CAA News Today
2012 Annual Conference Registration Opens
posted Oct 05, 2011
Registration is now open for the 100th Annual Conference, taking place February 22–25, 2012, in Los Angeles. Register before the early deadline, December 16, 2011, to ensure the lowest rate and your place in the Directory of Attendees.
Registration includes access to all conference sessions and to the Book and Trade Fair. Each registrant will receive a copy of the Conference Program and the Directory of Attendees, along with online access to Abstracts 2012 and free admission to selected museums and galleries in southern California during the conference.
Those interested in Career Services should sign up now to secure a place in several high-demand activities. Register for a variety of Professional Development Workshops covering topics ranging from grant writing to tenure issues to marketing your art. Sign up for Mentoring Sessions that include the Artists’ Portfolio Review and Career Development Mentoring. Employers can rent a booth or table in the Interview Hall or post an ad in the Online Career Center.
You may also purchase tickets for a variety of Special Events taking place in southern California, including:
- Centennial Reception at the Los Angeles County Museum of Art
- An Evening at UCLA, which includes an open house at the Hammer Museum, followed by a reception at the Fowler Museum
- Santa Monica and Venice Art Tour
- Tour to the Getty Villa
- Tour to the Getty Center
Space is limited, so please register early.
In honor of the host city, a new Art in LA section on the conference website will provide a window on the Los Angeles art scene from now through the conference. Take a look at works recently included in Pulse Los Angeles, an art fair that took place this past weekend.
Making travel plans and hotel reservations? Check out the special discounts available to conference attendees. Students can take advantage of further reductions on accommodations at select conference hotels.
CAA will regularly update the conference website over the next few months, with additional details on the program, awards, tours, and more. A list of session names and chairs will be posted shortly.
The CAA Annual Conference is the world’s largest international forum for professionals in the visual arts, offering more than two hundred stimulating sessions, panel discussions, roundtables, and meetings. CAA anticipates more than five thousand artists, art historians, students, curators, critics, educators, art administrators, and museum professionals to attend the meeting, which brings CAA’s Centennial year to a close.
Recent Deaths in the Arts
posted Oct 04, 2011
In its semimonthly roundup of obituaries, CAA recognizes the lives and achievements of the following artists, scholars, filmmakers, curators, and other men and women whose work has had a significant impact on the visual arts. Of special note are two texts written for CAA: Amalia Nelson-Croner writes about her mother, Karin Christine Nelson; and Janis Bergman-Carton pays tribute to Karl Kilinski II, her colleague at Southern Methodist University.
- Jordan Belson, a Californian experimental filmmaker who created groundbreaking work in nonobjective cinema, died on September 6, 2011. He was 85
- Bernhard Blume, a German artist who worked in photography with his wife Anna, passed away on September 1, 2011. He was 73
- Nicolas Djandji, an artist born in Egypt who graduated from Maryland Institute College of Art and worked for the Dia Foundation in New York, died on September 2, 2011. He was 24 years old
- John Dobbs, an award-winning New York–based painter who taught at the Brooklyn Museum Art School, the New School for Social Research, and John Jay College, passed away on August 9, 2011. He was 80
- Paul Gardère, a Haitian artist who emigrated to the United States in 1959, died on September 2, 2011. Born in 1944, the artist had been showing at Skoto Gallery in New York
- Hugh Gumpel, a New York artist who taught for many years at the National Academy School and at Purchase College, State University of New York, passed away on May 2, 2011, at the age of 85
- Richard Hamilton, an influential British artist who inspired Pop art and whose diverse oeuvre comprises works in painting, found objects, collage, printmaking, graphic design, typography, and digital images, died on September 13, 2011. He was 89
- Michael Hart, a computer engineer who founded Project Gutenberg, which has digitized more than 36,000 books in 60 languages, died on September 6, 2011. He was 64 years old
- Mohammed Ghani Hikmat, a prominent Iraqi sculptor who emerged in the 1960s and who was instrumental in the recovery of looted artworks from the National Museum of Iraq in Baghdad, died on September 12, 2011. He was 82
