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CAA News Today

News from the Art and Academic Worlds

posted by Christopher Howard — Jul 29, 2015

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Questions to Ask before Applying to an Artist Opportunity

Breaking into the art world is a difficult task, but it doesn’t have to be. To be a successful artist, you must be determined, hardworking, and passionate about your field of work. It also helps to understand how the art world does business: how to find the opportunity that is the best fit for you, how to avoid predatory scams, and how to build your résumé for the future. (Read more from the New York Foundation for the Arts.)

Before Applying to an Artist Opportunity: Beware the Ides of Arts

One of the biggest problems facing artists today is the multitude of scams and schemes, especially those on the internet. And no, it’s not just the foreign princes looking to transfer money. Every artist wants to be discovered and make it big, but that doesn’t mean you should hastily leap into opportunity without looking first. (Read more from the New York Foundation for the Arts.)

Is It Okay to Haggle with an Art Gallery?

There’s a painting that I’d like to purchase from a smaller gallery here in town, but it’s out of my budget. Not by much, but in order to buy it, the price needs to come down. Can I try to negotiate with the gallery? I come from the business side of things, so that’s a normal practice for my realm, but I don’t want to anger anyone, or seem rude. (Read more from Burnaway.)

Grant Dispute Throws an Unwritten Rule of Academic Poaching out the Window

Among research universities a longstanding gentlemen’s agreement has held that a scientist who moves from one institution to another is allowed to carry any grant support along to his or her new home. Now, with universities counting every dollar, that bit of protocol may become a quaint courtesy of days gone by. (Read more from the Chronicle of Higher Education.)

Saying Yes

While it’s true that new hires need to learn to say no so they don’t get overwhelmed and fall behind on their scholarship, it’s also important to decide which opportunities to accept or decline. What are the offers worth saying yes to? When might saying no really be declining a valuable opportunity? Are there ways that saying yes to certain opportunities might help to advance, rather than take time away from, your own research agenda? (Read more from Inside Higher Ed.)

Where Does Innovative Teaching Come From?

There’s a long-standing tradition of informal sharing of pedagogical innovation among K–12 teachers and a whole line of research on this phenomenon, which is known as teacher leadership. The same type of informal faculty leadership exists in higher education as well, but there is very little research on this topic, according to Pete Turner, education faculty member and director of the Teacher Education Institute at Estrella Mountain Community College. (Read more from Faculty Focus.)

Why Collect Artist’s Books and Zines?

The Brooklyn-based publisher Blonde Art Books recently organized its third annual Bushwick Art Book and Zine Fair (BABZ), a three-day event featuring a few dozen independent publishers, alongside workshops and performances. The presence of something like BABZ is not particularly surprising: a market for do-it-yourself printed matter still exists, whether at art-book fairs, at stores like Printed Matter, or in university library collections. What drives collectors to keep these venues running? What, or who, fuels the market? (Read more from Artslant.)

In Conversation: Peter Schjeldahl with Jarrett Earnest

In the pantheon of art writers, Peter Schjeldahl holds a special place as one of the greatest living critics. As an art critic for the New Yorker since 1998, he is alive to the nuanced movements of his own feelings, which he charts over the course of each review. This summer he met with the Rail’s Jarrett Earnest to discuss the interconnections between seeing, feeling, and writing. (Read more from the Brooklyn Rail.)

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