CAA News Today
Participate in ARTexchange at the Los Angeles Conference
posted Aug 09, 2011
CAA’s Services to Artists Committee invites artist members to participate in ARTexchange, an open forum for sharing work at the 2012 Annual Conference. Free and open to the public, ARTexchange will be held on Friday, February 24, 5:30–7:30 PM, in a central location at the Los Angeles Convention Center. A cash bar will be available.
ARTexchange is an annual event showcasing the art of CAA members, who can exhibit their paintings, drawings, prints, photographs, sculptures, and digital works using the space on, above, and beneath a six-foot folding table. Artists may also construct temporary mini-installations and conduct performance, sound, and spoken-word pieces in their space. In the past, many ARTexchange participants found the event to be their favorite part of the conference, with the table parameter sparking creative displays.
To be considered for ARTexchange in Los Angeles, please send your full name, your CAA member number, a brief description of the work you want to exhibit (no more than 150 words), and a link to your website to Lauren Stark, CAA manager of programs. Artists presenting performance or sound art, spoken word, or technology-based work, including laptop presentations, must add a few sentences about their plans. Accepted participants will receive an email confirmation. Because ARTexchange is a popular venue with limited space, early applicants will be given preference. Deadline extended: January 6, 2012.
Participants are responsible for their work; CAA is not liable for losses or damages. Sale of work is not permitted. Participants may not hang artworks on walls or run power cords from laptops or other electronic devices to outlets—bring fully charged batteries. For the first time, CAA will provide wireless internet to ARTexchange participants free of charge.
Top image: The artist Dennis Olsen chats about his work with a fellow printmaker, Pantea Karimi, at ARTexchange in 2011 (photograph by Bradley Marks)
Bottom image: The interdisciplinary artist Rachel Hines performs a work called Interview during ARTexchange in New York (photograph by Bradley Marks)
2012 Annual Conference Website Goes Live
posted Aug 05, 2011
The website for the 100th Annual Conference and Centennial Celebration, taking place February 22–25, 2012, at the Los Angeles Convention Center, is now live. Get a taste of conference highlights and read about what you receive with registration, such as access to all program sessions and admission to the Book and Trade Fair.
You may also begin thinking about your travel plans: American Airlines, Amtrak, and Avis provide promotional codes for special reduced rates, and CAA offers three travel stipends for attendees, including twenty awards through the newly established CAA International Travel Grant Program, generously funded by the Getty Foundation. Companies and organizations interested in exhibiting in the Book and Trade Fair will find application materials, booth descriptions, and preliminary schedules.
Between now and February, CAA will update the website regularly, with new information on the Awards for Distinction presentation, special receptions, postconference tours, and more. Later this month, CAA will publish the names of the three conference hotels and list room rates and reservation instructions. The titles of program sessions, events in ARTspace, biographies of the Convocation speaker and Distinguished Scholar, participants in the Annual Artists’ Interviews, and topics of professional-development workshops will come later this fall.
Online registration will open in early October 2011, with the lowest rates available for members and nonmembers alike between then and early December.
CAA Seeks Nominations for the 2012 Awards for Distinction
posted Aug 02, 2011
To conclude the Centennial year, CAA encourages members to nominate colleagues for ten of the twelve Awards for Distinction for 2012, to be awarded next February at the 100th Annual Conference in Los Angeles, California. The different perspectives and anecdotes from multiple personal letters of recommendation provide award juries with a clearer picture of the qualities and attributes of the nominees.
In the letter, state who you are; how you know (of) the nominee; how the nominee and/or his or her work or publication has affected your practice or studies and the pursuit of your career; and why you think this person (or, in a collaboration, these people) deserves to be recognized. You should also contact up to five colleagues, students, peers, collaborators, and/or coworkers of the nominee to write letters.
All submissions must include a completed nomination form and one copy of the nominee’s CV (limit: two pages); book awards do not require a CV. Nominations for book and exhibition awards should be for the authors of books published or works exhibited or staged between September 1, 2010, and August 31, 2011. No more than five letters per candidate are considered.
