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posted by CAA — Dec 08, 2017

Katie Hornstein discusses Of Elephants & Roses: French Natural History, 1790–1830 by Sue Ann Price. Read the full review at caa.reviews.

K.L.H. Wells reviews Live Form: Women, Ceramics, and Community by Jenni Sorkin. Read the full review at caa.reviews .

Christina Fail writes about Activating Democracy: The “I Wish to Say” Project edited by Sheryl Oring. Read the full review at caa.reviews.

Kate Warren writes on TarraWarra Biennial 2016: Endless Circulation by Victoria Lynn and Helen Hughes. Read the full review at caa.reviews.

Monica Bravo takes a look at Paint the Revolution: Mexican Modernism, 1910–1950 edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello. Read the full review at caa.reviews.

Joseph Hammond reviews Renaissance Art in Venice: From Tradition to Individualism by Tom Nichols. Read the full review at caa.reviews.

Akela Reason writes on Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950 by Sarah Kate Gillespie, Janice Simon, Meredith E. Ward, and Kimberly Orcutt. Read the full review at caa.reviews.

Kathleen Chapman reviews Jasper Johns and Edvard Munch: Inspiration and Transformation edited by John B. Ravenal. Read the full review at caa.reviews.

  

Jane Chin Davidson discusses Women, the Arts and Globalization: Eccentric Experience edited by Marsha Meskimmon and Dorothy C. Rowe and Home/Land: Women, Citizenship, Photographies edited by Marion Arnold and Marsha Meskimmon. Read the full review at caa.reviews.

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