CAA News Today

Andrew Stephen Arbury. About Art, 3rd rev. ed. (Dubuque, IA: Kendall Hunt Publishing, 2012).

Claude Cernuschi. Barnett Newman and Heideggerian Philosophy (Madison, NJ: Fairleigh Dickinson University Press, 2012).

Irina D. Costache. The Art of Understanding Art: A Behind the Scenes Story (Oxford, UK: Wiley-Blackwell, 2012).

Lennert Gesterkamp. The Heavenly Court: Daoist Temple Painting in China, 1200–1400 (Leiden, the Netherlands: Brill, 2011).

Donna Gustafson. Serena Bocchino: Fever (Milburn, NJ: Greg Smith Exhibit A Fine Art and Editions, 2012).

Deborah Martin Kao and Michelle Lamunière, eds. Instituting Reform: The Social Museum of Harvard University, 1903–1931 (Cambridge, MA: Harvard Art Museums, 2012).

Andreas Marks. Kamisaka Sekka: Rinpa Traditionalist, Modern Designer (San Francisco: Pomegranate, 2012).

Rosemary O’Neill. Art and Visual Culture on the French Riviera, 1956–1971 (Burlington, VT: Ashgate, 2012).

Donald Preziosi and Claire Farago. Art Is Not What You Think It Is (Oxford, UK: Wiley-Blackwell, 2012).

William S. Rodner. Edwardian London through Japanese Eyes: The Art and Writings of Yoshio Markino, 1897–1915 (Leiden, the Netherlands: Brill, 2012).

James L. Yarnall. John La Farge, a Biographical and Critical Study (Burlington, VT: Ashgate, 2012).

Philip Zuchman. Summer on the Hill: Paintings by Philip Zuchman (New York: Abingdon Square Publishing, 2012).

Anna Sigrídur Arnar. The Book as Instrument: Stéphane Mallarmé, the Artist’s Book, and the Transformation of Print Culture (Chicago: University of Chicago Press, 2011).

Sarah Betzer. Ingres and the Studio: Women, Painting, History (University Park: Pennsylvania State University Press, 2012).

Frederick N. Bohrer. Photography and Archeology (London: Reaktion Books, 2011).

Christine Hult-Lewis and Weston Naef. Carleton Watkins: The Complete Mammoth Photographs (Los Angeles: J. Paul Getty Museum, 2011).

Lynn F. Jacobs. Opening Doors: The Early Netherlandish Triptych Reinterpreted (University Park: Pennsylvania State University Press, 2011).

Anne Leader. The Badia of Florence: Art and Observance in a Renaissance Monastery (Bloomington: Indiana University Press, 2011).

Véronique Plesch, Catriona MacLeod, and Jan Baetens, eds., Efficacité/Efficacy: How To Do Things with Words and Images? (Amsterdam: Rodopi, 2011).

Donald A. Rosenthal. An Arcadian Photographer in Manhattan: Edward Mark Slocum (Portsmouth, UK: Callum James Books, 2012).

Vanessa Bezemer Sellers. Gijsbert van Laar’s “Magazijn van Tuin-sieraaden” or “Storehouse of Garden Ornaments” (New York: Foundation for Landscape Studies, 2012).

Vivian Tsao. Paintings by Vivian Tsao (Taipei City, Taiwan: National Museum of History, 2009).

Jeffrey Abt. American Egyptologist: The Life of James Henry Breasted and the Creation of His Oriental Institute (Chicago: University of Chicago Press, 2011).

Annette Blaugrund. Dispensing Beauty in New York and Beyond: The Triumph and Tragedies of Harriet Hubbard Ayer (Charleston, SC: History Press, 2011).

Faya Causey. Amber and the Ancient World (Los Angeles: J. Paul Getty Museum, 2012).

Cora Cohen. Cora Cohen: Works on Paper (Houston: D. M. Allison Editions, 2011).

Jake Harvey, Joel Fisher, Jessica Harrison, and Noé Mendelle. Stone: A Legacy and Inspiration for Art (London: Black Dog Press, 2011).

Bernard L. Herman, ed. Thornton Dial: Thoughts on Paper (Chapel Hill: University of North Carolina Press, in association with the Ackland Art Museum, 2012).

Zoya Kocur, ed. Global Visual Cultures: An Anthology (Malden, MA: Wiley Blackwell, 2011).

Aden Kumler. Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England (New Haven, CT: Yale University Press, 2011).

Mary Patten. Revolution as an Eternal Dream: The Exemplary Failure of the Madame Binh Graphics Collective (Chicago: Half Letter Press, 2011).

Nicolas Pearce and Jason Steuber, eds. Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China (Gainesville: University Press of Florida, 2012).

Michael J. Waters and Cammy Brothers. Variety, Archeology, and Ornament: Renaissance Architectural Prints from Column to Cornice (Charlottesville: University of Virginia Art Museum, 2011).

Samantha Baskind and Larry Silver. Jewish Art: A Modern History (London: Reaktion Books, 2011).

Susan Boynton and Diane J. Reilly. The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity (New York: Columbia University Press, 2011).

