CAA News Today
Photographers’ Group Files New Class-Action Lawsuit against Google
posted Apr 07, 2010
Several organizations, including the American Society of Media Photographers, the Professional Photographers of America, and the Graphic Artists Guild, have filed a class-action lawsuit against Google, claiming that by scanning millions of books the internet company has infringed on their members’ copyrights and failed to compensate them for their work.
According to Miguel Helft of the New York Times, the new lawsuit is separate from the Google Book Settlement between the company and a consortium of individuals and authors’ organizations. That decision is pending in the US District Court for the Southern District of New York. Helft writes, “Google’s settlement with authors and publishers largely excluded photographs and other visual works. Legal experts said it was not unexpected that Google would face claims from groups that were not part of the original case and are not covered by it.”
Getty Task Force on Art Bibliography Will Hold Public Meeting on April 20
posted Apr 06, 2010
The Getty Research Institute in Los Angeles, California, has received a grant from the Samuel H. Kress Foundation to convene an international task force of art librarians, scholars, and information specialists from Europe and the United States to discuss the future of art bibliography. Recent events, including discussions of art-library closures, scant funding resources for ongoing support of art libraries and projects internationally, and the cessation of the Getty’s support for the continuation of the Bibliography of the History of Art (BHA) provide the catalyst to review current practices, take stock of changes, and seriously consider developing more sustainable and collaborative ways of supporting the bibliography of art history in the future.
The organizers of the task force—Kathleen Salomon of the Getty Research Institute; Rüdiger Hoyer from the Zentralinstitut für Kunstgeschichte, Munich; and Jan Simane of the Kunsthistorisches Institut in Florenz and chair of the Art Libraries Section of International Federation of Library Associations and Institutions (IFLA)—invite the art-historical community to participate in a discussion to be held on Tuesday, April 20, 2010, in New York. The meeting will take place 1:00–5:30 PM at the Metropolitan Museum of Art (courtesy of Kenneth Soehner). Two panels presenting “thoughts from the field” will be followed by an open discussion.
The issues that come forward in the meeting will help lay the groundwork for the subsequent meeting of the smaller task force that will address what is and is not feasible for art bibliography in the future. The outcomes of the meeting and next steps will be posted and shared with the wider art-historical community.
Seating for the meeting is limited and must be reserved ahead of time: please RSVP to Diane Lazar by April 12. If you are unable to attend, there will be a recap and discussion session at the annual conference of the Art Libraries Society of North America in Boston, Massachusetts, on Sunday, April 25, 2:30–3:30 PM, as well as at the Art Libraries Section meeting of IFLA‘s general conference and assembly, to be held in August in Gothenburg, Sweden.
Spring Obituaries in the Arts
posted Apr 05, 2010
CAA recognizes the lives and achievements of the following artists, architects, scholars, teachers, philanthropists, and other important figures in the visual arts.
