CAA News Today
In Less Than 24 Hours…
posted by CAA — September 10, 2013
Americans for the Arts sent the following email on September 10, 2013.
In Less Than 24 Hours…
Over 17,000 advocates signed our online petition for Congress to oppose the 49% cut to the NEA!
Now that Congress has returned from recess to resume debates over these budget cuts, we need to increase our number of petition signers to have an even bigger impact before the proposed cuts hit the House and Senate floors.
Will you lend your voice to the 15,000 who have already signed?
Today also kicks-off National Arts in Education Week. Did you know that over 18 million kids in every single state benefitted from the ripple effect of the NEA’s investment last year alone? These grants create a lasting impact by inspiring kids across the country, regardless of socio-economic status, to think of music and art as relevant to their own lives.
Please sign the petition and ensure all kids have access to arts education!
Nina Ozlu Tunceli
Executive Director
P.S. Have you had a chance to view the #BeTheARTbeat Crowd-Sourced video? See why others are inspired to be a part of the Arts Action Fund.
Affiliated Society News for September 2013
posted by CAA — September 09, 2013
American Council for Southern Asian Art
The American Council for Southern Asian Art (ACSAA) will hold its sixteenth biennial meeting at the University of California, Los Angeles, from November 7 to 10, 2013. The conference program and registration information can be found on the ACSAA website or as a PDF.
American Institute for Conservation
The forty-second meeting of the American Institute for Conservation (AIC) will take place May 28–31, 2014, in San Francisco, California. The event, whose theme is “Conscientious Conservation: Sustainable Choices in Collection Care,” will showcase current practice, projects, tools, and ideas in sustainable preventive conservation and collection care. Conservation and collection-care professionals routinely incorporate preventive measures into the guardianship of cultural heritage. Coupled with the awareness that this work takes place within the larger context of an increasingly interconnected and vulnerable global society, economy, and environment, conservators have become more dedicated to sustainability. The new AIC Collection Care Network and the AIC Sustainability Committee are combining forces to develop a program for 2014 that explores how these two concepts—preventative measures and sustainability—are changing the way conservation is practiced.
Association of Art Editors
The newly revised Association of Art Editors Style Guide is now available. The 2013 revision of the online-only style guide, first published by the Association of Art Editors (AAE) in 2006, was created with a dual aim: to bring the document into alignment with sixteenth edition of The Chicago Manual of Style; and to make it reflect changes in manuscript preparation, editing, and publishing that have occurred since 2006—mainly due to evolving technologies. There’s a new Electronic Media and Devices section, and the sections for Photographs and Artwork and for Manuscript Preparation contain much fresh material. The former Reference Books section has been renamed Reference Sources, because of its mix of print and online resources. Technology-related terms have been added to the Words and Terms list and woven into various other sections. The Bibliography section has been reorganized to display more clearly the two systems of citation (notes and bibliography, author-date), while the Notes section has been substantially updated. Other sections underwent less extensive but equally necessary updates. In tandem with the revision, an extensive chart, Handy Guide to Metric Conversions with Fractions, has been added to the AAE website (see Helpful Links).
Association of Art Historians
The Association of Art Historians (AAH) has announced that Christine Riding is the organization’s new chair-elect. She will start her three-year term in April 2014, when AAH will be celebrating its fortieth anniversary. Riding is senior curator and head of art at the Royal Museums Greenwich. She was previously curator of eighteenth- and nineteenth-century British art at Tate Britain and has held curatorial positions at the Palace of Westminster, the Museum of London, and the Wallace Collection, as well as being the former deputy editor of the association’s journal, Art History. AAH looks forward to working with Riding on its development as the United Kingdom–based organization responsible for promoting the professional practice and public understanding of art history.
Historians of British Art
The Historians of British Art (HBA) offers a travel grant to a graduate student who will be presenting a paper on British art or visual culture at an academic conference in 2014. The award of $750 is intended to offset travel costs. Applicants must be current members of HBA. To apply, send a letter of request, a copy of the letter of acceptance from the organizer of the conference session, an abstract of the paper to be presented, a budget of estimated expenses (noting what items may be covered by other resources), and a CV to Renate Dohmen, HBA Prize Committee Chair. Deadline: September 15, 2013.
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) will hold a majlis (meeting) with four presentations on October 10 in conjunction with the 2013 conference of the Middle East Studies Association in New Orleans, Louisiana. HIAA is also pleased to announce that its fourth biennial symposium will take place October 16–18, 2014, at the new Aga Khan Museum in Toronto, Ontario. The call for papers and further symposium information are available on the HIAA website. The deadline for proposals is October 18, 2013.