Please read the descriptions of the twelve awards, the names of all past recipients, and the full instructions for nominations. You may also write to Lauren Stark, CAA manager of programs, for more information. Deadline: August 31, 2011. The deadline for the Charles Rufus Morey Book Award and the Alfred H. Barr Jr. Award passed on July 31.
Representative Tim Huelskamp from Kansas Offers Amendment to Eliminate NEH Funding
posted Jul 26, 2011
Jessica Jones Irons, executive director of the National Humanities Alliance (NHA), sent the following Humanities Action Alert by email on Monday, July 25, 2011. Founded in 1981, NHA is a nonprofit organization that works to advance national humanities policy in the areas of research, education, preservation, and public programs.
Rep. Tim Huelskamp from Kansas Offers Amendment to Eliminate NEH Funding
Dear Colleague:
This afternoon, the US House of Representatives began debating the Interior, Environment, and Related Agencies spending bill (H.R. 2584). In last week’s action alert, I mentioned that amendments could be offered on the floor that would further reduce funding for the National Endowment for the Humanities beyond the $135 million in FY 2012 funding approved by the Appropriations Committee ($19.7 million, or 13 percent cut from the current year).
Just hours ago, Rep. Tim Huelskamp (R-KS) offered an amendment to reduce funding in the Interior bill by $3 billion in various accounts, including $1.9 billion in EPA spending, as well as complete elimination of the National Endowment for the Humanities and the National Endowment for the Arts (among other programs). The Huelskamp amendment failed by voice vote, but a recorded vote was requested, and is expected to take place tonight.
Even if the current measure fails, additional amendments to weaken funding for NEH may be offered during this week’s floor consideration of the FY12 Interior bill. If you have not already done so, please email your representative and ask him or her to:
- Oppose any amendments to eliminate or further cut NEH funding in the FY12 Interior bill (H.R. 2584)
- Speak on the floor in support of the humanities and the benefits that NEH provides your community
If you would prefer to call the office directly, you can do so through the Capitol Switchboard at 202-224-3121
Earlier today, the Congressional Humanities Caucus Cochairs, Reps. David Price (D-NC) and Tom Petri (R-WI), issued a Dear Colleague letter urging members to oppose the Huelskamp amendment. Reps. Price and Petri are still planning to lead a bipartisan “strike the last word” effort to protect NEH and provide members an opportunity to join their colleagues on the House floor to speak in support of the humanities. The timing of this effort is likely to coincide with the reading of the bill portion that references NEH funding (expected within the next 1–2 days).
Thank you for taking action. We will continue to post updates as new information becomes available.
Sincerely,
Jessica Jones Irons
Executive Director
National Humanities Alliance
Letter to House of Representatives Protesting Further NEA Budget Cuts
posted Jul 25, 2011
The Executive Committee of the Board of Directors approved the addition of CAA’s name to a letter protesting the proposed budget cuts to the National Endowment for the Arts. Thomas L. Birch, legislative counsel for the National Assembly of State Arts Agencies, spearheaded the initiative and sent the missive to the US House of Representatives today.
Letter to US House of Representatives Protesting Further NEA Budget Cuts
July 25, 2011
US House of Representatives
Washington, DC 20515
Dear Representative,
As the FY12 Interior Appropriations bill comes to the floor for consideration by the full House, we write to urge you to prevent further cuts to funding for the National Endowment for the Arts (NEA). The direct federal investment in the artistic capacity of our nation supports thousands of jobs, strengthens communities, improves lifelong learning, and boosts this country’s international competitive advantage.
Every US Congressional district benefits from an NEA grant, leveraging additional support from a diverse range of private sources to combine funding from government, business, foundation, and individual donors. The NEA awarded almost 2,400 grants in those districts in FY10. The NEA has provided strategic leadership and investment in the arts for more than forty years. Americans can now see professional productions and exhibitions of high quality in their own hometowns. Among the proudest accomplishments of the NEA is the growth of arts activity in areas of the nation that were previously underserved or not served at all, especially in rural and inner-city communities.
Nationally, there are 668,267 businesses in the United States involved in the creation or distribution of the arts that employ 2.9 million people including visual artists, performing artists, managers, marketers, technicians, teachers, designers, carpenters, and workers in a wide variety of trades and professions. By direct grants and through allocations to each state, NEA dollars are distributed widely to strengthen the arts infrastructure and ensure broad access to the arts for communities across the country.
