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September 2017 Affiliated Society News

posted by September 27, 2017

Association for Art History

Leading subject association for art history in the UK announces new identity

Since July 2017, the leading subject association for art history in the United Kingdom, the Association of Art Historians, has been known as the Association for Art History. The change of name and new identity mark the beginning of a new era for the Association, following a review of its role in shaping the future for art history.

The Association’s mission since its foundation in 1974 has been to champion art history for all. Working in partnership with London-based agency Spencer du Bois to build upon this original ethos, the new identity restates their role as advocates for art history.

The new graphic identity feeds into their wider campaigning and audience development work to increase awareness, understanding, and engagement with art history, particularly in education. Highlights from their education campaign and 2018 program will be announced this autumn. Their ambition is to encourage people across the UK to recognize the ways in which learning about art history offers a unique insight into the world: to encourage people to think differently; to see differently.

Pontus Rosén, CEO of the Association for Art History, states, “Our strength as the national subject association for art history relies on how we express ourselves to new and existing audiences. The name change and rebrand demonstrates our commitment to be more visible and vocal for the subject.”

Christine Riding, Chair of the Association, said, “In 1974 we were radical in our approach. We wanted to change the way people perceived art history, we dared to do things differently. For over 40 years we have championed a broad and inclusive art history for the many not the few. Our ethos has always been one of inclusivity and our new identity reinforces that inclusivity.”

More details can be found on the new website.

 

Alliance for Arts in Research Universities (A2ru)

The Alliance for the Arts in Research Universities (a2ru) is pleased to announce the 2017 a2ru National Conference, hosted by Northeastern University with additional conference events throughout hosted by Boston University, Massachusetts Institute of Technology, and Tufts University, November 1-4, 2017.

Arts in the Public Sphere: Civility, Advocacy, and Engagement will use the city of Boston as a starting point for discussion and engagement. As a 21st century global city, Boston embodies many of the issues that drive diverse contemporary cultural contexts. It supports a rich and continually evolving sense of civic realms, and is home to leading arts, educational, medical, industrial and corporate entities invested in innovative modes of research, practice and civic participation. There is also clear recognition that the ‘public sphere’ is not confined to large metropolitan regions. Creating dynamic communities that engage and extend beyond traditional boundaries—in both virtual and material ways—remains a growing challenge and the work before us.

The 2017 conference will include working groups, panels, and presentations from representatives from over 50 institutions across the world. Keynotes and conversations will feature thought leaders including Jamie Bennett (ArtPlace America), Jeremy Liu (PolicyLink), Peter Galison (Harvard University), Rick Lowe (Project Row Houses and the University of Houston), and Maria Rosario Jackson (The Kresge Foundation). Plenary panels addressing issues related to funding, higher education, and arts as research will include Kent Devereaux (New Hampshire Institute of Art), Jason Schupbach (Arizona State University), Steven Tepper (Arizona State University), Elizabeth Hudson (Northeastern University), and Julia Smith (Association of American Universities), and E. San San Wong (Barr Foundation).

Registration is open now through October 25. To register and for more information, please visit the conference website.

 

Society for Photographic Education

Society for Photographic Education’s 55th Annual Conference, Uncertain Times: Borders, Refuge, Community, Nationhood, will take place March 1­4, 2018, in Philadelphia, PA. Connect with 1,600 artists, educators, and photographers from around the world for programming that will fuel your creativity – four days of presentations, industry seminars, and critiques to engage you! Explore an exhibits fair featuring the latest equipment, processes, publications, and photography/media schools. Participate in one-on-one portfolio critiques, and informal portfolio sharing. Other highlights include a print raffle, silent auction, mentoring sessions,

film screenings, exhibitions, receptions, a dance party, and more!

Registration will open on November 1, 2017.

 

SECAC

The most recent number of SECAC’s annual journal, Art Inquiries (formerly the SECAC Review), has been published. The current issue includes book and exhibition reviews, feature articles on Gustave Caillebotte, Andy Warhol, Robert Irwin, and Greek vase painting, and an interview with sculptor Duane Paxson whose work is featured on the cover.

The 73rd Annual SECAC Conference, hosted by the Columbus College of Art & Design, will be held in Columbus, Ohio, October 25 through 28, 2017. Keynote speakers are Heidelberg Project founder Tyree Guyton and the project’s Executive Director Jenenne Whitfield. Off-site events during the conference will include a Thursday evening Open House at CCAD featuring the SECAC 2017 Juried Exhibition, a Friday evening reception at the Pizzuti Collection, and extended hours at the newly renovated Columbus Museum of Art.

 

TIAMSA – The International Art Market Studies Association

After a fantastic response to our call for papers, TIAMSA’s first international conference on ‘Art Fairs’ united 28 speakers from countries worldwide who explored this year’s theme in six sessions. Held at Sotheby’s Institute of Art in London on July 13-15, 2017, the conference featured two keynotes, one by Sophie Raux (Université Lumière – Lyon 2), who provided fascinating insights into the early history of art fairs in the 16th and 17th centuries, the other by Noah Horowitz (Director Americas / Member of the Executive Committee, Art Basel), who responded to questions from Olav Velthuis and the audience. The conference featured six sessions addressing subjects such as “Standards of Quality and Vetting,“ “Historical and Geographic Contexts” or “Biennales and Nascent Fairs.” Carried by many excellent papers, the event not only showed that the subject of the art fair still offers many facets that deserves further exploration; the conference was also marked by enthusiasm, lively debate, and intensive networking!

The conference was preceded by three memorable events open to TIAMSA members, namely an exploration of the Agnew’s Archive at the National Gallery, London with Alan Crookham (Head of NG Research Centre); a guided tour with Highlights of the National Gallery’s Collection History with Susanna Avery-Quash (Curator at the NG); and an inside tour of Thaddaeus Ropac’s new London gallery, with Polly Gaer, Gallery Director.

We were also happy that many of our members attended our second Annual General Meeting, held just before our conference. We looked back on our first year, fine-tuned our ‘modus operandi’, and elected and cordially welcomed four new board members: Kim Oosterlinck (University of Bruxelles), Iain Robertson (Sotheby’s Institute), Olav Velthuis (University of Amsterdam) and Filip Vermeylen (University of Rotterdam), and also made plans for next year’s conference.

 

The American Society for Aesthetics

The American Society for Aesthetics is pleased to announce several ASA meetings and co-sponsored conferences in 2018:

ASA MEETINGS:

ASA Pacific Meeting, Asilomar Conference Center, Pacific Grove, CA, April 4-6, 2018

DEADLINE: November 1, 2017

Travel support: The Division will have $1000 from the Irene H. Chayes Travel Fund to support persons with no other access to travel funds.

ASA Eastern Meeting, Philadelphia, April 20-21, 2018

DEADLINE: January 15, 2018

Travel support: The Division will have $1000 from the Irene H. Chayes Travel Fund to support persons with no other access to travel funds.

ASA Rocky Mountain Division Meeting, Santa Fe, NM, July 6-8, 2018

DEADLINE: March 1, 2018

Travel support: The Division will have $1000 from the Irene H. Chayes Travel Fund to support persons with no other access to travel funds.

ASA 76th Annual Meeting, Toronto, ON, Canada, October 10-13, 2018

DEADLINE: January 15, 2018

Travel support:

  • All full-time students with papers or panel presentations accepted for the program receive a travel grant to attend the meeting.
  • Three (3) Irene H. Chayes Travel Grants will be available for this meeting for presenters with no other access to travel funds.

ASA CO-SPONSORED CONFERENCES:

The Philosophy of Portraits, University of Maryland, April13-14, 2018

DEADLINE: November 30, 2017

Travel support: Two awards of $500 each for ASA student members with accepted papers

Summer Seminar: Beauty and Why It Matters, University of British Columbia, July 9-27, 2018

DEADLINE: January 2018 – CFP TBA

Travel support: $2700 stipend

For the most up-to-date information on all ASA meetings and co-sponsored conferences, look at the bottom of any page on our website and look for “Meetings.” Click “more” to see the complete list. There you will find schedules, CFPs, on-line registration, and other information.