International Association of Word and Image Studies
The Max Nänny Prize for the Best Article in Word and Image Studies (€500) is awarded every three years on the occasion of the triennial conference of the International Association of Word and Image Studies (IAWIS/AIERTI). IAWIS membership is not required. Articles submitted must have been already published. The date of publication should not be earlier than three years before the submission deadline. Articles should be sent in triplicate to IAWIS/AIERTI’s secretary: Catriona MacLeod, Germanic Languages and Literatures, University of Pennsylvania, 745 Williams Hall, Philadelphia, PA 19104-6305. The deadline for submissions is October 31, 2013.
International Sculpture Center
The International Sculpture Center (ISC) is accepting nominations for the 2014 Outstanding Educator Award, which recognizes individual artist-educators who have excelled at teaching sculpture in institutions of higher learning. Candidates for this award are masters of sculptural processes and techniques who have devoted their careers to the education of the next generation and to the advancement of the field of sculpture as a whole. Nominations for the Outstanding Educator Award will be accepted through October 25, 2013. Anyone can nominate a qualified educator: submissions are not limited to participants in the United States; international submissions are welcomed and encouraged. Award recipients receive benefits such as a featured article in Sculpture magazine, a lifetime ISC professional-level membership, and an award ceremony to be held at their academic institution. Educational institutions of awardees also receive benefits, including recognition in Sculpture and a one-year ISC university-level membership.
Italian Art Society
The Italian Art Society (IAS) seeks proposals for papers for the annual IAS-Kress Lecture Series in Italy, which will take place in Pisa on May 29 or June 16, 2014 (deadline: January 4, 2014). The distinguished scholar selected to present will speak on a topic related to the art of any period from Pisa or Tuscany and will receive an honorarium and supplementary lecture allowance. IAS is also pleased to provide travel grants to graduate students and recent PhD recipients presenting conference papers about the art and architecture of Italy (deadline: November 1, 2013). The second annual IAS research and publication grant will be offered to a scholar of Italian art seeking support for costs related to research and publication (deadline: November 1, 2013). It is more worthwhile than ever to join IAS. For details on the application requirements for the lecture series and for the travel and publication grants, please visit the IAS website. Members can contribute news items and articles for the IAS newsletter: please contact newsletter@italianartsociety.org. IAS has a new Italian art blog on Tumblr created by the IAS webmaster, Anne Leader. To stay current, visit the website, like IAS on Facebook, and follow IAS on Twitter.
New Media Caucus
Media-N, the journal of the New Media Caucus (NMC), has published its summer issue, “CAA Conference Edition 2013,” an annual publication showcasing NMC-sponsored conference proceedings. At CAA in New York, NMS held two panels and two events. The new edition includes essays by panel members Jenny Vogel, David Stout, David Schwartz, Nadar Assor, Clark Shaffer Stoecklet, Micha Maya Cárdenas, Zach Blas, Pinar Yoldas, Jacob Gaboury, and Alison Reed. It also includes artist statements from event participants Margaret Dolinsky, Belinda Haikes, Arthur Liou, James Morgan, Ed Osborn, Linda Post, Elia Vargas, Valentina Vella, Doo-Sung Yoo, Meredith Drum, Meredith Hoy, Paul Johson, Carolyn Kane, Leslie Raymond, Nicolas Ruley, and Ellen Wetmore.
Media-N publishes thematic editions in the fall and spring of each year in addition to the conference edition. As part of an ongoing commitment to examining new-media works and their present theoretical frameworks; the spring 2013 issue dealt with “Tracing/New/Media/Feminisms.” This provocative edition mapped the topic by way of twelve international contributors: Faith Wilding; Morehshin Allahyari and Jennifer Way; Annina Rüst; Kim Sawchuk (Studio XX) and Stéphanie Lagueux (Matricules) in conversation with Media-N; Meighan Ellis; Colleen Keough; Eleanor Dare; and Laura Gemini and Federica Timeto in conversation with Lynn Hershman Leeson.
National Art Education Association
The National Art Education Association (NAEA) is now publishing its academic journal, Studies in Art Education, in both print and digital format. The first digital issue (vol. 54, no. 4), posted on the organization’s website for free access, is a special issue on underserved populations. The forthcoming September issue of Studies in Art Education will focus on street art and include three visual essays by graffiti artists.
NAEA has just published a new research book, Teaching and Learning Emergent Research Methodologies in Art Education, edited by Candace Jesse Stout. The authors explore innovative ways to conceptualize what research in art, education, and human experience might be, what it might mean, and what it might do.