The NEA funds school-based and community-based programs that help children and youth acquire knowledge and understanding of, and skills in, the arts. The NEA also supports educational programs for adults, collaborations between state arts agencies and state education agencies, and partnerships between arts institutions and educators.
We understand fully the shared sacrifice that we all must make in order to help get our nation’s fiscal house in order. But funding for the National Endowment for the Arts was already reduced by $12.5 million in FY11, and the FY12 Interior bill currently includes an additional $20 million in funding cuts. We urge you to prevent any further reduction to the investment in our nation’s arts and culture infrastructure when the Interior Appropriations bill is considered on the House floor.
Sincerely,
American Architectural Foundation
American Federation of Musicians
American Music Center
Americans for the Arts
Association of Art Museum Directors
Association of Performing Arts Presenters
Chamber Music America
Chorus America
College Art Association
Dance/USA
Fractured Atlas
League of American Orchestras
Literary Network
Local Learning: The National Network for Folk Arts in Education
National Alliance for Media Arts and Culture
National Alliance for Musical Theatre
National Assembly of State Arts Agencies
National Association of Latino Arts and Culture
National Council for the Traditional Arts
National Performance Network
OPERA America
Performing Arts Alliance
Society for the Arts in Healthcare
Theatre Communications Group
CAA Publishes an Updated Directory of Affiliated Societies
posted Jul 20, 2011
The Directory of Affiliated Societies, a comprehensive list of information for all seventy-four groups that have joined CAA as affiliate members, has just been updated. Please visit the directory to view a single webpage that includes the following information for each group: name, date of founding, size of membership, and annual dues; a brief statement on the society’s nature or purpose; and the names and contact information for you to get more information or to join. In addition, CAA links directly to each affiliated society’s homepage.
Joining the list this year are four organizations whose applications the CAA Board of Directors approved at its February 2011 meeting: Art, Literature, and Music in Symbolism and Decadence (ALMSD); the Asian American Women Artists Association (AAWAA); the Curator’s Network at Independent Curators International; and the National Alliance of Artists from Historically Black Colleges and Universities (NAAHBCU).
Recent Deaths in the Arts
posted Jul 14, 2011
In its semimonthly roundup of obituaries, CAA recognizes the lives and achievements of the following artists, scholars, curators, collectors, museum directors, and other men and women whose work has had a significant impact on the visual arts.
- Karen Aqua, a filmmaker and teacher based in Cambridge, Massachusetts, whose works in animation can be found in her eleven films and in the twenty-two segments she had created for Sesame Street since 1990, died on May 30, 2011. She was 57 years old
- José Argüelles, an eccentric artist and scholar who, after earning a doctorate in art history, taught aesthetics at universities nationally and wrote about the Mayan calendar in his book The Mayan Factor: Path beyond Technology, passed away on March 23, 2011, at age 72. He is known for organizing the Harmonic Convergence event of 1987
- Thomas N. Armstrong III, director of the Whitney Museum of American Art in New York from 1974 to 1990 and who later led the Andy Warhol Museum in Pittsburgh, died on June 20, 2011, at the age of 78. Armstrong facilitated the museum’s purchase of Frank Stella’s Die Fahne Hoch!, Jasper John’s Three Flags, and Alexander Calder’s Circus; he is also known for his firing of the curator Marcia Tucker, which prompted her to found the New Museum of Contemporary Art
- Ariege Arseguel, an independent art consultant and a former executive director of the Sonoma County Museum in California, died on June 5, 2011, at the age of 49. She had also worked for the San Francisco Art Institute, the San Francisco Museum of Modern Art, and the Museum of Fine Arts, Boston
- Terry Ball, an artist who drew architectural reconstructions, including historic depictions of the Tower of London and Windsor Castle, among other locations, died on February 23, 2011. He was 79 years old
- Luciano Bellosi, an art historian specializing in Italian artists from the thirteenth to fifteenth centuries—notably Cimabue, Duccio, Giotto, and Masaccio—died on April 26, 2011, at age 74. He taught medieval art history at the University of Siena from 1979 to 2006
- Ron Bone, a British painter known for his quiet interior scenes that critics compared to Andrew Wyeth and to seventeenth-century Dutch painting, died on February 26, 2011. He was 60 years old
- Claudio Bravo, a Chilean-born, largely self-taught artist who established his reputation in the 1960s by painting portraits of elite society in Spain and the Philippines, passed away on June 4, 2011, at age 74. Influenced by Mark Rothko and Antoni Tàpies, Bravo transitioned into trompe l’oeil paintings of drapery and crumpled paper in his later years
