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CAA-Getty International Program at CAA 2020

posted by March 17, 2020

2020 CAA-Getty International Program Participants, photo by Stacey Rupolo.

Front row, left-right: Julia Waite (New Zealand), Saurabh Tewari (India), Daria Jaremtchuk (Brazil), Ali Mahfouz (Egypt), Akande Abiodun (Nigeria), Aleksandra Paradowska (Poland), Iro Katsaridou (Greece), Priya Maholay-Jaradi (Singapore), Giuliana Vidarte (Peru); Back row, left-right: Valeria PazMoscoso (Bolivia), Nora Veszpremi (Hungary/UK), Eiman Elgibreen (Saudi Arabia), Pedith Chan (Hong Kong), Mariana Levytska (Ukraine), Daniela Lucena (Argentina), Katarzyna Cytlak (Poland), Daria Panaiotti (Russia), Jean-Arsène Yao (Côte d’Ivoire), Irene Bronner (South Africa); Not pictured: Ganiyu Jimoh (Nigeria)

One for the Scrapbook! The 2020 CAA-Getty International Program participants—twenty scholars from nineteen countries—arrived in Chicago on the Sunday before the conference to get ready for a busy week of meetings, sessions, and one-on-one conversations. With this year’s participants, the program now includes 135 scholars from 48 countries, adding for the first time representatives from Bolivia, Singapore, and Côte d’Ivoire.

The preconference colloquium on February 11 was held at the School of the Art Institute of Chicago and featured papers on indigenous artists and contemporary art, the politics of cultural heritage, new subjects for art history, artistic exiles, and critical pedagogies.

Eleven US-based CAA members served as hosts for the international visitors, introducing them to scholars in their fields, taking them to Chicago-area museums, and attending their preconference colloquium.

Toward the end of the week, five alumni added their voices to the annual Global Conversation session, this year addressing Art History and the Politics of Vision.

As Julia Waite, from New Zealand, summarized the week: “Attending the CAA conference was hugely stimulating, and I left feeling excited about the future of art history. It reminded me of the strengths of deep art historical research in providing a more complex and nuanced understanding of art and society.”

Fridays For Future protest in Toronto, Canada. Photo: Jasmin Sessler

As part of the 2021 Annual Conference, CAA seeks to offer a selection of sessions, papers, speakers, and related programming on the topic of Climate Crisis. Including but going beyond eco-art and eco-criticism, and with climate justice and intersectional thinking as priorities, panels and presentations can address ecology as a matter of the content of artworks, but also, and pressingly, how we—artists, designers, and art historians, institutional stakeholders and independent practitioners, and members of allied fields—can and should change our professional practices in light of the crisis.

We invite discussions of creative interventions into the status quo, up to and including a serious discussion of ways of reducing the carbon footprint of the annual conference itself, while preserving and enhancing access. Practices and themes may include remediation and amelioration, thematic representation and critique, the ramifications of change for institutions and collections, issues of preservation, and the nature of research. We invite radical and practical proposals. The conference content will stress a broad and inclusive conversation on climate crisis impact through the lens of age; gender; nationality; race; religion; and socioeconomic status among others.

SUBMIT A PROPOSAL

Thank You for CAA 2020! What Did You Think?

posted by February 17, 2020

See more highlights @caavisual.

Thank you to the thousands of participants who contributed to the 108th Annual Conference! You can see highlights on our Twitter and Instagram feeds and via the #CAA2020 hashtag.

If you attended CAA 2020, we want to hear from you. Let us know what worked, what didn’t, and what you’d like to see next year in our online survey. All survey respondents are eligible to be entered into a drawing for a free year-long membership.

Take the survey

We appreciate your feedback and hope to see you next year in New York, February 10-13, 2021! The submissions portal for CAA 2021 opens March 1.

Filed under: Annual Conference, Surveys

Meet the 2019 Professional Development Fellows

posted by February 14, 2020

CAA is pleased to announce the recipients of the 2019 Professional Development Fellowships. The recipient of the $10,000 fellowship in art history is Ace Lehner, University of California, Santa Cruz. The recipient of the $10,000 fellowship in visual art is Leah Schretenthaler, University of Wisconsin-Milwaukee.