Public Art Dialogue
The spring 2013 issue of Public Art Dialogue, published by Taylor and Francis, has been edited by Cher Krause Knight and Harriet F. Senie. This special issue, called “Memorials 2: The Culture of Remembrance,” features seven articles: “L’Oiseau lunaire: Joan Miró’s to 45 rue Blomet” by Scott D. Juall; “Careless Talk Costs Lives: Beth Derbyshire’s Public Art in the London Underground” by Katherine Ingrey; “Competing for Memory: Argentina’s Parque de la memoria” by Marisa M. Lerer; “Commemorating the Oklahoma City Bombing: Reframing Tragedy as Triumph” by Harriet F. Senie; “Ground Floor Memorial” by Judith Shea; “Response: Louise Bourgeois’ The Touch of Jane Addams” by Mary Jane Jacob; and “Border Memorial: Frontera de los muertos” by John Craig Freeman. The journal also includes two book reviews: one by Cameron Cartiere of This One and the Many: Contemporary Collaborative Art in a Global Context by Grant Kester; and a second by Janet Zweig of Locating the Producers: Durational Approaches to Public Art, edited by Paul O’Neill and Claire Doherty. Public Art Dialogue is a membership benefit of the organization.
Society for Photographic Education
The Society for Photographic Education (SPE) offers student scholarships to offset the cost of attending the next national conference, to be held March 6–9, 2014, in Baltimore, Maryland. Each award includes a $500 travel stipend, a conference fee waiver, and a one-year SPE membership. Deadline: November 1, 2013.
Society of Historians of East European, Eurasian, and Russian Art and Architecture
The Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) has launched a new website featuring information about the organization, a news blog, member research, and a resources page with over one hundred listings and links to museums, online resources, and more. Prospective members may now join SHERA online through a secure PayPal system. Please contact SHERA’s officers to provide comments and suggestions about the website and to send contributions to the news blog and the resources page. The website was designed and built by Adam Snetman, founder of Starting Now, with input from SHERA’s officers. Special thanks are due to Kathleen Duff and Anna Sokolina for their outstanding contributions to the resources page. SHERA will continue to use its listserv for questions and discussion. You may subscribe to the listserv at http://lists.oakland.edu/mailman/listinfo/shera. Sending an email to shera@lists.oakland.edu will post your message to all list subscribers.
SHERA welcomes two new institutional members: the Mead Art Museum at Amherst College in Amherst, Massachusetts, which houses over 750 works of Russian art, many of them from the collection of Thomas P. Whitney; and the Harriman Institute at Columbia University in New York, one of the world’s leading academic institutions devoted to Russian, Eurasian, and East European studies.
Southeastern College Art Conference
The Southeastern College Art Conference (SECAC) will hold its sixty-ninth annual meeting in Greensboro, North Carolina, October 30–November 2, 2013, at the Sheraton Greensboro at Four Seasons and Koury Convention Center. The University of North Carolina, Greensboro, will host; Lawrence Jenkens is the conference director. The internationally renowned artist and North Carolina resident Mel Chin has agreed to deliver the conference’s keynote address. Art in Odd Places (AiOP), which presents visual and performance art in unexpected places, will host AiOP Greensboro 2013 during the conference. Approximately 140 sessions and panels and the SECAC 2013 Juried Exhibition will be conference highlights.
SECAC has announced the results of its board election. Elected to a first term: Laura Amrhein, University of Arkansas, Little Rock. Reelected to a second term: Amy Broderick, Florida International University; Vida Hull, East Tennessee State University; Benjamin Harvey, Mississippi State University; Kurt Pitluga, Slippery Rock University (at-large); and Beth Mulvaney, Meredith College (secretary/treasurer). Richard Doubleday of Louisiana State University has been appointed to fill the Louisiana seat.
The latest issue of Southeastern College Art Conference Review (vol. 45, no. 2) is now available.
Women’s Caucus for Art
The International Caucus of the Women’s Caucus for Art (WCA) has created a global opportunity for women in a project called Half the Sky: Intersections in Social Practice Art. WCA is fortunate to offer an unprecedented art-based cultural exchange for American women artists and essayists to exhibit and share their work with women artists in China at the LuXun Academy of Fine Arts in Shenyang, China. The academy is interested in providing an opportunity for Chinese women artists to interact with artists from the United States, to learn more about feminist art history in the West, and to share their art with American artists. The exhibition will run from April 15 to 30, 2014, at the academy’s gallery; essays will be included in the exhibition catalogue. The submission deadline for art is October 6, 2013, and October 13, 2013 for essays. Calls for submission are open to all self-identified women in the US. A limited number of delegates may be selected from those whose works are accepted into Half the Sky. For more details and to apply, go to http://wcainternationalcaucus.weebly.com/half-the-sky-2014shenyang-china.html.
US Patents and Trademarks Office Issues “Green Paper” on Copyright in the Digital Age
posted by CAA — August 30, 2013
The following text is from a blog post by Shira Perlmutter, director of the United States Patents and Trademarks Office (USPTO).