- Thalia Noras Carlos, a philanthropist who contributed millions of dollars worth of Greek and Roman antiquities to the Michael C. Carlos Museum, which bears the name of her late husband, at Emory University in Atlanta, passed away on May 22, 2011. She was 83 years old
- Leonora Carrington, a British-born Surrealist artist and writer and a muse to Max Ernst, died on May 25, 2011, at the age of 94. Though she traveled and exhibited her work internationally, she settled in Mexico City, where she spent time with her female artistic colleagues, Frida Kahlo and Remedios Varo, and developed her unique, highly praised painting style
- Ira Cohen, a filmmaker, photographer, poet, publisher, and musician whose greatest work was life itself, died on April 25, 2011, at the age of 76. The New York–based Cohen traveled internationally and had collaborated with William Burroughs, Gregory Corso, and Paul Bowles
- Stephen De Staebler, a Bay Area–based creator of figurative sculpture in clay and bronze that depicted hauntingly fractured body parts, died on May 13, 2011, at the age of 78. The de Young Museum in San Francisco will host a retrospective of his work, Matter and Spirit, that opens in January 2012
- Bernhard Heisig, a celebrated and criticized East German painter who addressed themes of suffering in war and under fascism, died on June 10, 2011, at the age of 86. After reunification, Heisig’s work was exhibited across the country and presented in a solo show at Berlin’s Martin Gropius Bau in 2005
- M. F. Husain, a painter often described as the Picasso of India, died on June 9, 2011, at the age of 95. After starting his career as a Bollywood poster and billboard artist, Husain shifted into a style of painting inspired by Hindu temple art and Cubism, and his controversial depictions of deities and politically charged nude women sent him into self-exile
- Denis Mahon, a historian and collector of art who contributed his significant collection of Italian Baroque paintings to several British institutions, died on April 24, 2011, at age 100. His book Studies in Seicento Art and Theory, published in 1947, is a leading text on the subject; he also wrote extensively about Caravaggio and Nicolas Poussin
- Adolfas Mekas, a filmmaker associated with New American Cinema and the founder, with his brother Jonas, of Film Culture, a journal that advanced avant-garde film, died on May 31, 2011, at age 85. Mekas was also a founding member of the film department at Bard College, directing the program from 1971 to 1994 and teaching there until 2004
- Robert Miller, an art dealer whose eponymous New York gallery represents many blue-chip artists and their estates, including Ai Weiwei, Diane Arbus, Lee Krasner, and Alice Neel, died on June 22, 2011. He was 72 years old
- Andrew Morgan, an artist and a professor in the Department of Art and Art History at the University of Miami from 1970 to 1987, died on March 18, 2011, at age 88. He was known for paintings and drawings of the Florida landscape and the Everglades
- Mordechai Omer, director and chief curator of the Tel Aviv Museum for the last seventeen years, passed away in June 2011 at the age of 70. He was also a professor at Tel Aviv University and worked to cultivate the Israeli art scene by supporting both young and established artists
- David E. Rust, a curator who worked at the National Gallery of Art in Washington, DC, for many years until his retirement in 1984, died on April 8, 2011, at the age of 81. A specialist in French painting, Rust also studied Spanish and Italian art
- John S. Slorp, president of the Minneapolis College of Art and Design from 1990 to 2002 and an accreditor for the National Association of Schools of Art and Design, passed away on May 21, 2011, at the age of 74. Previous to his stint in Minnesota, Slorp was president of the Memphis College of Art for eight years
- Jack Smith, one of four artists known as the Beaux Arts quartet—or the Kitchen Sink artists, after an article by the critic David Sylvester—who came to prominence in England in the 1950s with abstract paintings that channeled Social Realism, died on June 11, 2011. He was 82
- Cy Twombly, an influential and revered postwar abstract painter whom the critic Robert Hughes elevated to an artistic pantheon that included Jasper Johns and Robert Rauschenberg, died on July 5, 2011. He was 83 years old
- Osamu Ueda, an Osaka-born curator at the Art Institute of Chicago who catalogued the museum’s collection of Japanese woodblock prints in the Claire E. Buckingham Collection, died on January 30, 2011, at age 83. Ueda was the coeditor of an important museum book, The Actor’s Image: Print Makers of the Katsukawa School, published in 1994
- Polly Ullrich, a Chicago-based journalist who wrote for United Press International, the Milwaukee Journal-Sentinel, the Chicago Sun Times, and the New York Times before she turned to ceramics, which she created and exhibited across the United States, passed away on July 6, 2011, at age 60. Ullrich also lectured across the Midwest and taught at the School of the Art Institute of Chicago, where she earned an MA in art history, theory, and criticism in 1994
Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries to Christopher Howard, CAA managing editor, for the August listing.