 

Public Art Dialogue (PAD)

PAD invites submissions for the Fall 2018 issue of the journal, Public Art Dialogue. The issue’s theme will be “Public Art as Political Action,” and the deadline for submissions is March 1, 2018. Though a resurgence in political art and protest brings contemporary art to the forefront, this issue also hopes to look at historic precedents for contemporary public protest art by revisiting the ephemera, public actions, and protest art of the past. Public Art Dialogue welcomes submissions from art historians, critics, artists, architects, landscape architects, curators, administrators, and other public art scholars and professionals, including those who are emerging as well as already established in the field. See the call for papers.

Public Art Dialogue hopes to see many CAA members at the Annual Conference in February. PAD’s sponsored session will be on the topic of “Teachable Monuments,” chaired by Sierra Rooney and Harriet Senie.

 

Association of Art Museum Curators & AAMC Foundation

AAMC & AAMC Foundation is pleased to announce new programming.

The Networked Curator workshop, held February 7 – 9, 2018 at the Getty Center in Los Angeles, is open for applications. Organized by the AAMC Foundation and the Roy Rosenzweig Center for History and New Media (RRCHNM) at George Mason University, this three-day workshop provides participants with an expanded digital vocabulary, and assists in cultivating resources available for organizing, sharing, and publishing research.

Applications are now open for the AAMC Foundation Engagement Program for International Curators for the 2017-2019 class. The Program awards three non-US based curators for a two-year period, paired with three US Liaisons for the first year, in an effort to foster international relationships among curators. Both International Awardees and US Liaisons are offered numerous benefits throughout the Program.

The Samuel H. Kress Foundation and AAMC Foundation Affiliated Fellowship at the American Academy in Rome is now open for 2018-2019 applications. The Fellowship provides one curator with essential funding to further develop projects requiring research in Italy. The Awardee will receive travel funding for a four-week stay at the American Academy in Rome during the one-year Fellowship.

Save the Date: AAMC & AAMC Foundation Annual Conference & Meeting, May 5 – 8, 2018 in Montréal, Canada.

 

Society of Architectural Historians (SAH)

The Society of Architectural Historians will present the SAH Awards for Architectural Excellence at its 8th Annual Awards Gala on Friday, November 17, at The Racquet Club of Chicago. SAH will honor architect Ralph Johnson, FAIA, Perkins + Will, with the Award for Design, Planning and Sustainability, architects Sharon Johnston, FAIA and Mark Lee, Johnston Marklee, with the Award for Public Engagement with the Built Environment, and Col. Jennifer N. Pritzker, IL ARNG (Ret), TAWANI Foundation, with the Award for Architectural Stewardship. Purchase tickets.

SAH seeks partners to organize tours of the built environment for our youth-oriented American Architecture and Landscape Field Trip Program. Created to provide opportunities for underserved students from the third grade through high school, SAH offers grants to not-for-profits to organize tours for young people on the history of architecture, parks, gardens, and town/city planning.

SAH is accepting applications for the H. Allen Brooks Travelling Fellowship. This award will allow a recent graduate or emerging scholar to study by travel for one year. The fellowship is not for the purpose of doing research for an advanced academic degree, but instead is intended for study by travel and contemplation while observing, reading, writing, or sketching. The deadline to apply is October 1, 2017.

Applications for the SAH Membership Grant for Emerging Professionals are open. This award provides emerging scholars with a one-year SAH membership and is intended for entry-level college and university professors and other new professionals engaged in the study of the built environment. The deadline to apply is October 1, 2017.

The Society is accepting applications from junior and senior scholars for the Edilia and François-Auguste de Montêquin Fellowship. This award provides support for travel related to research on Spanish, Portuguese, or Ibero-American architecture. The deadline to apply is October 1, 2017.

 

Association of Historians of American Art (AHAA)

AHAA invites you to save the date for its biennial symposium, October 4-6, 2018, to be held in Minneapolis-St. Paul, MN, and sponsored by the University of Minnesota, the Minneapolis Institute of Art, and the Minnesota Museum of American Art. Sessions and collaborations will be announced soon. To learn more about past symposia, please see the Symposia Archive under the Programs tab at ahaaonline.org.

Amidst the ongoing and very robust conversation on the American Art listserv (AmArt-L) regarding the public controversy surrounding monument and memorial culture, AHAA seeks to clarify its relationship to the listserv and its archives, given their shared constituencies. AHAA is not affiliated with the AmArt-L, which is moderated by Karen Bearor and the Florida State University (FSU) and is archived and searchable to subscribers. Please note that the AHAA refrains from making public statements on behalf of its membership, just as the viewpoints expressed on AmArt-L pertain to the individuals posting to the list.

 

Midwest Art History Society

The Midwest Art History Society is pleased to announce its new officers: President Heidi Hornik, Baylor University; Secretary Paula Wisotzki, Loyola University Chicago; Treasurer Valerie Hedquist, University of Montana; and Past President Henry Luttikhuizen, Calvin College.

The Society reports its 2017 Graduate Student Presentation Award went to Katherine Brunk Harnish, Ph.D. candidate, Washington University, St Louis, for her paper “Painting Ephemera in the Age of Mass-Production: American Trompe l’Oeil Painting and Visual Culture in the Late Nineteenth Century.”

And Rory O’Dea, Assistant Professor, Parsons School of Design, The New School University, received MAHS’s 2017 Emerging Scholar Distinguished Presentation Award for her paper, “Documentary Fictions: Robert Smithson and Pierre Huyghe’s Voyages into the Unknown.”

The MAHS 2018 Annual Conference will take place April 5-7, 2018 in Indianapolis, Indiana, hosted by the Indianapolis Museum of Art and the Eiteljorg Museum of American Indians and Western Art.​

 

Art Historians of Southern California

Teaching and Writing the Art Histories of Latin American Los Angeles, October 6, 2017 at the Getty Center 10:00AM-3:00PM.

Inspired by the Getty’s region-wide art initiative Pacific Standard Time: LA/LA, this symposium considers the abundance of new knowledge generated by the PST LA/LA exhibitions, and how it will impact curricula, pedagogy, and future scholarship

Charlene Villaseñor Black, UCLA, Keynote Speaker

“Decolonizing Art History: Institutional Challenges and the Histories of Latinx and Latin American Art”

Erin Aldana,  University of San Diego

Using the exhibition “Xerografia: Copyart in Brazil, 1970-1990” as a case study

Elizabeth Cerejido, University of Florida, Gainesville, FL

Félix González-Torres as a (Post)Latino Artist

Karen Mary Davalos, University of Minnesota, Twin Cities

Chicana/o Remix: Rethinking Art Histories and Endgames

Carolyn J. Schutten, University of California Riverside

“Voids of the Aggregate: Materializing Ethnic Mexicans in Mission Revival and Spanish Colonial Revival Architecture in Southern California”

Catherine Spencer, University of St Andrews, Scotland

Networked Histories: Systems Art in ‘Latin America’Teaching and Writing the Art Histories of Latin American Los Angeles

Gina McDaniel Tarver, School of Art & Design, Texas State University

Recollecting and Connecting Overlooked Art of Cali/Cali: Alicia Barney and Women Environmental Artists of California

 

International Association for Word and Image Studies/Association Internationale Pour L’etude des Rapports Entre Texte et Image (IAWIS/IAERTI)

Report on the 11th International IAWIS/IAERTI Conference in Lausanne, Switzerland (UNIL), 10-14 July 2017

After Amsterdam, Zurich, Ottawa, Dublin, Claremont, Hambourg, Philadelphia Paris, Montréal and Dundee, the Eleventh Triennial Conference on Word and Image Studies took place by the Leman Lake at the University of Lausanne in Switzerland in early July. Three hundred delegates convened to Lausanne for a very successful week devoted to the theme of Reproductions/reproducibility in Word and Image studies and in the humanities at large.

The conference was beautifully organized by Executive Board Member Philippe Kaenel and his local team and met with great success. Aside from parallel sessions and stimulating plenary lectures (by Bernard Vouilloux and Véronique Plesch), three exhibitions and one film showing (with an introductory speech by Alain Boillat) were coordinated by the host university. Following the IAWIS conference tradition, various excursions were proposed to the delegates half-way through the week allowing the delegates a full day’s rest and cultural exchanges.

