CAA News Today

Nina Gara Bozicnik. Pretty Ugly. Boston Center for the Arts, Boston, Massachusetts, May 18–June 24, 2012.

Installation view of Art Lives! Kansas Chapter of the Feminist Art Project

Rachel Epp Buller. Art Lives! Kansas Chapter of the Feminist Art Project. City Arts, Wichita, Kansas, March 30–April 21, 2012.

Katie Cercone. Butter Digger. Cuchifritos Gallery/Project Space, New York, April 14–May 27, 2012.

Invitation card for So Close and Yet So Far

Irina D. Costache. So Close and Yet So Far. José Drudis-Biada Art Gallery, Mount Saint Mary’s College, Los Angeles, California, February 7–March 24, 2012.

Susan Dackerman, Jennifer L. Roberts, and Jennifer Quick. Jasper Johns/In Press: The Crosshatch Works and the Logic of Print. Harvard Art Museums, Cambridge, Massachusetts, May 22–August 18, 2012.

Invitation card for Papercuts: A Poetic Interplay of Light and Shadow

Reni Gower. Papercuts: A Poetic Interplay of Light and Shadow. Norman and Emmy Lou P. Illges Gallery, Columbus State University, Columbus, Georgia, March 22–April 21, 2012.

Kerry Oliver-Smith. 2012 Westmoreland Juried Biennial. Westmoreland Museum of American Art, Greensburg, Pennsylvania, April 28–July 22, 2012.

Wafaa Bilal, The Ashes Series, 2009, archival inkjet print mounted on diebond, 38 x 46½ in. (artwork © Wafaa Bilal)

Susanne Slavick. Out of Rubble. Bowling Green University Galleries, Bowling Green, Ohio, September 7–October 7, 2012.

Cover of the exhibition catalogue for Notations: The Cage Effect Today

Joachim Pissarro, Bibi Calderaro, Julio Grinblatt, and Michelle Yun. Notations: The Cage Effect Today. Hunter College Time Square Gallery, Hunter College, City University of New York, New York, February 17–April 21, 2012.

Pierre-Joseph Redouté, Plum Branches Intertwined, 1802–4, watercolor on vellum, 31.9 x 26.3 cm. Frick Collection, bequest of Charles A. Ryskamp, 2010 (artwork in the public domain; photograph by Michael Bodycomb)

Anne L. Poulet, Colin B. Bailey, and Susan Grace Galassi. A Passion for Drawings: Charles Ryskamp’s Bequest to the Frick Collection. Frick Collection, New York, February 14–April 8, 2012.

Pierre-Auguste Renoir, The Umbrellas (Les Parapluies), ca. 1881–85, oil on canvas, 71 x 45 in. National Gallery, London, Sir Hugh Lane Bequest, 1917 (artwork in the public domain; photograph © National Gallery, London / Art Resource, NY and provided by the Frick Collection)

Colin B. Baily. Renoir, Impressionism, and Full Length Painting. Frick Collection, New York, February 7–May 13, 2012.

Patricia G. Berman. Luminous Modernism. Scandinavia House, New York, October 25, 2011–February 11, 2012.

Jeanne Brasile. Jones and Roa: Pulvis et Umbra. Cuchifritos Art Gallery/Project Space, New York, November 12–December 18, 2011.

Reni Gower. Papercuts. Norman Shannon and Emmy Lou P. Illges Gallery, Columbus State University, Columbus, Georgia, March 22–April 24, 2012.

John Silvis. Walls and Light: Recent Photographs by Father Paul Anel. First Things Gallery, New York, November 10, 2011–January 9, 2012.

Jorrit Tornquist, Sommertag in Trachtenlook, 1990, acrylic on canvas, 63 x 63 x 63 in. (artwork © Jorrit Tornquist)

Cortney Lane Stell. Jorrit Tornquist: The Intersection of Color and Thought. J. Phillip J Steele Gallery, Denver, Colorado, February 6–March 4, 2012.

Carol Jacobsen, Mistrial 5, 2010, digital archival print and engraved brass plate, 50 x 29 in. (artwork © Carol Jacobson; photograph provided by Denise Bibro Fine Art)

Thalia Vrachopoulos. Carol Jacobsen: Mistrial. Sixth Floor President’s Gallery, John Jay College of Criminal Justice, City University of New York, New York, October 17–December 16, 2011.

