CAA News Today
News from the Art and Academic Worlds
posted Jan 22, 2014
Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Twelve Things You Should Never Say to an Artist
One of the hardest parts of being an artist is courting the seemingly endless barrage of awkward, inappropriate, and downright rude comments hurled your way. Whether it’s an intended compliment or an ignorant gaffe, some statements about l’arte are better left unsaid. Thus we’ve compiled an unofficial guide outlining what you definitely, positively should not say to an artist, whether friend or foe. (Read more from the Huffington Post.)
Teaching Students How To See
“A college is a great context for getting at the things that are life changing and transformative about art,” says Ian Berry, director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York. “You’re working with undergraduates who are figuring out who they’re going to be, learning how to be critical consumers of information, deciding what kind of tribe they’re going to land in.” Berry has dedicated his entire career to the fertile ground of college museums. (Read more from ARTnews.)
Bringing the Museum into the Art-History Classroom
Most art-history instructors include a museum visit or two in the semester schedule. But what if a museum or gallery visit is difficult to arrange, depending upon the geographic location of the college or university, the class size, or the time the class is offered? Even though I have access to numerous museums because I teach in New York City, I found that some of these challenges prohibited my students in engaging with the museum in what I considered to be a meaningful way. (Read more from Art History Teaching Resources.)
Thousands of Years of Visual Culture Made Free through Wellcome Images
Wellcome Library has announced that over 100,000 high-resolution images—including manuscripts, paintings, etchings, early photography, and advertisements—are now freely available through Wellcome Images. Drawn from vast historical holdings, the images are being released under the Creative Commons Attribution (CC-BY) license, which means that they can be used for commercial or personal purposes, with an acknowledgement of the original source, free of charge. (Read more from the Wellcome Library.)
DIA May Be Asked to Ante Up $100 Million to Break Free from City
Detroit’s emergency manager Kevyn Orr met with Detroit Institute of Arts leaders for the first time last week and told them they may have to make a substantial contribution to a fund that would provide hundreds of millions for city pensioners and protect DIA art from being sold as part of the city’s bankruptcy, according to a person familiar with Orr’s plans. Orr did not push for a specific figure, but the city believes $100 million over twenty years “is a number the DIA can get to,” the source said. Museum leaders said that figure was “completely unfeasible.” (Read more from the Detroit Free Press.)
Agreement Reached in Plagiarism Row between Artists
A wall-sized, black-and-white checkerboard work by Tobias Rehberger, commissioned by the Berlin national library but concealed for almost year because of a complaint brought by the British Op art painter Bridget Riley, will again go on show. The piece was at the center of a legal row between Rehberger and Riley, who said it plagiarized her painting Movement of Squares (1961) and demanded it be removed from display in the library’s reading room. Rehberger argued that the checkerboard pattern was part of the public domain. (Read more from the Art Newspaper.)
The Odds Are Never in Your Favor
The academic job market is a process that necessitates failure. Your application materials will end up in the slush pile at dozens of departments, regardless of how well suited you are for the position or how carefully you tailor your materials. Outstanding candidates can easily fail to find a position. And that’s why, when I can’t quite convey that grim reality, I tell my family and friends that if they want to know what the job market is like for PhDs, they should read (or watch) The Hunger Games. (Read more from the Chronicle of Higher Education.)
Crowded Out of Ivory Tower, Adjuncts See a Life Less Lofty
His students call him “Prof,” and in the classroom James D. Hoff looks like any other English professor. He is sandy-haired and bearded, with a passion for modern American poetry, and has published essays on Ezra Pound and Laura Riding and is able to forget his worries amid the joys of helping young people discover the power of literature. But his anxieties always come back. At night, he sometimes lies sleepless in the dark, wondering how long he will be able to afford the academic life. (Read more from the New York Times.)
Joseph Anthony “Joe” Gatto: In Memoriam
posted Jan 17, 2014
Joseph Anthony “Joe” Gatto, a noted jewelry artist and the founding visual-art dean of the Los Angeles County High School for the Arts, died on November 13, 2013. He was 78 years old.
