posted by CAA — January 14, 2022
Button design celebrating 50% representation of women at the 2020 Conference, designed by the Committee on Women in the Arts (CWA).
Help CAA celebrate its 50th anniversary of feminism at the organization! CAA wants to better understand and document the history of its Committee of Women in the Arts, including the committee’s many collaborations with other affiliate committees and groups, such as the Women’s Caucus for Art, The Feminist Art Project, the Queer Caucus, and many more. To this end, CAA is issuing a call to expand its CWA archives through a crowd sourcing campaign.
If you ever served on the CWA or collaborated with its members, please consider contributing images of photographs or ephemera, memories that are pertinent to its history, or any digital files or recordings. Any contributions will become eligible to become part of CAA institutional archive and will be featured in a series of CAA social media posts reflecting on our history and shared throughout 2022. It is imperative that CAA digitizes these important resources to ensure that the history of women’s contributions to the arts and arts education are not forgotten
- Send materials and questions to firstname.lastname@example.org, with “CAA Feminism” in the subject line
- Name and email
- Social media handles or accounts (if you would like us to tag you in the post)
- Date of material / date of acquisition
- Description of material/ contents
- Preferred credit line (I.e.: image/material provided to CAA courtesy of XXX / anonymous)
- Permissions: Copy and paste this sentence into your email if you would allow us to feature the image on social media: “I give permission to share this material on social media.”
- Donations: If you would like to donate the original materials to CAA, please copy and paste this sentence into your email: “I would like to donate these materials to CAA.”
- Attachment of the material, following these specs:
- Image/document: please send jpegs that are at least 1200 px on the longest side, 72 ppi
- Audio: MP3 format
- Video: MP4 or mov
Recipients of the Committee on Women Awards, 2000 (left to right: Joanna Frueh, Flavia Rando, Mary D. Garrard, Norma Broude, Linda Nochlin, Carolee Schneemann, Samella Lewis, Ferris Olin). Photograph by Maria Politarhos.
Please join us in celebrating fifty years of feminism at CAA. We will share resources and perspectives on these histories throughout the year.
Fifty years ago in 1972, CAA founded its first committees devoted to women in the arts. A meeting of more than 250 women at the 60th Annual Conference titled “Meeting for Women Members of the College Art Association,” marked the starting point for the association’s focus on supporting and promoting the advancement of feminism in art. CAA’s board formalized its advocacy for women the same month by establishing the Committee on the Status of Women (COSW), the first committee to focus on women in CAA’s history. Linda Nochlin, who was on the CAA Board at the time, became its first chair followed by Ann Sutherland Harris in 1973.
The Women’s Caucus for Art (WCA) was also formed at CAA in 1972 in response to the Annual Conference, but in 1974, the WCA broke off from CAA to become its own independent nonprofit organization and rapidly increased its membership. Today, the WCA is a close affiliate of CAA, whose history is often intertwined with our own. The COSW was renamed the Committee on Women in the Arts (CWA) in 1996, and it continues to promote the recognition of women’s valuable contribution to the visual arts and to critical art-historical study; advocate for feminist scholarship and activism in art; develop partnerships with organizations with compatible missions; monitor the status of women in the visual-arts professions; provide historical and current resources on feminist issues; and support emerging artists and scholars in their careers. Notable individuals involved with this effort over the years have included award recipients, such as art historians Linda Nochlin, Norma Broude, and Mary Garrard, as well as artists Carolee Schneemann, Faith Ringgold, and Carrie Mae Weems.