Antonio Labacco (engraving by Mario Labacco), Capital and base from the Temple of Castor and Pollux, Rome, 1559, plate 21, engraving, 13 x 9¼ in. Avery Architectural and Fine Arts Library, Columbia University, Speculum Romanae Magnificentiae Collection (artwork in the public domain)

Michael J. Waters and Cammy Brothers. Variety, Archeology, and Ornament: Renaissance Architectural Prints from Column to Cornice. University of Virginia Art Museum, Charlottesville, Virginia, August 26–December 18, 2011.

Lili White. The Missing Third Festival Show. Another Experiment by Women Film Festival, Anthology Film Archives, New York. March 7, 2012.

Michael Behle. The Other Picture. Gallery FAB, University of Missouri, Saint Louis, Missouri, October 24–November 30, 2011.

Reni Gower. Papercuts. Space 301, Centre for the Living Arts, Mobile, Alabama, October 14–December 17, 2011.

Reni Gower. Papercuts. Ernest G. Welch School of Art and Design Galleries, Georgia State University, Atlanta, Georgia, January 12–February 3, 2012.

William Hogarth, plate 2 of The Harlot’s Progress, 1732 (printed 1744), etching and engraving, image: 8 7/16 x 6⅛, sheet: 17⅛ x 22 1/16 in. (artwork in the public domain)

Rena Hoisington. Print by Print: Series from Dürer to Lichtenstein. Baltimore Museum of Art, Baltimore, Maryland, October 30, 2011–March 25, 2012.

An electron micrograph of basalt moon lava by Kurt Hollocher of the Union College Department of Geology, displayed as a Duratrans print on an LED light box

Adrienne Klein. Mineral. Castrucci Gallery, Union College, Schenectady, New York, May 21–December 31, 2011.

Mel Bochner, If the Color Changes…, 2003, monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper, 2¾ x 3¾ in. Collection of Sally and Wynn Kramarsky (artwork © Mel Bochner; photograph by Laura Mitchell)

N. Elizabeth Schlatter. Art=Text=Art: Works by Contemporary Artists. University of Richmond Museums, Richmond, Virginia, August 17–October 16, 2011.

Fernand Toussaint, Grand Magasins de nouveautes, 1895, lithographic promotional fan, 12 x 7⅞ in. Robert L. Hoskins and Erwin A. Raible Collection of Fin de Siècle French Prints, a gift to Grand Valley State University from Elaine Rutowski Shay

Claire L. Kovacs. Posters, Fans, and Songbooks: 19th-Century Prints by Toulouse-Lautrec and His Contemporaries. Krasl Art Center, St. Joseph, Michigan, September 16–October 30, 2011.

Mariangeles Soto-Diaz, Rob Strati, and Ann Tarantino. Gifting Abstraction. SoHo20 Chelsea Gallery, New York, October 4–29, 2011.

Lili White. Another Experiment by Women Film Festival. Millennium Film Workshop, New York, November 5, 2011.

Jacqueline Baas. Fluxus and the Essential Questions of Life. Grey Art Gallery, New York University, September 9–December 3, 2011.

Richard Garet, still from Image Blur, 2011, video, 35:59 min. (artwork © Richard Garet)

Laura Bardier. Richard Garet: Espacios No-Euclídeos. Espacio Arte Contemporáneo, Montevideo, Uruguay, August 11–October 30, 2011.

Susan Grace Galassi, Marilyn McCully, and Andrew Robison. Picasso’s Drawings, 1890–1921: Reinventing Tradition. Frick Collection, New York, October 4, 2011–January 8, 2012.

Maribeth Graybill. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum.Portland Art Museum, Portland, Oregon, October 1, 2011–January 22, 2012.

Andrew Hottle. Groundbreaking: The Women of the Sylvia Sleigh Collection. Rowan University Art Gallery, Rowan University, Glassboro, New Jersey, August 29–October 1, 2011.

Robert G. La France. Jerusalem Saved! Inness and the Spiritual Landscape. Krannert Art Museum and Kinkead Pavilion, University of Illinois, Urbana-Champaign, Illinois, August 26, 2011–May 12, 2012.

Kate Millet’s Great Lady Rising Event, in which her sculpture created while a resident artist at the Women’s Building in Los Angeles in 1977 was hoisted to the roof and installed there for the fifth anniversary celebration in 1978 (photographer unknown; photograph from the Women’s Building Archive at Otis College of Art and Design and © the Women’s Building)

Sue Maberry and Meg Linton. Doin’ It in Public: Feminism and Art at the Woman’s Building. Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, California, October 1, 2011–January 28, 2012.

Julia Robinson and Ellen Swieskowski. Fluxus at NYU: Before and Beyond. Grey Art Gallery and Tracey/Barry Gallery, Bobst Library, New York University, September 9–December 3, 2011.