- John Hoover, an Alaskan artist who drew on indigenous traditions, died on September 3, 2011, at the age of 91. The Anchorage Museum held a retrospective of his work in 2002
- Budd Hopkins, an Abstract Expressionist painter and sculptor who became obsessed with unidentified flying objects and alien abductions, left this earth for a higher plane on August 21, 2011. He was 80 years old
- Jeanette Ingberman, a curator who cofounded and led Exit Art, an important nonprofit art space in New York, died on August 24, 2011. She was 59 years old
- Harry Jackson, an artist who traded his Abstract Expressionist style for realist depictions of the American West, passed away on April 25, 2011. He was 87
- Beverly Whitney Kean, a Hollywood film star who wrote several books on nineteenth- and twentieth-century Russian art and art patrons, died on July 9, 2011. She was 89 years old
- Karl Kilinski II, a specialist in Greek vase painting and a longtime professor of art history at Southern Methodist University, died on January 6, 2011, at age 64. His colleague Janis Bergman-Carton has written a special text on him
- Wlodzimierz Ksiazek, a Polish artist who lived, worked, and showed his work in the northeastern United States for thirty years, died under mysterious circumstances in May 2011. He was 59
- George Kuchar, an experimental filmmaker who had taught at the San Francisco Art Institute since 1971, died on September 6, 2011, at the age of 69. Among his best-known films are Sins of the Fleshapoids, Hold Me While I’m Naked, and Thundercrack!
- Stephen Mueller, a New York–based Color Field painter whose mystical work drew on the art of India, Persia, and Mexico, died on September 16, 2011, at the age of 63
- Vann Nath, a Cambodian painter who survived the atrocities committed by the Khmer Rouge in Security Prison 21, known as S21, died on September 5, 2011. He was 65 years old
- Karin Christine Nelson, a Bay Area author, administrator, and curator who specialized in textiles, passed away on June 22, 2011, at the age of 64. Her daughter Amalia Nelson-Croner has contributed an obituary that is published in the CAA website
- Anne Odom, a curator and historian of imperial Russian art who worked for more than thirty years at Hillwood Estate, Museum, and Gardens in Washington, DC, died on August 25, 2011. She was 75 years old
- Margaret Olley, an Australian painter and a generous patron of the arts, died on July 26, 2011. She was 88 years old
- Efrén Ordoñez, a Mexican artist who worked in painting, sculpture, and stained glass, passed away on August 21, 2011. He was 84
- Damian Priour, a Texan sculptor who created public monuments, died on September 14, 2011, at the age of 61. He was also known for his community involvement in Austin
- Phillip Renaud, a Chicagoan artist and teacher who illustrated articles for Playboy in the 1960s, died on June 27, 2011. He was 77 years old
- Susan Shatter, a painter who specialized in watercolor and a regular colonist at Yaddo, died in July 2011. Born in 1953, she had served as secretary and president of the National Academy in New York
- Keith W. Tantlinger, an engineer who invented the modern cargo container, an object that has become increasingly popular with artists and designers, died on August 27, 2011. He was 92
- June Wayne, an accomplished artist who founded the Tamarind Lithography Workshop in Los Angeles, which drew artists from around the world, passed away on August 23, 2011. She was 93 years old
Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries to Christopher Howard, CAA managing editor, for the November listing.
Karl Kilinski II: In Memoriam
posted Oct 04, 2011
anis Bergman-Carton is associate professor and chair of art history in the School of the Arts at Southern Methodist University in Dallas, Texas.
Karl Kilinski II
Karl Kilinski II, University Distinguished Teaching Professor of Art History at Southern Methodist University (SMU), died on January 6, 2011, after a long and courageous battle with cancer. He was 64 years old.
Born in New Orleans, Louisiana, Kilinski came to SMU in 1976 after completing a PhD in classical art and archaeology at the University of Missouri. He taught classes on the visual culture of Egypt and Greece, informed by his experiences as a land and underwater archaeologist, as a research fellow at the American School of Classical Studies in Athens, and as board member of the Society for the Preservation of Greek Heritage. His dynamic lectures attracted students from almost every department at SMU, as well as dozens of lifelong learners from the Dallas and Fort Worth communities.