IAWIS/IAERTI 30th Birthday

The conference in Lausanne was also the opportunity to celebrate the Association’s thirty years of existence and pay homage to its founding members as well as to its former and current presidents and vice-presidents. The general Assembly meeting and Banquet dinner were an opportunity to pay tribute to the achievement of eminent Word and Image scholars, Véronique Plesch (President), Professor of Art History at Colby College (Waterville, Maine, USA), and Catriona Macleod (vice-president), Professor in Germanic Studies, (University of Pennsylvania, Philadelphia) as they were both stepping down from their post after having dutifully and successfully served the association for nine years. Their commitment to the advancement of word and image studies and the development of the Association was highly praised by everyone present. No doubt their leadership will be sorely missed but they will remain actively involved in the association as members of the advisory board.

Announcement of new Board Members

The general Assembly Meeting in Lausanne allowed the attending members to elect a new president and a new vice-president/secretary for IAWIS, Liliane Louvel, Professor Emerita at the University of Poitiers (France) and Laurence Rousssillon-Constanty, Professor at the University of Pau et des Pays de l’Adour (France).

Professor Liliane Louvel is an outstanding scholar in Word and Image Studies and has widely contributed to the development of the field of Word and Image studies in France. Her most popular book, L’Oeil du Texte, published in 1998 (Toulouse, PUM) has for many years become standard reading for Word and Image scholars in France and the book has recently been published in English. She has extensively published on modern Literature and painting and edited many books. She has also served in several associations for the development of English Studies in France (SAES) and Europe (ESSE).

Professor Laurence Roussillon-Constanty works on the relation between text and image in the Victorian period and has published a monograph on Dante Gabriel Rossetti’s painting and poetry (2008). She has been a IAWIS enthusiast for many years and has chaired several sessions in previous IAWIS conferences. Her interest is interdisciplinary and her latest research focuses on science and art relations in John Ruskin’s writing.

Forthcoming Publication:

Riddles of Form: Exploration and Discovery in Word and Image, edited by Keith Williams, Sophies Aymes-Stokes, Jan Baetens, and Chris Murray (forthcoming at Brill, 2017)

This publication celebrates actual mutually enriching dialogues between science, literature, and art. The essays in this volume are based on papers presented at the Tenth Triennial Conference on Word and Image Studies, “Riddles of Form: Exploration and Discovery in Word and Image”, which was held from 11-15 August 2014 at the University of Dundee, Scotland, hosted by the Scottish Word and Image Group (SWIG).

Call for Proposals for Hosting the next triennial Conference

The IAWIS/AIERTI Executive Board is soliciting proposals from potential hosts for the 2020 and the 2023 versions of our international triennial conference.

Please submit a 1-page description of the conference theme, along with a few paragraphs providing information on the venue and its facilities for hosting ~250 participants, your organizing team, your strategy for maintaining English-French bilingualism, possible excursions, and possible sources of funding. Deadline: December 1 2017.

Email: Liliane Louvel liliane.louvel@wanadoo.fr and Laurence Roussillon-Constanty laurence.roussillon-constanty@univ-pau.fr

 

FATE (Foundations in Art: Theory and Education)

Episode 13 and 14 of Positive Space, FATE’s monthly podcast are now available.

[7.12.17] Victoria Hoyt, Instructor at Metropolitan Community College & FATE Shout Out Award Winner, discusses practical take aways from the FATE conference, strategies for encouraging the habit of observation, self reflection, the value of mid-term evaluations & responding to a wide range of diverse backgrounds in the community college classroom.

[8.09.17] Amy Reidel, faculty member at both St. Louis Community College and Saint Louis University & FATE Shout Out Award Winner, discusses happiness, community engagement, privilege & practical tips for projects that encourage critical thinking.

Upcoming for CAA 2018: An Inclusion and Empathy Roundtable discussion and podcasting session will be hosted during FATE’s Business Meeting at the conference: Feb 22, 12:30 – 1:30pRm 402A, LA Convention Center. 

FATE’s CAA Affiliate representative, Naomi J. Falk, along with Richard Moninski, will co-chair FATE’s Affiliated Society session, entitled, “Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond. Feeling welcome, acknowledged, and heard encourages learning. Fostering inclusiveness and empathy on behalf of minority students legitimizes perspectives. How do we build trust and empathy between faculty, students, peers, and others in our classrooms and communities? How do we create a welcoming and inclusive environment? What has worked? What has gone terribly wrong? Where do we go from here? Examples of readings, projects, tools, and exercises for building inclusive, encouraging, and productive dialogues are all of interest. More info? Please contact: Naomi J. Falk, naomijfalk@gmail.com

 

Society of Historians of Eastern European, Eurasian, and Russian Art and Architecture (SHERA)

SHERA is sponsoring a panel at the upcoming 49th Annual ASEEES Convention that will take place at Chicago Marriott Downtown Magnificent Mile on 9-12 November 2017. SHERA Membership meeting is scheduled for November 11, 12-1:30 pm, 4th, Armitage Room, followed by Membership dinner at 8 pm. SHERA is pleased to announce a call for submissions for the newly-established SHERA Emerging Scholar Prize. The award, to be bestowed at the SHERA meeting during ASEEES Convention, aims to recognize and encourage original and innovative scholarship in the field. For the 2017 prize, articles published between September 30, 2016 and September 30, 2017 would be eligible. Applicants must have published an article in a scholarly print or online journal or museum print or online publication within the preceding twelve-month period.

For the 2017 prize, articles published between September 30, 2016 and September 30, 2017 would be eligible. Additionally, applicants are required to have received his or her PhD within the last 5 years (2012 or thereafter for the 2017 prize) and be a member of SHERA in good standing at the time that the application is submitted. The winner will be awarded $500 and republication (where copyright allows) or citation of the article on H-SHERA. Applications should include a CV including contact information (email, mailing address, and telephone) and a copy of the English-language article with header/colophon of the journal or catalogue together with a brief abstract. Applications should be sent to shera.prizes@gmail.com no later than October 15, 2017.

 

 

 

 

 

 

Filed under: Affiliated Societies

Affiliated Society News for July 2017

posted by July 18, 2017

Association for Critical Race Art History (ACRAH)

The Association for Critical Race Art History’s Bibliographic resource launched on January 9, 2017, and received over one thousand hits on the first day. In conjunction with the publication of the bibliography, reading groups were formed in the San Francisco Bay Area, Boston, New York, and Washington, DC, to bring together art historians engaged with issues of the representation of race and ethnicity and their histories. To date, forty-two people have participated in the reading groups, which have covered a wide array of topics including hybridity, empire, borders, primitivisms, and the contemporary status of identity politics. The reading groups were organized by Caitlin Beach (New York), Layla Bermeo (Boston), Margarita Karasoulas (Washington, DC), Marci Kwon (Bay Area), and Sean Nesselrode Moncada (New York). The organizers would like to thank Jacqueline Francis and Camara Dia Holloway, cofounders of the Association for Critical Race Art History, for their support and guidance in this endeavor.

Association for Latin American Art (ALAA)

The Association of Latin American Art announces its Eighteenth Annual Book Award for the best scholarly book published on the art of Latin America from the pre-Columbian era to the present. The award is generously funded by the Arvey Foundation and consists of a citation and a $1,000 honorarium. We will present the award at the CAA Annual Conference in Los Angeles, February, 21–24, 2018. The name of the recipient will appear in the newsletters of both ALAA and CAA. Visit our website for more information. 

Association of Historians of American Art (AHAA)

AHAA announces the June 2017 publication of its ejournal Panorama, issue 3.1. Published twice a year, Panorama is the first peer-reviewed electronic publication dedicated to American art and visual culture from the colonial period to the present day. In addition to peer-reviewed scholarly articles, Panorama publishes Book Reviews, Exhibition Reviews, and shorter Research Notes, and features The Bully Pulpit. Subscribe for FREE here.

AHAA members received 2017 Awards for Excellence from the Association of Art Museum Curators. A publication award went to Melissa Wolfe, Curator of American Art, Saint Louis Art Museum, for Subversion & Surrealism in the Art of Honoré Sharrer at the Columbus Museum of Art. An exhibition award went to Kristina Wilson, Associate Professor of Art History, and Chair, Department of Visual and Performing Arts, Clark University for Cyanotypes: Photography’s Blue Period at the Worcester Art Museum.