Terezita Romo. Art along the Hyphen: The Mexican-American Generation. Autry National Center, Los Angeles, California, October 14, 2011–January 8, 2012.

Andrew Ellis Johnson, Formal Graffiti Series: p.34 (Ha’) Insulation, archival digital print on Hahnemühle paper, 20 x 15 in. (artwork © Andrew Ellis Johnson)

Susanne Slavick. Out of Rubble. SPACE, Pittsburgh, Pennsylvania, December 2, 2011–February 5, 2012.

Announcement card for Willie Marlowe: Paintings of Singular Delights

Esther Tornai Thyssen. Willie Marlowe: Paintings of Singular Delights. HallSpace Art Gallery, Boston, Massachusetts, September 3–October 8, 2011.

Marcantonio Raimondi, Triumph of Scipio (?), ca. 1509–10, engraving on white paper, state i of i, 13 7/16 x 19 7/16 in. (sheet); 21⅝ x 27⅜ in. (frame). Georgia Museum of Art, University of Georgia; extended loan from the collection of Giuliano Ceseri. GMOA 1995.831E (artwork in the public domain)

Babette Bohn and Robert R. Coleman. The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art. Georgia Museum of Art, Athens, Georgia, May 14–August 7, 2011.

Jeanne Brasile. Intuitive Realities: Working Space 11. Cuchifritos Gallery and Project Space, New York, July 2–July 31, 2011.

Nathalie Campbell. Heat Island. Smack Mellon, Brooklyn, New York, June 18–July 31, 2011.

Master T.° Ve., illuminated frontispiece of the commissione of Doge Francesco Donato to Vincenzo Gritti as Lieutenant of Udine, 1546. paint and gold paint on vellum, 24 x 17 cm. (artwork in the public domain)

Anne-Marie Eze. Illuminating the Serenissima: Books of the Republic of Venice. Isabella Stewart Gardener Museum, Boston, Massachusetts, May 3–June 19, 2011.

Michelle Stuart, Niagara Gorge Path Relocated, 1975, rocks, earth, and muslin-backed rag paper, 420 ft. x 62 in. (artwork © Michelle Stuart)

Sandra Q. Firmin. Artpark: 1974–1984. University at Buffalo Art Gallery, Center for the Arts, State University of New York, Buffalo, New York, September 25–December 18, 2010.

Henry Wyndham Phillips, Portrait of Owen Jones, 1857, oil on canvas. RIBA Library Drawings and Archives Collection (artwork in the public domain)

Alia Nour and J. David Farmer. Reconnecting East and West: Islamic Ornament in Nineteenth-Century Works from the Dahesh Museum of Art and Syracuse University. Dubai Community Theater and Arts Centre, Mall of the Emirates, Dubai, United Arab Emirates, June 18–July 18, 2011.

Nada Shabout. Interventions: A Dialogue between the Modern and the Contemporary. Al-Riqaw Art Space, Doha, Qatar, December 30, 2010–May 28, 2011.

Nada Shabout and Wassan al-Khudhairi. Sajjil: A Century of Modern Art. Arab Museum of Modern Art, Doha, Qatar, December 30, 2010–October 1, 2011.

Rachel Sloan. Drawn to Modernism: Selected Gifts from Wright S. Ludington. Santa Barbara Museum of Art, Santa Barbara, California, April 16–July 24, 2011.

John Chaich. Mixed Messages: A(I)DS, Art + Words. La MaMa La Galleria, New York, June 2–July 3, 2011.

George Platt Lynes, Gertrude Stein, Bilignin, 1931, toned gelatin-silver print. Baltimore Museum of Art, Cone Collection, Gift of Adelyn D. Breeskin, BMA 1985.3 (artwork © Estate of George Platt Lynes)

Wanda M. Corn and Tirza True Latimer. Seeing Gertrude Stein: Five Stories. Contemporary Jewish Museum, San Francisco, California, May 12–September 6, 2011.

Promotional image for Patterns of Consumption

Heather Gibson. Patterns of Consumption. Atrium Gallery, Tyler School of Art, Temple University, Philadelphia, Pennsylvania, April 2–15, 2011.

Elizabeth Keithline. A Tool Is a Mirror. Danforth Museum of Art, Framingham, Massachusetts, May 4–June 5, 2011.

Promotional image for Theodolite

John Silvis and Brett Dickinson. Theodolite. New York Center for Art and Media Studies, New York, April 6–21, 2011.

