CAA News Today
Apply to the CAA International Travel Grant Program
posted by Janet Landay, Program Manager, Fair Use Initiative — June 01, 2012
The deadline has been extended to Friday, August 24, 2012.
CAA invites individuals to apply to the International Travel Grant Program, generously supported by the Getty Foundation. This program provides funding to twenty art historians, museum curators, and artists who teach art history to attend the 101st Annual Conference, taking place February 13–16, 2013, in New York. The grant covers travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships. For 2013, CAA will offer preconference meetings on February 11 and 12 for grant recipients to present and discuss their common professional interests and issues.
The goal of the program is to increase international participation in CAA and to diversify the organization’s membership (presently seventy-two countries are represented). CAA also wishes to familiarize international participants with the submission process for conference sessions and to expand their professional network in the visual arts. As they did this year, members of CAA’s International Committee and the National Committee for the History of Art have agreed to host the participants in 2013.
Are You Eligible?
Applicants must be practicing art historians who teach at a university or work as a curator in a museum, or artists who teach art history. They must have a good working knowledge of English and be available to participate in CAA events from February 11 to 17, 2013. Applicants must be able to obtain a travel visa to visit the United States for the duration of the conference. Professionals from developing countries or from nations underrepresented in CAA’s membership are especially encouraged to apply. Applicants do not need to be CAA members. This grant program is not open to graduate students or to those participating in the 2013 conference as chairs, speakers, or discussants.
How to Apply
Please review the application specifications and complete the application form. If you have questions about the process, please email Janet Landay, project director of the CAA International Travel Grant Program.
Applications should include:
- A completed application form
- A two-page version of the applicant’s CV
- A letter of recommendation from the chair, dean, or director of the applicant’s school, department, or museum
Please send all application materials as Word or PDF files to Janet Landay, project director of the CAA International Travel Grant Program.
All application materials must be received by Friday, August 24, 2012. CAA will notify applicants on Monday, October 1, 2012.
Getty Foundation to Fund a Second Year of CAA’s International Travel Grant Program
posted by Christopher Howard — May 23, 2012
For the second year in a row, the Getty Foundation has awarded a major grant to CAA that will enable twenty international professionals to attend the 101st Annual Conference, taking place February 13–16, 2013, in New York. With the Getty grant, CAA will continue its International Travel Grant Program, providing funds to art historians, artists who teach art history, and museum curators for travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships.
The goal of the project is to increase international participation in CAA and to diversify the organization’s membership (presently seventy-two countries are represented). CAA also wishes to familiarize international participants with the submission process for conference sessions and to expand their professional network in the visual arts. As they did last year, members of CAA’s International Committee and the National Committee for the History of Art have agreed to host the participants.
For the program’s second year, CAA will offer preconference meetings on February 11 and 12 for grant recipients to present and discuss their common professional interests and issues.
The application process for 2013 grants will open shortly. Professionals from developing countries or from nations underrepresented in CAA’s membership are especially encouraged to apply. A jury assembled by CAA will select the twenty grant recipients. The deadline for applications will be August 15, 2012.
NEA Awards $20,000 Grant to CAA for ARTspace
posted by Nia Page — May 01, 2012
CAA has received a $20,000 grant from the National Endowment for the Arts (NEA) to support the next ARTspace, taking place during the 101st Annual Conference in New York, February 13–16, 2013.
The grant, which is the NEA’s fourth consecutive award to CAA for ARTspace programming, will help fund, among other things, ARTexchange, a popular open-portfolio event for artists, as well as [Meta] Mentors programming, which has covered topics such as do-it-yourself curatorial and exhibition practices, international networks for artists, and assistance with grants, taxes, and promotion.
Designed to engage CAA’s artist members and the general public, ARTspace offers program sessions free of charge and includes diverse activities such the Annual Artists’ Interviews, screenings of film, video, and multimedia works, live performances, and papers and presentations that facilitate a conversational yet professional exchange of ideas and practices. Held at each conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education.