The honorable mention for art history goes to Anne Marie Butler, Kalamazoo College, and the honorable mention in visual art is awarded to Madelaine Corbin, Cranbrook Academy of Art. All fellows and honorable mentions receive a complimentary one-year CAA membership and registration for the 2020 Annual Conference in Chicago.

2019 Professional Development Fellowship in Art History 

Ace Lehner, University of California, Santa Cruz

Ace Lehner is an interdisciplinary scholar and artist specializing in critical engagement with identity and representation; history, theory, and criticism of contemporary art; photography theory; and queer and trans theory. Lehner’s artistic practice often embraces collaboration and primarily utilizes photography and video to mine the complex relation between representations and the constitution of identities. Lehner was recently a Presidents’ Dissertation-Year Fellow at the University of California, Santa Cruz, where they are completing their dissertation, ”Trans Representations: Contemporary Art Photography and Non-Binary Visual Theory,” and earning their PhD.

Lehner has chaired panels on trans representations at the College Art Association conference has spoken about their research and artistic practice at the International Center of Photography (New York, NY) and has been published in Art JournalREFRACTThe Wattis Institute for Contemporary ArtThe Journal on Images and Culture, and elsewhere. Lehner’s artwork has been exhibited internationally and will be featured in a solo exhibition at Practice Gallery in Philadelphia in June 2020. Lehner currently serves as the editor of the forthcoming book From Self-Portrait to Selfie: Contemporary Art and Self-Representation in the Social Media Age published by MDPI Books and works in the Education Department at the Dia Foundation and the Museum of Modern Art in New York, NY, where they are currently piloting the museums’ first-ever queer tour programs. Lehner holds an MFA/MA in Fine Art/Visual and Critical Studies from California College of the Arts. Lehner is based in Brooklyn, New York.

Honorable Mention in Art History

Anne Marie Butler, Kalamazoo College

Anne Marie Butler is Assistant Professor of Art History and Women, Gender, and Sexuality at Kalamazoo College, Kalamazoo, MI. Her research areas are global contemporary art, Middle East North Africa studies, gender and sexuality studies, and queer theory. Her scholarship considers issues of gender, sexuality, and queerness within the parameters of the nation-state, and the imbrication of state authority within social constructs. She is currently working on a book project about surrealism in Tunisia, in which she considers emerging and ongoing questions about how Tunisian artists critique embedded systems of power by examining surrealism as a methodology by which Tunisian women artists negotiate the discordant demands of the state apparatus and social norms. Additional scholarship in progress on contemporary Tunisian visual art addresses the overlap of surrealism and queerness, sexuality in surrealism, contemporary performance art, and negotiations of repression. She is also an activist who has worked in migrant justice and local LGBTQ history. In 2018, she founded the Middle East Studies Association Queer Studies Interest Group.

Dr. Butler received her MA from New York University and her PhD from the University at Buffalo. Her dissertation, “Unintelligible Bodies: Surrealism and Queerness in Contemporary Tunisian Women’s Art” (2019), revealed that many Tunisian women artists imagine queer bodies, bodily configurations, and bodily relationships that rebuke normative conceptualizations of the body, and argued that surrealism and queerness are strategies by which Tunisian women artists launch critiques of repressive systems that remain embedded within the Tunisian state and society.

2019 Professional Development Fellowship in the Visual Arts 

Leah Schretenthaler, University of Wisconsin-Milwaukee  

Leah Schretenthaler was born and raised in Hawaii. After relocating to the mainland, Hawaii continues to be a point of reference for her research and studio practice. Her work uses traditional photography, laser etching, and metal casting to create images. Through her art practice, her research presents a connection between land, material, and performance. Her ongoing series, The Invasive Species of the Built Environment, focuses on the controversial builds of her home state.