We Want to Hear from You on Copyright Policies in the Digital Economy
The Department of Commerce’s Internet Policy Task Force (IPTF) last week issued a green paper on copyright, and I’d like to take a moment to highlight the paper’s core content and goals. The paper, titled Copyright Policy, Creativity, and Innovation in the Digital Economy (Green Paper), represents the most thorough and comprehensive analysis of digital copyright policy issued by any administration since 1995. Along with the National Telecommunications and Information Administration (NTIA), the USPTO played a key role in its production, from gathering public comments starting in 2010 through the paper’s drafting and release.
The Green Paper calls for new public input on critical policy issues that are central to our nation’s economic growth, cultural development, and job creation. It is intended to serve as a reference for stakeholders, a blueprint for further action, and a contribution to global copyright debates. As promised in the paper, we will soon be reaching out to the public for views on a variety of topics. Please stay tuned for announcements about how to share your thoughts, insights, and recommendations.
Petition to Prevent the Sale of Works from the Detroit Institute of Arts
posted by CAA — August 26, 2013
The Executive Committee of the CAA Board of Directors has agreed to promote this petition, initiated by Jeffrey Hamburger of Harvard University, regarding the potential sale of the collection of the Detroit Institute of Arts.
On May 28, 2013, CAA published an open letter to Kevyn Orr, emergency manager of the city of Detroit, to express concern over the future of the museum’s excellent collection of visual art.
Solo Exhibitions by Artist Members
posted by CAA — August 22, 2013
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
Abroad
Grimanesa Amorós. Museum of China Central Academy of Fine Arts, Beijing, China, June 2–22, 2013. The Mirror Connection. Light sculptural installation.
Julie Langsam. Espai-8, Barcelona, Spain, March 20–April 17, 2013. Buildings and Blueprints. Acrylic on wall.
Stephen McClymont. Galry, Paris, France. September 15–October 15 2013. Bouquet. Painting.
Mid-Atlantic
Lee Arnold. Montclair Art Museum, Montclair, New Jersey, April 3–September 15, 2013. Works by Lee Arnold. Digital video.
Anne Massoni. Print Center, Philadelphia, Pennsylvania, January 11–March 16, 2013. Anne Massoni: Holding. Photography.
Sharon Wolpoff. Woman’s National Democratic Club, Washington, DC, May 29–September 3, 2013. In the Early Bright. Oil painting.
Northeast
Lorrie Fredette. Garrison Art Center, Garrison, New York, August 10–September 8, 2013. Implementation of Adaptation. Installation.
Kate Gilmore. Institute of Contemporary Art, Maine College of Art, Portland, Maine, July 3–August 4, 2013. Kate Gilmore. Video and performance.
Julie Langsam. 532 Gallery Thomas Jaeckel, New York, April 11–May 25, 2013. Now(here). Oil painting.
Jerry Meyer. Denise Bibro Fine Art, New York, May 16–July 6, 2013. Ordinary Unhappiness. Multimedia light boxes and installation.
John Morrell. Atlantic Gallery, New York, May 28–June 21. Domestic Landscapes. Painting and drawing.
Linda Stein. Romany Kramoris Gallery, Sag Harbor, New York, June 27–September 2, 2013. Power and Protection: Bully Proof Vests by Linda Stein. Sculpture.
Jayoung Yoon. Here Arts Center, New York, July 18–August 17, 2013. Mind Out of Time. Sculpture, video, and performance.
South
Linda Stein. Fine Arts Gallery, St. Edward’s University, Austin, Texas, September 5–27, 2013. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
West
Mara De Luca. Quint Contemporary Art, La Jolla, California, June 8–July 27, 2013. Even If the Lights Go Out. Painting.
Carol Ladewig, Slate Contemporary, Oakland, California, February 28–March 23, 2013. Year in Color/Lunar Cycles: New Work by Carol Ladewig. Acrylic and gouache on panels and on canvas and digital prints.
Sadayoshi “Sada” Omoto: In Memoriam
posted by CAA — August 21, 2013
adayoshi “Sada” Omoto: In Memoriam
The following obituary was prepared by the deceased’s wife, Kathryn B. Omoto, and his son, Loren Omoto.
Sadayoshi Omoto
Sadayoshi “Sada” Omoto, an artist and art historian, died on March 4, 2013, after a lifetime of inspiring students, artists, and friends. He was 90 years old. Omoto’s path through life brought him challenges, opportunities, and triumphs. He was a beloved husband, father, grandfather, college professor, elected official, activist and, in later years, an artist. His indomitable spirit and easygoing personality made him a friend to and role model for many. His individuality and dogged determination emerged early and were defining characteristics throughout his life.