AHAA announces its CAA 2018 session “America is (Still) Hard to See.” The program addresses where American art history sits in our twenty-first-century classrooms, galleries, museums, blogs, and journals and directions for its future growth. Speakers include: Kathryn Bunn-Marcuse, University of Washington; Kristine K. Ronan, independent scholar; and Rachel Stephens, University of Alabama. Distinguished scholar Erika Doss, University of Notre Dame, is the discussant.

AHAA’s Fourth Biennial Symposium will be held in October 2018 in Minneapolis, Minnesota (dates TBD).

AHAA’s mission is to promote scholarship on art of the United States through museum-based or theoretically oriented topics, whether regionally focused or offering broad historical sweep, by emerging and established scholars. The organization provides a forum for presenting and advancing new approaches; for examining problems that confront the field; and for identifying scholarly needs and opportunities to its members. Join today!

Association of Print Scholars (APS)

The Association of Print Scholars (APS) recently awarded the 2017 Schulman and Bullard Article Prize to Jonas Beyer of the Department of Art History at the Georg-August-Universität in Göttingen, Germany. Now in its third year, the prize recognizes an article published by an early career scholar that features compelling and innovative research on prints or printmaking. Beyer’s article, “Pictures in Flux: Degas’s monotypes and some notes on their relation to other media,” appeared in the book Perspectives on Degas, edited by Kathryn Brown and published in 2016. This is the first year that an article focusing on modern printmaking has won the award.

APS is pleased to announce that Anne Verplanck, associate professor of American studies at Penn State Harrisburg, has been elected as director-at-large for a three-year term.

During the recent Renaissance Society of America Conference, APS hosted a reception at the Art Institute of Chicago’s Goldman Study Center, where members viewed early modern works on paper. APS is now an affiliated society of the Renaissance Society of America and will host two panels at the 2018 conference.

APS looks forward to hosting our affiliated-society panel at next year’s CAA Annual Conference in Los Angeles. The selection committee is pleased to announce Yasmin Amaratunga Railton of Sotheby’s Institute of Art in London as chair of the panel, titled “Now you see it, now you don’t: Materialism and Ephemeral Prints.”

Community College Professors of Art and Art History (CCPAAH)

CCPAAH wants to thank all the presenters and participants at our affiliated session at the 2017 FATE Conference in Kansas City, Missouri. The panel “Draw and Repeat: Reconsidering the Sketchbook,” was chaired by Susan Altman, Middlesex County College and included the following presentations: “That’s Mine: Making the Sketchbook Personal” by Angus Galloway, University of West Georgia; “Reuse/Reclaim/Repurpose” by Eric Wold, Clark University; and “What’s in a Name? Renaming the Sketchbook” by Jon Hunt, Kansas State University. Everyone left with new ideas to bring back to their studio classrooms.

CCPAAH will be sponsoring a session at CAA’s 2018 Annual Conference in Los Angeles. The call for papers for “Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy,” next year’s affiliated-society session at the CAA conference, was posted to the CAA website on June 30, with a submission deadline of August 14, 2017. Please consider submitting a proposal for this session. Interested in getting more involved with CCPAAH? Contact Susan Altman.

FATE (Foundations in Art: Theory and Education)

Episodes 10, 11, and 12 of “Positive Space,” FATE’s monthly podcast are now available. FATE Educator Award Winner, M. Michelle Illuminato, and FATE Shout Out Award Winner, Ralph Pugay, discuss rebuilding foundations at Portland State University, community engagement, creating welcoming learning environments and how to encourage students to be present in the creative process. FATE Educator Award Winner, Rae Goodwin discusses “Failing Forward” in her own work and how that influences her teaching and interactions with students, and FATE Leadership Award Winner, Scott Betz, discusses mentorship, creativity, and how teaching informs his ability to lead people both inside and outside the classroom. More info on the Positive Space webpage, and you can listen on iTunes.

In addition, FATE in Review seeks thoughtful articles relating to all areas of foundations education, including expanding the practicum, flexing the core, and re-visioning visual culture. Conference papers and/or presentations, as well as papers written solely for publication, may be submitted throughout the year. We are also interested in reviews of newer books that inform foundations discussion and curriculum. Contact FATE in Review Editor, Michael Marks.

Upcoming for CAA 2018: FATE’s CAA affiliate representative, Naomi J. Falk, is looking for panelists for FATE’s affiliate conference session, entitled, “Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond.” Feeling welcome, acknowledged, and heard encourages learning. Fostering inclusiveness and empathy on behalf of minority students legitimizes perspectives. How do we build trust and empathy between faculty, students, peers, and others in our classrooms and communities? How do we create a welcoming and inclusive environment? What has worked? What has gone terribly wrong? Where do we go from here? Examples of readings, projects, tools, and exercises for building inclusive, encouraging, and productive dialogues are all of interest. Please contact: Naomi J. Falk.

Japan Art History Forum (JAHF)

The Japan Art History Forum is pleased to announce that it will hold its first competition to award the JAHF First Book Subvention Prize this year. This prize will be awarded once a year to a book project that will make a substantial contribution to the field of Japanese art history, broadly defined. The award is for a maximum of $2,000, provided from membership dues and donations to the Japan Art History Forum. The deadline for submission is September 15, 2017. Visit our website for more information.

National Council of Arts Administrators (NCAA)

The forty-fifth National Council of Arts Administrators (NCAA) annual gathering, “Ground | Work: Producing Access and Equity in the Arts,” convenes September 20–23, 2017, hosted by the University of Arizona School of Art in Tucson. The lineup of speakers promises to be dynamic and engaging and includes the artist Wafaa Bilal and keynote speaker Alfredo Jaar. We have a wide range of presentations and activities arranged around this year’s conference theme: “Ground | Work: Producing Access and Equity in the Arts.” We invite current and aspiring art-department chairs, directors, and deans to attend. Visit the website to learn more about the conference, member benefits, and to join NCAA.

Public Art Dialogue (PAD)

Public Art Dialogue welcomes five new board members: Annie Dell’Aria, Leslie Markle, and  Andrew Wasserman, are PAD’s new program committee. Laura Holzman joins PAD’s social media team, and Ciara McKeown joins the PAD board as member at large.  We’d like to thank our former program committee members, Norie Sato and Renee Piechocki for doing such a terrific job.

In other PAD news, co-chairs Cameron Cartiere and Jennifer Wingate have succeeded Cher Knight and Harriet Senie as co-editors of the journal Public Art Dialogue, and Erica Doss has taken over the position of book editor from Patricia Phillips. The fall 2017 issue will be the new editors’ first. All at PAD are grateful for Cher Knight and Harriet Senie’s stewardship as founding co-chairs of the organizations and as founding editors of the journal, and we also thank Patricia Phillips for her contributions as PAD’s book editor.

Please see CAA’s Annual Conference call for papers for information about PAD’s session in Los Angeles, “Teachable Monuments,” chaired by Sierra Rooney and Harriet Senie. Also, see the Public Art Dialogue website for the call for articles for the Fall 2018 issue of Public Art Dialogue on the topic of “Public Art as Political Action.” The deadline is March 1, 2018.

The Feminist Art Project (TFAP)

The Feminist Art Project (TFAP) at Rutgers University is pleased to announce TFAP Add-a-Thon, a week-long initiative to expand the TFAP Calendar Archive of the contemporary feminist art movement. During July 24–30, 2017, TFAP invites the public to help in reaching the goal to add one thousand additional listings to the TFAP Calendar Archive—the only comprehensive, searchable, virtual, and physical repository of contemporary feminist art activities across varying media and from all over the world. 

Participate by adding events to the online calendar during July 24–30. TFAP is looking for new listings to add from 2005 onward, such as exhibitions, films, lectures, performances, and publications, and classes, in or about all visual art media with feminist art content, feminist intent, or work by any individual woman or women of all gender expressions. So dig through your files for past, current, and future events! List your or your institution’s activities, or be a feminist archivist-activist by picking a smaller institution in your community, or a large university or museum, to focus on.