Image: Art in Odd Places and Performance Exchange sponsored performances outside the Los Angeles Convention Center as part of ARTspace’s Art in the Public Realm, a daylong event at the 2012 Annual Conference (photograph by Bradley Marks)
Report on the CAA International Travel Grant Program
posted by Janet Landay, Program Manager, Fair Use Initiative — April 18, 2012
Janet Landay is project manager of the CAA International Travel Grant Program.
Last February, twenty art historians and curators from eighteen countries around the world attended the 2012 Annual Conference in Los Angeles through the CAA International Travel Grant Program, a new initiative that was generously funded by the Getty Foundation. For many grant recipients, this visit was their first to the United States, and for most of them it was their first time at the CAA conference.
By coincidence, on the conference’s opening day, the Los Angeles Convention Center held two swearing-in ceremonies for twenty thousand new citizens and their guests, welcoming people from several nations to the US. Indeed, the CAA group felt like a miniature United Nations, and it was equally moving to see colleagues arrive at the conference from countries around the world. Participants included: Ganna Rudyck (Ukraine), Irena Kossowska (Poland), Pavlina Morganová (Czech Republic), Dóra Sallay and Gyöngyvér Horváth (Hungary), Cristian Nae (Romania), Daniel Premerl (Croatia), Malvina Rousseva (Bulgaria), Salam Atta Sabri (Iraq), Angela Harutyunyan (Lebanon), Nadhra Shahbaz Naeem Khan (Pakistan), Parul Pandya Dhar (India), Jageth Weerasinghe (Sri Lanka), Shao-Chien Tseng (Taiwan), Olabisi Silva (Nigeria), Didier Houenoude (Benin), Jean Celestin Ky (Burkina Faso), Federico Freschi and Judy Peter (South Africa), and Rosa Gabriella de Castro Gonçalves (Brazil). Read more about the recipients, their home institutions, and their areas of interest.
The purpose of this initiative was to encourage greater participation from countries not well represented at CAA’s Annual Conference in order to bring a more diverse and global perspective to the study of art history. The Getty travel-grant participants, as they became known, were selected by a jury of CAA members from among 150 applicants based on three general criteria: all had to be professors of art history, artists who teach art history, or museum curators with advanced degrees in art or art history; they had to work in a country where art history is an emerging discipline; and they needed to explain how attending the conference would significantly support or strengthen their work.
To welcome the participants and to ensure that they got the most out of the conference’s abundant offerings, members of CAA’s International Committee and representatives from the National Committee for the History of Art (NCHA) volunteered to act as hosts. CAA warmly thanks these members for their service as hosts: Ann Albritton, Frederick M. Asher (NCHA chair), Kathryn Brown, Nicola M. Courtright, Diane Derr, Stephanie Dickey, Thomas W. Gaehtgens, Paul B. Jaskot, Geraldine A. Johnson, Jennifer Milam (International Committee chair), Steven Nelson, Nada Shabout, and Beth A. Steffel.
This wonderful aspect of the program revolved around informal dinners, lunches, and drinks, in which both participants and hosts could trade stories and share information about the ins and outs of practicing art history in their respective countries. Two roundtable meetings brought everyone together to meet CAA staff, providing opportunities for assessment and reflection on the various aspects of the conference program. Equally stimulating were the friendships made among the participants, as they learned about each other and discovered shared interests and challenges. Now, nearly two months later, a number of grant recipients have already begun to collaborate on research and teaching projects, with ambitious plans in the works.
In the coming months, CAA will publish online interviews with several participants and report on their collaborative work as it unfolds. Stay tuned to future issues of CAA News for these special announcements.