Travel Grants to Attend the 2012 Annual Conference in Los Angeles
posted Jul 13, 2011
CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. In addition, the Getty Foundation has funded a one-year program that will enable twenty applicants from outside the United States to attend the 2012 Annual Conference in Los Angeles. Applicants may apply for more than one grant but can only receive a single award.
CAA Graduate Student Conference Travel Grant
CAA will award a limited number of $150 Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to attend the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012. To qualify for the grant, students must be current CAA members. Successful applicants will also receive a complimentary conference registration. Deadline: September 23, 2011.
CAA International Member Conference Travel Grant
CAA will award a limited number of $300 International Member Conference Travel Grants to artists and scholars from outside the United States as partial reimbursement of travel expenses to attend the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012. To qualify for the grant, applicants must be current CAA members. Successful applicants will also receive a complimentary conference registration. Deadline: September 23, 2011.
CAA International Travel Grant Program
Through the new CAA International Travel Grant Program, generously funded by the Getty Foundation, CAA will provide funds to twenty applicants that fully cover travel, lodging, and meal costs to attend the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012. Recipients will also receive conference registration and a one-year CAA membership. Applicants may be art historians, artists who teach art history, and art historians who are museum curators. Those from developing countries or from nations not well represented in CAA’s membership are especially encouraged to apply. Deadline: September 23, 2011.
Donate to the Annual Conference Travel Grants
CAA’s Annual Conference Travel Grants are funded solely by donations from CAA members—please contribute today. Charitable contributions are 100 percent tax deductible. CAA extends a warm thanks to those members who made voluntary contributions to this fund in 2010.
Image: Joseph Mallord William Turner, Rain, Steam and Speed—The Great Western Railway, 1844, oil on canvas, 35⅞ x 49 in. National Gallery, London (artwork in the public domain)
CAA’s Office Is Moving to 50 Broadway
posted Jul 12, 2011
After two years of research and numerous site visits in the five boroughs of New York, CAA signed a fifteen-year lease for a new office at 50 Broadway in lower Manhattan. The property—located in a rich historical district near Wall Street, Battery Park, Trinity Church, the National Museum of the American Indian, and the National September 11 Memorial and Museum—is owned by the 50 Broadway Realty Corporation, an entity of the United Federation of Teachers, which is headquartered in the building. The move comes at the end of CAA’s twenty-five-year lease at 275 Seventh Avenue in Chelsea.
The affordable, furnished office of approximately 9,500 square feet is located on a single floor with a variety of building amenities, including an auditorium, meeting rooms, and a staff cafeteria. It also features natural light through windows on the east, west, and north sides. Since the new office comes largely furnished, CAA has invested little in construction, equipment, and furniture, other than the purchase of a few desks, bookshelves, and a conference table and chairs. Two significant changes, a new telephone system and a new internet service provider, will improve member communications. The installation of carpet, resurfacing of concrete corridors, and repainting of office walls are currently under way and should be completed prior to the move day: Saturday, July 23, 2011.
