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The Center for Curatorial Leadership is conducting a research project that seeks basic information on the educational and career choices made by art historians working in the United States who enter the museum and academic professions.

While sometimes regarded as “the two art histories,” museum and academic careers share a common starting point in college and graduate studies. In order to understand how the Center for Curatorial Leadership might mentor young art historians and form bonds between disciplines more effectively, it has assembled a brief survey. Comments and any suggestions are welcome as well.

The survey should take approximately ten minutes to complete. Deadline: Monday, April 19, 2010.

Peter Conn of the University of Pennsylvania writes a dense article for the Chronicle Review on the realities of unemployment in the humanities. Deftly sifting through various studies on employment, attrition, and other factors, this professor of English and education considers the situation from several points of view and offers possible and pragmatic solutions.

It’s no surprise to hear that full-time tenured and tenure-track jobs in the humanities have been shrinking over the past decade in both public and private institutions. Conn widens the field of inquiry, for example, by looking at how the for-profit University of Phoenix—with more than 400,000 undergrads and 78,000 graduate students nationwide and internationally—has expanded the field of education while perhaps exacerbating the rise of part-time and adjunct professors. In addition, the number of humanities doctorates produced has increased almost 50 percent during the last twenty years, but the job market has remained flat or declined.

Conn notes that the federal ban on mandatory retirement in 1994 has contributed to an aging workforce that is reluctant to retire, especially in the present recession. Also, the “star system” that attracts well-known and thus higher-paid professors negatively impacts the lower ranks. Attrition is another concern: 43 percent of students never finish their PhD. Thus they linger in higher education longer than they should, drain resources, and add to the part-time workforce. Even if they finished they’d be consigned to a “dysfunctional job market.”

While Conn argues for fewer students admitted to doctoral programs, he recognizes that current professors would object because, on the whole, they enjoy teaching graduates over undergraduates, and those undergraduates still need their survey classes, which are often staffed by graduate students. He lists several other objections to his proposal of smaller programs, including the unfortunate situation of denying education to those who want it.

Other recommendations include having graduate programs give realistic pictures of postdoctoral professional life, whether that’s offering classes on the subject, maintaining an informational job-placement webpage (listing past successes), or promoting careers outside academia. Of the latter Conn writes, with admittedly soft data: “These women and men found somewhat more job satisfaction than did members of their cohorts who continued in academic careers, in part because they ended up in locations of their choice, and in part because they tended to make more money.” But at the same time, “My own conversations with graduate students over several decades indicate that most of them do not find the idea of nonacademic careers particularly appealing.”

Filed under: Education, Workforce

Several organizations, including the American Society of Media Photographers, the Professional Photographers of America, and the Graphic Artists Guild, have filed a class-action lawsuit against Google, claiming that by scanning millions of books the internet company has infringed on their members’ copyrights and failed to compensate them for their work.

According to Miguel Helft of the New York Times, the new lawsuit is separate from the Google Book Settlement between the company and a consortium of individuals and authors’ organizations. That decision is pending in the US District Court for the Southern District of New York. Helft writes, “Google’s settlement with authors and publishers largely excluded photographs and other visual works. Legal experts said it was not unexpected that Google would face claims from groups that were not part of the original case and are not covered by it.”

The Getty Research Institute in Los Angeles, California, has received a grant from the Samuel H. Kress Foundation to convene an international task force of art librarians, scholars, and information specialists from Europe and the United States to discuss the future of art bibliography. Recent events, including discussions of art-library closures, scant funding resources for ongoing support of art libraries and projects internationally, and the cessation of the Getty’s support for the continuation of the Bibliography of the History of Art (BHA) provide the catalyst to review current practices, take stock of changes, and seriously consider developing more sustainable and collaborative ways of supporting the bibliography of art history in the future.

The organizers of the task force—Kathleen Salomon of the Getty Research Institute; Rüdiger Hoyer from the Zentralinstitut für Kunstgeschichte, Munich; and Jan Simane of the Kunsthistorisches Institut in Florenz and chair of the Art Libraries Section of International Federation of Library Associations and Institutions (IFLA)—invite the art-historical community to participate in a discussion to be held on Tuesday, April 20, 2010, in New York. The meeting will take place 1:00–5:30 PM at the Metropolitan Museum of Art (courtesy of Kenneth Soehner). Two panels presenting “thoughts from the field” will be followed by an open discussion.

The issues that come forward in the meeting will help lay the groundwork for the subsequent meeting of the smaller task force that will address what is and is not feasible for art bibliography in the future. The outcomes of the meeting and next steps will be posted and shared with the wider art-historical community.

Seating for the meeting is limited and must be reserved ahead of time: please RSVP to Diane Lazar by April 12. If you are unable to attend, there will be a recap and discussion session at the annual conference of the Art Libraries Society of North America in Boston, Massachusetts, on Sunday, April 25, 2:30–3:30 PM, as well as at the Art Libraries Section meeting of IFLA‘s general conference and assembly, to be held in August in Gothenburg, Sweden.