Top image: Participants in the CAA International Travel Grant Programs (from left): Shao-Chien Tseng, Salam Atta Sabri, Olabisi Silva, Jean Celestin Ky, Pavlina Morganová, Dóra Sallay, Federico Freschi, Judy Peter, Didier Houenoude, Rosa Gabriella de Castro Gonçalves, Daniel Premerl, Angela Harutyunyan, Malvina Rousseva, Cristian Nae, Ganna Rudyck, Irena Kossowska, Parul Pandya Dhar, Jageth Weerasinghe, and Nadhra Shahbaz Naeem Khan; Gyöngyvér Horváth is not pictured (photograph by Katie Underwood and provided by the Getty Foundation)
Middle image: Ganna Rudyck from Ukraine introduces herself to fellow grant recipients (photograph by Bradley Marks)
Bottom image: Among the grant recipients were (from left): Shao-Chien Tseng from Taiwan, Didier Houenoude from Benin, and Jean Celestin Ky from Burkina Faso (photograph by Bradley Marks)
Strengthening Partnerships with CAA’s Affiliated Societies
posted by Christopher Howard — April 09, 2012
The following report was written by Barbara Nesin, president of the CAA Board of Directors, and Judith Thorpe, also a board member.
The third annual meeting of CAA’s affiliated societies was held during the 100th Annual Conference in Los Angeles on Saturday, February 25, 2012. Twenty representatives from the affiliates joined the CAA president, Barbara Nesin, and members of the Board of Directors to review the accomplishments of the past year and to discuss future directions.
Nesin took this opportunity to announce the formation of a Task Force on Affiliated Societies, approved by the board at its October 2011 meeting. Starting in May 2012, the task force will develop recommendations about the best means of working together to achieve common goals and objectives. She thanked Judith Thorpe, a CAA board member, for leading that effort and for assembling a team of committed board members to serve on the task force. Thorpe reviewed the highlights of CAA’s 2010–2015 Strategic Plan that specifically call for affiliated-society engagement, especially through enhanced communications, advocacy, and membership. Nesin also thanked Jean Miller, another CAA board member, for her preliminary research on which the task force can build. The task force will likely conduct a membership survey before making its recommendations.
Nesin also noted the contributions of the affiliates to the Los Angeles conference. There were twenty-three major affiliate-sponsored sessions reviewed and selected by the Annual Conference Committee, in addition to over seventy special sessions and business meetings providing many opportunities for all CAA members to become familiar with the work of the affiliate organizations.
Nesin encouraged greater collaboration between CAA and the affiliates in the future to include activities beyond the conference, currently the center of affiliate activities. With this in mind, a spreadsheet of all affiliated-society conferences and meetings throughout the year was distributed so that CAA board members could plan to attend more of these events. This year CAA participated in the Southeastern College Art Conference, the annual meeting for the Mid-America College Art Association, and the Society for Photographic Education national conference. CAA staff has also increased communications with affiliated-society representatives by making use of the affiliate listserv and by inviting input on a variety of topics. By the same token, Nesin encouraged the affiliates to nominate their members for service on CAA’s committees and board. Those in attendance had the opportunity to ask questions and to share suggestions.
The homepage for the main CAA website was enhanced with an Affiliated Societies tab on the horizontal navigation bar that links directly to the Directory of Affiliated Societies. Each affiliated-society listing contains a link to its own website. Nesin pointed out the importance of keeping the contact information for each organization up to date to be sure that information goes to the right person, who is in turn responsible for sharing information with the leadership and/or members of his or her organization. To keep the directory current, CAA annually seeks updates and solicits announcements and news from the groups every two months; these items appear in the Affiliated Society News section of the CAA website, which is promoted through CAA News.
CAA’s seventy-five affiliated societies, covering a wide range of disciplines, are essential partners in the fulfillment of the organization’s mission to promote the visual arts and their understanding through committed practice and intellectual engagement.
Audio Recordings from the 2012 Annual Conference
posted by Christopher Howard — April 02, 2012
The 2012 Annual Conference in Los Angeles boasted an incredibly diverse array of sessions. Audio recordings for eighty-three of the panels—including “Picturing Urban Space in Central Europe since 1839,” “Oleg Grabar’s Impact on the Practice and History of Art,” and the two-part “Mobile Art: The Aesthetics of Mobile Network Culture in Place Making”—are now available for sale.