Schretenthaler completed her BFA degree from the University of South Dakota and holds a master’s degree in art education from Boston University. She is currently an MFA candidate. Recently she has been named one of LensCulture’s Emerging Talents of 2018 and was awarded second place in the Sony World Photography Awards. In 2019, she was awarded the  Rhonda Wilson Award through FRESH2019 at the Klompching Gallery. In the of fall 2019 she received the Film Photo Award. Her work has been displayed nationally and internationally including Kahilu Theater (Waimea, HI), Washington Pavilion (Sioux Falls, SD), Manifest (Cincinnati, OH), The Rhode Island Center for Photographic Arts (Providence, RI), Center for Fine Art Photography (Fort Collins, CO), and SOHO Gallery (New York, NY), as well as the Somerset House (London).

Honorable Mention in Visual Art

Madelaine Corbin, Cranbrook Academy of Art  

Madelaine Corbin is a multi-disciplinary artist based in Detroit, Michigan. She received her BFA from Oregon State University where she was an artist-in-residence in the departments of Inorganic Chemistry and Microbiology. Recent awards include the Haystack Mountain School of Crafts Stuart Thompson Fellowship, the President’s Award in Sustainability bestowed by Cranbrook Academy of Art, and the Sponenburgh Travel Award granted by Oregon State University.

Corbin’s practice is an archaeological journey to unearth the space between home and land, human and non-human, wild and managed landscapes, and the connection to one another through geographic distance. A fleck of ash, drop of blue, grain of salt, speck of dust, and particle of soil—a constellation of meaning is composed from these elements. Corbin’s practice earnestly endeavors to listen to, translate, and contextualize the conversation between the vibrancy of matter sensed by our fingertips and the expansive questions cultivated by the equally vast universe around. Spaces that invite wonder and interdisciplinary research coalesce to question the quotidian materials accepted as ‘normal’ when few things are actually so. Dirt, salt, and dust are not so simple. Interminable investigations into subterranean histories, values, politics, sciences, fictions, and natural phenomena re-evaluate the inherent meanings embedded in matter. Using her own relationship to ecology rooted in a valley town in Oregon as a starting point, Corbin articulates the complexity and range of relationships to the land beneath our feet, that which once was, and that which will never be.

About the Professional Development Fellowship

CAA’s Professional Development Fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2021 fellowship cycle will open in the late spring. Learn more.

Welcome to the 2020 Annual Conference

posted by February 12, 2020

The 108th CAA Annual Conference begins today in Chicago! Welcome to the thousands of CAA members, colleagues, and friends who will be there. If you’re attending, make sure you have downloaded the CAA 2020 app, which is your go-to resource for personalizing your schedule and connecting with others at the conference. There is also a desktop version and printable PDF of the schedule available here.

Want to attend but haven’t registered? Onsite registration is available, and thanks to generous support from the Carl & Marilynn Thoma Art Foundation, we’re happy to offer a Pay-as-you-Wish Day Pass on Friday, February 14th.

Not at the conference? See what’s happening on Twitter, Instagram, and Facebook, and join in the discussion online using using #CAA2020.

CAA staff is on-the-ground at the Hilton Chicago, so website updates and email replies may be delayed. Thanks for your understanding!

Filed under: Annual Conference

CWA Picks for CAA 2020

posted by February 05, 2020

In lieu of the Committee on Women in the Arts’ monthly write ups on select exhibitions, programs and scholarship that explore gender issues, feminist practices and the work of women artists from around the world and the United States, this month’s picks will focus on local highlights during the 2020 Annual Conference in Chicago.

Among them we would like to highlight the performance program curated by Out of Site Chicago for CWA’s Reception at HAUS and the Hokin Gallery, Columbia College Chicago during CAA 2020 on Thursday February 13. For more information and to RSVP, click here.

The evening celebrates the centennial of US women’s suffrage and the 50%  women-centered content of this year’s conference, marking this monumental occasion while also acknowledging the discriminatory practices that limited voting rights for indigenous women and women of color, even after the passage of the 19th amendment. Seeking to extend conversations on gender, race, class and equality from a local and transnational perspective in light of the fraught history of inclusion in the US and this CWA-spearheaded initiative, Out of Site brings together two riveting, thought-provoking performances by Chicago-based artists Wannapa P-Eubanks and Alexandria Eregbu.