The CWA’s session, “50th Anniversary of Committee on Women in the Arts: Looking Back, Moving Forward,” at CAA’s upcoming virtual Annual Conference will dive into this history. Taking place on February 18, 2022 from 11:00 a.m. – 12:30 p.m. CST, is chaired by Joanna P. Gardner-Huggett and includes a panel discussion with Judith K. Brodsky, Ferris Olin, Midori Yoshimoto, Carron P. Little, Kalliopi Minioudaki, and Zoë Charlton.
posted by CAA — December 17, 2021
As part of CAA’s 10-year anniversary celebration of its publication, The Eye, the Hand, the Mind: 100 Years of the College Art Association, chapter authors reflect on their contributions and how their impressions of the field have changed. Our final video in the series features Judith Brodsky, Mary Garrard, and Ferris Olin, who co-authored chapter 11, “Governance and Diversity.”
Involved not just in CAA, its Annual Conference, and its Committee on Women in the Arts (CWA), but also with CAA’s affiliate society the Women’s Caucus for Art, these three women represent pillars in the field of feminist art history.
In this video, they discuss the first 100 years of CAA’s history representing women and underrepresented groups, and point to the future: 2022 marks fifty years of the first committee to represent women at CAA. CAA is excited to honor this milestone at the 2022 Annual Conference and beyond.
Brodsky and Olin are each presenting at the upcoming 110th Annual Conference. See links underneath their bios below for more information on their sessions, panels, and talks.
Judith K. Brodsky is currently distinguished professor emerita at Rutgers University. She founded the Rutgers Center for Innovative Print and Paper, now renamed the Brodsky Center in her honor and located at the Pennsylvania Academy of Fine Arts. The Center has been instrumental in promoting the recognition of women artists and artists of color. She is also co-founder of the Rutgers Center for Women in the Arts and Humanities and The Feminist Art Project, a national and international program to promote women artists in the cultural milieu. With her colleague, Dr. Ferris Olin, she established the Miriam Schapiro Archives on Women Artists at Rutgers and was curator of the Mary H. Dana Women Artists Series at Rutgers from 2006-2013. Brodsky was the co-founder of the Women Artists Archive National Directory (WAAND), funded initially by the Getty Foundation, a digital directory of archives where the papers of women artists active in the US since 1945 are located. A printmaker and book artist, Judith’s work is in over 100 permanent collections. She has also organized and curated many exhibitions and has published extensively, including contributions to The Power of Feminist Art and SIGNS, A Journal of Women in Culture and Society; Junctures in Women’s Leadership: The Arts. Most recently she published the first book on the impact of feminist theory on digital technology in the arts titled Dismantling the Patriarchy, Bit by Bit: Feminism, Art, and Technology, Bloomsbury, 2021. She served as CAA’s President and received the Annual Recognition Award from CAA’s Committee on Women in the Arts, as well as past national president for ArtTable and Women’s Caucus for Art.
Details for Judith Brodsky’s participation in the 2022 Annual Conference: link.
Mary D. Garrard, professor emerita of art history at American University, Washington, D. C., is a scholar whose work has combined Italian Renaissance art with feminist studies. Her book, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (Princeton, 1989), was a groundbreaking contribution to the field, that launched modern studies of the now-famous artist. In Artemisia Gentileschi Circa 1622: The Shaping and Reshaping of an Artistic Identity (University of California, 2001), Garrard addressed new critical issues in Gentileschi studies. Her third book, Artemisia Gentileschi and Early Modern Feminism, positions the artist among the feminist treatises and debates of her time (Reaktion Books, London, 2020). Beyond Artemisia, Garrard has written and spoken extensively on Italian Renaissance, Early Modern art, and feminist art history. With her colleague Norma Broude, Garrard created and edited three books that have become basic texts in art history and women’s studies courses, including Feminism and Art History: Questioning the Litany (1982); The Expanding Discourse: Feminism and Art History (1992); and Reclaiming Female Agency: Feminist Art History After Postmodernism (2005). Broude and Garrard also created and contributed to The Power of Feminist Art: The American Movement of the 1970s (1994).