Robert Storr and Francesca Pietropaolo. North by New York: New Nordic Art. Third Floor Galleries, Scandinavia House, Nordic Center in America, American-Scandinavian Foundation, New York, April 14–August 19, 2011.

Virginia-Lee Webb. Ancestors of the Lake: Art of Lake Sentani and Humboldt Bay, New Guinea. Menil Collection, Houston, Texas, May 6–August 28, 2011.

Rembrandt van Rijn, Self-Portrait with Raised Saber, 1634, etching, with touches of burin (state II of II), retouched by a later hand with brush and gray ink, image: 4 13/16 x 4 in., sheet: 4⅞ x 4 in. Fondation Custodia, Collection Frits Lugt, Paris (artwork in the public domain)

Colin B. Bailey, Margaret Iacono, and Joanna Sheers. Rembrandt and His School: Masterworks from the Frick and Lugt Collections. Frick Collection, New York, February 15–May 15, 2011.

Brian Bishop, Untitled (Passage: Seventeen), 2010, casein on paper, 5 x 5 in. (artwork © Brian Bishop)

Robert Bunkin and Colleen Randall. Charged Brushes: Ten Artists from the Registry. Painting Center, New York, March 1–26, 2011.

Unknown Russian artist, The Virgin of the Sign, late 16th–early 17th century, tempera on wood with gilt, 28 x 34½ in. Chazen Museum of Art. Gift of Joseph E. Davies, 37.1.3 (artwork in the public domain; photograph by Eric Tadsen)

Thomas E. A. Dale. Holy Image, Sacred Presence: Russian Icons, 1500–1900. Chazen Museum of Art, University of Wisconsin, Madison, Wisconsin, March 12–June 5, 2011.

Baby quilt by Katumbi Muzavar from Karnataka-India, 2005 (photograph by Henry John Drewal)

Henry John Drewal. Soulful Stitching: Patchwork Quilts by Africans (Siddis) in India. Latimer/Edison Gallery, Schomburg Center for Research in Black Culture, New York Public Library, New York, February 1–June 30, 2011.

Alexandre Rapin, Self-Portrait, 19th century, graphite on paper. Dahesh Museum of Art. Gift of DeCourcy E. McIntosh. 2002.63 (artwork in the public domain)

J. David Farmer and Alia Nour. The Essential Line: Drawings from the Dahesh Museum of Art. Palitz Gallery, Lubin House, Syracuse University, New York, February 9–March 24, 2011.

Rachel Hines, Lollygagging, November 8, 2010, performance at Oregon State University (artwork © Rachel Hines; photograph by Maggie Hudson)

Julie Green. Three Rache(a)ls: Rachel Hines, Rachael Huffman, and Rachel Warkentin. Fairbanks Gallery, Oregon State University, Corvallis, Oregon, November 8–29, 2010.

Michelle Y. Hyun. Dear Pratella, what do you hear?. Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, May 1–22, 2011.

Ellen G. Landau. Mercedes Matter: The Hofmann Years. Wiegand Gallery, Notre Dame de Namur University, Belmont, California, January 26–February 26, 2011.

Bruce Goff at his University of Oklahoma School of Architecture office, ca. 1954. Bruce A. Goff Archives, Ryerson and Burnham Archives, Art Institute of Chicago (photograph by Philip B. Welch and provided by Scott W. Perkins)

Scott W. Perkins and Ghislain d’Humieres. Bruce Goff: A Creative Mind. Price Tower Arts Center, Bartlesville, Oklahoma, January 9–May 1, 2011.

Bruce Goff, animation still of an unrealized design, John Garvey House project, Urbana, Illinois, 1952 (animation by Skyline Ink Animation Studios, Oklahoma City; photograph provided by Scott W. Perkins)

Scott W. Perkins and Ghislain d’Humieres. Bruce Goff: A Creative Mind. Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma, October 9, 2010–January 2, 2011.

Mary Salvante and Ellie Brown. Body, Mind, and Hair. Rowan University Art Gallery, Glassboro, New Jersey, October 11–November 13, 2010.

Torkwase Dyson, Untitled (West African mask, V-8 Model engine, and bling t-shirt), 2008, mixed media, plastic, wood, bullet heads, and cotton, 24 x 8 x 13 in. (artwork © Torkwase Dyson; photograph provided by Flanders Art Gallery)

Michelle Joan Wilkinson. Material Girls: Contemporary Black Women Artists. Reginald F. Lewis Museum of Maryland African American History and Culture, Baltimore, Maryland, February 12–October 16, 2011.