Born on December 22, 1934, in Pueblo, Colorado, Gatto was the son of immigrants. His father was a shoveler in the steel industry, and his mother was a garment worker. The family moved west, and Gatto attended Fairfax High School in Los Angeles, California, where he aspired to attend college. He worked bagging groceries, studied, and lettered in four sports. After military service at Fort Lewis, Washington, he attended California State University, Los Angeles, and Pepperdine University in Malibu, where he earned a bachelor’s and master’s degrees in art and education. Gatto was the first in his family to graduate from college and earn advanced degrees.
An award-winning jewelry artist, painter, photographer, and author of several books on teaching art, Gatto cofounded the Los Angeles County High School for the Arts (LACHSA), where he was visual-arts dean from 1985 to 2002. He was a recipient of the California “Bravo” Teacher of the Year Award and was honored at the White House by both Presidents Ronald Reagan and George W. Bush. Always active in his church and community, Gatto supported the parish and school at Our Mother of Good Counsel Church and participated in local politics. In 2004 he fulfilled a lifelong dream, serving as delegate to the Democratic National Convention.
Joe Gatto, Nesting Bird 3, gold, coral, pearl, and found objects (artwork © Joe Gatto)
After retiring from LACHSA, Gatto continued to teach figure drawing and art-education courses at Art Center College of Design in Pasadena, California. He exhibited and gained national acclaim for his finely crafted art jewelry shown under his brand Wear Art Now. A dedicated father and grandfather, avid gardener, collector, and world traveler, Gatto lived life to its fullest while he nurtured the creative lives of others.
Gatto is survived by brothers Don and Frank, his daughter Nicole and her husband Mark, his son Mike and his wife Danielle, his daughter Mariann and her fiancé Eric, his grandchildren Damian, Elliana, and Evangelina, and his former wife Isolde, plus countless cousins, admiring students, and loving friends.
Memorial services were held on November 22, 2013, in Los Angeles, with hundreds in attendance. The Los Angeles Police Department is continuing its investigation into Gatto’s untimely death. Donations in his memory can be made to one of his favorite charities: (1) Historic Italian Hall Foundation, 125 Paseo De la Plaza, Suite 400, Los Angeles, CA 90012; (2) Los Angeles Community Garden Council, 4470 West Sunset Boulevard, No. 381, Los Angeles, CA 90027; or (3) Tuition Magician, Joe Gatto Arts Scholarship, 4470 West Sunset Boulevard, PMB 378, Los Angeles, CA 90027.
Donald F. McCallum: In Memoriam
posted Jan 17, 2014
Sherry Fowler is associate professor of Japanese art history at the University of Kansas. She earned her doctorate from the University of California, Los Angeles, in 1994.
Donald F. McCallum
Donald F. McCallum, a celebrated art historian and treasured teacher, passed away peacefully in his home on October 23, 2013, after battling sudden metastatic prostate cancer. He was 74 years old.
McCallum had a long distinguished career as a scholar of Japanese art history, over seven years of which were spent doing research and fieldwork in Japan. In June 2013, he retired from his position as professor in the Department of Art History at the University of California, Los Angeles (UCLA). He was a beloved teacher known for his serious commitment to education alongside a sharp sense of humor. Born in Vancouver, British Columbia, on May 23, 1939, McCallum earned his PhD at the Institute of Fine Arts, New York University, and his AB at University of California, Berkeley.
He began teaching at UCLA in 1969 and served as chair of its Department of Art History, interim director for the UCLA Center for Japanese Studies, director of the University of California Tokyo Study Center, Toyota Visiting Professor at the University of Michigan, Franklin D. Murphy Lecturer at the University of Kansas, and Hooker Distinguished Visiting Professor at McMaster University. His numerous awards include fellowships from the International Research Center for Japanese Studies in Kyoto, the Metropolitan Center for Far Eastern Art, the Japanese Society for the Promotion of Science, the Korean Cultural Service, the Japan Foundation, and the John D. Rockefeller III Fund.
