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posted by CAA — Dec 08, 2017

Katie Hornstein discusses Of Elephants & Roses: French Natural History, 1790–1830 by Sue Ann Price. Read the full review at

K.L.H. Wells reviews Live Form: Women, Ceramics, and Community by Jenni Sorkin. Read the full review at .

Christina Fail writes about Activating Democracy: The “I Wish to Say” Project edited by Sheryl Oring. Read the full review at

Kate Warren writes on TarraWarra Biennial 2016: Endless Circulation by Victoria Lynn and Helen Hughes. Read the full review at

Monica Bravo takes a look at Paint the Revolution: Mexican Modernism, 1910–1950 edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello. Read the full review at

Joseph Hammond reviews Renaissance Art in Venice: From Tradition to Individualism by Tom Nichols. Read the full review at

Akela Reason writes on Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950 by Sarah Kate Gillespie, Janice Simon, Meredith E. Ward, and Kimberly Orcutt. Read the full review at

Kathleen Chapman reviews Jasper Johns and Edvard Munch: Inspiration and Transformation edited by John B. Ravenal. Read the full review at


Jane Chin Davidson discusses Women, the Arts and Globalization: Eccentric Experience edited by Marsha Meskimmon and Dorothy C. Rowe and Home/Land: Women, Citizenship, Photographies edited by Marion Arnold and Marsha Meskimmon. Read the full review at

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