Filed under: Libraries, Online Resources, Research — Tags: ,

Spring Obituaries in the Arts

posted Apr 05, 2010

CAA recognizes the lives and achievements of the following artists, architects, scholars, teachers, philanthropists, and other important figures in the visual arts.

  • Diane Bergheim, an arts advocate based in Alexandria, Virginia, died on March 27, 2010, at the age of 84
  • George Ehrlich, a professor emeritus of art and architectural history at the University of Missouri in Kansas City, died on November 28, 2009. He was 84
  • Werner Forman, a photographer of art objects who chronicled ancient, Asian, and other non-Western art, died on February 13, 2010, at age 89
  • Peter Foster, an architect and the surveyor of Westminster Abbey from 1973 to 1988, died on March 6, 2010. He was 90
  • Bruce Graham, the architect of the Sears Tower and John Hancock Center in Chicago, died on March 6, 2010, at the age of 84
  • Denys Hinton, a British architect who brought modernism to church architecture, died on February 10, 2010, at age 88
  • Terry Rossi Kirk, a scholar of architecture who taught at American University in Rome and authored The Architecture of Modern Italy, died on October 17, 2009. He was 48
  • Lionel Lambourne, a curator and scholar at the Victoria and Albert Museum in London, died on February 12, 2010, at age 76
  • Lesley Lewis, an author and a historian of art and architecture who was one of the first four students at the Courtauld Institute of Art, died on January 29, 2010, at the age of 100
  • Rhoda “Dodie” Helen Masterman, an artist and teacher who drew illustrations for novels by Tolstoy, Joyce, Balzac, and more, died on December 17, 2009. She was 91
  • Robert McCall, an artist known for his depictions of outer space and for a six-story mural at the Smithsonian National Air and Space Museum in Washington, DC, died on February 26, 2010. He was 90
  • John Walker McCoubrey, who taught the history of American, English, and French art of the eighteenth to twentieth centuries at the University of Pennsylvania for more than thirty years, died on February 9, 2010, at the age of 86
  • Alexander McQueen, a celebrated, innovative, and rebellious London fashion designer, died on February 11, 2010. He was 40
  • Charles Moore, a photographer of the civil rights movement whose work reached millions in Life, died on March 11, 2010, at the age of 79
  • Edmund “Ted” Pillsbury, who transformed the Kimbell Art Museum in Fort Worth, Texas, during his eighteen years as director, died on March 25, 2010. He was 66
  • Natalie Rothstein, a curator and textiles scholar who spent her entire career at the Victoria and Albert Museum in London, died on February 18, 2010, at the age of 79
  • Charles Ryskamp, a former director of both the Frick Collection and the Pierpont Morgan Library in New York who also taught literature at Princeton University, died on March 26, 2010. He was 81
  • Mortimer D. Sackler, a psychiatrist and co-owner of a pharmaceutical company who generously donated to the Guggenheim Museum, the Metropolitan Museum of Art, Tate Gallery, and the Jewish Museum in Berlin, among others, died on March 24, 2010. He was 93
  • Norman Schureman, an artist and professor at the Art Center College of Design in Pasadena, California, died on March 20, 2010. He was 50
  • Der Scutt, a modernist architect with several building in New York, including Trump Tower, died on March 14, 2010, at age 75
  • John Sergeant, a British artist known for his stunning chiaroscuro in his charcoal drawings, died on January 7, 2010. He was 72
  • David Slivka, a sculptor and painter from the New York School of Abstract Expressionism who helped create a death mask for the poet Dylan Thomas, died on March 28, 2010, at the age of 95
  • Frank Williams, an architect of high-end hotels and condominiums in New York who mixed modern and traditional styles, died on February 25, 2010. He was 73

Read all past obituaries in the arts on the CAA website.

Filed under: Obituaries, People in the News

CAA invites nominations and self-nominations for one individual to serve on the Art Journal Editorial Board for a four-year term, July 1, 2010–June 30, 2014. Published quarterly by CAA, Art Journal is devoted to twentieth- and twenty-first-century art and visual culture.

Candidates are individuals with a broad knowledge of modern and contemporary art; institutional affiliation is not required. Applicants who are artists, museum-based scholars, or scholars interested in pedagogical issues are especially invited to apply.

The editorial board advises the editor-in-chief and assists him or her to seek authors, articles, artist’s projects, and other content for the journal; guides its editorial program and may propose new initiatives for it; performs peer reviews and recommends peer reviewers; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.

The editorial board meets three times a year, including once at the CAA Annual Conference. Members pay travel and lodging expenses to attend the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Chair, Art Journal Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010.