McCallum’s research on Japanese art had a wide breadth, but his main area was Japanese Buddhist art in which he published three books: Hakuhō Sculpture (Seattle: University of Washington Press, 2012); The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan (Honolulu: University of Hawai‘i Press, 2009); and Zenkoji and Its Icon: A Study in Medieval Japanese Religious Art (Princeton: Princeton University Press, 1994). His interests expanded to Korean art, modern Japanese art, and even tattoos, as exemplified in his articles “Korean Influence on Early Japanese Buddhist Sculpture,” in Korean Culture (1982); “Three Taisho Artists: Yorozu Tetsugoro, Koide Narashige, and Kishida Ryusei,” in Paris in Japan: The Japanese Encounter with European Painting (1987); and “Historical and Cultural Dimensions of the Tattoo in Japan,” in Marks of Civilization: Artistic Transformations of the Human Body (1988). In addition to his books, McCallum’s published articles and book reviews that number over seventy will continue to have a significant impact on the field for years to come.
As a dedicated teacher at UCLA for forty-four years, McCallum shared his passion and knowledge with thousands of students and patiently served as dissertation advisor to eleven graduate students. His rigorous training style and strong, personal commitment toward his students, even after they started their own professional careers, was instrumental toward enabling some to become leaders in Japanese art history. Among them are tenured faculty members at Yale University, Portland State University, the University of Kansas, the University of Regina, Taiwan National Central University, California State Polytechnic University in Pomona, and the University of Maryland. Aside from helping his own graduate students, McCallum enthusiastically and generously supported nearly the entire next generation of younger scholars in Japanese art history with great encouragement and by writing thoroughly researched letters of support for tenure and promotion.
McCallum will be dearly missed by many, both in and outside academia. He is survived by his wife Toshiko, his son Kenneth and his daughter-in-law Takayo, his daughter Sumako and his son-in-law James Turner, and his grandchildren Ella Sachiko and Jackson James Turner. Anyone who has ever talked with him or heard him lecture knows how devoted he was to his family and was more than likely treated to many humorous tales about his cherished grandchildren.
The Donald F. McCallum Memorial Fund has been established to support the Department of Art History and the UCLA Terasaki Center for Japanese Studies. Memorial gifts to support the fund can be made out to the UCLA Foundation and sent to: Alexa Almazán, UCLA College Development, Division of Humanities, 1309 Murphy Hall, Box 951413, Los Angeles, CA 90095-1413.
Arts in Turkey Tour for CAA Members
posted Jan 17, 2014
Read Milton Moore’s tour diary from his trip to Turkey in October 2013, organized by Tutku Tours.
CAA has partnered with Tutku Tours to provide an exclusive offer for its members to spend two weeks exploring the ancient and contemporary sides of Turkey, from May 27 to June 10, 2014. Highlights of the Arts in Turkey Tour: Yesterday and Today trip include stops in Istanbul, Iznik, Canakkale, Troy, Assos, Ayvalik, Izmir, Pergamum, Ephesus, Kusadasi, Pamukkale, Catalhoyuk, Konya, Cappadocia, and Ankara. This tour is a one-of-a-kind experience that takes visitors on a spectacular journey through ancient and modern Turkey. Visit the workshops of local artists, learn about techniques of ancient art, and take in galleries and museums in some of the world’s oldest cities.
The tour begins with three days in Istanbul—the city on seven hills and the capital of two former empires—where travelers will visit the major attractions, including the Hippodrome, Blue Mosque, and Hagia Sophia, and also get to know the city’s vibrant street life and local art scene. The tour will then visit the Iznick Foundation’s tile factory, the archaeological site of ancient Troy, and the Pergamum acropolis. The city of Izmir, which boasts numerous museums and art galleries, comes next, and later the port city of Ephesus and Pamukkale, near the ancient city of Herapolis. A handful of other exciting stops will happen in the several days before the return flight from Ankara.