A specialist in Greek vase painting, Kilinski published widely in scholarly journals and authored several books, including The Flight of Icarus through Western Art (2002) and Boetian Black Figure Vase Painting of the Archaic Period (1990). Cambridge University Press had recently accepted The Presence of the Past: Greek Myth in Western Art, the culmination of decade-long research and a teaching project that engaged several generations of MA students in art history, for publication.
Kilinski also served as guest curator for several exhibitions at the Kimbell Art Museum and SMU’s Meadows Museum. He held visiting appointments at the Danish Institute for Study Abroad (DIS) in Copenhagen and at Kwansei Gakuin University in Japan. He was also the recipient of summer grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the Ford Foundation.
Karin Christine Nelson: In Memoriam
posted Oct 04, 2011
Amalia Nelson-Croner is the daughter of the deceased.
Karin Christine Nelson
Karin Christine Nelson, a Salt Lake City native and a thirty-seven-year resident of the Bay Area, passed away peacefully on June 22, 2011, at California Pacific Medical Center in San Francisco, after suffering a cerebral hemorrhage. Nelson worked an independent curator, author, editor, and registrar for several San Francisco museums; was a respected and beloved career counselor for City College of San Francisco; and served on the Alameda County Arts Commission for many years. She was also a brave world traveler with a passion for art, as well as a selfless mother, sister, daughter, and friend.
After graduating with a double major in art history and sociology from Occidental College in Los Angeles in 1969, Nelson opted to explore the globe, traveling widely through India, Indonesia, and several countries in Europe. She lived in Japan for three years, teaching English and learning Japanese. During her time in Asia, she studied and documented traditional weaving and dyeing and amassed a stunning photographic portfolio of traditional textiles, which was later exhibited in the United States. She published articles on Okinawan textiles and was invited to speak at many textile exhibitions.
Upon moving to the Bay Area, Nelson did graduate coursework in museum studies at John F. Kennedy University in Pleasant Hill, California, and later earned her master’s degree in career development at the same institution. In 1983 she began working for the Museum of Craft and Folk Art in San Francisco, an organization with which she was associated for the rest of her life. While there she curated the exhibition Craft Traditions of Okinawa and authored the accompanying essay, “On the Brink: Okinawan Textiles in the 21st Century,” which appeared in the museum’s scholarly journal, A Report, in the fall of 1996. It was also at the Museum of Craft and Folk Art that she and her friend, Delphine Hirasuna, first produced The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942–1946. Due to their continued efforts, the hugely successful show has toured four museums since 2006, including the Smithsonian American Art Museum in Washington, DC. It will continue traveling across the United States and will also appear in Japan.
Besides working for the Museum of Performance and Design in recent years, Nelson had been a career counselor for City College of San Francisco since 1992. She took pride in helping credit and noncredit students, alumni, and community members and was amazingly successful in assisting them in job placement. A member of the community in Albany, California, for two decades, Nelson served on the Albany Arts Committee, the Albany Waterfront Committee, and the Alameda County Public Art Advisory Committee. She was instrumental in creating the exhibition program at the Albany Community Center and volunteered at Albany public schools to help students experience all sorts of artistic expression. While her children attended Albany High School, she also worked to organize the school’s annual Job Shadow Day.
Nelson was a tireless supporter of several organizations relating to the arts, education, and the environment. She was a generous friend and colleague; a dedicated mother and daughter; and an extremely capable, intelligent, and passionate individual. She will be missed by all who knew her.
A memorial service was held on August 7, 2011, at the Unitarian Universalist Church of Berkeley. Karin Christine Nelson is survived by her mother, Ingeborg Nelson; her brother, Kenneth Nelson Jr.; and two daughters, Katarina and Amalia Nelson-Croner.
Karin Nelson Legacy Scholarship
In honor of Nelson’s commitment to students at City College of San Francisco, the Career Development Counseling Department is accepting donations for the Karin Nelson Legacy Scholarship, which can be mailed to: Karin Nelson Legacy Scholarship, Scholarship Office, MUB 130B, City College of San Francisco, 50 Phelan Avenue, San Francisco, CA 94112.