Ferris Olin is distinguished professor emerita at Rutgers University, where she was the co-founder and co-director (with Judith K. Brodsky) of Rutgers Center for Women in the Arts and Humanities, and The Feminist Art Project, an international collaboration to make visible the impact of women on the cultural landscape. She also established the Miriam Schapiro Archives on Women Artists at Rutgers as well as the Margery Somers Foster Center, a research center focused on documenting women’s leadership in the public arena, and served as Associate Director of the Institute for Research on Women and earlier, Director of the Art Library. She was curator of the Mary H. Dana Women Artists Series at Rutgers from 1995-2006 and later (with Judith K. Brodsky) from 2006-2013. With Brodsky, Olin also created the Women Artists Archive National Directory (WAAND). Olin has also published broadly. Her most recent book, co-authored with Judith K. Brodsky, is called Junctures in Women’s Leadership: The Arts (Rutgers University Press, fall 2018). Olin has served on the boards of numerous non-profit organizations and was Vice-President of the College Art Association. She is the recipient of numerous awards, among them the Women’s Caucus for Art Lifetime Achievement Award and the College Art Association Committee on Women’s Annual Recognition Award (now known as Distinguished Feminist Award).
Details for Ferris Olin’s participation in the 2022 Annual Conference: link.
posted by CAA — November 29, 2021
CAA has signed onto a statement released by the AHA that expresses alarm in response to the escalation of censorship and prosecution by Chinese authorities on Chinese citizens who deviate from the Communist Party line of hero worship. It asserts, “Such efforts strike at the very heart of historical scholarship, which depends on open-ended inquiry and a free exchange of ideas, wherever that inquiry leads, and whether or not those ideas cast aspersions on historical actors…. The AHA stands firmly against national laws and policies that in effect criminalize the historical enterprise.” Read the entire statement here.
CAA Interviews Mariam Ghani for this week’s member spotlight and signs onto Open Letter from Arts for Afghanistan
posted by Allison Walters — October 05, 2021
Mariam Ghani’s film, What We Left Unfinished (2019), began as a project that pulled from Ghani’s experience digitizing the Afghan Film Archive, featuring five films that were shot but never edited during the communist period of 1978–1991. Now its title takes on new meaning with the Taliban’s recent takeover of the government and the evacuation of over a hundred-thousand individuals from Afghanistan. Many Afghani cultural workers, whether relocated, remaining, or watching from abroad, will need to reimagine or shift their practice to accommodate this new reality.
Addressing these issues, CAA had the privilege to talk with Mariam Ghani, this week’s member spotlight, and explore her practice as an artist, filmmaker, activist, and teacher. The daughter of former Afghani President, Ashraf Ghani, Mariam is based in Brooklyn and has spent her life in the US. Her work has often drawn from her connection to Afghanistan, in her relationship to the country as both an insider and an outsider. Dominant themes in her practice also speak to the current moment and to Middle Eastern histories, including border zones, transitions, intersecting cultures, national identities, trauma, memory, loss, and migration.
Interviewed by Laura Anderson Barbata, current CAA Vice President for Annual Conference and Programs and trans-disciplinary artist also based in Brooklyn, this conversation begins with a look at Ghani’s work and then dives into the multiple ways you can support those affected by the current crises. To show its support and solidarity, CAA has signed onto An Open Letter from Arts for Afghanistan.
Mariam recommends supporting the following organizations:
Every week we will feature a CAA member in our member spotlight series who is currently demonstrating exceptional talent. Please feel free to nominate a fellow member or send along any personal upcoming events or achievements for consideration to email@example.com. In your email, put “Member Spotlight” in the subject line.
posted by CAA — September 15, 2021
The AHA has released a statement condemning the harassment and intimidation of participants, organizers, and university sponsors of the virtual conference “Dismantling Global Hindutva: Multidisciplinary Perspectives.” “Conferences, both in person and across digital platforms, are critical to the exchange of ideas among historians and our colleagues in other disciplines,” the AHA wrote. “Disruptions to a conference represent an assault on the principle of academic freedom, and the AHA stands unequivocally with participants in this conference and its sponsors in their right to exchange ideas without fear of threats and intimidation.”
