posted by CAA — Jun 13, 2018
This interview is the last in a series of conversations led by Caitlin Masley-Charlet, focused on the utility and scope of artists residencies. In this interview, Masley-Charlet sits down with artist Elisabeth Smolarz to discuss Smolarz’s recent residencies and projects, and the importance of failure, artistic community, and cross-pollination between practitioners.
Scholar Suzaan Boettger looks at the generative interplay between the science-fiction novels of the late Brian Aldiss and the Land art works of Robert Smithson, examining the word “earthworks” as a “shared emotional bedrock” between the two artists. In looking at Aldiss and Smithson side by side, Boettger brings Aldiss’s work more into the realm of art history, and Smithson’s work more into the realm of science fiction and environmental degradation.