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The College Art Association endorses the deaccessioning policies of the American Association of Museums and Association of Art Museum Directors. These mandate that once a museum approves the serious step of a sale of works from its holdings, those proceeds be put toward the collection and not toward institutional operating costs. The recent sale of the George Bellows painting Men of the Docks from the Maier Museum at Randolph College violates these principles. CAA supports the AAMD censure of the Maier Museum at Randolph College and expresses its regret that Randolph College has compromised the educational and cultural mission of the museum by treating its collection as a fungible asset rather than as a vital part of the institution’s artistic heritage, held in trust for its students and the community.

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