CAA News Today

New in caa.reviews

posted by February 07, 2020

      

Dániel Margócsy reviews Insect Artifice: Nature and Art in the Dutch Revolt by Marisa Anne Bass. Read the full review at caa.reviews.

Sven Dupré writes about Art and Optics in the Hereford Map: An English Mappa Mundi, c. 1300 by Marcia Kupfer. Read the full review at caa.reviews.

Beth Saunders discusses Anthony W. Lee’s book The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China. Read the full review at caa.reviews.

Filed under: caa.reviews

New in caa.reviews

posted by January 31, 2020

  

Sabra Moore writes about the Harwood Museum’s exhibition Judy Chicago: The Birth Project from New Mexico CollectionsRead the full review at caa.reviews.

Whitney Davis and Justin Underhill review Scale and the Incas by Andrew James Hamilton. Read the full review at caa.reviews.

Malika Maskarinec discusses Art and Form: From Roger Fry to Global Modernism by Sam Rose. Read the full review at caa.reviews.

Filed under: caa.reviews

Attendees at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo

Each spring, members have the opportunity to provide crucial service to the field and gain an inside view by volunteering to work on a CAA committee or editorial board.

Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.

CURRENT OPPORTUNITIES

Art Journal—Editor-In-Chief
Deadline (extended): June 1, 2020

caa.reviews—Field Editor for East Asian Art
Deadline (extended): June 1, 2020

Publications Committee—Two Members
Deadline (extended): June 1, 2020

PAST OPPORTUNITIES

Art Journal / Art Journal Open (AJO) Editorial Board—Three Members
Deadline: April 15, 2020

The Art Bulletin Editorial Board—One Member
Deadline: April 15, 2020

The Art Bulletin—One Reviews Editor or Coeditor Team
Deadline: April 15, 2020

caa.reviews Editorial Board—Three Members (One an Emerging Professional)
Deadline: April 15, 2020

caa.reviews—Eight Field Editors
African Art, African Diaspora/African American Art, Architecture and Urban Planning, Asian Art, Contemporary Art, Exhibitions: East Coast, Exhibitions: Midwest, Exhibitions: West Coast
Deadline: April 15, 2020

New in caa.reviews

posted by January 24, 2020

   

Delia Cosentino reviews The Codex Mexicanus: A Guide to Life in Late Sixteenth-Century New Spain by Lori Boornazian Diel. Read the full review at caa.reviews.

Natalie Dupêcher discusses Susan Laxton’s Surrealism at Play. Read the full review at caa.reviews

Jessi DiTillio writes about the exhibition catalog Art and Race Matters: The Career of Robert Colescott, edited by Raphaela Platow and Lowery Stokes Sims. Read the full review at caa.reviews.

Filed under: caa.reviews

New in caa.reviews

posted by January 17, 2020

      

Joyce S. Cheng discusses The Forces of Form in German Modernism by Malika Maskarinec. Read the full review at caa.reviews.

Nikolaus Dietrich reviews The Berlin Painter and His World: Athenian Vase-Painting in the Early Fifth Century B.C., edited by J. Michael Padgett. Read the full review at caa.reviews.

Max Koss writes about Jenny Anger’s Four Metaphors of Modernism: From Der Sturm to the Société Anonyme. Read the full review at caa.reviews.

Filed under: caa.reviews

New in caa.reviews

posted by January 10, 2020

    

Emily Joyce Evans reviews the C/O Berlin exhibition Boris Mikhailov: Before Sleep/After Drinking. Read the full review at caa.reviews.

Lyle Massey considers The “Fabrica” of Andreas Vesalius: A Worldwide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions by Dániel Margócsy, Mark Somos, and Stephen N. Joffe. Read the full review at caa.reviews.

Marcus B. Burke discusses Felipe Pereda’s Crime and Illusion: The Art of Truth in the Spanish Golden AgeRead the full review at caa.reviews.

Filed under: caa.reviews

New in caa.reviews

posted by January 03, 2020

 Angela Andersen discusses Social Housing in the Middle East: Architecture, Urban Development, and Transnational Modernity, edited by Kıvanç Kılınç and Mohammad Gharipour. Read the full review at caa.reviews.

Kiara M. Vigil reviews Emily Burns’s Transnational Frontiers: The American West in France. Read the full review at caa.reviews.

Filed under: caa.reviews

New in caa.reviews

posted by December 20, 2019

Jillian Hernandez discusses the show Per(sister): Incarcerated Women of Louisiana, from the Newcomb Art Museum, Tulane University. Read the full review at caa.reviews.

Lauren G. Kilroy-Ewbank reviews the exhibition Art and Empire: The Golden Age of Spain at San Diego Museum of Art. Read the full review at caa.reviews.

Adrienne Rooney covers the Menil Collection’s Mapa Wiya (Your Map’s Not Needed): Australian Aboriginal Art from the Fondation Opale. Read the full review at caa.reviews.

  

Filed under: caa.reviews

New in caa.reviews

posted by December 13, 2019

   

Liza Oliver reviews the British Museum exhibition Reimagining Captain Cook: Pacific Perspectives. Read the full review at caa.reviews

Catherine H. Lusheck considers the show Early Rubens, currently on view at the Art Gallery of Ontario, Toronto. Read the full review at caa.reviews.

Rebecca L. Twist writes about Dramatic Impressions: Japanese Actor Prints at the Portland Art Museum, Oregon. Read the full review at caa.reviews.

Amy Knight Powell discusses Into the White: The Renaissance Arctic and the End of the Image by Christopher P. Heuer. Read the full review at caa.reviews.

Filed under: caa.reviews

New in caa.reviews

posted by December 06, 2019

    

Luke A. Fidler reviews the exhibition and catalog Jonathas de Andrade: One to One. Read the full review at caa.reviews.

Ian Verstegen discusses Michael Baxandall, Vision and the Work of Words, edited by Peter Mack and Robert Williams. Read the full review at caa.reviews.

Aaron Wile writes about Enchanted Islands: Picturing the Allure of Conquest in Eighteenth-Century France by Mary D. Sheriff. Read the full review at caa.reviews.

Filed under: caa.reviews