A set of MP3 audio recordings from the Los Angeles conference is available for $199.95 as a DVD-ROM. Individual sessions, available only as downloads, are $24.95 each. Please visit Conference Media to view the list of sessions and to order.
The full range of art history is represented in sessions such as “Exceeding the Limits of Ancient Rome,” “Narrative in Gothic Art,” and “The Interconnected Tenth Century.” Several sessions focus on art and design in the conference city, including “Finish Fetish Sculpture from Los Angeles 1960s–70s: Conservation Dilemmas” and “Pacific Standard Time and Chicano Art: A New Los Angeles Art History.” Topics about contemporary art range from “Flagging: Aesthetic Tactics and Queer Signification” and “Momentum: Women/Art/Technology” to “Conceptual Art as Comedic Practice” and “Toward a Rock and Roll History of Contemporary Art.”
CAA also recorded two popular Centennial sessions: “Seeing Is Doing, Doing Is Teaching,” chaired by Michael Ned Holte, and “‘Reclaiming’ the Studio as a Site of Production,” led by Patty Wickman. Both curators and museum educators will be especially interested in “Live Forever: Performance Art in the Changing Museum Culture” and “‘Your Labels Make Me Feel Stupid’: Museum Labels as Art-Historical Practice.”
Whether you took part in, attended, or missed a particular conference session, these recordings are a must-have for your library, research, or teaching. Listen to them while walking across campus, while driving in your car or using public transportation, or while relaxing in your home.
In addition to the Los Angeles sessions, you can also purchase recordings from the past six conferences: New York (2011), Chicago (2010), Los Angeles (2009), Dallas–Fort Worth (2008), New York (2007), and Boston (2006). See CAA’s Conference Audio section or visit Conference Media for details.
Thanks to Conference Supporters and the Annual Conference Committee
posted by Emmanuel Lemakis — April 02, 2012
CAA extends special thanks to the supporters of the 100th Annual Conference and Centennial Celebration in Los Angeles. The Getty Foundation awarded CAA a generous grant to support the attendance and participation of twenty international art historians. The National Endowment for the Arts renewed its support of ARTspace, which is organized by CAA’s Services to Artists Committee and includes programming designed by artists for artists. CAA is grateful to the Broad Foundation for providing funding for complimentary Wi-Fi for the Student and Emerging Professionals Lounge and to the Samuel H. Kress Foundation for granting travel fellowships for international conference participants. CAA would also like to thank Art in America, the official media sponsor, and American Airlines, the official conference airline, for their contributions.
This year’s Book and Trade Fair supporters were: Blick Art Materials at the Partner level and ARTstor, Intellect Books, Prestel Publishing, and Rizzoli International Publications at the Sponsor level. The Los Angeles County Museum of Art generously hosted the Centennial Reception, and Pearson presented a $1,000 prize to the recipients of the 2012 Distinguished Teaching of Art and Art History Awards. CAA is also grateful for support from the Westin Bonaventure Hotel and Suites and from Art Platform—Los Angeles.
CAA extends special thanks to the Annual Conference Committee, whose members were responsible for the 2012 program: Sue Gollifer, University of Brighton and vice president for Annual Conference (chair); Sharon Matt Atkins, Brooklyn Museum; Peter Barnett, Metropolitan Museum of Art; Brian Bishop, Framingham State University; Connie Cortez, Texas Tech University; Ken Gonzales-Day, Scripps College; and Sabina Ott, Columbia College Chicago. Regional representatives for the committee were: Stephanie Barron, Los Angeles County Museum of Art; and Margaret Lazzari, University of Southern California.
CAA is grateful to Jacki Apple of the Art Center College of Design and chair of the Services to Artists Committee for programming ARTspace and the Media Lounge, as well as all volunteers and staff members who made the conference possible.
Propose a Paper or Presentation for the 2013 Annual Conference
posted by Emmanuel Lemakis — March 28, 2012
The 2013 Call for Participation for the 101st Annual Conference, taking place February 13–16 in New York, describes many of next year’s programs sessions. CAA and the session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper or presentation. This publication also includes a call for Poster Session proposals and describes the eight Open Forms sessions.