Helen Frankenthaler Adriatic, 1968, acrylic on canvas, 132⅛ x 93 in. Norton Simon Museum, Gift of the Artist. P.1969.138 (artwork © 2011 Helen Frankenthaler; photograph © 2011 Artists Rights Society [ARS], New York)

Gloria Williams. Surface Truths: Abstract Painting in the Sixties. Norton Simon Museum, Pasadena, California, March 25–August 15, 2011.

Jean François Millet, Dandelions, 1867–68, pastel on tan wove paper, 16 x 19¾ in. Museum of Fine Arts, Boston. Gift of Quincy Adams Shaw through Quincy Adams Shaw, Jr., and Mrs. Marian Shaw Haughton (artwork in the public domain; photograph © Museum of Fine Arts, Boston)

Helen Burnham. Millet and Rural France. Museum of Fine Arts, Boston, September 4, 2010–May 30, 2011.

Jill Moser, And Aenigma Was His Name, O!, page from The Introvert, 2010, I/XII, unique hand-painted collaborative artist’s book on BFK Rives paper, 13 x 19½ in. (open dimension). Poetry by Charles Bernstein and drawing by Jill Moser. Gervais Jassaud of Collectif Generation, Paris (photograph by Mary Benyo and provided by the artist)

Judith Tolnick Champa. Extravagant Drawing. Dorsky Gallery Curatorial Programs, Long Island City, New York, February 6–April 10, 2011.

Vincent Raymond de Lodève, Initial ‘O’ with St. Clement I Pope and Martyr from Sistine Chapel Antiphonary, 1539, tempera and gold on parchment, 148 x 145 mm. Chazen Museum of Art, Richard R. and Jean D. McKenzie Endowment Fund purchase, 2001.30 (artwork in the public domain)

Maria Saffiotti Dale. Hidden Treasures: Illuminated Manuscripts from Midwestern Collections. Chazen Museum of Art, Madison, Wisconsin, December 18, 2010–February 27, 2011.

Lucy Farley, nine-in-one sampler rug, 1980, 66 x 65 in. Work pledged to the Heard Museum (artwork © Lucy Farley; photograph provided by the Santa Fe Collection)

Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Heard Museum, Phoenix, Arizona, February 5–May 22, 2011.

Judith Keller with the assistance of Alana West. Photography from New China. J. Paul Getty Museum, Los Angeles, California, December 7, 2010–April 24, 2011.

Michele White. Vija Celmins: Television and Disaster, 1964–1966. Menil Collection, Houston, Texas, November 19, 2010–February 20, 2011.

Jean-Léon Gérôme, The Snake Charmer, ca. 1870, oil on canvas, 83.8 x 122.1 cm (artwork in the public domain)

Scott Allan and Mary Morton. The Spectacular Art of Jean-Léon Gérôme. J. Paul Getty Museum, Los Angeles, California, June 15–September 12, 2010.

Leslie K. Brown. Traces: Daniel Ranalli, Cape Work 1987–2007. Provincetown Art Association and Museum, Provincetown, Massachusetts, October 15, 2010–January 16, 2011.

Rachel Epp Buller. Mothers. Woman Made Gallery, Chicago, Illinois. November 5–December 23, 2010.

Fahamu Pecou, POP, 2010, acrylic and gold leaf on canvas, 66 x 49½ in. (artwork © Fahamu Pecou; photograph provided by Artadia and Lyons Wier Gallery, New York)

Dina Deitsch. Southern Exposure: Artadia Awardees 2009 Atlanta. Mills Gallery, Boston Center for the Arts, Boston, Massachusetts, November 19, 2010–January 2, 2011.

Installation view of A Turning Point (photograph by Ann Lane Hedlund)

Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Cooper Gallery, Morrill Hall, University of Nebraska State Museum, Lincoln, Nebraska, October 1–November 30, 2010.

Robyn G. Peterson. Eye for an Eye: Photographs of Modern Artists by Modern Artists from the Collection of John W. Green. Yellowstone Art Museum, Billings, Montana, October 7, 2010–January 9, 2011.

Three unisex motorcycle uniforms (photograph © The Museum at FIT, New York)

Valerie Steele. Japan Fashion Now. Museum at FIT, Fashion Institute of Technology, State University of New York, New York, September 17, 2010–April 2, 2011.

Richmond Barthé, Self Portrait, ca. 1940, painted plaster, lifesize. Collection of Phillip H. Rubin (artwork © Richmond Barthé; photograph by Margaret Rose Vendryes)

Margaret Rose Vendryes. Richmond Barthé: The Seeker. Ohr-O’Keefe Museum of Art, Biloxi, Mississippi, November 6, 2010–June 12, 2011.