posted by CAA — Nov 18, 2016
Mary Manning visits Sargent: Portraits of Artists and Friends at the Metropolitan Museum of Art. The exhibition “presents ninety-two works that depict members of the artist’s vast social circle” and shows how Sargent’s “personal relationships and growing prestige afforded him substantial access to creative personalities who would influence his understanding of the arts.” Read the full review at caa.reviews.
Angelina Lucento reviews Hyperrealism: When Reality Becomes an Illusion, an exhibition at the State Tretyakov Gallery in Moscow. The show illustrates how the photo-realist members of the Union of Artists of the USSR used painting “to examine the role of the technologies of reproduction and transmission on the perception of the postwar socialist body and the spaces of its existence.” Read the full review at caa.reviews.
Grace Lees-Maffei provides a summary of design history in the essay “Design History: The State of the Art.” The author sketches “the history of design history for those unfamiliar with it, including the international spread of the subject,” and focuses “on the current state of the field with reference to several key topics and work currently in progress.” Read the full review at caa.reviews.
caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.