Karin C. Nelson Memorial Fund
In honor of Nelson’s contributions to the Bay Area arts community, the Alameda County Arts Commission and the Foundation for the Arts in Alameda County have created the Karin C. Nelson Memorial Fund, which will support special projects for arts education and community art programs that were important to her. You can make an online donation or mail one to: Karin C. Nelson Memorial Fund, Foundation for the Arts in Alameda County, PO Box 29004, Oakland, CA 94604-9004.
New Directories of Graduate Programs Coming
posted Sep 29, 2011
The information on this page has been updated. Please visit the main directories page for the most up-to-date information.
This fall CAA will publish new editions of Graduate Programs in Art History and Graduate Programs in the Visual Arts. As comprehensive resources of schools across the United States, Canada, the United Kingdom, Australia, and New Zealand, the guides list over 650 programs in fine art and design, art and architectural history, curatorial studies, arts administration, and more.
Prospective graduate students will find everything they need to know before beginning the application process. The directories are also key professional references for career-services representatives, department chairs, graduate and undergraduate advisors, librarians, professional-practices educators, and professors interested in helping emerging generations of artists and scholars find success.
Graduate Programs in Art History covers four disciplines: Art History, Curatorial and Museum Studies, Arts Administration, and Library Science. This directory integrates programs in visual studies and architectural history into Art History. Similarly, Graduate Programs in the Visual Arts comprises four areas: Studio Art and Design, Art Education, Film Production, and Conservation and Historic Preservation. Studio Art and Design combines programs in fine art with those in graphic, industrial, and object design.
Organized alphabetically by school name within each discipline noted above, entries describe curricula, class size, faculty specializations, admission and degree requirements, library and studio facilities, opportunities for fellowships and assistantships, and more. Readers can draw important conclusions from these facts, such as the competitiveness of a program based on the amount of applications received and accepted. Need health insurance or housing while in school? Many programs provide details about what they offer.
The directories are available in multiple print and digital formats, as books, ebooks, and downloadable PDFs. The complete volumes of each directory are only available in print.
The complete Graduate Programs in Art History and Graduate Programs in the Visual Arts cost $41 each for CAA members and $51 for nonmembers, plus shipping and handling.
You can also order all entries within five of the eight disciplines as discrete perfect-bound, soft-cover books. The prices below do not include shipping and handling:
Art History: $22
Art Education: $18
Curatorial and Museums Studies: $16
Film Production: $15
The three remaining disciplines—Arts Administration, Library Science, and Conservation and Historic Preservation—are available only as ebooks and cannot be ordered as discipline-specific books.
Individuals can order both directories and the discipline-specific books through the CAA website (link forthcoming). If you are ordering for a school, institution, or department within a college or university, please download the PDF form (forthcoming) and return the completed version with payment to Roberta Lawson, CAA office coordinator, who will ship the directories to you within two business days of your purchase.
Ebooks
All entries within a particular discipline may be ordered as single ebooks. After placing your order on the CAA website, you will receive an email with a link(s) to the ebook(s). Each ebook can be downloaded a limited number of times and will be compatible with your personal computer and most smart phones and ereaders (excluding Kindles).
You can also order all entries within five of the eight disciplines as ebooks:
Art History: $22
Art Education: $18
Curatorial and Museums Studies: $16
Film Production: $15
Studio Art and Design: $26
Ebooks of all entries in Arts Administration, Library Science, and Conservation and Historic Preservation are priced as follows:
Arts Administration: $14
Conservation and Historic Preservation: $14
Library Science: $12
Ebooks can only be ordered through the CAA website (link forthcoming).
Sets of Entries
Individuals can search the directories by discipline, faculty specialization, country, region, state, degree type, and availability of health insurance via the CAA website and download PDFs of entries from either or both directories for $2 per entry (up to twenty entries). Upon ordering the entries, you will receive an email with a link to a single PDF containing the entries you have selected.
Contact
Questions about ordering? Please contact Roberta Lawson, CAA office coordinator, at 212-392-4404.