TFAP needs your catalogues, announcements, and other documentation that mirror the Calendar Archive listings that you post. They will be included in the Miriam Schapiro Archives at Special Collections and University Archives at Rutgers University Libraries, where the TFAP Archive is housed. It is vital for us to continue to contribute to this archive to ensure that the activities of women artists are included in the historical record and creating a key resource for researchers and scholars who will study the feminist art movement in the future.

The TFAP Add-a-Thon is presented in partnership with Special Collections and University Archives, Rutgers University Libraries. Visit feministartproject.rutgers.edu for more information about the TFAP Add-a-Thon and sending your archive materials.

Affiliated Society News for May 2017

posted by May 18, 2017

Association for Latin American Art

At ALAA’s annual business meeting held at CAA in New York, a new slate of officers was elected: Michele Greet, President; Ananda Cohen-Aponte, Vice President; and Helen Ellis, Secretary-Treasurer. ALAA presented its 17th Annual Arvey Book Award to George Flaherty for Hotel Mexico: Dwelling on the ’68 Movement (University of California Press, 2015). Alessandra Russo, Gerhard Wolf, and Diana Fane, eds., received honorable mention for their book, Images Take Flight: Feather Art in Mexico and Europe 1400–1700 (Kunsthistorisches Institut-Max-Planck Institut and the Museo Nacional de Arte, 2015).

The prize for the best dissertation in Latin American Art History was given to Sara Ryu for “Calendar, Column, Crucifix: Material Reuse in the Early Modern Transatlantic World” (Yale University). ALAA’s sponsored session for 2017 was “The Evolving Canon: Collecting and Displaying Spanish Colonial Art” chaired by Ilona Katzew and Ellen Dooley. Elisa C. Mandell, Georgina G. Gluzman, and Ana Mannarino chaired the “Open Session for Emerging Scholars of Latin American Art.” ALAA currently has 460 members (up from 377 last year) from universities, museums, and foundations in the United States, Canada, Costa Rica, Brazil, Mexico, Argentina, Peru, Bolivia, Chile, and Spain. Members conduct research in all major time periods and geographic regions of Latin America, as well as on Latino/a art of the United States.

FATE (Foundations in Art: Theory and Education)

Thank you to all who attended the 16th Biennial FATE Conference, “To the Core and Beyond” in Kansas City in April! We had an excellent turn out! And, please welcome the new and returning board members elected during the conference.

In Episode 9 of Positive Space, FATE’s monthly podcast, Valerie Powell has a thoughtful conversation with FATE’s 2017 keynote speaker, artist and author Enrique Martinez, about the artistic process and the ongoing choice to live a creative life.

More info here and listen to episodes on our Apple iTunes page.

In addition, FATE in Review seeks thoughtful articles relating to all areas of foundations education, including expanding the practicum, flexing the core, and re-visioning visual culture. Conference papers and/or presentations, as well as papers written solely for publication, may be submitted throughout the year. We are also interested in reviews of newer books that inform foundations discussion and curriculum. Contact FATE in Review Editor, Michael Marks.

Upcoming for CAA 2018: FATE’s CAA Affiliate representative, Naomi J. Falk, is looking for panelists for FATE’s affiliate conference session, entitled, “Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond.” Feeling welcome, acknowledged, and heard encourages learning. Fostering inclusiveness and empathy on behalf of minority students legitimizes perspectives. How do we build trust and empathy between faculty, students, peers, and others in our classrooms and communities? How do we create a welcoming and inclusive environment? What has worked? What has gone terribly wrong? Where do we go from here? Examples of readings, projects, tools, and exercises for building inclusive, encouraging, and productive dialogues are all of interest. More info? Please contact: Naomi J. Falk.

The Feminist Art Project

The Feminist Art Project is pleased to announce that the second issue of Rejoinder is now available. The theme of the issue is Borders, Bodies, Homes. Contributors explore how these concepts shape our understandings of selfhood and exile in an environment marked by migratory population flows, resurgent nationalisms, and state-sanctioned violence. Rejoinder features essays, fiction, and artwork by Joshua G. Adair, Connie Freid, Yishay Garbasz, Uddipana Gosswami, Leigh Johnson, Elinor Meeks, Vukasin Nedeljkovic, Jeffrey Shandler, Rachida Yassine, and Helena Zeweri. Sarah Tobias is the editor.

Rejoinder is an online journal published by the Institute for Research on Women in partnership with The Feminist Art Project, both at Rutgers, The State University of New Jersey. Please subscribe in order not to miss out on future issues!

Historians of Netherlandish Art

The Historians of Netherlandish Art are pleased to announce their new officers for the term 2017–2021: President: Paul Crenshaw; Vice-President: Louisa Wood Ruby; immediate past president: Amy Golahny. Please visit our website for more information.

The current issue of the Journal of the Historians of Netherlandish Art (JHNA vol. 9:1, Winter 2017) is dedicated to Walter Liedtke and includes seventeen articles that reference works in the Metropolitan Museum of Art under his care. The formal deadline for submissions to the Winter 2018 and Summer 2018 issues is August 1, 2017, although the editors accept submissions throughout the year.

From Thursday 24 May to Saturday 26 May 2018, the three-day conference of the Historians of Netherlandish art will take place at Het Pand in Ghent (BE). The call for sessions and workshops can be found here.

For further information, visit: www.hnanews.org.

The International Center of Medieval Art

Newly-elected officers Helen Evans (President), Nina Rowe (Vice President), and Anne Rudloff Stanton (Secretary), and several other new board members, have begun their three-year terms.

The ICMA invites submissions for their annual Book Prize, to be awarded to the best single-authored book on any topic in medieval art published in 2016 (deadline May 31). Through the generosity of the Samuel H. Kress foundation, they also award Research and Publication Grants (deadline August 31) as well as Travel Grants supporting the travel of speakers in ICMA-sponsored sessions (rolling deadlines).

Recent print and digital publications include the organization’s peer-reviewed journal Gesta (volume 56, number 1, Spring 2017). The ICMA’s newest digital initiative to go public is Lordship and Commune: A Collaboratory, an interactive digital website about the cathedrals of Reims and Amiens in their medieval and modern contexts. This project is an innovative way to invite conversation and collaboration around the major unfinished study on these two cathedrals by the late Barbara Abou-El-Haj, and is intended to be accessible as a teaching and research resource.

Society of Architectural Historians (SAH)

The Society of Architectural Historians is now accepting abstracts for its 71st Annual International Conference in Saint Paul, MN, April 18–22, 2018. Please submit an abstract no later than 5:00 p.m. CDT on June 15, 2017, to one of the 45 thematic sessions, the Graduate Student Lightning Talks or the open sessions. SAH encourages submissions from architectural, landscape, and urban historians; museum curators; preservationists; independent scholars; architects; scholars in related fields; and members of SAH chapters and partner organizations. View the call for papers.

SAH is partnering with the Global Architectural History Teaching Collaborative to offer Research-to-Teaching Grants and Field Seminar Travel Grants. These new grants are part of the GAHTC’s nearly $500,000 in funding to build new content for its free, digital platform of teaching materials.

SAH seeks partners to organize tours of the built environment for our youth-oriented American Architecture and Landscape Field Trip program. Created to provide opportunities for underserved students from the third grade through high school, SAH offers grants to not-for-profits to organize tours for young people on the history of architecture, parks, gardens, and town/city planning. Application details here.

Registration is open for the SAH Field Seminar to China led by Chinese architectural historian Nancy Steinhardt. This twelve-day trip (December 26, 2017–January 7, 2018) will offer an in-depth view of South China’s cities, buildings, and sites through the course of two millennia. In addition to the buildings and museums on every tourist itinerary, we will visit UNESCO and World Heritage sites, a second-century BCE tomb, a glass pagoda, churches, a mosque, a rare example of “beamless” construction, memorials to Sun Yat-sen, sixteenth-century merchant residences, nineteenth-century European residences, and a Dong drum tower, and we will meet practicing architect-architectural historians. Fellowship deadline is August 31.

The Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA)

SHERA moved to H-SHERA network and is now live in the H-Net Commons. Anyone can browse the site, but you’ll need to log in to post.

SHERA also voiced protest against the close down of the Central European University in Budapest.

