posted by CAA — September 26, 2021
The September Picks from the Committee on Women in the Arts highlights a selection of events, exhibitions, and calls for work that includes feminist and womxn artists, and addresses issues about reproductive rights and the female body, equal access to education, and previously under-recognized contributions from womxn artists to the visual arts.
Carmen Winant: The Making and Unmaking of the World
September 18, 2021 – November 27, 2021
Carmen Winant’s work is engaged with the politics, value, and meaning of caretaking and labor traditionally taken on by women. The Making and Unmaking of the World includes nine mobiles, eight collages, and a large-scale, site-specific installation entitled The Actual World (2021). These works combine photographic materials that Winant has collected from instructional books about craft from the 1970s. Both her approach to making these pieces and the source material itself challenge the categorization of fine art vs. craft.
GAIA FUGAZZA: VIRGINITY IS NOT A CONTRACEPTIVE
September 13, 2021 – October 22, 2021
Gaia Fugazza’s Virginity Is Not a Contraceptive includes several mixed-media pieces that reference the female body and fertility juxtaposed with imagery of the cosmos and the natural world. Fugazza’s work is layered and carved, marked by the artist’s hand, and often incorporates natural materials such as beeswax and animal skin. The artist takes great care to reveal and conceal certain aspects of each composition, referencing the complicated and multifaceted nature of identity and the interconnected nature of life.
For the Record: Celebrating Art by Women
continues through October 3, 2021
For the Record: Celebrating Art by Women is made up of pieces from the Norton Museum of Art’s collection that specifically reference the role of women’s contributions in the visual arts. The exhibit includes painting, sculpture, works on paper, photography, and video from both 20th and 21st-century artists and emphasizes their varied and diverse practices. The exhibit also encourages viewers to consider gender equity both within and outside of the art world.
July 17, 2021 - October 31, 2021
Cushing & Morris Galleries
Hair Stories brings together artists whose work centers around hair as a subject or material. The exhibit frames the political, cultural, and gendered implications of hair and offers a more nuanced understanding of its role in shaping our understanding of ourselves and others. Featured artists include Eunice Adorno, Melanie Bilenker, Tara Bogart, María Magdalena Campos-Pons, Sonya Clark, Sean M. Johnson, Nneka Kai, Vivian Keulards, Wangui Maina, Ana Mendieta, Patricia Miranda, Zanele Muholi, J.D. ‘Okhai Ojeikere, Rachel Portesi, Shahzia Sikander, Lorna Simpson, Gu Wenda, Nafis M. White, Anne Wilson, and D.M. Witman.
Any Distance Between Us
July 17, 2021 – March 13, 2022
Any distance between us is curated by artist-writer Stephen Truax (RISD BFA 2007, Painting) in collaboration with Dominic Molon, the Richard Brown Baker Curator of Contemporary Art at RISD Museum and focuses on works from the museum’s collection that explore the importance of intimate relationships. The exhibit is made up of works by 25 artists who identify as Queer and of color including, Louis Fratino, Aaron Gilbert, Doron Langberg, Deana Lawson, Catherine Opie, Jack Pierson, Elle Pérez, and Salman Toor.
Tomashi Jackson, detail from Brown II, 2021. Image courtesy of the artist and the Tilton Gallery
Tomashi Jackson: Brown II
September 20, 2021–January 15, 2022
Tomashi Jackson’s Brown II, commissioned by the Harvard Radcliffe Institute, explores the landmark Brown v. Board of Education of Topeka Supreme Court decision. Working with a research team of students Jackson interviewed experts and culled the Schlesinger Library archives to inform her practice and visual this historic moment.
posted by CAA — September 15, 2021
The AHA has released a statement condemning the harassment and intimidation of participants, organizers, and university sponsors of the virtual conference “Dismantling Global Hindutva: Multidisciplinary Perspectives.” “Conferences, both in person and across digital platforms, are critical to the exchange of ideas among historians and our colleagues in other disciplines,” the AHA wrote. “Disruptions to a conference represent an assault on the principle of academic freedom, and the AHA stands unequivocally with participants in this conference and its sponsors in their right to exchange ideas without fear of threats and intimidation.”
To date, 15 organizations have signed onto this statement.
posted by Allison Walters — September 13, 2021
Supporting excellence in the arts for over 100 years, CAA and its members are highly integrated into the fabric of art and its history, particularly in New York City. On September 1, 2021, CAA had the privilege to highlight its impact in an event featuring its distinguished awardees and partnerships. The event, an Inaugural Evening with CAA Distinguished Awardees and Artists, recognized the talent of CAA’s membership and reaffirmed CAA’s commitment and advocacy for scholars, artists, designers, teachers, young professionals, and many others.
Surrounded by recent artworks created by The League’s faculty members, CAA Executive Director and CEO Meme Omogbai introduced celebrated critic and curator Nicole R. Fleetwood. Fleetwood delivered a private presentation discussing her book and exhibition Marking Time: Art in the Age of Mass Incarceration, including detailed insights into the backstory and personal inspiration behind the important project. The book, published by Harvard University Press, unprecedently won both CAA’s Frank Jewett Mather and Charles Rufus Morey book awards in 2021. It was also reviewed across CAA’s publications, including The Art Bulletin, Art Journal, and caa.reviews. Fleetwood’s book accompanies a groundbreaking exhibition that began at MoMA PS1 in 2020 and continues to travel; it will open on September 17 at the Abroms-Engel Institute for the Visual Arts at the University of Alabama at Birmingham and be on view through December 11, 2021.
The reception also commended CAA’s Outstanding Leadership in Philanthropy Award recipient, the Samuel H. Kress Foundation. The Samuel H. Kress Foundation has supported CAA in its mission for over 60 years, through programs in art history and, more recently, digital transformation. With support from the Samuel H. Kress Foundation, CAA’s new strategic focus on digital initiatives will bridge history, scholarship, and accessibility to better serve all segments of its constituency, especially underprivileged audiences.
The Art Students League of New York graciously hosted CAA for this event. Like CAA, The League is an organization with a long history of promoting the arts and education. Indeed, CAA and The League have been highly integrated into the fabric of art and its history in New York City and have been closely intertwined, collaborating on several events and initiatives dating back to at least the 1950s.
Located west of The League, the site-specific exhibition Re:Growth, A Celebration of Art, Riverside Park, and the New York Spirit, curated by Karin Bravin, included several artists from the CAA community: current CAA Board Member Dahlia Elsayed, former Board President DeWitt Godfrey, and CAA member Jean Shin. While the weather prevented a group walk-through of the exhibition, Elsayed spoke to attendees about the unique exhibition, her sculpture in the show, and its significance.
Altogether, the evening underscored CAA’s wide reach and impact in the arts and the talent of its members. As the largest international organization of arts professionals, CAA has a vital mission to promote the visual arts and their understanding through intellectual engagement, commitment to diversity, and advocacy. This upcoming year will provide opportunities to celebrate several milestones in this mission. CAA’s next virtual event in November 2021, will celebrate the 10-year anniversary of the publication of CAA’s seminal history, The Eye, the Hand, the Mind: 100 Years of the College Art Association. In February 2022, CAA will host its first hybrid Annual Conference in Chicago and online; registration will open in October.