CAA News Today
Apply Now for Fall 2025 Publication Grants + Grantees Announced!
posted Jul 24, 2025
CAA is now accepting applications for the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant. These grants support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.
The Millard Meiss Publication Fund supports the publication of books on any period or area of art history and visual studies.
The Wyeth Foundation for American Art Publication Grant supports the publication of books on the art of the United States, Canada, and Mexico.
Application instructions and criteria can be found here.
Deadline: September 15
Millard Meiss Publication Fund Spring 2025 Grantees
Ravinder Binning, The Medieval Art of Fear, The University of Chicago Press
Rebecca M. Brown, Modernism in Relation: KCS Paniker’s Written Pictures, J. Paul Getty Trust
Sylvia Cockburn, Unsettling Museums: Pacific Artists, Anthropology, and Collaborative Practice, University of Hawaiʻi Press
Danya Epstein, Hopi Futurist: The Art and Architecture of Dennis Numkena, University of Oklahoma Press
Sonal Khullar, The Art of Dislocation: Conflict and Collaboration in Contemporary Art from South Asia, University of California Press
Michele Lamprakos, Memento Mauri: The Afterlife of the Great Mosque of Cordoba, The University of Texas Press
Christopher J. Nygren, Sedimentary Aesthetics: Painting on Stone and the Ecology of Early Modern Art, Yale University Press
Florencia San Martin, Alfredo Jaar: Decolonial Time and the Aesthetics of the Unfinished, Duke University Press
Allison Young, Freedom as Form: Gavin Jantjes, Anti-Apartheid, and the Postwar Avant-Garde, Duke University Press
Wyeth Foundation for American Art 2024 Grantees
Annik Bilodeau, Pasting Up Protest: The Art of Memorializing Violence in Mexican Printmaking, McGill-Queen’s University Press
Alice Butler, Close Writing: Kathy Acker, Cookie Mueller, and Love-in-pieces, Duke University Press
Yve Chavez, Indigenizing California Mission Art and Architecture, University of Washington Press
Carolin Görgen, The California Camera Club: Collective Visions in the Making of the American West, University of Oklahoma Press
Harmony Hammond and Tirza True Latimer, Still Dangerous: The Harmony Hammond Reader, Duke University Press
Robb Hernández, Transplanetary: Speculative Arts of the Americas, Duke University Press
Joseph Harold Larnerd, Undercut: Cut Glass in Working-Class Life during the Long Gilded Age, University of Delaware Press
Michael Hartman and Jami Powell, eds., Reenvisioning Histories of American Art: Transforming Museum Practice, University of Washington Press
Jessica Lopez Lyman, Hard Land, U.S.A.: Latina/x Art, Performance, and Organizing in the Twin Cities, University of Minnesota Press
Maureen Meister, Arts and Crafts Architecture Across America, Yale University Press
John Ott, Mixed Media: The Visual Cultures of Racial Integration, 1931–1954, University of California Press
Louis Shadwick, Edward Hopper: Into the Light, Yale University Press
Jacob Stewart-Halevy, The Casual: Downplaying Art since California Conceptualism, University of Chicago Press
Nick Yablon, “From the Skyscraper to the Wildflowers”: Charles Gilbert Hine’s Photographic Survey of Broadway, University of Iowa Press
Congratulations to our grantees!