In addition to access to cultural and historic sites, the Art of Turkey Tour will provide CAA members with time for rest and relaxation. The group will stop at a carpet school in Ephesus, along with an overnight stay at a spa hotel at the Pamukkale hot springs. The end of the trip includes a stop in Cappadocia, where travelers can explore the Göreme Open-Air Museum, a vast collection of painted cave-churches dating from 1000 AD, and also watch a whirling dervishes ceremony. At the final destination, Ankara, the tour will visit the famed Museum of Anatolian Civilizations.
Getting There: Turkish Airlines provides nonstop, direct flights from the United States and Canada from the following cities: New York, Los Angeles, Washington, DC, Chicago, Houston, and Toronto.
Land and Air Rates: $3,990 per person for a double room; $4,780 per person for a single room.
The Arts in Turkey Tour features include:
- International flight from the US via Turkish Airlines
- Thirteen nights in superior hotels
- Comprehensive sightseeing as specified in the program
- Meals (thirteen dinners, four lunches, daily breakfasts)
- An official, licensed English-speaking guide throughout the tour
- Visits to art galleries
- Transportation in air-conditioned vehicles
- All entry fees to sites and museums
- A hot-air balloon flight in Cappadocia
- Local taxes and service charges
For a detailed, day-by-day tour itinerary, please download and review the Arts in Turkey Tour brochure.
caa.reviews Now Publishing as an Open-Access Journal
posted Jan 16, 2014
CAA and Routledge are pleased to announce that caa.reviews, an online journal of book and exhibition reviews in the visual arts, is now open access. Born digital in 1998, caa.reviews fosters intellectual and creative engagement with critical issues in art history, museum scholarship, curatorial studies, and studio practice. Published on a continual basis, the content of caa.reviews—assessing scholarly books and catalogues, art exhibitions in museums and galleries around the world, academic conference and symposia, thematic essays, and more—is now freely available to all interested readers worldwide.
Becoming an open-access journal greatly enhances the reach and impact of caa.reviews, which averages approximately 150 texts a year covering all areas and periods of art history and visual studies. Readers will also be able to access several thousand reviews published since the journal’s inception. caa.reviews also publishes a list of recently published books in the arts and a compilation of dissertation titles—both completed and in progress—from graduate programs in the United States, Canada, and Great Britain.
“By offering an open-access caa.reviews, CAA can now share the expertise of its authors across a broad international spectrum of readers. Because the publication provides critical analyses of recent scholarly publications and exhibitions, caa.reviews can introduce the world to a broad range of scholarly, artistic, and curatorial projects,” said Anne Collins Goodyear, president of the CAA Board of Directors.
Earlier this year, Routledge and CAA began a new copublishing partnership. Routledge will now publish and distribute CAA’s journals, The Art Bulletin and Art Journal—both in print and online—and provide a platform for the online journal, caa.reviews. Start exploring caa.reviews today by visiting www.caareviews.org.
About Taylor & Francis Group
Taylor & Francis Group partners with researchers, scholarly societies, universities, and libraries worldwide to bring knowledge to life. As one of the world’s leading publishers of scholarly journals, books, ebooks, and reference works, Taylor & Francis offers content that spans all areas of Humanities, Social Sciences, Behavioural Sciences, Science, Technology, and Medicine.
From a network of offices in Oxford, New York, Philadelphia, Boca Raton, Boston, Melbourne, Singapore, Beijing, Tokyo, Stockholm, New Delhi, and Johannesburg, Taylor & Francis staff members provide local expertise and support to our editors, societies and authors and tailored, efficient customer service to our library colleagues.
For more information, please contact Tara Golebiewski, journals marketing associate for Taylor & Francis Group.
NHA Memo to Members
posted Jan 16, 2014
Stephen Kidd, executive director of the National Humanities Alliance (NHA), sent the following email on January 15, 2014.
