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CAA invites nominations and self-nominations for a field editor in the area of East Asian Art for the caa.reviews Council of Field Editors for a three-year term July 1, 2020–June 30, 2023. An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to art history, visual studies, and the arts.

Working with the caa.reviews editor-in-chief, the caa.reviews Editorial Board, and CAA’s staff editor, each field editor selects content to be reviewed, commissions reviewers, and considers manuscripts for publication. Field editors for books are expected to keep abreast of newly published and important books and related media in their fields of expertise, and those for exhibitions should be aware of current and upcoming exhibitions (and other related projects) in their geographic regions.

The Council of Field Editors meets yearly at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference. Members of all CAA committees and editorial boards volunteer their services without compensation.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a statement describing your interest in and qualifications for appointment, a CV, and your contact information to managing editor Joan Strasbaugh, jstrasbaugh@collegeart.org. In the subject line please include Field Editor, East Asian Art.

Deadline (extended): June 1, 2020

← Explore other opportunities for Professional Service

Filed under: caa.reviews, Publications, Service

News from the Art and Academic Worlds

posted by May 06, 2020

Steven Zucker and Beth Harris, the two art historians behind Smarthistory, look at a bronze scuplture by Auguste Rodin at the Brookyln Museum in 2014. Photo: Lisa Fisher, via Washington Post

How Two Professors Transformed the Teaching of Art History

Meet the team behind the popular online resource Smarthistory. (Washington Post)

A New Emergency Grant Benefits Non-Salaried Art Workers in NY, NJ, and CT

The Tri-State Relief Fund will give $2,000 grants to freelance and contracted workers, including art handlers, archivists, and others. (NYFA)

To Survive After This Is Over, Cultural Institutions Need to Redefine the Value of Art. Here’s How to Do It

“We could learn to embrace nuance instead of crave spectacle. We could invest more in the history that connects art practice to community organizing and movement building. We could even make more art ourselves.” (artnet News)

Museums Worldwide Prepare to Reopen Their Doors After Lockdown

International museums provide a glimpse into what the “new normal” of the US museum experience could look like post-lockdown. (Hyperallergic)

Prominent Scholars Threaten to Boycott Colleges That Don’t Support Contingent Faculty During Pandemic

More than 70 scholars are among the initial signatories to the statement. (Chronicle of Higher Ed)

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Filed under: CAA News

CWA Picks for May 2020

posted by May 04, 2020

 

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In response to COVID-19, artists, curators, institutions and organizations have initiated virtual exhibitions, presentations, screenings, and curated newsletters, among other innovative approaches, welcoming the public to online platforms and opening dialogues on a range of topics. May 2020 CWA Picks present a number of initiatives that not only demonstrate ways in which social media channels and websites can be repurposed in light of social distancing measures currently in place; but most importantly emphasize the social role of the arts being a healing positive force in these unprecedented challenging times. May Picks focus on the power of the collective and mutual support in the context of questioning our being in the world. 

  • AutoZine ‘Friendship as a Form of Life’ on the importance of friendship: ‘We face each other without terms or convenient words, with nothing to assure us about the meaning of the movement that carries us toward each other. We have to invent, from A to Z, a relationship that is still formless, which is friendship…’: https://resonanceaudiodistro.org/2016/06/11/friendship-as-a-form-of-life-audiozine/  (Listen / Read / Print)
  • Gasworks, a non-profit contemporary visual art organization working at the intersection between UK and international practices and debatesorganizes online screenings. From May 11-17, 2020, Maryam Jafri,Mouthfeel’, short film investigating the politics of food production in the context of overconsumption: https://www.gasworks.org.uk/events/maryam-jafri-mouthfeel-online-screening/   
  • Online platform How Can We Think of Art at a Time Like This?,  co-curated by Barbara Pollack and Anne Verhallen, invites artists to exchange ideas at the time of current pandemic crisis: https://artatatimelikethis.com 
  • The National Museum of Women in the Arts (NMWA), the only major museum in the world solely dedicated to championing women through the artsmakes available online resources celebrating women artists who are changing the world: https://nmwa.org/nmwaat-home 
Filed under: CWA Picks

New in caa.reviews

posted by May 01, 2020

Andrew Griebeler discusses the Getty exhibition Balthazar: A Black African King in Medieval and Renaissance Art. Read the full review at caa.reviews.