To date, 15 organizations have signed onto this statement.
posted by CAA — July 09, 2021
For our members and the larger visual arts community, CAA is disheartened by recent and continued actions on departmental closures in Art and Art History departments. The following links offer resources to use as we continue to determine the actions going forward:
In 2020, CAA signed on to advocacy with the ACLS: http://www.collegeart.org/news/2021/02/01/caa-signs-on-to-acls-statement-on-recent-kansas-board-of-regents-actions/
Earlier Advocacy posts and response:
The 2018 survey of universities with departmental closures:
Since 2018, several other institutions have closed and continue to close. Today our constituency has been affected by this ongoing situation over the past 13 years. CAA cannot stop any institution of art, design or art-history from the decision, necessitated by financial situation or otherwise, to close. To best support our community, as a part of our ongoing repositioning and digital transformation, CAA has identified the importance and continued growth of an e-learning model and publications to recognize and support those currently and who continue to be affected.
CAA has a robust and active group of committees, Board of Directors, and other members who all continue to work together and move forward upcoming guidelines and best practices, to survey and respond to the ongoing needs of our constituencies. The advocates within our organization help strengthen the organization as a part of the community of large.
Did you know that you can make a gift to CAA using Amazon Smile? Amazon donates 0.5% of the price of eligible smile.amazon.com purchases to the organization selected by customers — at no cost to you. Our charity link will automatically direct you to Amazon, where you will be asked to confirm that you would like your Amazon purchases to support CAA.
As a 110-year-old organization, we are proud to serve a global community of artists, designers, students, and scholars through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners. During this pivotal moment it is more important than ever that we support our visual arts community. We hope that you will join us in our mission and help us bring our programs and publications to life by using Amazon Smile today.
CAA representatives advocated for the arts and humanities with partners at the American Association of Museums (AAM) and the National Humanities Alliance (NHA) this spring for Museums Advocacy Day on February 23 and Humanities Advocacy Day on March 11, 2021. Alongside other academic societies, scholars, and museum professionals, CAA urged congressional representatives and senators to back full funding for the National Endowment for the Arts (NEA), the National Endowment for the Humanities (NEH) and particularly the Institute for Museum and Library Services (IMLS), which provides grants for museums and arts organizations throughout the country, for the fiscal year 2022. Increased allocations for these programs would bring funding levels back to what they were over a decade ago in 1998. We met with the offices of New York representatives Tom Reed, Jerry Nadler, Carolyn Maloney, John Katko, and Yvette Clarke and senators Kirsten Gillibrand and Chuck Schumer. Sen. Schumer joined Museums Advocacy Day in person to share his enthusiasm about moving forward with emergency relief funds for arts organizations and supporting more space for them in the next year’s congressional budget.
CAA has been participating in these meetings for the past three years. We noted that 1/3 of all museums in the US are at risk of closing without assistance. We also stressed the importance of museums as institutions that have served our community greatly during COVID and have come up with creative solutions for childhood education, community building, virtual exhibitions, and out-of-the-box engagement strategies. The arts and humanities have helped our communities cope and their spaces—schools, libraries, and museums—remain some of the only spaces in communities that can be accessed freely by the public.
posted by CAA — March 29, 2021
CAA joins 36 member societies in solidarity with Asian Americans and Pacific Islanders in signing a statement by the American Council of Learned Societies (ACLS) condemning the appalling acts of racism, violence, and discrimination committed against these communities.
That statement asserts, “We find ourselves in a moment where, for good reason, we and many other Americans have been and continue to be focused intently on anti-Black racism. But we are reminded by the horrific events in Georgia this week and increased acts of violence over this past year linked to the COVID-19 pandemic, of the deep prejudices affecting Asians in this country. These and other attacks against the Asian-American community represent the latest chapter in our history of xenophobia, which tends to flare during times of crisis.” (ACLS American Council of Learned Societies)