- Diane Bergheim, an arts advocate based in Alexandria, Virginia, died on March 27, 2010, at the age of 84
- George Ehrlich, a professor emeritus of art and architectural history at the University of Missouri in Kansas City, died on November 28, 2009. He was 84
- Werner Forman, a photographer of art objects who chronicled ancient, Asian, and other non-Western art, died on February 13, 2010, at age 89
- Peter Foster, an architect and the surveyor of Westminster Abbey from 1973 to 1988, died on March 6, 2010. He was 90
- Bruce Graham, the architect of the Sears Tower and John Hancock Center in Chicago, died on March 6, 2010, at the age of 84
- Denys Hinton, a British architect who brought modernism to church architecture, died on February 10, 2010, at age 88
- Terry Rossi Kirk, a scholar of architecture who taught at American University in Rome and authored The Architecture of Modern Italy, died on October 17, 2009. He was 48
- Lionel Lambourne, a curator and scholar at the Victoria and Albert Museum in London, died on February 12, 2010, at age 76
- Lesley Lewis, an author and a historian of art and architecture who was one of the first four students at the Courtauld Institute of Art, died on January 29, 2010, at the age of 100
- Rhoda “Dodie” Helen Masterman, an artist and teacher who drew illustrations for novels by Tolstoy, Joyce, Balzac, and more, died on December 17, 2009. She was 91
- Robert McCall, an artist known for his depictions of outer space and for a six-story mural at the Smithsonian National Air and Space Museum in Washington, DC, died on February 26, 2010. He was 90
- John Walker McCoubrey, who taught the history of American, English, and French art of the eighteenth to twentieth centuries at the University of Pennsylvania for more than thirty years, died on February 9, 2010, at the age of 86
- Alexander McQueen, a celebrated, innovative, and rebellious London fashion designer, died on February 11, 2010. He was 40
- Charles Moore, a photographer of the civil rights movement whose work reached millions in Life, died on March 11, 2010, at the age of 79
- Edmund “Ted” Pillsbury, who transformed the Kimbell Art Museum in Fort Worth, Texas, during his eighteen years as director, died on March 25, 2010. He was 66
- Natalie Rothstein, a curator and textiles scholar who spent her entire career at the Victoria and Albert Museum in London, died on February 18, 2010, at the age of 79
- Charles Ryskamp, a former director of both the Frick Collection and the Pierpont Morgan Library in New York who also taught literature at Princeton University, died on March 26, 2010. He was 81
- Mortimer D. Sackler, a psychiatrist and co-owner of a pharmaceutical company who generously donated to the Guggenheim Museum, the Metropolitan Museum of Art, Tate Gallery, and the Jewish Museum in Berlin, among others, died on March 24, 2010. He was 93
- Norman Schureman, an artist and professor at the Art Center College of Design in Pasadena, California, died on March 20, 2010. He was 50
- Der Scutt, a modernist architect with several building in New York, including Trump Tower, died on March 14, 2010, at age 75
- John Sergeant, a British artist known for his stunning chiaroscuro in his charcoal drawings, died on January 7, 2010. He was 72
- David Slivka, a sculptor and painter from the New York School of Abstract Expressionism who helped create a death mask for the poet Dylan Thomas, died on March 28, 2010, at the age of 95
- Frank Williams, an architect of high-end hotels and condominiums in New York who mixed modern and traditional styles, died on February 25, 2010. He was 73
Read all past obituaries in the arts on the CAA website.
Editorial-Board Member Sought for Art Journal
posted Apr 02, 2010
CAA invites nominations and self-nominations for one individual to serve on the Art Journal Editorial Board for a four-year term, July 1, 2010–June 30, 2014. Published quarterly by CAA, Art Journal is devoted to twentieth- and twenty-first-century art and visual culture.
Candidates are individuals with a broad knowledge of modern and contemporary art; institutional affiliation is not required. Applicants who are artists, museum-based scholars, or scholars interested in pedagogical issues are especially invited to apply.
The editorial board advises the editor-in-chief and assists him or her to seek authors, articles, artist’s projects, and other content for the journal; guides its editorial program and may propose new initiatives for it; performs peer reviews and recommends peer reviewers; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.
The editorial board meets three times a year, including once at the CAA Annual Conference. Members pay travel and lodging expenses to attend the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Chair, Art Journal Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010.
The Getty Saves BHA and Will Provide Free Online Access to It
posted Apr 01, 2010
The J. Paul Getty Trust released a statement this morning that tells us “as of April 1, 2010, the Bibliography of the History of Art (BHA) will be available free of charge on the Getty website.” The move, which comes a day after the important research database was to be shut down permanently, is a welcomed one. While free access to BHA for individuals and institutions is good for everyone especially those “institutions in developing countries and independent scholars worldwide” who were unable to afford a subscription. The Getty, however, has remained silent about further updates to the database, which ceased last year. [UPDATE: the Getty will not be adding new records to the database but hopes another organization will do so.]