Listing more than 120 panels, the 2013 Call for Participation was mailed to all individual and institutional members in late March; you can also download a PDF of the twenty-five-page document from the CAA website immediately.
The deadline for proposals of papers and presentations for the New York conference is May 4, 2012.
In addition to dozens of wide-ranging panels on art history, studio art, contemporary issues, and professional and educational practices, CAA conference attendees can expect participation from many area schools, museums, galleries, and other institutions. The Hilton New York in midtown Manhattan is the conference headquarters, holding most sessions, Career Services, the Book and Trade Fair, ARTspace, special events, and more. Deadline: May 4, 2012.
Contact
For more information about proposals of papers and presentations for the 2013 Annual Conference, please contact Lauren Stark, CAA manager of programs, at 212-392-4405.
Propose a Poster Session for the 2013 Annual Conference
posted by Lauren Stark — March 28, 2012
CAA invites individual members to submit abstracts for Poster Sessions at the 101st Annual Conference in New York, taking place February 13–16, 2013. Poster Sessions—presentations displayed on bulletin boards by an individual for small groups—usually include a brief narrative paper mixed with illustrations, tables, graphs, and similar presentation formats. The poster display can intelligently and concisely communicate the essence of the presenter’s research, synthesizing its main ideas and directions. Colorado State University has published useful general information on Poster Sessions.
Poster Sessions offer excellent opportunities for extended informal discussion and conversation focused on topics of scholarly or pedagogical research. Posters are displayed for three days during the conference, so that attendees can view the work even when the authors are not physically present. Poster Sessions take place in a high-traffic area, in close proximity to the Book and Trade Fair and conference rooms.
Proposals for Poster Sessions must include the following:
- Title of Poster Session
- Summary of project, not to exceed 250 words
- Name of presenter(s), affiliation(s), and CAA member number(s)
- A two-page CV
- Complete mailing address and telephone number
- Email address
Proposals are due on May 4, 2012—the same deadline as the regular call for papers for the 2013 conference. Send all materials to Lauren Stark, CAA manager of programs. A working group of the Annual Conference Committee selects Poster Sessions based on individual merit and space availability. Accepted presenters must maintain their memberships through the conference.
Displays must be assembled by 10:00 AM on Thursday, February 14, and cleared by 2:00 PM on Saturday, February 16. Live presentations last ninety minutes and are scheduled during the lunch breaks on Thursday and Friday, 12:30–2:00 PM. During this time, presenters stand by their poster displays while others view the presentation and interact with the presenters.
CAA assigns presenters one freestanding bulletin board (about 4 x 8 feet of display space) onto which they can affix their poster display and other materials, as well as a table to place materials such as handouts or a sign-up sheet to record the names and addresses of attendees who want to receive more information. CAA also provides pushpins or thumbtacks to attach components to the bulletin board on the day of installation.
Printed materials must be easily read at a distance of four feet. Each display should include the title of the presentation (104-point size) and the name of the presenter(s) and his or her affiliation(s) (72-point size). CAA recommends a point size of 16–18 or larger for body text. No electrical support is available in the Poster Session area; you must have your own source of power (e.g., a battery).
Contact
For more information about proposals of Poster Sessions for the 2013 Annual Conference, please contact Lauren Stark, CAA manager of programs, at 212-392-4405.
Thanks to 2012 Career Services Mentors and Leaders
posted by Lauren Stark — March 21, 2012
CAA wishes to thank the artists, art historians, curators, critics, educators, and other professionals in the visual arts who generously served as mentors in two Career Services programs at the 2012 Annual Conference in Los Angeles: the Artists’ Portfolio Review and Career Development Mentoring. The organization also thanks participants in the Mock Interview Sessions and the leaders of the Roundtable Discussions. Last, CAA acknowledges the efforts of Professional Development Workshops presenters and the speakers at Orientation.