The 50/50 initiative’s spirit and the critical commemoration of US women’s suffrage underpin also several of the participatory projects and workshops of the 2020 ARTexchange program and exhibition that can be also explored during the CWA Reception. Elizabeth Cady Stanton’s 19th-century women’s suffrage address “Solitude of Self” is, for instance, the focus of Carol Flueckiger’s drawing workshop Solitude of Selfie, while the underside of the movement is addressed in UNDERBELLY, a participatory performance by Jennifer Natalya Fink and Julie Laffin. Click here to participate in this modern suffragette parade. For complete list of artists and workshops of 2020 ARTexchange click here.

CWA PICKS FOR CAA 2020 IN CHICAGO

Woman Made Gallery 

Woman Made Gallery is a tax-exempt, not-for-profit organization founded in 1992. Its goal is to cultivate, promote and support the work of female-identified artists by providing exhibition opportunities, professional development, and public programs that invite discussion about what feminism means today.
Link

Vaginal Davis as G.B. Jones in Beggars of Life segment of The White to be Angry, 1999
Photo by John AES Nihil of Aesthetic Nihilism Pictorial

Vaginal Davis: The White to be Angry at the Art Institute Chicago
at the Art Institute Chicago
February 1 – April 26, 2020
Link

Mika Rottenberg: Easypiecesat
at the Bergman Family Gallery
October 2, 2019 – March 8, 2020
Link

Female Trouble: Amanda Joy Calobrisi, Lilli Carré, Qinza Najm, Kathryn Refi, Frances Waite
at Western Exhibitions
January 10 – February 22, 2020
Link

Margie Criner: Mind Over Matter
at Bert Green Fine Art
January 11 – February 22, 2020
Link

Candida Alvarez: Estoy Bien
at Monique Meloche Gallery
February 1 – March 28, 2020
Link

American Medina: Stories of Muslim Chicago
at Chicago History Museum
Link

Why women should vote
at Jane Addams Hull House
Link

True Peace: the presence of justice
at Jane Addams Hull-House Museum
Link

Facing Freedom in America 
at Chicago History Museum
Link

Beth Foley
at Gallery Victor Armendariz
January 10 – February 28, 2020
Link

Weaving Beyond the Bauhaus
at the Art Institute Chicago
August 3, 2019 – February 17, 2020
Link

Robyn O’Neil: The Tapestries
at Western Exhibitions
January 10 – February 22, 2020
Link

VISIT THE CONFERENCE SITE

Filed under: Annual Conference, CWA Picks

Image courtesy Bend Design Conference.

Please join us for a Memorial Celebration for Professor Victor Margolin during the 2020 Annual Conference on February 12, 2020.

Memorial Celebration for Professor Victor Margolin

Wednesday, February 12, 2020
5:30-7:30 pm
Resident’s Dining Room
Jane Addams Hull House
800 S. Halsted Street
Chicago, Illinois

If you’d like to attend, please RSVP to Rebecca Houze: rhouze@niu.edu

Victor Margolin (1941-2019) was Professor Emeritus of Design History at the University of Illinois at Chicago. He served on the CAA Board of Directors from 1993 to 1997 and was a frequent presenter and session chair at CAA’s Annual Conferences. He promoted the study of design and design history by encouraging the work of others and contributing to the activities of the Design Studies Forum. He was honored with Lifetime Achievement Awards for design research from LearnXDesign (2015) and the Design Research Society (2016). Victor was a founding editor of the academic design journal Design Issues. Books that he has written, edited, or co-edited include The Struggle for Utopia: Rodchencko, Lissitzky, Moholy-Nagy, 1917-1936Design DiscourseThe Designed World: Images, Objects, Environments; and The Politics of the Artificial: Essays on Design and Design Studies. He also edited and co-edited important volumes of essays on design titled Design Discourse (1989), The Idea of Design (1995) Discovering Design (1995) and The Designed World: Images, Objects, Environments (2002). The first two volumes of his World History of Design were published in April 2015.

In the words of his colleague and co-editor Bruce Brown, “Victor was a man of immense intellectual generosity and he mentored scholars young and old around the world. He was always a reasoned advocate of design as a tool to create societies that were more just, equitable and compassionate. These values were accompanied by a keen mind and twinkling eye that drew Victor to people all over the world. His deep humanity, ideas and insights will live on through books and essays to inspire future generations of designers.”