From the Getty press release:
Since ending its collaboration with the Institut de l’Information Scientifique et Technique (INIST)–CNRS in December 2007, the Getty has been searching for partners to continue the production and distribution of BHA. This process has been complicated, and with no suitable arrangement immediately available, the Getty decided to act on its commitment to the scholarly community by providing access to BHA directly from its own Web site.
The relaunched BHA includes the International Bibliography of Art (IBA), covering the years 2008 and part of 2009, as well as the Répertoire de la litterature de l’art (RILA), a predecessor of BHA that was maintained by CAA for many years. RILA records from 1975 to 1989 will be online by May 1, 2010.
caa.reviews Seeks Editor-in-Chief and Editorial-Board Members
posted Mar 31, 2010
An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.
caa.reviews Seeks Editor-in-Chief
The caa.reviews Editorial Board invites nominations and self-nominations for the position of editor-in-chief for a three-year, nonrenewable term, July 1, 2011–June 30, 2014. This term is preceded by one year of service on the editorial board as editor designate, July 1, 2010–June 30, 2011, and followed immediately by one year of service as past editor.
Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal. He or she supervises the journal’s Council of Field Editors, assisting them to identify and solicit reviewers, articles, and other content for the journal; develops projects; makes final decisions regarding content; and may support fundraising efforts on the journal’s behalf.
The editor-in-chief attends the three annual meetings of the caa.reviews Editorial Board—held in the spring and fall and in February at the Annual Conference—and submits an annual report to CAA’s Publications Committee. He or she pays travel and lodging expenses to attend the conference. The editor-in-chief also works closely with CAA’s New York staff and receives an annual honorarium of $2,000.
Candidates must be current CAA members. Nominators should ascertain their nominee’s willingness to serve before submitting a name. A statement of interest in the position, a CV, and at least one letter of recommendation must accompany each nomination. Please mail to: Codirector of Publications, caa.reviews Editor-in-Chief Search, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010. Finalist candidates will be interviewed in May 2010.
caa.reviews Seeks Editorial-Board Members
CAA invites nominations and self-nominations for two individuals to serve on the caa.reviews Editorial Board for a four-year term, July 1, 2010–June 30, 2014.
Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals with stature in the field and experience in writing or editing book and/or exhibition reviews; institutional affiliation is not required. The journal seeks candidates with a strong record of scholarship and at least one published book or the equivalent who are committed to the imaginative development of caa.reviews.
The editorial board advises the editor-in-chief and Council of Field Editors and helps them to identify books and exhibitions for review and to solicit reviewers, articles, and other content for the journal; guides its editorial program and may propose new initiatives for it; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.
The editorial board meets three times a year, including once at the CAA Annual Conference. Members pay travel and lodging expenses to attend the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Chair, caa.reviews Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010.
Ask Your Senators to Increase Support for the Office of Museum Services
posted Mar 26, 2010
In response to Museums Advocacy Day, held on March 22–23, Senator Kirsten Gillibrand (D-NY) is circulating a “Dear Colleague” letter to encourage her fellow senators to ask the Senate Appropriations Committee for $50 million in funding for the Office of Museum Services, a branch of the Institute of Museum and Library Services. The amount requested for fiscal year 2011 is a $14.8 million increase over the current fiscal year. Gillibrand’s letter is similar to a separate effort in the House of Representatives, supported by Representatives Paul Tonko (D-NY), Louise Slaughter (D-NY), and Leonard Lance (R-NJ).
The American Association of Museums (AAM) has prepared a form letter that you may use to send an urgent message to your senators. Use the online fields to enter your contact information, which will then select your senator’s name and address. You can then download (as an .rtf) and print the letter to mail or fax, or choose the email option to send your letter right away. You can edit and personalize your missive before sending.
