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CAA News Today

CAA is now accepting applications for the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant. These grants support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.

The Millard Meiss Publication Fund supports the publication of books on any period or area of art history and visual studies. 

The Wyeth Foundation for American Art Publication Grant supports the publication of books on the art of the United States, Canada, and Mexico. 

Application instructions and criteria can be found here 

Deadline: September 15 


Millard Meiss Publication Fund Spring 2025 Grantees


Ravinder Binning, The Medieval Art of Fear, The University of Chicago Press

Rebecca M. Brown, Modernism in Relation: KCS Paniker’s Written Pictures, J. Paul Getty Trust

Sylvia Cockburn, Unsettling Museums: Pacific Artists, Anthropology, and Collaborative Practice, University of Hawaiʻi Press

Danya Epstein, Hopi Futurist: The Art and Architecture of Dennis Numkena, University of Oklahoma Press

Sonal Khullar, The Art of Dislocation: Conflict and Collaboration in Contemporary Art from South Asia, University of California Press

Michele Lamprakos, Memento Mauri: The Afterlife of the Great Mosque of Cordoba, The University of Texas Press

Christopher J. Nygren, Sedimentary Aesthetics: Painting on Stone and the Ecology of Early Modern Art, Yale University Press

Florencia San Martin, Alfredo Jaar: Decolonial Time and the Aesthetics of the Unfinished, Duke University Press

Allison Young, Freedom as Form: Gavin Jantjes, Anti-Apartheid, and the Postwar Avant-Garde, Duke University Press


Wyeth Foundation for American Art 2024 Grantees


Annik Bilodeau, Pasting Up Protest: The Art of Memorializing Violence in Mexican Printmaking, McGill-Queen’s University Press   

Alice Butler, Close Writing: Kathy Acker, Cookie Mueller, and Love-in-pieces, Duke University Press  

Yve Chavez, Indigenizing California Mission Art and Architecture, University of Washington Press   

Carolin Görgen, The California Camera Club: Collective Visions in the Making of the American West, University of Oklahoma Press   

Harmony Hammond and Tirza True Latimer, Still Dangerous: The Harmony Hammond Reader, Duke University Press   

Robb Hernández, Transplanetary: Speculative Arts of the Americas, Duke University Press  

Joseph Harold Larnerd, Undercut: Cut Glass in Working-Class Life during the Long Gilded Age, University of Delaware Press   

Michael Hartman and Jami Powell, eds., Reenvisioning Histories of American Art: Transforming Museum Practice, University of Washington Press   

Jessica Lopez Lyman, Hard Land, U.S.A.: Latina/x Art, Performance, and Organizing in the Twin Cities, University of Minnesota Press  

Maureen Meister, Arts and Crafts Architecture Across America, Yale University Press    

John Ott, Mixed Media: The Visual Cultures of Racial Integration, 1931–1954, University of California Press    

Louis Shadwick, Edward Hopper: Into the Light, Yale University Press    

Jacob Stewart-Halevy, The Casual: Downplaying Art since California Conceptualism, University of Chicago Press    

Nick Yablon, “From the Skyscraper to the Wildflowers”: Charles Gilbert Hine’s Photographic Survey of Broadway, University of Iowa Press 


Congratulations to our grantees!  

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