Omoto was born at Wing Point on Bainbridge Island, Washington. The island—a short ferry ride from Seattle—was an idyllic spot to grow up. As a young man he began classes at the University of Washington, but his life was changed forever on the day Japanese forces attacked Pearl Harbor. Soon after, President Franklin Delano Roosevelt signed Executive Order 9066 authorizing the United States military to relocate American citizens of Japanese ancestry from the West Coast. The first people subject to the evacuation order were Japanese Americans living on Bainbridge Island.
Omoto’s family and more than two hundred other island residents were given just six days to collect what possessions they could carry and make arrangements for their property. On March 30, 1942, US soldiers carrying rifles with bayonets rounded them up and put them on a ferry to Seattle. Ultimately the family became some of the first residents at Manzanar War Relocation Center, an internment camp located in a remote area of the Southern Californian desert. At Manzanar, Omoto lived in communal barracks with his brother and widowed mother, surrounded by barbed wire, dogs, and guard towers, while his two older brothers served in the US military. The experience instilled a keen awareness of social injustice. He later made his forced relocation a “teachable moment” for his children and for hundreds of others who heard him speak or who viewed his highly personal art on the subject.
Omoto left the camp to join the US Army, training as a linguist at the Military Intelligence Service Language School in Minnesota. He made his first journey to Asia while in the military. After the war, Omoto resumed his quest for a higher education—but this time in the Midwest. Omoto enrolled at Oberlin College in Ohio and earned a bachelor’s degree. He also earned a master’s degree from Michigan State University and his PhD in art history from Ohio State University.
For the next forty years, Omoto taught American and Asian art history—first at Bradley College in Illinois, then at Wayne State University in Detroit, and finally at Michigan State, where he worked for thirty-three years. During his career, he served as department chair and as advisor to a minority student organization. His concern and attention to principles of justice were remembered by students long after their college careers.
Omoto was the author of numerous articles in professional journals, including “Thackeray and Architectural Taste” (1967) and “The Queen Anne Style and Architectural Criticism” (1964) in the Journal of the Society of Architectural Historians; “The Sketchbooks of Worthington Whittredge” in Art Journal (1965); and “Berkley and Whittredge at Newport” in Art Quarterly (1964). He also wrote book reviews and contributed articles to the Kresge Art Center Bulletin.

Under the auspices of the Bicentennial Inventory of American Paintings Executed before 1914, a program of the National Collection of Fine Arts (later renamed the Smithsonian American Art Museum), Omoto directed the inventory of early Michigan paintings. The collection of over one thousand works served as the basis for the Michigan Experience exhibition at Kresge Art Center Gallery at Michigan State in 1986, which traveled to venues throughout the state. He authored exhibition catalogues for The Michigan Experience (1986, with Eldon Van Liere) and Early Michigan Paintings (1976–77).
After retiring from Michigan State, Omoto returned to the northern Michigan community he had first visited as an art student during the 1950s. In Leland, he cultivated a new life focused on creativity and community service. He attended painting classes and helped to form a collective of local artists who drew inspiration from the local landscape and from each other. Omoto also helped to organize exercise classes for seniors and exhibitions of art from the past and present. With his wife Kathryn, he supported the work of the Leelanau Conservancy and other local historic-preservation efforts. Although slowed in recent years, Omoto remained a familiar sight at Leland community events, galleries, and coffee shops. His gentle humor and easy smile made him a beacon of friendliness during any season.
Omoto is survived by his wife, Kathryn Bishop Omoto; his children Allen Omoto (David Robinson) of Claremont, California, Katherine (Neal) Fortin of Okemos, Michigan, Loren (Susan) Omoto of Maitland, Florida; his granddaughter Helen Fortin of Okemos; and numerous nieces and nephews. Omoto was preceded in death by his parents Daikichi and Masa Omoto; his son Roger Omoto; his brothers Masakatsu, Setsuo, and Taketo Omoto; and his sister Kanee Omoto.
Dmitrii V. Sarabianov: In Memoriam
posted by CAA — August 21, 2013
Alison Hilton is Wright Family Professor of Art History at Georgetown University in Washington, DC.
Dmitrii V. Sarabianov, a Russian art historian and a specialist on nineteenth- and twentieth-century art, died in Moscow on July 19, 2013. He was 89 years old. Sarabianov was one of the great art historians of his generation, those who began their scholarly careers during and following World War II.
Born on October 10, 1923, into the family of a Marxist philosopher, Sarabianov showed an early interest in the arts, especially poetry and music, as well as camping and athletics. Soon after he began his undergraduate studies in 1941, Germany invaded the Soviet Union. He joined the army to serve as a translator, was wounded twice, and received several medals for military merit. After the war Sarabianov completed his undergraduate work at Moscow State University and was admitted into the school’s graduate program in art history, earning his candidate’s degree in 1952.