NHA Memo to Members
Dear NHA Member Representatives,
Please click here for a new Memo to Members. This edition features:
- Capitol Hill news, including an overview of humanities funding in the proposed omnibus spending bill
- National Endowment for the Humanities news
- Studies, reports, and initiatives
- A compendium of humanities news articles and essays
- Federal grant opportunities
We encourage you to share this memo with your colleagues. If you have information to suggest for a future edition, please contact Erin Mosley at emosley@nhalliance.org.
News from the Art and Academic Worlds
posted Jan 15, 2014
Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
$330 Million Pledged to Save Pensions, DIA Artwork from Detroit Bankruptcy
The mediator in Detroit’s federal bankruptcy case has announced that local and national foundations have pledged $330 million toward an effort to shore up Detroit’s ailing pensions funds and to protect artwork in the Detroit Institute of Arts. US Chief District Judge Gerald Rosen’s statement made clear that the pledges do not by themselves mean that pensions and DIA art are now beyond the reach of creditors. (Read more from the Detroit Free Press.)
Architecting Identity: What the Lobby Says about the Art Museum
As the doors to Mario Botta’s stalwart brick San Francisco Museum of Modern Art opened in 1995, its central atrium greeted visitors with the Swiss architect’s formidable grand staircase, three stories of floating granite framed by white columns and spotlighted by the serene white glow of the oculus overhead. Architecture critics deemed the stairs a monumental centerpiece reminiscent of Frank Lloyd Wright’s iconic Guggenheim ramp or the bell tower that rises above an Italian piazza. It’s gone now. SFMOMA, currently closed for construction, demolished Botta’s icon last year to make way for the museum’s forthcoming 235,000-square-foot expansion. (Read more from Blouin Artinfo.)
How Should Graduate School Change?
I recently conducted an email interview with a dean who works with graduate education in the arts and sciences at a well-endowed private institution—let’s call it Very Good University. He’s a full professor who came up through the faculty ranks and was named a dean less than a decade ago. Because I’ve shielded his identity here, he was able to offer some bracing observations about graduate school and sound prescriptions for how they might change. (Read more from the Chronicle of Higher Education.)
Using Craft Art To Explore Contemporary LGBTQ Culture
Felt paintings, yarn drawings, quilted tapestries, and crocheted sculptures—these are the types of masterpieces that exist in the craft world, marked by either their decorative, DIY, or traditional flair. Made of everything from macramé to needlepoint, these handmade objets d’art are not exactly the first things that pop into one’s mind when discussing the complex and varied realm of contemporary LGBTQ issues in art. Yet they are the subject of Queer Threads: Crafting Identity and Community, a new exhibition at the Leslie-Lohman Museum of Gay and Lesbian Art. (Read more from the Huffington Post.)
Judge Orders Renoir Painting Returned to Museum
The story began with one of those improbable tales of an artistic masterpiece uncovered at a flea market. It concluded last week, the painting still a masterpiece but the story about the flea market all the more improbable. A federal judge awarded ownership of a disputed Renoir painting to a Baltimore museum, citing “overwhelming evidence” that the painting had been stolen from the museum more than sixty years ago. The judge’s decision rejected the claims of a woman who maintained that she bought the painting at a flea market for $7. (Read more from ABC News.)
Sexism in Architecture: On the Rise
Sixty-six percent of female architects have experienced some form of sexism over their career, claims a survey from Architects’ Journal, with 31 percent reporting monthly or quarterly occurrences. This is a rise from 58 percent when the survey first launched in 2011. On top of this, 88 percent of women respondents felt that having children would hold them back in their career and 62 percent thought that the building industry still doesn’t accept the authority of female architects. Former RIBA president Angela Brady called the results “shocking” and said women needed to be particularly firm around the issue of equal pay. (Read more from the Guardian.)
How Is Nazi-Looted Art Returned?