Sheila Crane. Mediterranean Crossroads: Marseille and Modern Architecture (Minneapollis: University of Minnesota Press, 2011).

Ruth Fine and Jacqueline Francis, eds. Romare Bearden, American Modernist (Washington, DC: National Gallery of Art, 2011).

Reni Gower. Papercuts: The Art of Contemporary Paper Cutting (San Francisco: Blurb, 2011).

Martha Drexler Lynn and Diana L. Daniels. The Vase and Beyond: The Sidney Swidler Collection of the Contemporary Vessel (Sacramento, CA: Crocker Art Museum, 2010).

Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock, eds. Pacific Standard Time: Los Angeles Art, 1945–1980 (Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011).

Judith Rodenbeck. Radical Prototypes: Allan Kaprow and the Invention of Happenings (Cambridge, MA: MIT Press, 2011).

Anna Sokolina, ed. Arkhitektura i Antroposofiia [Architecture and Anthroposophy], 2nd ed. (Moscow: KMK Scientific Press, 2010).

Colin Bailey. Fragonard’s Progress of Love at the Frick Collection (New York: Frick Collection, in association with D. Giles, 2011).

Susan Best. Visualizing Feeling: Affect and the Feminine Avant-Garde (London: I. B. Tauris, 2011).

Robert Randolf Coleman. The Ambrosiana Drawings of Giambettino Cignaroli (1706–1770): A Critical Catalogue (Rome: Bulzoni; Milan: Biblioteca Ambrosiana, 2011).

Karen Fraser. Photography and Japan (London: Reaktion Books, 2011).

Luba Freedman. The Classical Myths in Italian Renaissance Painting (New York: Cambridge University Press, 2011).

Maribeth Graybill, ed. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum (Portland, OR: Portland Art Museum, 2011).

Rebecca Peabody, ed. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Los Angeles: Getty Publications, 2011).

Kristin Phillips-Court. The Perfect Genre: Drama and Painting in Renaissance Italy (Burlington, VT: Ashgate, 2011).

Terezita Romo. Malaquias Montoya (Los Angeles: UCLA Chicano Studies Research Center Press, 2011).

Magda Salvesen, Exploring Gardens and Green Spaces from Connecticut to the Delaware Valley (New York: W. W. Norton, 2011).

Susanne Slavick, ed. Out of Rubble (Milan, Italy: Charta, 2011).

Thomas A. Walters. The Arts: A Comparative Approach to the Arts of Painting, Sculpture, Architecture, Music, and Drama (Bloomington, IN: Xlibris, 2011).

William Wroth and Robin Farwell Gavin, eds. Converging Streams: Art of the Hispanic and Native American Southwest (Santa Fe, NM: Museum of Spanish Colonial Art, 2010).

Edith Balas. Bird in Flight: Memoir of a Survivor and Scholar (Pittsburgh, PA: Carnegie Mellon University Press, 2011).

Francesca G. Bewer. A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America, 1900–1950 (Cambridge, MA: Harvard Art Museums, 2010).

Kathryn Brush, ed. Mapping Medievalism at the Canadian Frontier (London, ON: Museum London and the McIntosh Gallery, University of Western Ontario, 2010).

Kathleen K. Desmond. Ideas about Art (Malden, MA: Wiley-Blackwell, 2011).

Sandra Q. Firmin. Artpark: 1974–1984 (New York: Princeton Architectural Press, 2010).

Dale Allen Gyure. Frank Lloyd Wright’s Florida Southern College (Gainesville: University Press of Florida, 2010).

Dale Allen Gyure. The Chicago Schoolhouse: High School Architecture and Educational Reform, 1856–2006 (Chicago: Center for American Places, Columbia College Chicago Press, 2011).

Andrew D. Hottle. June Blum: Black and White Paintings, 1963 through 2010 (Cocoa Beach, FL: Blue Note Publications, 2011).

Li Zhiyan, Virginia L. Bower, and He Li, ed. Chinese Ceramics from the Paleolithic Period through the Qing Dynasty (New Haven, CT: Yale University Press, 2010).

Laurette E. McCarthy. Walter Pach (1883–1958): The Armory Show and the Untold Story of Modern Art in America (University Park: Pennsylvania State University Press, 2011).

Richard Minsky. The Book Art of Richard Minsky (New York: George Braziller, 2011).

Judith W. Page and Elise L. Smith. Women, Literature, and the Domesticated Landscape: England’s Disciples of Flora, 1780–1870 (New York: Cambridge University Press, 2011).

Aimée Brown Price. Pierre Puvis de Chavannes, vol. 1, The Artist and His Art (New Haven, CT: Yale University Press, 2010).

Aimée Brown Price. Pierre Puvis de Chavannes, vol. 2, A Catalogue Raisonné of the Painted Work (New Haven, CT: Yale University Press, 2010)

Tanya Sheehan. Doctored: The Medicine of Photography in Nineteenth Century America (University Park: Pennsylvania State University Press, 2011).

Nino Zchomelidse and Giovanni Freni. Meaning in Motion: The Semantics of Movement in Medieval Art (Princeton, NJ: Princeton University Press, 2011).