The U.S. Latinx Art Forum (USLAF)

USLAF is a new CAA affiliated society. We held our first business meeting at the 2017 Annual Conference and also hosted a plenary session on the state of U.S. Latinx art. The plenary was structured as a two-part discussion beginning with Adriana Zavala (USLAF and Associate Professor, Tufts University) in conversation with Roberto Tejada (secretary, CAA Board of Directors; Professor, University of Houston) and Hunter O’Hanian (executive director, CAA) about the representation of Latinx art history within academia and arts organizations. Curators Rocío Aranda-Alvarado (El Museo del Barrio), Tey Marianna Nunn (National Hispanic Cultural Center) and David Breslin (Whitney Museum of American Art) followed with a discussion on structural barriers impacting the exhibition and acquisition of Latinx art. The session concluded with a roundtable and important interventions from the audience.

For the 2018 Annual Conference, USLAF’s affiliated session will be “Chican@ Art History: Interdisciplinary Foundations and New Directions,” co-chaired by Karen Mary Davalos and Mary Thomas. The session’s CFP will go out in June 2017.

USLAF was founded in 2015 to create a network of artists and scholars committed to expanding and enhancing the visibility of U.S. Latinx art within academia, exhibition spaces, and private and institutional collections. We now boast over 220 members and hope that all CAA members interested in expanding the discipline and/or learning more about US Latinx art will join. To become a member, please visit our website or send an email to info@uslaf.org.

USLAF’s founding Executive Committee is: Adriana Zavala (Director), Rose Salseda (Associate Director), Josh T Franco (Secretary and Membership Coordinator), Sonja Gandert (Social Media), and Sam Romero (Creative Director and Web Developer).

Visual Resources Association (VRA)

The Visual Resources Association (VRA) honored the recipients of the organization’s awards at a Members & Awards lunch on Friday, March 31, 2017, during its 35th annual conference in Louisville, Kentucky. The 2017 Nancy DeLaurier Award was presented to Anne M. Young, Manager of Rights and Reproductions at the Indianapolis Museum of Art. She was honored for the publication, Rights and Reproductions: The Handbook for Cultural Institutions (Indianapolis Museum of Art and American Alliance of Museums, 2015) that she compiled and edited.

For his many years of remarkable dedication, leadership, and service to the VRA and to the visual resources and library professions, the 2017 Distinguished Service Award was presented to Allan T. Kohl, Visual Resources Librarian at the Minneapolis College of Art and Design. As one nomination letter stated, “Allan embodies the professionalism for which we as visual resources professionals strive.” Allan achieved this high honor through his ten consecutive years serving on the VRA Board as president-elect, president, past president, and treasurer. He was a founding director of the VRA Foundation and has chaired and served on many committees and task forces throughout his years as a VRA member. Allan continues to be a leader on VRA’s Intellectual Property Rights Committee, contributing pragmatic tools such as the Digital Rights Computator (DIRC). He generously developed and maintains Art Images for College Teaching (AICT) as an open website populated with his superb photographs depicting world monuments. Allan is a regular presenter and leader in various capacities at VRA conferences. Allan’s “what can I do to help” perspective is a true representation of the VRA community. The recipients and donors of the twelve 2017 Travel Awards were also recognized during the event.

Affiliated Society News for March 2017

posted by March 10, 2017

Association of Academic Museums and Galleries (AAMG)

Registration and program information for the 2017 AAMG Annual Conference in Eugene, OR is now available. Please click here to access the schedule of presentations, workshops, receptions, and much more.
Online registration, as well as hotel and travel information, is also now online. Please note: AAMG institutional and individual members will need to login with their username and password to be eligible for the $250 early bird rate. The special member rate is available through April 15. If you have difficulty with logging in to your account, click here to reset your password or contact membership@aamg-us.org.
We hope to see you in Eugene this summer for what will be our biggest and best AAMG Annual Conference to date!

Association of Historians of American Art (AHAA)

The Association of Historians of American Art (AHAA) was happy to see many members at CAA for its Annual Meeting and its sponsored session, “The Gustatory Turn in American Art.” February 2017 also marked a changing of the guard of sorts, as we welcome several new board members to our ranks. We wish to express our gratitude to outgoing Board members Anna Marley (Chair Emerita), Monica Jovanovich-Kelley (Treasurer), Jillian Russo (Secretary), Melissa Renn (Membership Coordinator), and Annelise Madsen (Web Coordinator). We are grateful for their years of service to the organization!

We welcome the following incoming board members: Miguel de Baca (Co-Chair), Diana Seave Greenwald (Treasurer), Naomi Slipp (Secretary), Jonathan Walz (Membership Coordinator), and Jeff Richmond-Moll and Andrea Truitt (Web Co-Coordinators). Additionally, the Executive Editors of our online journal Panorama will be joining the board, and so we are pleased to work even more closely with Betsy Boone, Sarah Burns, and Jennifer Jane Marshall.

AHAA is also delighted to announce the venue for our October 2018 Symposium: Minneapolis, Minnesota! We look forward to sharing more information in the coming months as our colleagues at the University of Minnesota, the Minneapolis Institute of Art, and the Minnesota Museum of American Art develop their plans.

As always, we welcome hearing your news and views. You can learn more about AHAA or share your news by visiting our website at ahaaonline.org or emailing info@ahaaonline.org. We also welcome submissions, pitches, and proposals for our online journal; please visit journalpanorama.org.

Community College Professors of Art and Art History

CCPAAH wants to thank all of the presenters and participants at our Affiliated Society session at the 2017 CAA Annual Conference in New York. The panel Reinventing the Familiar: Updated Approaches in Art History and the Studio, was chaired by Susan Altman, Middlesex County College and included the following presentations: Taking Art History Beyond the Classroom by Maya Jiménez, Borough of Manhattan Community College, CUNY and Cheryl Hogue Smith, Kingsborough Community College, CUNY; Crowd-sourcing Global Art: Wikis and the Non-Western Canon by Jill Foltz, Collin College; Gaming the Critique: Providing Framework and Fun to the Group Critique by Tyrus Clutter, College of Central Florida; and Waging Art: When Fine Arts meets Workplace Development by Kathleen M. Dlugos, Westmoreland College. The successful Project Share at our early morning business meeting gave everyone lots of new ideas to bring back to our studio and art history classrooms.

CCPAAH will be sponsoring a session: Draw and Repeat: Reconsidering the Sketchbook at this year’s FATE Conference in Kansas City in April. Interested in presenting? The call for papers for next year’s CCPAAH Affiliated Session at the 2018 CAA Annual Conference will be posted is open through April 15, 2017. Submission site here.

Please follow us on Facebook: Community College Professors of Art and Art History and Instagram: @ccpaah. Interested in getting more involved? Contact Susan Altman at: ccpaah@gmail.com

FATE (Foundations in Art: Theory and Education)

Thank you to all who came to the FATE Affiliate Society session, “Using the F-word for Good, Not Evil: Fail, Fail Again, Fail Better,” at CAA this year. We had an excellent turn out!
Coming up, KCAI’s Foundation Department will host To the Core and Beyond, FATE’s 16th Biennial Conference from April 6th – 8th, 2017 at the Intercontinental at the Plaza in Kansas City. There, FATE members will gather as leading voices in fundamental art and design instruction and examine place, geography, introspective and reflexive actions, pedagogical values, and the potency of origins across the world. Influences from inside and outside the studio drive the development of Foundation programs and their students. In response to the conference theme, a broad spectrum of artists and academics will examine our reach as educators, and question how we instill world values through Foundation instruction and diverse programmatic structures. Enrique Martínez Celaya will be the 2017 FATE Conference Keynote Speaker.
More information about FATE’s 2017 conference.
In other news, FATE’s Positive Space: Episode 6 podcast is now live. In Episode 6, Jessica Burke (JB), Georgia Southern University & Emily Sullivan Smith, University of Dayton thoughtfully discuss the role of a Foundations Coordinator, balancing administrative roles with teaching & the pros/cons of a unified foundations curriculum.
More info? Please contact: Naomi J. Falk, naomijfalk@gmail.com

International Sculpture Center

Call for Panels now open for 27th International Sculpture Conference: Intersections + Identities. The ISC is seeking a diverse and comprehensive program, covering topics relevant to sculpture today. Apply online now! The call is open through March 13, 2017.