In November German authorities revealed that more than 1,400 valuable works of art had been confiscated from the Munich flat of Cornelius Gurlitt, a reclusive octogenarian. The trove is full of the kind of avant-garde “degenerate” art the Nazis removed from Germany’s state museums, such as works by Picasso, Chagall, Matisse, and Beckmann, as well as older gems, such as an engraving by Albrecht Dürer. Some of it may have come from Jews who were forced to flee or were sent to concentration camps. Surviving heirs and museums have been coming forward as the rightful owners. How is Nazi-looted artwork returned? (Read more from the Economist.)
Twelve Trends Defining This Season’s Art-Museum Shows
The 2014 season has begun. While popular shows of artists like Magritte, Hopper, and Carrie Mae Weems continue their travels, dozens of new exhibitions devoted to modern and contemporary art are opening across the country. The season starts with a bang at the Guggenheim, where Italian Futurism, 1909–1944 tells the fast-paced story of the brash Italian vanguard. Cubism is in the spotlight at the MFA Houston, the only US stop for a huge Braque survey. Meanwhile, the Baltimore Museum of Art showcases the revolutionary spirit of German Expressionism, MoMA unveils Gauguin’s rare prints and transfer drawings, and Matisse is at San Francisco’s Legion of Honor. (Read more from ARTnews.)
Arts Victory in Congress!
posted Jan 15, 2014
Nina Ozlu Tunceli, executive director of Americans for the Arts, sent the following email on January 14, 2014.
Arts Victory in Congress!
Victory – your voice was heard on Capitol Hill.
Late last night, Congress released the details of its massive FY 2014 Omnibus spending bill. I am pleased to share that the online petition that you and 40,000 other arts advocates signed this fall helped lead the way to the National Endowment for the Arts (NEA) being allocated $146 million for the year. We cannot thank you enough for taking the time to sign and share our petition.
Because of members like you, arts advocates successfully prevented a proposed 49% budget cut from taking place!
In fact, this new funding level is, in effect, an increase over last year’s since Congress is suspending the automatic sequester cuts that began last year. NEA will now have the full spending power of $146 million to invest in community-based arts programs across the country.
Together, we provided a strong voice for the arts. We now need your support to continue this momentum with the 2014 midterm elections right around the corner. With so many Members of Congress retiring, please consider contributing today to help us educate the next generation of elected leaders.
Queer Threads: Crafting Identity and Community
posted Jan 14, 2014
This week the Leslie-Lohman Museum of Gay and Lesbian Art in New York will open Queer Threads: Crafting Identity and Community, an exhibition of twenty-four artists from around the world who mix fine art and fiber craft traditions—from crochet, embroidery, knitting, and lace to macramé, needlepoint, quilting, and sewing—to remix contemporary gay and lesbian culture. Organized by John Chaich, Queer Threads will be on view January 17–March 16, 2014.
From an enormous pride flag flowing across two walls and morphing into a floor sculpture to an animation recreating RuPaul’s “Supermodel” video completely in cross-stitch, and from a life-sized crocheted men’s locker room to delicate embroidery on leather and antique fabrics, Queer Threads will fully activate the gallery space with both large-scale and intimate work.
Queer Threads presents both established and emerging artists from four continents including: Chris Bogia (New York), Melanie Braverman (Massachusetts), Jai Andrew Carrillo (California), Chiachio & Giannone (Argentina), Liz Collins (New York), Ben Cuevas (California), Pierre Fouché (South Africa), James Gobel (California), Jesse Harrod (Virginia), Larry Krone (New York), Rebecca Levi (New York), Aubrey Longley-Cook (Georgia), Aaron McIntosh (Maryland), Allyson Mitchell (Canada), John Thomas Paradiso (Maryland), Sheila Pepe (New York), Maria E. Piñeres (California), Allen Porter (deceased), L. J. Roberts (New York), Sonny Schneider (Denmark), Buzz Slutzky (New York), Nathan Vincent (New York), and Jessica Whitbread (Canada).