Ask Your Senators to Increase Support for the Office of Museum Services
posted Mar 26, 2010
In response to Museums Advocacy Day, held on March 22–23, Senator Kirsten Gillibrand (D-NY) is circulating a “Dear Colleague” letter to encourage her fellow senators to ask the Senate Appropriations Committee for $50 million in funding for the Office of Museum Services, a branch of the Institute of Museum and Library Services. The amount requested for fiscal year 2011 is a $14.8 million increase over the current fiscal year. Gillibrand’s letter is similar to a separate effort in the House of Representatives, supported by Representatives Paul Tonko (D-NY), Louise Slaughter (D-NY), and Leonard Lance (R-NJ).
The American Association of Museums (AAM) has prepared a form letter that you may use to send an urgent message to your senators. Use the online fields to enter your contact information, which will then select your senator’s name and address. You can then download (as an .rtf) and print the letter to mail or fax, or choose the email option to send your letter right away. You can edit and personalize your missive before sending.
NEA Announces Research on Informal Arts Participation in Rural and Urban Areas
posted Mar 26, 2010
Any serious reckoning of how Americans participate in arts and cultural activities must account for demographic and geographic diversity. Prior National Endowment for the Arts (NEA) publications, including the 2008 Survey of Public Participation in the Arts, already have examined the age, race and ethnicity, gender, and education and income status of arts-goers.
Another way to understand arts participation is by asking where it takes place. Come as You Are: Informal Arts Participation in Urban and Rural Communities is the NEA’s first research publication in several years to examine the “informal arts”—such as playing a musical instrument, attending an art event at a place of worship, or visiting a craft fair. This finding is part of new research from the NEA, announced earlier this during a visit by NEA Chairman Rocco Landesman to Chelsea, Michigan, as part of the NEA’s Art Works Tour. The publication provides an analysis of arts participation in rural and urban areas.
Come as You Are: Informal Arts Participation in Urban and Rural Communities is available in print and pdf on the NEA website.
Getty Closing the Bibliography of the History of Art at the End of March
posted Mar 25, 2010
CAA learned last week, through the Art History Newsletter, that the Getty Research Institute in Los Angeles is withdrawing the Bibliography of the History of Art (BHA) from distribution on March 31, 2010. With the closing, hundreds of thousands of records and abstracts in the database will soon be unavailable to scholars worldwide—indefinitely.
Subscribers to BHA, which include many academic libraries and research institutions, received notice about the shutdown from the Getty earlier this month. While there are some alternatives—among them Art Index, Avery Index, and ARTbibliographies Modern—the loss of this invaluable resource is immense and will be deeply felt throughout the international art-history community. Indeed, BHA’s “coverage has not been duplicated in any single database available to us,” writes Jill E. Luedke, a librarian and art-subject specialist at Temple University.
Since June CAA has made numerous communiqués by phone and email to the Getty regarding the demise of BHA, receiving only one inconclusive response. From what CAA can gather from other sources, the closure appears to be strictly a budgetary decision. The Getty attempted to find an organization that would purchase the database and software program that they had developed, but found none. CAA was not privy to the negotiations to find a buyer.
As the world’s most comprehensive bibliographic database of publications in art history, BHA covers the visual arts in Europe and America from late antiquity to the present. Copublished with the Institut de l’Information Scientifique et Technique in France, BHA originated in part as the International Repertory of the Literature of Art (RILA), created in 1972 under the auspices of CAA and supported by grants from public endowments and private foundations. The Getty’s bibliography includes RILA records from 1972 to 1989 and those from the Repertory of Art and Archaeology (RAA) from 1973 to 1989, and had been growing ever since.
Michael Rinehart, formerly editor in chief of RILA and BHA for nearly thirty years, wrote in 2009: “It is highly unlikely that any commercial vendor will want to maintain it. It is equally clear that the Getty intends to end BHA with or without a plan for its continuation…. Whatever the original understanding between the CAA and the Getty may have been, it is self-evident that the CAA entrusted RILA to the Getty in the expectation that it would continue.”
Art historians and researchers were first alerted to the possible closure in June 2009, and CAA published a response at that time. The Getty released a statement in the same month, but negotiations with other organizations, as noted above, failed to produce a solution to keep BHA alive.