Meanwhile, CAA staff has been reorganizing and purging files, archiving materials, completing a space utilization analysis, relocating books and periodicals, and coordinating logistics with the movers and with the managements of the old and new buildings. The physical move will happen in one day, and—aside from the normal readjustment period required to be comfortably relocated—CAA expects no interruption in services or operations: the main website, the Online Career Center, caa.reviews, and other online services and publications will all function normally.
CAA is excited about the prospect of becoming a player in lower Manhattan’s ongoing revitalization efforts for residential, commercial, and cultural purposes. The new address for the organization beginning Monday, July 25, 2011, is: College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. The primary telephone and fax numbers will remain the same: 212-691-1051 and 212-627-2381, respectively. CAA staff, however, will be unavailable from Thursday, July 21, through Monday morning, July 25; the telephone and fax numbers will also not be working during that time.
The CAA Board of Directors and staff wish to thank the legal acumen of Steven Alden and Jeffrey Cunard of Debevoise & Plimpton LLC and the real-estate expertise of Carri Lyon of Cushman & Wakefield in securing the new location. Everyone is welcome to attend an open house at the new CAA office, to be held on Saturday afternoon, October 22, 2011.
Committee on Women in the Arts Picks for July-August 2011
posted Jul 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
July–August 2011
Pablo Picasso, Woman with Bangs, 1902, oil on canvas, 24⅛ x 20¼ in. Cone Collection, Baltimore Museum of Art. BMA 1950.268 (artwork © 2011 Estate of Pablo Picasso/Artists Rights Society [ARS], New York; photograph provided by the Jewish Museum)
Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore
Jewish Museum
1109 Fifth Avenue, New York, NY 10128
May 6–September 25, 2011
The Cone sisters of Baltimore, Claribel and Etta, were a beacon of taste through their collection of modern art. The Jewish Museum has extracted fifty works from a collection of approximately three thousand that blossomed from purchases of works by Pablo Picasso and Henri Matisse—as early as 1905. After an introduction to the Parisian avant-garde by Gertrude and Leo Stein, the Cone Sisters accrued and displayed modernist treasures alongside an elegant collection of textiles and furniture from Africa, Asia, and Europe. The exhibition will gather these works, photographs, and archival material, allowing the public to ascertain their unrelenting appreciation of art objects.
Dara Birnbaum: Arabesque
Marian Goodman Gallery
24 West 57th Street, 4th Floor, New York, NY 10019
June 28–August 26, 2011
This summer, Marian Goodman Gallery will exhibit Dara Birnbaum’s new multichannel video piece Arabesque (2011) alongside a miniretrospective of early work such as the rarely seen Attack Piece, Mirroring, and Everything’s Gonna Be Alright. Arabesque, a meditation on the recurring “power struggle between male and female” that Birnbaum recognizes in her work, is inspired by the composer Clara Schumann’s work, life, and relationship with her much more famous husband, the composer Robert Schumann. This struggle arguably connects the work to her otherwise dissimilar video work from 1975–76, in which Birnbaum confronted gender inequality in the media, pop culture, and even her relationships with her male collaborators.
Cecil Beaton, Gertrude Stein, 1935, gelatin-silver print. Cecil Beaton Studio Archive at Sotheby’s. CM3794 (photograph provided by the Contemporary Jewish Museum)
Seeing Gertrude Stein: Five Stories
Contemporary Jewish Museum
736 Mission Street, San Francisco, CA 94103
May 12–September 6, 2011
The Contemporary Jewish Museum in San Francisco is spearheading an exploration of Gertrude Stein’s colossal creative ambitions and the legacy of her involvement in the arts. The exhibition mingles personal and acquired artifacts among five “stories,” or subcategories, of her life. The first, “Picturing Gertrude,” documents the writer’s transformations in appearance and her interpersonal magnetism through portraits by Man Ray, Cecil Beaton, and other artists. “Domestic Stein” uncovers the intimate relationship between Stein and her life-long partner, Alice B. Toklas, while presenting details from their eccentric homes in Paris and the south of France. “The Art of Friendship” reveals Stein’s influence on a younger generation of queer artists and writers through her collaborations with dance and opera. “Celebrity Stein”concentrates on Stein’s lecture tour across the United States in 1934–35, documented extensively by the media, and also her experience during both World Wars. Last, “Legacies” spotlights the impact of her undisguised sexuality, brash experimentation, and charm on artists such as Andy Warhol and Glenn Ligon. The exhibition will travel to the National Portrait Gallery in Washington, DC, from October 14, 2011, to January 22, 2012. Check the website of the Contemporary Jewish Museum for a number of lectures, performances, and events pertaining to the exhibition.