The Jane Addams Hull-House Museum is located on the campus of the University of Illinois at Chicago, 800 S. Halsted Street, Chicago. It is easily reached by public transportation using the UIC Halsted stop on the Blue Line or the Halsted Bus (#8), or via the Eisenhower Expressway (I-290) and the Dan Ryan Expressway (I-90). Parking is available at the Halsted and Taylor Street garage.

Filed under: Annual Conference, Design, Obituaries

Honorees this year include Eleanor Antin, Joseph Leo Koerner, Maud K. Lavin, Annet Couwenberg, Harriet Senie, Kyle Staver, and many other scholars, artists, and teachers

CAA Annual Conference, Chicago, February 12-15, 2020

Eleanor Antin

We are pleased to announce the recipients and finalists of the 2020 CAA Awards for Distinction. Among the winners this year is Eleanor Antin, recipient of the 2020 Distinguished Artist Award for Lifetime Achievement. Born in the Bronx in 1935 to immigrant parents, Antin is an innovator and pioneer as a feminist artist, a performance and installation artist, a conceptual artist, filmmaker, and writer. She is an emeritus Professor of Visual Arts at the University of California, San Diego and author of several books including An Artist’s Life by Eleonora Antinova and Conversations with Stalin. Antin’s solo museum exhibitions have appeared at the MoMA, the Whitney Museum, and, in 2019, the Los Angeles County Museum of Art with her retrospective, Eleanor Antin: Time’s Arrow. Her awards include a Guggenheim Fellowship and a 2006 Women’s Caucus for Art Lifetime Achievement Award.

Joseph Leo Koerner

Joseph Leo Koerner is the recipient of the 2020 Distinguished Lifetime Achievement Award for Writing on Art. His achievements include four landmark books on sixteenth-century paintings: The Moment of Self-Portraiture in German Renaissance Art (University of Chicago Press, 1993), The Moment of Self-Portraiture in German Renaissance Art (University of Chicago Press, 2003), The Reformation of the Image (Reaktion Books, 2004), and Bosch and Bruegel: From Enemy Painting to Everyday Life (Princeton University Press, 2016). Koerner has also written widely on more recent artists, from Caspar David Friedrich to Paul Klee, and explored early-twentieth century Vienna through a documentary project and a semi-autobiographical film.

Maud K. Lavin

Dr. Maud K. Lavin is the recipient of the 2020 Distinguished Feminist Award for scholarship. Over the course of three decades, Lavin has worked tirelessly as a key pioneer in the field of feminist art history and visual studies. She is the author of numerous books including the first English-language book on Berlin Dada artist Hannah Hoch, Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch (Yale University Press, 1993), and most recently,  Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan, co-edited with Ling Yang and Jamie Zhao (Hong Kong University Press, 2017). She is a professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

The Awards for Distinction will be presented during Convocation at the CAA Annual Conference on Wednesday, February 12 at 6:00 PM at the Hilton Chicago. This event is free and open to the public.

The full list of 2020 CAA Awards for Distinction Recipients

Distinguished Artist Award for Lifetime Achievement

Eleanor Antin

Distinguished Lifetime Achievement Award for Writing on Art

Joseph Leo Koerner

Distinguished Feminist Award—Scholar

Maud K. Lavin

Distinguished Teaching of Art Award

Annet Couwenberg

Distinguished Teaching of Art History Award

Harriet Senie

Artist Award for Distinguished Body of Work

Kyle Staver

CAA/AIC Award for Distinction in Scholarship and Conservation

Jeanne Marie Teutonico

Award for Excellence in Diversity

3Arts

Outstanding Leadership in Philanthropy Award

Terra Foundation for American Art

Charles Rufus Morey Book Award

J. P. Park
A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏn Korea (1700–1850)
University of Washington Press, 2018

Finalists

Chanchal B. Dadlani
From Stone to Paper: Architecture as History in the Late Mughul Empire
Yale University Press, 2019

Barbara Furlotti
Antiquities in Motion: From Excavation Sites to Renaissance Collections
Getty Publications, 2019

Matthew Looper
The Beast Between: Deer in Maya Art and Culture
University of Texas Press, 2019