Artists’ Portfolio Review
Michael Bzdak, Johnson & Johnson; Susan Canning, College of New Rochelle; Brian Curtis, University of Miami; Diane Edison, University of Georgia; Peter Kaniaris, Anderson University; Jason Lahr, University of Notre Dame; Suzanne F. W. Lemakis, Fine Arts Department, Citigroup; Craig Lloyd, College of Mount St. Joseph; Margaret Murphy, New Jersey City University; Judith Pratt, Judith Pratt Studio; Habibur Rahman, Claflin University; John Silvis, New York Center for Art and Media Studies; and Steve Teczar, Maryville University of Saint Louis.
Career Development Mentoring
Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Jeff Downing, San Francisco State University; Ciara Ennis, Pitzer Art Galleries, Pitzer College; James Farmer, Virginia Commonwealth University; Reni Gower, Virginia Commonwealth University; Amy Hauft, Virginia Commonwealth University; Richard Heipp, University of Florida; Jim Hopfensperger, Western Michigan University; Dennis Y. Ichiyama, Purdue University; Sue Johnson, St. Mary’s College of Maryland; Bob Kaputof, Virginia Commonwealth University; Mitch Kern, Alberta College of Art and Design; John Kleinpeter, California State University, Long Beach; Heather McPherson, University of Alabama, Birmingham; Jo-Ann Morgan, Western Illinois University; Anna Novakov, St. Mary’s College of California; Morgan Paine, Florida Gulf Coast University; Pamela Patton, Southern Methodist University; Doralynn Pines, Metropolitan Museum of Art (retired); Andrea Polli, University of New Mexico; Judith Pratt, Judith Pratt Studio; David Raizman, Drexel University; David Sokol, University of Illinois, Chicago (emeritus); Katherine Taylor, Kennesaw State University; Joe A. Thomas, Kennesaw State University; Ann Tsubota, Raritan Valley Community College; Jenifer K. Ward, Cornish College of the Arts; John Watson, Webster University; and Charles Wright, Western Illinois University.
Mock Interview Sessions
Temma Balducci, Arkansas State University; Steven Bleicher, Coastal Carolina University; Susan Bowman, Rowan University; Scott Contreras-Koterbay, East Tennessee State University; Jessica Dandona, Dishman Art Museum, Lamar University; Sara Dismukes, Troy University; Randall C. Griffin, Southern Methodist University; Dottie Habel, University of Tennessee, Knoxville; Carolyn Henne, Florida State University; Janet Hethorn, University of Delaware; Dennis Y. Ichiyama, Purdue University; Bob Kaputof, Virginia Commonwealth University; Deborah Karpman, University of Montevallo; Niku Kashef, California State University, Northridge; David LaPalombara, Ohio University; Beauvais Lyons, University of Tennessee, Knoxville; Rebecca Nolan, Savannah College of Art and Design; Anna Novakov, St. Mary’s College of California; Kim Russo, Ringling College of Art and Design; Joe Seipel, Virginia Commonwealth University; Amelia Winger-Bearskin, Vanderbilt University; David Yager, University of California, Santa Cruz; and Sam Yates, University of Tennessee, Knoxville.
Roundtables
Michael Aurbach, Vanderbilt University; Diane Edison, University of Georgia; Suzanne F. W. Lemakis, Fine Arts Department, Citigroup; Leo Morrissey, Winston-Salem State University; Edward Shanken, University of Amsterdam; and John Silvis, New York Center for Art and Media Studies.
Professional Development Workshops
Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Barbara Bernstein, Rhode Island School of Design and Virginia Center for the Creative Arts; Steven Bleicher, Coastal Carolina University; Mika Cho, California State University, Los Angeles; Craig Dietrich, University of Southern California; Tara McPherson, University of Southern California; Nicholas Mirzoeff, New York University; Joan Saab, University of Rochester; Susan Schear, ArtIsIn; David M. Sokol, University of Illinois, Chicago (emeritus); and Blaise Tobia, Drexel University.
Orientation
Michael Aurbach, Vanderbilt University; Margaret Lazzari, University of Southern California; and David M. Sokol, University of Illinois, Chicago (emeritus).