Add or Update Your Email Address for the Online Board of Directors Election
posted Sep 28, 2011
CAA’s future depends on strong leadership. For the past several years, the organization has offered members the option to vote online in the annual Board of Directors election—and the majority of you have done so. Only a few voters (1.57 percent) use paper ballots sent by mail. Thus the board determined at its February 2011 meeting that future CAA elections will only be conducted online.
In November, CAA will notify you by email when it publishes the statements and biographies for the six candidates participating in the 2012–16 board election. To make sure you receive this message, log into your CAA account to add or update your email address. When the polls open in December, all members can vote by logging into their CAA account.
Discount on Marfa Trip for CAA Members
posted Sep 20, 2011
The Appraisers Association of America, a CAA affiliated society, is extending a special discount to CAA members for an upcoming study trip to Marfa, Texas. The trip will take place from Friday, October 28, to Monday, October 31, 2011. The fee is $1,400 for CAA members ($1,500 for guests and nonmembers), which includes round-trip transportation from El Paso International Airport to Marfa, travel within Marfa, all meals, hotel for three nights, and all tour and entrance fees.
Marfa is home to the Chinati Foundation, a contemporary art museum based on the ideas of its founder, Donald Judd, whose intention was to preserve permanent large-scale installations by a limited number of artists and present them to the public. Also in Marfa is the Judd Foundation, founded by the artist to preserve and maintain his living and working spaces, libraries, and archives. The trip’s itinerary includes visits to both foundations and to local bookstores, cultural spaces, and galleries, including Michael Elmgreen and Ingar Dragset’s Prada Marfa. Participants will also have plenty of time to wind down and enjoy the local fare.
Participants will fly to El Paso International Airport (at their own expense) and then travel to Marfa in private vans. The Hotel Paisano will provide the accommodations. For complete details on the trip, please download the registration form or visit the Appraisers Association of America website. A nonrefundable deposit of $200 is due by Friday, September 23, 2011; the remaining balance is due by Monday, October 3, 2011.
Image: Marfa, Texas (photograph by Tex Toler and provided by VisitMarfa.com)
Call for Mentors for Los Angeles
posted Sep 20, 2011
For the 100th Annual Conference in Los Angeles, taking place February 22–25, 2012, CAA seeks established professionals in the visual arts to volunteer as mentors for two Career Services programs: the Artists’ Portfolio Review and Career Development Mentoring. Participating as a mentor is an excellent way to serve the field and to assist the professional growth of the next generation of artists and scholars.
Art historians and studio artists must be tenured; critics, museum educators, and curators must have five years’ experience. Curators and educators must be currently employed by a museum or university gallery.
Artists’ Portfolio Review
CAA seeks artists, critics, curators, and educators to serve in the Artists’ Portfolio Review. In this program, mentors review and provide feedback on digital images or DVDs of work by artist members in personal twenty-minute consultations. Whenever possible, CAA matches artists and mentors based on medium or discipline. Mentors provide an important service to artists, enabling them to receive professional criticism of their work.
Interested candidates must be current CAA members and prepared to give five successive twenty-minute critiques in a two-hour period on one of the two days of the review: Thursday, February 23, and Friday, February 24, 2012, 8:00 AM–NOON and 1:00–5:00 PM each day. Conference registration, while encouraged, is not required to be a mentor. Please send your CV and a brief letter of interest to Lauren Stark, CAA manager of programs. Deadline: January 6, 2012.
Career Development Mentoring
CAA seeks mentors from all areas of studio art, art history, art education, film and video, graphic design, the museum professions, and other related fields to serve in Career Development Mentoring. In this program, mentors give valuable advice to emerging and midcareer professionals, reviewing cover letters, CVs, digital images, and other pertinent job-search materials in personal twenty-minute consultations. Whenever possible, CAA matches participants and mentors based on medium or discipline.
Interested candidates must be current CAA members and prepared to give five successive twenty-minute critiques in a two-hour period on one of the two days of the review: Thursday, February 23, and Friday, February 24, 2012, 8:00 AM–NOON and 1:00–5:00 PM each day. Conference registration, while encouraged, is not required to be a mentor. Please send your CV and a brief letter of interest to Lauren Stark, CAA manager of programs. Deadline: January 6, 2012.