In 1954 he began work at Moscow’s prestigious Institute of Art History, first as a senior researcher and later as deputy director. From 1966 to 1996 Sarabianov taught and served as the head of the Art History Department at Moscow State University. He earned his doctorate in 1971. (In Russia this signifies substantial scholarly achievement beyond the candidate’s degree; it is roughly equivalent to full professorship.) Sarabianov became a corresponding member of the Russian Academy of Sciences in 1987 and was elected to the rank of academician five years later.
Sarabianov was an inspiring teacher and mentor whose influence guided the careers of many Russian academics and museum scholars for several generations. Even for those who did not encounter him directly, Sarabianov’s publications—numbering more than 360 books and articles—set a standard for scholarship recognized both in Russia and abroad. Subjects of his monographs, many of them translated, include important nineteenth-century artists, among them Pavel Fedotov, Orest Kiprenskii, Aleksei Venetsianov, Ilya Repin, and Valentin Serov, as well as key figures in early-twentieth-century art such as Vasilii Kandinsky, Pavel Kuznetsov, Robert Falk, Liubov Popova, and Kazimir Malevich. What distinguishes Sarabianov’s work is the scope and originality of his interpretations of Russian art movements. He was among the first to write about Russian nineteenth-century painting in relation to European art, and he published a path-breaking study of international Art Nouveau in 1989. His book Russian Art: From Neoclassicism to the Avant Garde 1800–1917 (1990) is considered the fundamental text on the subject.
Sarabianov always took his civic responsibility as an academic very seriously. He spoke up at meetings, defended intellectual freedom, and voted on policy questions. In 2005, he and colleagues in Moscow’s major museums and other art institutions created the National Organization of Art Experts (NOEXI) to monitor and cope with the unprecedented demands of the chaotic art market in Russia and to establish means of ensuring professional credibility and trust.
Regarded by his peers, his former students, and his readers as a scholar of absolute integrity, Dmitrii Sarabianov will be missed most for his immense charm and kindness. He is survived by his wife, Elena Borisovna Murina, and his sons, Andrei and Vladimir Sarabianov.
Institutional News
posted by CAA — August 17, 2013
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
California Institute of the Arts in Valencia, along with the Roy and Edna Disney/CalArts Theater (REDCAT) in Los Angeles, has received a $244,000 grant from ArtPlace America for the September 2013 edition of “Radar L.A., an International Festival of Contemporary Theater” and a related series of performing artist residencies.
California State University, Stanislaus, has received a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study of the differential impacts of arts participation on California’s Central San Joaquin Valley, in particular Stanislaus County.
Christopher Newport University in Newport News, Virginia, has won a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study using the federal agency’s Survey of Public Participation in the Arts data to develop a multivariate framework for measuring arts participation.
The Fleet Library at the Rhode Island School of Design in Providence has received a $50,000 National Forum Grant from the Institute of Museum and Library Services to hold a symposium titled “Materials Education and Research in Art and Design: A New Role for Libraries,” which took place June 6–8, 2013, at the school’s museum.
The Galleries at Moore College of Art and Design in Philadelphia, Pennsylvania, has accepted a $20,000 grant from the Pew Center for Arts and Heritage for an upcoming exhibition called Strange Currencies.
The Institute of Contemporary Art at the University of Pennsylvania in Philadelphia has received a $25,000 grant from the Pew Center for Arts and Heritage for its upcoming exhibition, Barbara Kasten.
The Maine College of Art in Portland has unveiled a new institutional logo, created through a collaboration between Eddie Opara of the design company Pentagram and a group of design faculty and students.
The Museum of Modern Art in New York has combined its Department of Prints with the Department of Drawings, creating a new Department of Prints and Drawings. The change took effect on July 1, 2013.
The National Gallery in London, England, has partnered with the Getty Research Institute in Los Angeles, California, to add nearly 100,000 records of art sales from more than 1,200 British auction catalogues that were published between 1780 and 1800. The records will join the Getty Provenance Index, a free online art-historical database.
Northeastern University in Boston, Massachusetts, has received a $25,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of American Community Survey data to determine relationships among selections of arts majors, occupational choices, and labor-market outcomes of American college graduates, including artist job holders.
The Philadelphia Museum of Art in Pennsylvania has earned a $30,000 planning grant from the Pew Center for Arts and Heritage for a project called “The Contemporary Caucus,” which will engage staff from education, technology, marketing, communications, and exhibitions to identify and implement optimal strategies for connecting with twenty-first-century audiences.
The Philadelphia Museum of Art in Pennsylvania has received a Curatorial Travel/Internationally Collaborative Pre-exhibition Convening Grant from the Terra Foundation for American Art for an upcoming exhibition, Paul Strand: Photography and Film for the Twentieth Century.
The Rhode Island School of Design in Providence, in partnership with the design firm Project Projects, has completed a new visual identity and website for the school’s museum. Part of the initiative involved the renaming of the exhibiting institution as RISD Museum.