Patricia Albers. Joan Mitchell, Lady Painter: A Life (New York: Alfred A. Knopf, 2011).

Andrew Arbury. About Art (Dubuque, IA: Kendall Hunt, 2011).

Lisa Beaven. An Ardent Patron: Cardinal Camillo Massimo and His Antiquarian and Artistic Circle (London: Paul Holbertson, in association with Centro de Estudios Europa Hispánica, 2010).

Wanda M. Corn and Tirza True Latimer. Seeing Gertrude Stein: Five Stories. (Berkeley: University of California Press; San Francisco: Contemporary Jewish Museum; Washington, DC, National Portrait Gallery, 2011).

Brenda Longfellow. Roman Imperialism and Civic Patronage: Form, Meaning, and Ideology in Monumental Fountain Complexes (New York: Cambridge University Press, 2010).

Andreas Marks, ed. Fukami: Purity of Form (Hanford, CA: Clark Center for Japanese Art and Culture, 2011).

John R. Senseney. The Art of Building in the Classical World: Vision, Craftsmanship, and Linear Perspective in Greek and Roman Architecture (New York: Cambridge University Press, 2011).

John P. Bowles. Adrian Piper: Race, Gender, and Embodiment (Durham, NC: Duke University Press, 2011).

Tina Dickey. Color Creates Light: Studies with Hans Hofmann (Victoria, BC: Trillistar Books, 2011).

Cathleen A. Fleck. The Clement Bible at the Medieval Courts of Naples and Avignon: A Story of Papal Power, Royal Prestige, and Patronage (Burlington, VT: Ashgate, 2010).

Mary D. Garrard. Brunelleschi’s Egg: Nature, Art, and Gender in Renaissance Italy (Berkeley: University of California Press, 2010).

Herb Jackson. Herb Jackson: Excavations (Davidson, NC: Van Every/Smith Galleries, Davidson College, 2011).

Zoya Kocur, ed. Global Visual Cultures: An Anthology (Malden, MA: Wiley-Blackwell, 2011).

Kasper König, Emily Joyce Evans, and Falk Wolf, eds. Remembering Forward: Australian Aboriginal Painting since 1960 (London: Paul Holbertson, 2010).

Andreas Marks. Publishers of Japanese Woodblock Prints: A Compendium (Leiden, the Netherlands: Hotei, 2011).

Jason Steuber, Laura K. Nemmers, and Tracy E. Pfaff, eds. Samuel P. Harn Museum of Art at Twenty Years: The Collection Catalogue (Gainesville: University Press of Florida, 2010).

Philip Ursprung. Die Kunst der Gegenwart: 1960 bis heute (Munich: C. H. Beck, 2010).

James A. van Dyke. Franz Radziwill and the Contradictions of German Art History, 1919–45 (Ann Arbor: University of Michigan Press, 2010).

Veronica Winters. Flowers: A Step-By-Step Guide to Master Realist Techniques in Graphite and Colored Pencil Painting (State College, PA: UltraMax Publishing, 2010).

Maria Elena Buszek, ed. Extra/ordinary: Craft and Contemporary Art (Durham, NC: Duke University Press, 2011).

Beatriz Colomina and Craig Buckley, eds. Clip, Stamp, Fold:
The Radical Architecture of Little Magazines 196X–197X (New York: Actar, 2010).

Elina Gertsman. The Dance of Death in the Middle Ages: Image, Text, Performance (Turnhout, Belgium: Brepols, 2010).

David J. Getsy. Rodin: Sex and the Making of Modern Sculpture (New Haven, CT: Yale University Press, 2010).

Douglas Holleley. Studying Photography: A Survival Guide (Rochester, NY: Clarellen, 2010).

Elisabeth Stevens. Sirens’ Song (Baltimore, MD: BrickHouse Books, 2011).

Scott Allan and Mary Morton, eds. Reconsidering Gérôme (Los Angeles: J. Paul Getty Museum, 2010).

Diane E. Booton. Manuscripts, Market, and the Transition to Print in Late Medieval Brittany (Burlington, VT: Ashgate, 2010).

Blake de Maria. Becoming Venetian: Immigrants and the Arts in Early Modern Venice (New Haven, CT: Yale University Press, 2010).

Henry John Drewal. Dynasty and Divinity: Ife Art in Ancient Nigeria (Long Island City, NY: Museum for African Art, 2009).

Ann Lane Hedlund. Gloria F. Ross and Modern Tapestry (New Haven, CT: Yale University Press, in association with the Arizona State Museum, University of Arizona, 2010).

Andreas Luescher. The Architect’s Portfolio: Planning, Design, Production (New York: Routledge, 2010).

Pamela Pecchio. 509 (Carrboro, NC: Daniel 13 Press, 2010).

Valerie Steele, with Patricia Mears, Yuniya Kawamura, and Hiroshi Narumi. Japan Fashion Now (New Haven, CT: Yale University Press, in association with the Museum at the Fashion Institute of Technology, 2010).

Michael Yonan. Empress Maria Theresa and the Politics of Habsburg Imperial Art (University Park: Pennsylvania State University Press, 2011).