CAA News Today
Exhibitions Curated by CAA Members
posted Dec 15, 2013
Exhibitions Curated by CAA Members
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
David S. Areford. The Art of Empathy: The Cummer “Mother of Sorrows” in Context. Cummer Museum of Art and Gardens, Jacksonville, Florida, November 26, 2013–February 16, 2014.
Donna Gustafson and Susan Sidlauskas. Striking Resemblance: The Changing Art of Portraiture. Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, January 25–July 13, 2014.
Daniel G. Hill. Raisonnement circulaire (Circular Reasoning). ParisCONCRET, Paris, France, June 16–July 7, 2012
Andrea Kantrowitz. Tracing Experience: Morgan O’Hara, Bill Sayles, Josette Urso, and Jen Wright. Macy Gallery, Teachers College, Columbia University, New York, October 7–November 1, 2013.
Katarina Lanfranco. Poetry Slam: damali abrams, Jessica Campbell, Samuel Jablon, and Mwamba-Salim Wilson. Rhombus Space, Brooklyn, New York, September 20–October 13, 2013.
Katarina Lanfranco. Fine Lines: Helen Dennis, Nils Folke Anderson, Jason Peters, and Ann Stewart. Rhombus Space, Brooklyn, New York, October 18–November 17, 2013.
Katarina Lanfranco and MaDora Frey. A-Side/B-Side: Helen Dennis, Nils Folke Anderson, Jason Peters, and Ann Stewart. Rhombus Space, Brooklyn, New York, December 13, 2013–January 19, 2014.
Lee Ann Paynter. Process : Effect : Reconsider. Spot 5 Art Center and Gallery, Louisville, Kentucky, September 23–November 2, 2013.
Perri Lee Roberts. The Material of Culture: Medals and Textiles from the Ulrich A. Middeldorf Collection. Georgia Museum of Art, University of Georgia, Athens, Georgia, October 26, 2013–January 12, 2014.



Master of the Stötteritz Altar, Mother of Sorrows, ca. 1480, oil on panel, 8¾ x 6½ in. Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz, AG.1984.1.1 (artwork in the public domain)
Rineke Dijkstra, Castricum aan Zee, The Netherlands, June 1992, 1992 (printed 2005), chromogenic print, 43¼ x 50 3/8 in. (artwork © Rineke Dijkstra; photograph provided by the artist and Marian Goodman Gallery, New York)
Installation view of Raisonnement circulaire. On wall from left: Mary Schiliro, Circuitous Dip, 2012, acrylic on Mylar, 25½ x 18 in. (artwork © Mary Schiliro); Mary Judge, Exotic Hex Series S10/1, 2005, powdered pigment on paper, 20 x 20 in. (artwork © Mary Judge); David Henderson, Glorieux, 2012, fiberglass and paint, 33 x 26 x 38 cm (artwork © David Henderson). On floor: Nathalie Delasalle, Force Majeure, 2011, marbre de synthèse, 90 x 90 x 40 cm (artwork © Nathalie Delasalle).
Samuel Jablon, Poet Sculpture, 2013, enamel on plywood, variable dimensions (artwork © Samuel Jablon)
Jason Peters, Untitled, silver ink on black paper, 11 x 11 x 6½ in. (artwork © Jason Peters)
Invitation card for Process : Effect : Reconsider
Dalmatic, Anonymous, Italian, ca. 1450–75, Orphreys, embroidery, silk, and metallic thread on linen plain weave, velvet, 104.1 x 111.8 cm. Detroit Institute of Arts, Gift of Mr. and Mrs. Edgar B. Whitcomb. Acc. no. 37.56 (artwork in the public domain)