Alfred H. Barr Jr. Award

Karl Kusserow and Alan C. Braddock
Nature’s Nation: American Art and Environment
Princeton University Art Museum, 2019
with contributions by Miranda Belarde-Lewis, Teddy Cruz, Rachael Z. DeLue, Mark Dion, Fonna Forman, Laura Turner Igoe, Robin Kelsey, Anne McClintock, Timothy Morton, Rob Nixon, Jeffrey Richmond-Moll, Kimia Shahi, and Jaune Quick-to-See-Smith

Honorable Mention

Esther Gabara
Pop América, 1965–1975
Duke University Press, 2018

Finalists

Cathleen Chaffee
Introducing Tony Conrad: A Retrospective
Albright-Knox Art Gallery, Buffalo, NY, in association with Koenig Books, London, 2019

Jessica Morgan and Alexis Lowry
Charlotte Posenenske: Work in Progress
Dia Art Foundation and Walther König, 2019

Elizabeth Morrison
Book of Beasts: The Bestiary in the Medieval World
Getty Publications, 2019

Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions

Denise Murrell
Posing Modernity: The Black Model from Manet and Matisse to Today
Yale University Press in association with The Miriam and Ira D. Wallach Art Gallery, Columbia
University in the City of New York, 2018

Honorable Mention

Phillip Earenfight
Shan Goshorn: Resisting the Mission
Trout Gallery, Dickinson College, 2019

Finalists

Tracy L. Adler
Jeffery Gibson: This is The Day
Prestel Publishing, 2018

Faith Brower, Heather Ahtone, and Seth Hopkins
Warhol and the West
University of California Press, 2019

Frank Jewett Mather Award for Art Criticism

Darby English
To Describe a Life: Notes from the Intersection of Art and Race Terror
Yale University Press, 2019

Art Journal Award

Philip Glahn and Cary Levine
“The Future Is Present: Electronic Café and the Politics of Technological Fantasy”
Art Journal, vol. 78, no. 3 (Fall 2019): 100–121

Arthur Kingsley Porter Prize

Claudia Brittenham
“Architecture, Vision, and Ritual: Seeing Maya Lintels at Yaxchilan Structure 23″
The Art Bulletin, vol. 101, no. 3 (September 2019): 8–36

Learn about the juries that select the recipients of the CAA Awards for Distinction.

VISIT THE CONFERENCE SITE

Meet the 2020 Travel Grant Recipients

posted by January 29, 2020

CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. Meet this year’s recipients below.

CAA GRADUATE STUDENT CONFERENCE TRAVEL GRANTS

CAA awards Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to the Annual Conference.

Maureen Burdock, University of California, Davis

Josephine Lee, Parsons School of Design

Brantly Hancock Moore, University of North Carolina at Chapel Hill

Nicole Winning, University of Massachusetts at Dartmouth

CAA INTERNATIONAL MEMBER CONFERENCE TRAVEL GRANTS

CAA awards the International Member Conference Travel Grant to artists and scholars from outside the United States as partial reimbursement of travel expenses to the Annual Conference.

Alex Burchmore, Australian National University

Panos Kompatsiaris, National Research University Higher School of Economics,Moscow

Stephen Adéyemí Folárànmí, Rhodes University, South Africa

CAA TRAVEL GRANT IN MEMORY OF ARCHIBALD CASON EDWARDS, SENIOR, AND SARAH STANLEY GORDON EDWARDS

Established by Mary D. Edwards with the help of others, the CAA Travel Grant in Memory of Archibald Cason Edwards, Senior, and Sarah Stanley Gordon Edwards supports women who are emerging scholars at either an advanced stage of pursuing a doctoral degree or who have received their PhD within the two years prior to the submission of the application.

Kristen Nassif, University of Delaware
Paper: Seeing Through Blindness: Disability, Tactile Relief Maps, and Geography
Session: Disability in the Arts: The Active Participation of People with Disabilities in the Arts

Shirlynn Sham, Yale University
Paper: The Eighth Wonder of the World: Design and Danger in Marc and Isambard Brunel’s Thames Tunnel Project
Session: Topographical Drawing

SAMUEL H. KRESS FOUNDATION CAA CONFERENCE TRAVEL FELLOWSHIP FOR INTERNATIONAL SCHOLARS

Recognizing the value of first-hand exchanges of ideas and experience among art historians, the Kress Foundation is offering support for international scholars participating as speakers at the 2020 CAA Annual Conference. The scholarly focus of the papers must be European art before 1830.