2017 Outstanding Student Achievement in Contemporary Sculpture Awards. Faculty, nominate your sculpture students today! Rules and details. Deadline: March 29, 2017. Email: studentawards@sculpture.org Phone: 609-689-1051 ext. 312

Japan Art History Forum (JAHF)

In recent elections, JAHF members elected: Julie Nelson Davis (University of Pennsylvania) to a 3-year term as President, Namiko Kunimoto (Ohio State University) to a 3-year term as Vice President, and Holly Rubalcava (University of Wisconsin-Madison) to a 2-year term as Graduate Representative.

The winner of the 2016 Chino Kaori Memorial Essay Prize for outstanding scholarship by a graduate student was Elizabeth Self, a PhD candidate in the Dept. of the History of Art and Architecture, University of Pittsburgh, for her paper titled “A Mausoleum Fit for a Shogun’s Wife: The Two Seventeenth-Century Mausolea for Sūgen-In.” The Chino Kaori Memorial Essay Competition is generously supported by the Japanese Art Society of America (JASA) and by University of Hawai’i Press. More information on the Chino Kaori Memorial Essay Prize.

The 2016 Clark Center Graduate Travel Grant was awarded to Ja Won Lee of the University of California, Los Angeles, who will be visiting the Museum of Fine Arts, Boston, to examine Japanese artworks from the collection in the context of her research on the collecting of Chinese antiques and its impact on visual and material culture in 19th and early twentieth-century Japan and Korea. More information on the Clark Center Graduate Travel Grant.

SECAC

SECAC was represented at CAA 2017 on the following session panels and with the following speakers: “In the Studio,” chaired by Elizabeth Heuer, University of North Florida; “Shared Space: The Home-Studio of Thomas Moran & Mary Nimmo Moran,” with Shannon Vittoria, The Metropolitan Museum of Art; “Dueling Studios: The Public and Private Images of Chaim Gross. Dueling Studios: The Public and Private Images of Chaim Gross,” with Sasha Davis, The Renee and Chaim Gross Foundation; “Free Markets, Free People: Discourse and Behavior in Lynda Benglis’ Lost Studio Tapes,” with Katie Anania, The University of Texas at Austin; and “The Studio as Model: From André Breton’s Wall to Fischli & Weiss’s Polyurethane Object Installations and Piero Giolio’s Studio,” with Susan Power, Los Angeles County Museum of Art.

SECAC 2017 Call for Papers deadline is April 20, 2017, midnight, EDT. Membership in SECAC is due at the time of paper acceptance, and registration fees are required of all. Columbus College of Art & Design (CCAD) looks forward to hosting “Microscopes and Megaphones,” the 73rd annual SECAC Conference, October 25-28, 2017. Eleanor Fuchs, Associate Provost at CCAD, will serve as conference director. Find more information here.

Society of Architectural Historians (SAH)

The Society of Architectural Historians (SAH) will host its 70th Annual International Conference in Glasgow, Scotland, from June 7–11, 2017. This is the first time that SAH has met outside North America in over 40 years! Meeting in Scotland’s largest city, world renowned for its outstanding architectural heritage, reflects the increasingly international scope of the Society and its conference. Architectural historians, art historians, architects, museum professionals and preservationists from around the world will convene to share new research on the history of the built environment. The Glasgow conference will include 36 paper sessions, eight roundtables, an introductory address and plenary talk, architecture tours, the SAH Glasgow Seminar, and more. Early registration ends March 14, 2017. Tours-only registration opens to the public on March 15, 2017.

The call for papers for the SAH 2018 Annual International Conference in St. Paul, MN, will open on March 31, 2017.

SAH is seeking educators to produce K-12 lesson plans for SAH Archipedia, an authoritative online encyclopedia of the built world published jointly by the Society of Architectural Historians and the University of Virginia Press. Interested educators should submit a proposal that includes a 500-word abstract outlining the topic of the lesson plan and include a preliminary list of the SAH Archipedia content the project would incorporate. Read the submission instructions here. Proposals are due by March 31, 2017.

SAH is accepting applications for the SAH/Mellon Author Awards through June 1, 2017. These awards are designed to provide financial relief to scholars who are publishing their first monograph on the history of the built environment, and who are responsible for paying for rights and permissions for images or for commissioning maps, charts or line drawings in their publications.

 

Filed under: Affiliated Societies

Affiliated Society News for January 2017

posted by January 15, 2017

Association of Academic Museums and Galleries

The Association of Academic Museums and Galleries (AAMG) welcomes a new board member, Jamaal B. Sheats. Sheats is the director and curator of the Fisk University Galleries and assistant professor in the Fisk University Art Department. He has simultaneously maintained a strong and consistent exhibition record for nearly fifteen years in galleries across the nation and abroad. Most recently, Sheats curated Carl Van Vechten: Depth of Field; Selections from the Fisk University Galleries and the John Hope and Aurelia E. Franklin Library Collection and Origins of Influence: The Alfred Stieglitz Collection of Modern Art at the Carl Van Vechten Art Gallery at Fisk University. He also completed a commission for the National Museum of African American Music. In 2015, Sheats organized the exhibition Topography at Tinney Contemporary Art Gallery in Nashville, Tennessee.

Sheats was commissioned to create Eight Octives for Music City Center in 2013. In addition to his appointments at Fisk, active art-making, exhibitions, and curatorial projects, he is the owner of Sheats Repoussé and the Charlotte Art Project. He continues to receive accolades for his work. In 2016 his exhibitions Origins of Influence and Topography were voted by the editors of the Nashville Scene as “Best Art Comeback” and “Best Group Exhibit,” respectively. Sheats has also been featured in the Boston Globe, the New York Times, Numbers, and Nashville Arts Magazine, as well as several other arts journals, newspapers, and magazines.

To support his commitment to the arts and art education, Sheats is active in the arts community and holds positions on the Frist Center for the Arts Education Council, the “To Share a Legacy” HBCU Alliance, the Nashville Conference on African-American History Culture planning committee, and the “Plan to Play” Steering Committee for the Metro Parks and Recreation. He is a board member of the Arts and Business Council also.

Sheats obtained his BA degree in art from Fisk University and an MFA degree with a concentration in studio art from the School of the Museum of Fine Art, Boston, and Tufts University, where he also completed a postgraduate teaching fellowship. Sheat was a teaching artist-in-residence at the Nashville Public Library.

View the complete list of AAMG board members.

Association of Art Historians

The Association of Art Historians’ (AAH) 2017 annual conference and art-book fair will take place April 6–8, 2017, at Loughborough University. The keynote speakers are: Amelia Jones, Robert A. Day Professor in Art and Design and Vice Dean of Critical Studies at the Roski School of Art and Design at the University of Southern California in Los Angeles, who will speak on “Intimate Relations: Queer Performance in Art History”; and Mark Hallett, director of studies at the Paul Mellon Center for Studies in British Art, who will address “Interactive Landscapes: From Thomas Gainsborough to George Shaw.”

The conference will celebrate the expansive spectrum of histories, theories, and practices that characterize art-historical research today. Internationally, the field of art history is eclectic and inclusive, reaching across geopolitical, cultural, and disciplinary divides to extend an understanding of the visual and material culture of many diverse periods and places. Loughborough University is engaged with art history, contemporary practice, and visual culture, linking arts-based research with advances in design, technology, media, and communication, centered on the development of more sustainable and equitable global communities. Full details and register information can be found on the AAH website.

New Media Caucus

The New Media Caucus (NMC) will be sponsoring a series of programs during CAA’s upcoming 2017 Annual Conference. Programs include panels, the annual showcase, and a membership business meeting where important news about NMC will be announced. More information can be found online.

The annual NMC business meeting will take place on Thursday, February 16, 1:30–3:00 PM. All members are invited. We will gather to discuss new developments and initiatives for the growth of our organization. Next is NMC’s panel, “Other Media: Decolonizing Practices and Cyborg Ontologies,” to be held 3:30–5:00 PM. The session will be followed at 7:00 PM with the NMC showcase in the Lang Auditorium at Hunter College, Main Campus, 695 Park Ave at 68th Street, New York, NY 10065. The showcase is a highlight of NMC’s events at CAA and will feature presentations by twenty new media artists who will talk about their current research. The showcase is followed by a public reception. On Friday, February 17, NMC has scheduled three events in the CAA Media Lounge: “Roundtable: New Media Futures” at 10:30 AM; “Game Studies at 20” at 1:30 PM; and “Between Biology and Art” at 3:30 PM.