Saint Louis University in Missouri has accepted a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study that will examine how the growth and stability of local arts businesses have contributed to the redevelopment of downtown Saint Louis at the street and block level.
The School of the Art Institute of Chicago in Illinois has won a $20,000 grant from the National Endowment of the Arts to support a study of the characteristics, needs, and support systems of ethnically and culturally specific organizations in the United States and Canada.
The Toledo Museum of Art in Toledo, Ohio, has achieved a milestone in a twenty-year effort to reduce energy consumption. On May 21, 2013, the museum’s main building, a 101-year-old Beaux Arts structure, stopped drawing power from the electrical grid and even began returning power to the system.
The University of Iowa Museum of Art in Iowa City has received permission from its board of regents to construct a new building that will house a collection of 12,000 works. The school’s old exhibition space was destroyed by flooding in 2008.
The University of Maryland, College Park, has won a $25,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of two longitudinal data sets for information about the impact of high school arts education on college attainment, after controlling for certain preexisting differences between arts and nonarts students.
The University of Oregon in Eugene has received a $15,000 Art Works Research Grant from the National Endowment for the Arts to support the development of an online, annotated resource that identifies American prison arts programs and their histories, related research, and outcomes analyzed on a rubric to be created for this project.
The University of Southern California in Los Angeles has earned a $15,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of survey data from the National Alliance of Media Arts and Culture to map the spatial relationships of media arts organizations to local community characteristics and target audiences.
West Chester University in West Chester, Pennsylvania, has received a $25,000 Art Works Research Grant from the National Endowment for the Arts to support a study examining the physiological impacts of participation in music, dance, and the visual arts on economically disadvantaged children.
The Whitney Museum of American Art in New York has approved a new graphic identity and logo—which it calls the “responsive W”—in consultation with the design studio Experimental Jetset.
Warren Wilson College in Swannanoa, North Carolina, has received a $2.1 million grant from the Windgate Charitable Foundation to enhance its Art Department with the addition of studio craft and material arts and to foster a close partnership between it and the Center for Craft, Creativity, and Design.
The Wolfsonian–FIU at Florida International University in Miami Beach, Florida, has accepted a $5 million donation from the Knight Foundation to fund a project to make the museum’s collection digitally accessible within five years.
People in the News
posted by CAA — August 17, 2013
People in the News
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
Academe
Keliy Anderson-Staley has joined the School of Art at the University of Houston in Texas as a tenure-track professor of photography.
Rebecca Parker Brienen has been named Vennerberg Professor of Art and head of the Department of Art, Graphic Design, and Art History at Oklahoma State University in Stillwater. Brienen previously served as the head of art history at the University of Miami in Coral Gables, Florida, from 2008 to 2013.
Jean M. K. Miller has joined the University of Missouri in St. Louis as dean of the College of Fine Arts and Communication and professor in the Department of Art and Art History. Miller was formerly associate dean of administrative affairs in the College of Visual Arts and Design at the University of North Texas in Denton.
Kent Minturn, a lecturer in the Department of Art History and Archaeology at Columbia University in New York, has been appointed director of the MA Program in Modern Art: Critical and Curatorial Studies.
Jennifer Raab, the first IFA/Andrew W. Mellon Foundation Postdoctoral Fellow at New York University’s Institute of Fine Arts, has joined the faculty of Yale University in New Haven, Connecticut.
Erika Schneider has been promoted to associate professor in the Art Department at Framingham State University in Framingham, Massachusetts, where she has taught since 2007.
Mark Tribe, an artist, educator, and the founder of Rhizome, has become chair of the MFA Fine Arts Department at the School of Visual Arts in New York.
Sarah Victoria Turner, a lecturer in the Department of the History of Art at the University of York in York, England, has been appointed to the new post of assistant director for research at the Paul Mellon Centre for Studies in British Art in London. Her appointment begins in November 2013.
Deborah Zlotsky, an artist who taught at the College of Saint Rose in Albany, New York, from 1996 to 2013, has accepted a teaching position at the Rhode Island School of Design in Providence.
Museums and Galleries
Gloria Groom, David and Mary Winton Green Curator in the Department of Medieval through Modern European Painting and Sculpture at the Art Institute of Chicago in Illinois, has been appointed the museum’s first senior curator.
Jennifer Gross has joined the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, as deputy director for curatorial affairs and chief curator. Gross had served as Seymour H. Knox Jr. Curator of Modern and Contemporary Art at the Yale University Art Gallery in New Haven, Connecticut, since 2000.
Sarah Schroth, Nancy Hanks Senior Curator at Duke University’s Nasher Museum of Art in Durham, North Carolina, has been named the museum’s new Mary D. B. T. and James H. Semans Director. Schroth had been serving as interim director since November 2012.
