to participate as a Council of Readers member for up to three years
  • Readers are required to read and abide by CAA’s Statement on Conflict of Interest and Confidentiality
  • Abbreviated CV uploaded to online form
  • Completed online form

Application deadline: January 14, 2020

APPLY HERE

More details:

  • The Council of Readers is a group of 50 to 75 CAA members from Professional Committees, Affiliated Societies, and general membership overseen by the Annual Conference chair.
  • Readers will be asked to review proposals from across CAA’s fields of study, and as much as possible from within their self-identified scholarly focus. Readers with broad areas of interest are encouraged to participate.
  • The proposals will be distributed by May 11 and must be completed by June 8, 2020.
  • Readers will access abstracts and complete their reviews in our online system, with orientation and support from the Annual Conference Committee and CAA staff members.
  • Each proposal is read and reviewed in the online portal by three different Council members.
  • The majority of proposals include a single 250-word abstract, while complete session submissions can include 4-5 abstracts (1250 words).
  • Readers will review no more than 60 proposals each, with proportional share of abstracts.
  • For each proposal, Readers will use a scale of 1-5 to answer five questions and also enter a short comment for the Annual Conference Committee’s review.
  • Members of the Council of Readers serve a three-year term on a rotation so that each year, one third of the council is new.
  • The Council of Readers does not meet together in person or electronically.
  • After proposals are read and reviewed by the Council, the chair reports to the Annual Conference Committee on session topics, including identifying possible areas of content that are missing from the submissions received.
  • The chair finalizes the conference content based on the reviewed submissions.

Pleas email Mira Friedlaender, Manager of Annual Conference, mfriedlaender@collegeart.org, or Tiffany Dugan, Director of Programs and Publications, tdugan@collegeart.org, with any questions.

Filed under: Annual Conference, Service

Apply to be a Mentor or Mentee at CAA 2020

posted by November 25, 2019

Attendee at the 2019 Annual Conference in New York. Photo: Ben Fractenberg

We invite you to participate in CAA’s mentorship program during the 108th Annual Conference, taking place February 12-15, 2020 in Chicago.

Mentoring appointments offer support for current CAA members at any stage of their career, regarding professional development and portfolio review. Applicants are paired in one-on-one meetings with an experienced professional from within the membership for individual twenty-minute consultations. Topics are open and may include: how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews. Whenever possible, CAA matches participants and mentors based on medium or discipline.

Conference registration, while encouraged, is not necessary to participate. Meetings are made by appointment only, in advance of the conference. Participants are chosen by a lottery and are notified of their scheduled date and time slot by email in early 2020. Limited slots may be available during the conference. Visit the CAA Information booth in Registration during the conference for more information.

As part of a pilot to expand CAA mentorship, CAA will support pairs that choose to continue their dialog for the following six months after meeting at the conference. Please consider if you might be able to commit to a minimum of three check-ins and to give feedback via online form at the end of September 2020.

To sign up for an appointment, complete this form:

REQUEST AN APPOINTMENT

To volunteer to mentor, please complete this form:

VOLUNTEER TO MENTOR