Sophie Ong, Rutgers University
Paper: ‘I pray…that I may have sommethyng for my nekke’: Understanding Jewelry and Its Popularity in the Late Middle Ages and Today
Session: Kitsch and Craft in the Middle Ages: Making Medieval Art Popular

Bruno Ligore, Nice University, France
Paper: Embodying the Antique in the Early 19th Century: Ballet Masters’ Drawing Practices
Session: Dancing in the archives: choreographers’ drawings as resources for art historians (19th-20th centuries)

Halyna Kohut, Ivan Franko National University of Liviv, Ukraine
Paper: Is it the Rug or the ‘Other’?
Session: Different Shades of Othering: Orientalism/Occidentalism in the World of Art

Elisa Antonietta Daniele, University of Verona, Italy
Paper: Performing Bodies, Dancing Trifles: Drawing New Worlds in Il Tabacco, Commemorative Album for the Courtly Ballet Staged in Turin (1650)
Session: Early Modern Animation: Mascarades, Ballet, Automata

Estefanía López-Salas, Universidade da Coruña, Spain
Paper: Towards a Web-Based Representation of Spatial Change Over Time at San Julián de Samos
Session: Advanced Topics in Digital Art History: 3D (Geo)Spatial Networks

Elena Granuzzo, Independent Scholar, Italy
Paper: The Cicognara Library and Michelangelo Buonarroti: A Historiographical Reading through the Sources
Session: Historic Libraries and the Historiography of Art (II)

CAA-GETTY INTERNATIONAL PROGRAM

Every year since 2012, the CAA-Getty International Program has brought between fifteen and twenty art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conference. This program is funded on an annual basis by the Getty Foundation. Click here to meet the CAA-Getty International Program participants.

ARTexchange2020

Workshops • Performances • Exhibition

at Columbia College Chicago, Hokin Gallery, 623 South Wabash
February 12–February 24, 2020
Gallery Hours: Monday–Friday 9:00am–10:00pm; Saturday, 9:00am–5:00pm

Take part in workshops and performances facilitated by artists: Noah Breuer, Wendy DesChene + Jeff Schmuki, Jennifer Natalya Fink & Julie Laffin, Carol Flueckiger, Visda Goudarzi & Artemi-Maria Gioti, MiHyun Kim, Jill Odegaard, Lydia See, Christine Stiver.

View dynamic installations co-created with the public. Visitors can interact with many of the installations even when facilitating artists are not present. Come by every day to see how the space changes. Workshops and events are “drop-in” friendly. You can come and go for any time during facilitated workshops.

CAA’s Services to Artists Committee (SAC), in collaboration with the “Hokin Project,” a gallery management practicum course at Columbia College Chicago, presents ARTexchange 2020 as an opportunity for artists to share their work and build affinities with other artists, historians, curators, cultural producers, and the public.

The exhibition will remain on view through February 24, 2020.

For a full listing of all SAC programming at the 108th CAA conference, see here.

And don’t forget the ARTexchange Reception, Friday, February 14, 7:00pm–8:30pm.

Black Lunch Table — Wikipedia Edit-a-thon

Join us for a Wikipedia edit-a-thon hosted by the Black Lunch Table. Their initiative creates and improves articles about Black visual artists. Celebrating artists of color, women artists, and artists with disabilities, this program supports inclusion and recognition of intersectionality. No prior experience necessary. Bring a computer and a friend!

This programming is partially funded by the Office of Academic Diversity, Equity, and Inclusion, Columbia College Chicago.

Workshop times: Thursday, 10:30am–1:30pm; Friday, 10:30am–1:30pm in the Media Lounge

Noah Breuer – CB&S Rubbings and Print Project

Noah Breuer leads a printmaking workshop, utilizing engraved designs inspired by CB&S, his great-great-grandfather’s textile factory that was seized along with all Jewish-owned property in German-occupied areas during WWII. Participants leave with their own book and contribute one copy for visual materials to be built upon by the next participants.