Filed under: caa.reviews

CAA has named John Davis, Katy Rogers, and Kenneth Wissoker to our Board of Directors as appointed directors, each for a four-year term. CAA’s appointed directors bring experience and perspectives that complement the strength and vision of the elected members of CAA’s board. The extent of scholarship, leadership, and professional accomplishment of the three new appointed directors will be invaluable to CAA as we begin strategizing as to how the organization can best serve our members and the art community at large in light of the ongoing effects of the COVID-19 crisis,” said N. Elizabeth Schlatter, President of CAA. “We are exceedingly grateful for the service and dedication of these appointed directors as well as that of all of our board members who volunteer so much time and commitment to our field.” 

John Davis

John Davis is a historian of the art and architecture of the United States. For twenty-five years, he served on the faculty of Smith College, where he taught in the art history and American studies programs, chaired the Art Department, and served as Associate Provost and Dean for Academic Development. In 2017, he joined the Smithsonian Institution as Provost and Under Secretary of Museums, Education, and Research, with responsibility for nineteen museums, nine research institutes, twenty-two libraries, fellowships and internships, and the National Zoo. He is currently serving as the Interim Director, Cooper Hewitt, Smithsonian Design Museum, in New York City. He has been a visiting professor in Japan, Belgium, and France and is an elected member of the American Antiquarian Society. His most recent publication is Art of the United States, 1750-2000: Primary Sources (2020), coauthored with Michael Leja. 

Katy Rogers

Katy Rogers is vice president and secretary of the Dedalus Foundation, where she also serves as the Programs Director and Director of the Robert Motherwell catalogue raisonné project. A graduate of the University of Colorado, she received her MA in Art History from Hunter College. She is also an alumna of the Whitney Museum of American Art’s Independent Study Program (ISP) where she was a Helena Rubinstein Curatorial Fellow. She is the co-author of the catalogue raisonné of Motherwell’s paintings and collages (Yale University Press 2012), and of Robert Motherwell: 100 Years (Skira 2015). She is currently working on a catalogue raisonné of Motherwell’s drawings to be published by Yale University Press in fall 2022. Since 2013, she has been the President of the Catalogue Raisonné Scholars Association where she co-organized the 2015 conference “The Catalogue Raisonné and its Construction” and the 2018 conference “The Afterlife of Sculptures: Posthumous Casts in Scholarship, the Market, and the Law.” 

Ken Wissoker

Ken Wissoker is Senior Executive Editor at Duke University Press, acquiring books across the humanities, social sciences, and the arts. He joined the Press as an Acquisitions Editor in 1991; became Editor-in-Chief in 1997; was named Editorial Director in 2005; and assumed his current position in 2020. In addition to his duties at the Press, he serves as Director of Intellectual Publics at The Graduate Center, CUNY in New York City. He has published more than a thousand books which have won over one hundred and fifty prizes. He has written on publishing for The Chronicle of Higher EducationThe Scholarly Kitchen, and Cinema Journal, and writes a column for the Japanese cultural studies journal “5.” He speaks regularly on publishing at universities in the United States and around the world.  

About CAA Appointed Directors

Appointed directors bring a variety of views and skills that contribute to CAA’s growth and stability as a professional support organization. In February 2010, CAA members approved an amendment to Article VII, Section IV of the organizational By-laws to establish a new category of appointed director. Learn more.  

New in caa.reviews

posted by April 24, 2020

Ilona Katzew writes about Jerónimo Antonio Gil and the Idea of the Spanish Enlightenment by Kelly Donahue-Wallace. Read the full review at caa.reviews.

Filed under: caa.reviews

Photo courtesy the David C. Driskell Center at the University of Maryland, College Park.

We were saddened to learn of the passing of artist, collector, historian, and lifetime CAA member Dr. David C. Driskell this week at the age of 88. In addition to being a lifetime member, Driskell also served on the CAA Board of Directors and Executive Committee from 1980-1984. His art and scholarship centered African-American art history and had a tremendous impact on the field.