Filed under: Art Journal, Governance, Publications

The J. Paul Getty Trust released a statement this morning that tells us “as of April 1, 2010, the Bibliography of the History of Art (BHA) will be available free of charge on the Getty website.” The move, which comes a day after the important research database was to be shut down permanently, is a welcomed one. While free access to BHA for individuals and institutions is good for everyone especially those “institutions in developing countries and independent scholars worldwide” who were unable to afford a subscription. The Getty, however, has remained silent about further updates to the database, which ceased last year. [UPDATE: the Getty will not be adding new records to the database but hopes another organization will do so.]

From the Getty press release:

Since ending its collaboration with the Institut de l’Information Scientifique et Technique (INIST)–CNRS in December 2007, the Getty has been searching for partners to continue the production and distribution of BHA. This process has been complicated, and with no suitable arrangement immediately available, the Getty decided to act on its commitment to the scholarly community by providing access to BHA directly from its own Web site.

The relaunched BHA includes the International Bibliography of Art (IBA), covering the years 2008 and part of 2009, as well as the Répertoire de la litterature de l’art (RILA), a predecessor of BHA that was maintained by CAA for many years. RILA records from 1975 to 1989 will be online by May 1, 2010.

Filed under: Libraries, Online Resources, Research — Tags: ,

An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.

caa.reviews Seeks Editor-in-Chief

The caa.reviews Editorial Board invites nominations and self-nominations for the position of editor-in-chief for a three-year, nonrenewable term, July 1, 2011–June 30, 2014. This term is preceded by one year of service on the editorial board as editor designate, July 1, 2010–June 30, 2011, and followed immediately by one year of service as past editor.

Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal. He or she supervises the journal’s Council of Field Editors, assisting them to identify and solicit reviewers, articles, and other content for the journal; develops projects; makes final decisions regarding content; and may support fundraising efforts on the journal’s behalf.

The editor-in-chief attends the three annual meetings of the caa.reviews Editorial Board—held in the spring and fall and in February at the Annual Conference—and submits an annual report to CAA’s Publications Committee. He or she pays travel and lodging expenses to attend the conference. The editor-in-chief also works closely with CAA’s New York staff and receives an annual honorarium of $2,000.

Candidates must be current CAA members. Nominators should ascertain their nominee’s willingness to serve before submitting a name. A statement of interest in the position, a CV, and at least one letter of recommendation must accompany each nomination. Please mail to: Codirector of Publications, caa.reviews Editor-in-Chief Search, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010. Finalist candidates will be interviewed in May 2010.

caa.reviews Seeks Editorial-Board Members

CAA invites nominations and self-nominations for two individuals to serve on the caa.reviews Editorial Board for a four-year term, July 1, 2010–June 30, 2014.

Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals with stature in the field and experience in writing or editing book and/or exhibition reviews; institutional affiliation is not required. The journal seeks candidates with a strong record of scholarship and at least one published book or the equivalent who are committed to the imaginative development of caa.reviews.

The editorial board advises the editor-in-chief and Council of Field Editors and helps them to identify books and exhibitions for review and to solicit reviewers, articles, and other content for the journal; guides its editorial program and may propose new initiatives for it; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.

The editorial board meets three times a year, including once at the CAA Annual Conference. Members pay travel and lodging expenses to attend the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Chair, caa.reviews Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: April 15, 2010.

Filed under: caa.reviews, Governance, Publications

In response to Museums Advocacy Day, held on March 22–23, Senator Kirsten Gillibrand (D-NY) is circulating a “Dear Colleague” letter to encourage her fellow senators to ask the Senate Appropriations Committee for $50 million in funding for the Office of Museum Services, a branch of the Institute of Museum and Library Services. The amount requested for fiscal year 2011 is a $14.8 million increase over the current fiscal year. Gillibrand’s letter is similar to a separate effort in the House of Representatives, supported by Representatives Paul Tonko (D-NY), Louise Slaughter (D-NY), and Leonard Lance (R-NJ).

The American Association of Museums (AAM) has prepared a form letter that you may use to send an urgent message to your senators. Use the online fields to enter your contact information, which will then select your senator’s name and address. You can then download (as an .rtf) and print the letter to mail or fax, or choose the email option to send your letter right away. You can edit and personalize your missive before sending.

In response to Museums Advocacy Day, held on March 22–23, Senator Kirsten Gillibrand (D-NY) is circulating a “Dear Colleague” letter to encourage her fellow senators to ask the Senate Appropriations Committee for $50 million in funding for the Office of Museum Services, a branch of the Institute of Museum and Library Services. The amount requested for fiscal year 2011 is a $14.8 million increase over the current fiscal year. Gillibrand’s letter is similar to a separate effort in the House of Representatives, supported by Representatives Paul Tonko (D-NY), Louise Slaughter (D-NY), and Leonard Lance (R-NJ).

The American Association of Museums (AAM) has prepared a form letter that you may use to send an urgent message to your senators. Use the online fields to enter your contact information, which will then select your senator’s name and address. You can then download (as an .rtf) and print the letter to mail or fax, or choose the email option to send your letter right away. You can edit and personalize your missive before sending.