Workshop times: Wednesday, 4:00pm–6:00pm; Thursday, 4:00pm–6:00pm; Friday, 12:00pm–2:00pm

Wendy DesChene + Jeff Schmuki – Ostraka

Join DesChene and Schmuki in celebration of our fundamental right to vote through Ostraka, a collaborative installation that mirrors a 5th-century BC Athenian tradition, where citizens would inscribe the name of a person they wanted to politically neutralize on a shard of broken pottery called an ostrakon.

Workshop times: Wednesday, 2:00pm–4:00pm; Friday, 12:00pm–2:00pm

Jennifer Natalya Fink & Julie Laffin – UNDERBELLY

Join artists Fink and Laffin in a performance and “modern suffragette” march, retracing the steps of historical suffrage parades. Airing some dirty laundry to expose the underbelly of the movement, participants will wear two-sided sashes imprinted with both positive and negative statements related to the suffragette movement and voting rights.

Performance time: Thursday, 4:00pm–6:00pm

If you want to be a modern suffragette and participate in the march, sign up here to be contacted by the artists. Meet at the Hokin Gallery at 3:40 pm. Don’t forget to dress weather appropriate.

Carol Flueckiger – Solitude of Selfie

Flueckiger’s project explores Elizabeth Cady Stanton’s 19th century women’s suffrage address “Solitude of Self”. Participants will be prompted to engage with Stanton’s speech and make response drawings. Works will be pinned to the wall and later scanned and integrated into a book honoring the 100th anniversary of the 19th amendment.

Workshop times: Wednesday, 9:00am–11:00am; Friday, 9:00am–11:00am

Visda Goudarzi & Artemi-Maria Gioti – Soundsourcing

Soundsourcing is a participatory performance orchestrated by artists Goudarzi and Gioti. In this collaborative sound performance, audience members contribute vocal sounds (words, phonemes and noises) which are picked up by two condenser microphones and processed by laptop performers in real-time. The artists invite participation in this unique sound creation process.

Performance time: Friday, 7:00pm–8:00pm

MiHyun Kim – Stories Become Data

Stories Become Data is an interactive digital environment that invites participants to add their own stories to a collective narrative. MiHyun Kim will lead a workshop utilizing iPads and projection to create a space for participants to share and to visualize their stories collectively and simultaneously through real time.

Workshop time: Friday, 2:00pm–4:00pm

Jill Odegaard – Woven Welcome

Woven Welcome is a community-based art project that utilizes the form of a woven rug as a statement of the interconnectedness of individuals. Join artist Jill Odegaard in creating this artistic metaphor, and engage in a dialogue with other conference attendees and community members.

Workshop times: Wednesday, 6:00pm–10:00pm; Friday, 9:00am–12:00pm

Lydia See – BMC Playbook

Lydia See’s BMC Playbook encourages the examination and manipulation of materials, space, and the collective spirit. This collaborative project, resulting in an installation in the Hokin Gallery, includes a series of chance operations based on a generative BMC card game, inspired by material study workshops at Black Mountain College.

Workshop time: Thursday, 4:00pm–6:00pm

Materials and instructions are available outside facilitated workshop times for the entire exhibition.

Christine Stiver – Banquet Art

Stiver’s participatory performance Banquet Art is modeled after one of Caroline Shawk Brooks’ own sculpting demonstrations in which she sculpted one face after another on the same bust of butter. Participants will sculpt a series of portraits, starting with Napoleon and George Washington, a litany of “great leaders” will follow.

Workshop time: Friday, 4:00pm–8:00pm

Ongoing

Graduate Student Screenings

A curated selection of current MA/MFA videos/digital artworks, premieres at the Media Lounge Wednesday. Participating artists: ANDiLAND, Jorge Bañales, Andrea Bagdon, Jacklyn Brickman/Heather Taylor, Christian Casas, Danielle Damico, Jesse Egner, Caleb Engstrom, Mary Gring, Selena Ingram, Bibiana Medkova, Carolina Montejo, Strange Lens, Maria V, F. C. Zuke

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