Claude Cahun
Jeu de Paume
1 place de la Concorde, Paris, France
May 24–September 25, 2011
Claude Cahun, born Lucy Renée Mathilde Schwob, was a vanguard French artist interested in bending the social perception of gender. Her androgynous photographic self-portraits from the 1920s not only fluctuated fluidly between male and female personae, they also presented innovative visual techniques like staging and montage. Although she was affiliated with the Surrealists in the 1930s, her theatrical emphasis on exposing predesigned assumptions about contemporary women inflamed their confrontations with reality. Despite this antagonism, Cahun’s photocollages and slew of writings—much of which is on display at Jeu de Paume—contributed to the momentum of the movement. Performance is inescapable in her photographs, which underscores her influence on photographers such as Cindy Sherman and Nan Goldin. This exhibition—the first large-scale presentation of her work in her native France in sixteen years—will travel to the Art Institute of Chicago and La Virreina Centre de la Imatge in Barcelona during 2011–12.
Guerrilla Girls, Erase Discrimination, 1999, ink on rubber, 1⅛ x 2½ x ¼ in. each. Collection of the Akron Museum of Art (artwork © Guerrilla Girls; photograph provided by the National Museum of Women in the Arts)
The Guerrilla Girls Talk Back
National Museum of Women in the Arts
1250 New York Avenue NW, Washington DC 20005
June 17–October 17, 2011
Since 1985 the legendary, gorilla-masked feminist collective the Guerrilla Girls have, in their own words, been “fighting discrimination with facts, humor, and fake fur.” The National Museum of Women in the Arts is celebrating more than twenty-five years of the group’s “guerrilla tactics” in fighting sexism and racism in the art world with the exhibition The Guerrilla Girls Talk Back. The show includes examples and documentation of the anonymous collective’s posters, stickers, billboards, books, and performances, which combine snarky satire with disturbing statistics to demonstrate the institutional exclusion of women and artists of color from both art history and contemporary art exhibitions.
Modern Women: Single Channel
MoMA PS1
22-25 Jackson Avenue, Long Island City, NY 11101
January 23–August 8, 2011
Alexandra Schwartz, curator of contemporary art at the Montclair Art Museum, gathered this group of single-channel videos by eleven female artists from the Museum of Modern Art’s permanent collection. Spanning from the 1960s to the late 1990s, the international selection offers the technical experiments of artists such as Pipilotti Rist and Kristin Lucas as well as conceptually groundbreaking precedents set by Joan Jonas and VALIE EXPORT. As a whole, the exhibition challenges the limitations of narrative, documentation, and popular culture. Although gender and sexuality are imminant concepts in the work, Modern Women: Single Channel emphasizes how the female gaze has evolved over the last forty years in the singular medium of video.
Ruth Gruber, Children playing chess aboard the Henry Gibbins, 1944 (artwork © Ruth Gruber; photograph provided by the International Center of Photography)
Ruth Gruber, Photojournalist
International Center of Photography
1133 Avenue of the Americas, New York, NY 10036
May 20–August 28, 2011
The Brooklyn-born Ruth Gruber is a famed photojournalist who began her career in the Soviet Arctic and Siberian Gulag in 1935. She continued to conquer unchartered territory in Alaska, capturing some of the first color images of the terrain and its natives in the early 1940s. Gruber activated her humanitarian inklings during World War II, documenting the migration of one thousand Jewish refugees to the United States from Europe in 1944 and later recording the difficulties of Jewish emigration into Palestine. The exhibition will include never-before-seen color photographs and vintage prints as well as contemporary prints from original negatives taken from Gruber’s personal archives.