Susan Shifrin, associate director for education at the Philip and Muriel Berman Museum of Art at Ursinus College in Collegeville, Pennsylvania, has left the museum to serve as director of ARTZ Philadelphia, a newly formed chapter of ARTZ: Artists for Alzheimer’s.
Janne Gallen-Kallela-Sirén, formerly director of the Helsinki Art Museum in Finland, has become the new director of the Albright-Knox Art Gallery in Buffalo, New York.
Organizations and Publications
Maura Reilly has been appointed executive director of the Linda Pace Foundation, based in San Antonio, Texas. Most recently Reilly was professor and chair of art theory at Queensland College of Art, part of Griffith University in Nathan, Australia.
Tali Weinberg, program officer for Global Goods Partners, a nonprofit that provides economic opportunity, small grants, and training to artisans in marginalized communities around the world, has been selected to lead the Textile Society of America, based in Berkeley, California, as executive director.
Exhibitor and Advertiser Prospectus for the 2014 Annual Conference
posted by CAA — August 16, 2013
The Exhibitor and Advertiser Prospectus for the 2014 Annual Conference in Chicago is now available for download. Featuring essential details for participation in the Book and Trade Fair, the booklet also contains options for sponsorship opportunities and advertisements in conference publications and on the conference website.
The Exhibitor and Advertiser Prospectus will help you reach a core audience of artists, art historians, educators, students, and administrators, who will converge in Chicago for CAA’s 102nd Annual Conference, taking place February 12–15, 2014. With three days of exhibit time, the Book and Trade Fair will be centrally located at the Hilton Chicago Hotel, where all programs sessions and special events take place. CAA offers several options for booths and tables that can help you to connect with conference attendees in person. The priority deadline for Book and Trade Fair applications is Thursday, October 31, 2013; the final deadline for all applications and full payments is Monday, December 9, 2013.
In addition, sponsorship packages will allow you to maintain a high profile throughout the conference. Companies, organizations, and publishers may choose one of four visibility packages, sponsor specific areas and events such as the Student and Emerging Professionals Lounge, or work with CAA staff to design a custom package. Advertising possibilities include the Conference Program, distributed to approximately five thousand registrants, and the conference website, seen by tens of thousands more. The final deadline for sponsorships and advertisements in the Conference Program is Friday, December 6, 2013.
Questions about the 2014 Book and Trade Fair? Please contact Paul Skiff, CAA assistant director for Annual Conference, at 212-392-4412. For sponsorship and advertising queries, speak to Virginia Reinhart, CAA marketing and communications associate, at 212-392-4426.







Grimanesa Amorós, The Mirror Connection, 2013, light-emitting diodes, diffusion material, reflective material, custom lighting sequence, and electrical hardware, 30 x 20 x 33 ft. (artwork © Grimanesa Amorós)
Julie Langsam, Sert Floorplan: Spanish Pavilion, Color Determined by Chance, 2013, acrylic on wall, 7 x 8 ft. (artwork © Julie Langsam)
Stephen McClymont, Bouquet, 2013, oil on two linen panels, 77 x 102 in. (artwork © Stephen McClymont)
Lee Arnold, The Wanderer, 2013, digital color video, 3 min.; and The Swim, 2013, digital color video, 3:32 min. (artworks © Lee Arnold)
Anne Massoni, My Castle Striped Misery, 2010, archival digital print and hand-drawn painted line, 13 x 26 in. (artwork © Anne Massoni))
Sharon Wolpoff, Going Home, 2012, oil on linen, 34 x 34 in. (artwork © Sharon Wolpoff)
Lorrie Fredette, detail of Implementation of Adaptation, 2013, beeswax, tree resin, muslin, brass, nylon line, and wood, 288 sq. ft. (artwork © Lorrie Fredette)
Julie Langsam, Le Corbusier Landscape (Villa Stein), 2013, oil on canvas, 72 x 96 in. (artwork © Julie Langsam)
Jerry Meyer, Ordinary Unhappiness, 2011, mixed media, 20¼ x 17¾ x 12 in. (artwork © Jerry Meyer)
Invitation card for John Morrell’s Domestic Landscapes
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)
Carol Ladewig, Year in Color: Lunar Phases, (52 Weeks and a Day), 2012, acrylic and gouache on 365 five-inch-square wood panels, 70 x 135 in. (artwork © Carol Ladewig; photograph by Phil Cohen)
Keliy Anderson-Staley (photograph by Andrej Tur)
Jean M. K. Miller
Erika Schneider
Mark Tribe (photograph by Collier Schorr)
Gloria Groom
Jennifer Gross
Sarah Schroth
Maura Reilly
Tali Weinberg