Career Development Mentoring is not intended as a screening process by institutions seeking new hires. CAA does not accept applications from individuals whose departments are conducting a faculty search in the field in which they are mentoring. Mentors should not be attending the conference as candidates for positions in the same field in which mentees may be applying.
Receive Career Advice and Feedback on Your Art
posted Sep 20, 2011
As a CAA member, you have access to a diverse range of mentors at Career Services during the 100th Annual Conference, taking place February 22–25, 2012, in Los Angeles, California. All emerging, midcareer, and even advanced art professionals can benefit from one-on-one discussions with dedicated mentors about artists’ portfolios, career-management skills, and professional strategies.
You may enroll in either the Artists’ Portfolio Review or Career Development Mentoring—please choose one. Participants are chosen by a lottery of applications received by the deadline; all applicants are notified of their scheduled date and time slot by email by February 3, 2012. Both sessions are offered free of charge. Conference registration, while encouraged, is not necessary to participate. All applicants must be current CAA members.
Artists’ Portfolio Review
The Artists’ Portfolio Review offers CAA members the opportunity to have digital images or DVDs of their work reviewed by artists, critics, curators, and educators in personal twenty-minute consultations. Whenever possible, CAA matches artists and mentors based on medium or discipline. You may bring battery-powered laptops; wireless internet, however, is not available in the room. Sessions are filled by appointment only and are scheduled for Thursday, February 23, and Friday, February 24, 2012, 8:00 AM–NOON and 1:00–5:00 PM each day.
To apply, download and complete the Career Development Enrollment Form or fill out the paper form in the 2012 Conference Information and Registration booklet, which will be mailed to all individual and institutional CAA members in October 2011. Send the completed form by email to Lauren Stark, CAA manager of programs; by fax to 212-627-2381; or by mail to: Artists’ Portfolio Review, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline extended: January 30, 2012.
Career Development Mentoring
Artists, art historians, art educators, and museum professionals at all stages of their careers may apply for one-on-one consultations with veterans in their fields. Through personal twenty-minute consultations, Career Development Mentoring offers a unique opportunity for participants to receive candid advice on how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews. Whenever possible, CAA matches participants and mentors based on medium or discipline. Sessions are filled by appointment only and are scheduled for Thursday, February 23, and Friday, February 24, 2012, 8:00 AM–NOON and 1:00–5:00 PM each day.
To apply, download and complete the Career Development Enrollment Form or fill out the paper form in the 2012 Conference Information and Registration booklet, which will be mailed to all individual and institutional CAA members in October 2011. Send the completed form by email to Lauren Stark, CAA manager of programs; by fax to 212-627-2381; or by mail to: Career Development Mentoring, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline extended: January 30, 2012.
Projectionists and Room Monitors Needed for the Los Angeles Conference
posted Sep 19, 2011
Working as a projectionist or room monitor at the 2012 Annual Conference in Los Angeles is a great way to save on conference expenses. All candidates must be US citizens or permanent US residents. CAA encourages students and emerging professionals—especially those in southern California—to apply for service.
Projectionists
CAA seeks applications for projectionists for conference program sessions. Successful applicants are paid $10 per hour and receive complimentary conference registration. Projectionists are required to work a minimum of four 2½-hour program sessions, from Wednesday, February 22 to Saturday, February 25, and attend a training meeting on Wednesday morning at 7:30 AM. Projectionists must be familiar with digital projectors. Please send a brief letter of interest to Lauren Stark, CAA manager of programs. Deadline: January 6, 2012.
Room Monitors
CAA needs room monitors for two Career Services mentoring programs (the Artists’ Portfolio Review and Career Development Mentoring), several offsite sessions, and other conference events, to be held from Wednesday, February 22 to Saturday, February 25. Successful candidates are paid $10 per hour and receive complimentary conference registration. Room monitors are required to work a minimum of eight hours, checking in participants and facilitating the work of the mentors. Please send a brief letter of interest to Lauren Stark, CAA manager of programs. Deadline: January 6, 2012.