In his honor, we’ve made a selection of articles by him or related to his work available to access for free on Taylor & Francis online until the end of April. Explore below.

Articles from Art Journal and The Art Bulletin

David C. Driskell, “Margaret Webster Plass, African Miniatures: Goldweights of the Ashanti,” Art Journal, 1968 (link)

Jody B. Cutler, Debra Wacks, John P. Bowles, Craig Saper, Michèle C. Cone & Daryl Chin, “Reviews,” Art Journal, 2000 (link)

Monica Blackmun Visonà, “Agent Provocateur? The African Origin and American Life of a Statue from Côte d’Ivoire,” The Art Bulletin, 2012 (link)

Krista Thompson, “A Sidelong Glance: The Practice of African Diaspora Art History in the United States,” Art Journal, 2011 (link)

Read more about Driskell’s life and legacy in ARTnews.

Filed under: Art History, Obituaries

New in caa.reviews

posted by April 03, 2020

A. Victor Coonin explores Michelangelo’s Inner Anatomies by Christian K. Kleinbub. Read the full review at caa.reviews.

Christina Yuen Zi Chung writes about Boundless: Stories of Asian Art at the newly renovated Seattle Asian Art Museum. Read the full review at caa.reviews.

Filed under: caa.reviews

Support. Resources. Community. Advocacy. 

At CAA, these have always been our goals.

We know the art world and higher education (and world, in general) have shifted dramatically over the last month. At CAA, we view this as a moment to reinforce our dedication to our members to provide support, resources, community, and advocacy.

We’d love for you to rejoin CAA’s community of artists, scholars, and arts professionals. For the month of April, lapsed members receive 25% off their membership.

REJOIN CAA

Many of our members are adapting to changes to the ways in which they teach and interact with colleagues. Others are trying to manage cancelled events, meetings, and exhibitions. We have compiled online resources  here, but we are also sharing information on emergency grants for artists, curators, and other COVID-19-related news on our Twitter feed.

CAA also has a new leader at the helm! Isimeme Omogbai started at CAA earlier this week, and we look forward to an exciting future under her leadership.

Finally, we continue to plan for CAA 2021! Our staff (working remotely) is still putting plans in place and moving forward. Don’t forget that the portal for submissions closes April 30, 2020.

LEARN MORE ABOUT SUBMISSIONS FOR 2021

CAA is growing and changing all the time, working to support the arts and humanities and all professionals in the field. We hope you’ll rejoin our community.

Questions? Contact Member Services at membership@collegeart.org.

Offer valid from April 1–April 30, 2020, 11:59 PM ET, to individual lapsed members for a one-year membership. Discount applies only to those whose membership has lapsed between January 1, 2015 and February 29, 2020. Log in to your CAA account to view the discount code.
Filed under: Membership

News from the Art and Academic Worlds

posted by April 01, 2020

 

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Anonymous Was a Woman Announces $250,000 in Emergency Grants for Female Artists Over 40 in Response to the COVID-19 Crisis

Eligible women artists can apply for up to $2,500 in emergency grants. (artnet News)

Have Federal Student Loan Debt? Read This.

Federal student loan borrowers can now be placed in an administrative forbearance, which allows you to temporarily stop making your monthly loan payment. (US Dept of Education)

As New York and California Hospitals Face Critical Equipment Shortages, Museums and Schools Step Into the Breach

Art handlers and conservators are boxing up supplies and shipping them to area hospitals. (ARTnews)

82 Grad Teaching Assistants Fired During University of California Strikes

The emergence of COVID-19 has made the situation more complicated, though organizers have pledged to continue a digital picket online. Read CAA’s statement in support of the strikers. (Hyperallergic)

Spreadsheet for Museum Staff Impact During COVID-19

This spreadsheet is tracking layoffs, furloughs, and related labor updates for museum staff during COVID-19. (via Michelle Moon on Twitter)

What the $2 Trillion Stimulus Means for the Arts, Struggling to Stay Afloat

While its explicit arts funding falls profoundly short of advocates’ goals, there are still important opportunities that freelancers, small businesses, and nonprofits can take advantage of. (Hyperallergic)

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Filed under: CAA News