Renaissance Society of America

The Renaissance Society of America (RSA) will hold its sixty-third annual meeting at the Palmer House Hilton Hotel in Chicago from March 30 to April 1, 2017. Some two hundred art-history sessions are featured in the program, as well as a plenary lecture by Paul Hills, professor emeritus at the Courtauld Institute of Art, taking place on Saturday, April 1, at noon. The conference program is available online, as well as information about fees and other practicalities.

Meanwhile, the society is sponsoring a session on “Early Modern Senses and Spaces” at the CAA Annual Conference in New York, scheduled for Wednesday, February 15, at 10:30 AM in Sutton Parlor South, 2nd Floor. RSA’s executive director plans to attend and hopes to see many RSA and CAA members there.

RSA offers numerous fellowships for art historians, including Samuel H. Kress Research Library Fellowships, Samuel H. Kress Mid-Career Research and Publication Fellowships in Renaissance Art History, the RSA-Kress Carlo Pedretti Fellowship in Leonardo da Vinci Studies, and our own RSA Fellowships. The next deadline for applications will be in fall 2017.

The winter 2016 issue of Renaissance Quarterly (vol. 69, no. 4) includes an article on “Vicenzo Danti’s Deceits,” coauthored by Michael Cole and Diletta Gamberini.

RSA is pleased to announce that James Shulman, senior fellow at the Andrew W. Mellon Foundation and former president of Artstor, has joined RSA’s executive board in July 2016 as a counselor.

Society for Photographic Education

Registration is open for the Society for Photographic Education’s (SPE) fifty-fourth national conference, “Family Values,” taking place March 9–12, 2017, in Orlando, Florida. Connect with artists, educators, and photographers from around the world for programming that will fuel your creativity—four days of presentations, industry seminars, and critiques to engage you! Explore an exhibits fair featuring the latest equipment, processes, publications, and photography/media schools. Participate in one-on-one portfolio critiques and informal portfolio sharing, and take advantage of student volunteer opportunities to receive a full rebate on admission. Other highlights include a print raffle, a silent auction, mentoring sessions, film screenings, exhibitions, receptions, a dance party, and more! The guest speakers are Renee Cox, LaToya Ruby Frazier, and Jerry Uelsmann. Preview the conference schedule and register online. Preregistration ends on February 17, 2017. Don’t wait, register today!

Society of Historians of East European, Eurasian, and Russian Art and Architecture

Members of the Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) took an active part in the forty-eighth convention of the Association of Slavic, East European, and Eurasian Studies in Washington, DC, organizing several panels and roundtable discussions. At the membership meeting held during the convention, matters of importance to the life of the organization were discussed, such as the upcoming conference in Venice in October 2017; possible replacement of a listserv communication platform with a network-based one; reelection of officers; and distribution of prizes and awards.

At CAA’s Annual Conference in February 2017, SHERA will sponsor the following double session: “Emerging Scholars: Politics and the Collective in East European and Russian Art: Part I,” taking place on Wednesday, February 15, 2017, at 10:30 AM in West Ballroom, 3rd Floor; and “Emerging Scholars: Russian Artists and International Communities: Part II,” to be held on Friday, February 17, 2017, at 8:30 AM in Sutton Parlor South, 2nd Floor. Both sessions will be chaired by Alice Isabella Sullivan, a PhD candidate at the University of Michigan in Ann Arbor.

Visual Resources Association

The Visual Resources Association (VRA) has opened registration for its thirty-fourth annual conference, to be held March 28–April 1, 2017, in Louisville, Kentucky. Early-bird rates are good through February 28. Registration will continue online at the full rate until March 17, then continue onsite the week of the conference. Current members will be prompted to log in with MemberClicks ID-password through the registration form, while nonmembers will have the opportunity to join or register through the same single form. The payment structure for workshops is new: one workshop is included in the registration fee, and any additional workshops are $15 each. You can submit multiple conference registration forms. This may be helpful if using multiple forms of payment (institutional credit card for registration and personal card for tours, for example).

Check the conference schedule for event details and updates. Workshops and tours fill up fast and are on a first-come, first-served basis. Once the enrollment limits are reached, registration for them closes. If there is something you are really interested in, it is best to act early. Contact VRA’s secretary, Jasmine Burns, with any questions or registration changes. The conference website includes information about rates and date ranges for registration, the welcome letter from VRA president Jen Green, tips for travel to and from Louisville and the Marriott Hotel, and more.

 

Filed under: Affiliated Societies

Affiliated Society News for November 2016

posted by November 15, 2016

 

Association of Academic Museums and Galleries

The Association of Academic Museums and Galleries (AAMG) asks for your support in reaching 3,800 listserv members! Join the most active academic museum and gallery discussion board on the web and get answers to your questions about student engagement, faculty partnerships, and more. Visit us online.

Association of Print Scholars

The Association of Print Scholars (APS) recently celebrated its second anniversary, and the organization continues to grow through the dedicated work of its officers and members. According to its by-laws, APS must elect two officers biannually. In the coming weeks, online voting will take place for the positions of vice president and treasurer. Officers will also appoint a website coordinator.

The International Fine Print Dealers Association (IFPDA) and APS collaboratively presented a panel discussion on the market for contemporary prints. The event marks the twenty-fifth anniversary of the IFPDA Print Fair, the largest and most celebrated art fair dedicated to fine prints. “Publishing the Contemporary: The State of Printmaking Today” took place on Saturday, November 5, 2016, in the Board of Officers Room at the Park Avenue Armory. The print specialist and critic Sarah Kirk Hanley moderated the conversation.

APS will host its affiliated-society panel at CAA’s 2017 Annual Conference in New York. “Collaborative Printmaking” is scheduled for Friday, February 17 at 3:30 PM in the Petit Trianon, 3rd Floor. Chaired by Jasper van Putten from Harvard University, the panel brings together a diverse group of print scholars and artists to explore the wide-ranging impact of collaboration in printmaking across cultures and times—from the European Middle Ages and colonial Peru to contemporary Johannesburg and Chicago. Speakers include: Suzanne Boorsch, Yale University Art Gallery; Emily C. Floyd, Tulane University; Kim Berman, University of Johannesburg; and Kate McQuillen, Independent Visual Artist. Please stay tuned for further updates on APS’s session, reception, and print-related activities.

APS members might enjoy reading the recent issue of Art in Print, which includes the National Gallery of Art curator Peter Parshall’s APS Inaugural Lecture, as well as responses from scholars and APS members.

Feminist Art Project

The Feminist Art Project has announced a call for submissions for “Bodies, Borders, Homes.” We live in a world of migratory population flows, resurgent nationalisms, and state-sanctioned violence. The next issue of Rejoinder web journal will explore the theme of bodies and borders in the context of these geopolitical phenomena. We invite submissions that focus on how the relationship between borders and bodies shapes our understandings of selfhood, exile, and home. Writing (including essays, commentary, criticism, fiction, and poetry) and artwork should address these relationships from feminist, queer, and social justice–inspired perspectives. We particularly welcome contributions at the intersection of scholarship and activism. For manuscript preparation details, please see our website. Rejoinder is published by the Institute for Research on Women at Rutgers University, in partnership with the Feminist Art Project, Rutgers University. Please send completed written work (2,000–2,500 words max), JPEGs of artwork, and short bios to the editor, Sarah Tobias, by December 9, 2016.

Italian Art Society

Next year marks the thirtieth anniversary of the Italian Art Society (IAS). To celebrate this milestone, the organization has initiated both membership and fundraising campaigns that will run through the end of 2016. Please encourage colleagues, students, friends, and aficionados working on or appreciative of Italian art, architecture, and visual culture to join IAS. We are encouraging our members to offer gift memberships to emerging scholars, contingent faculty, and independent scholars. Membership options begin at $20 for graduate students and include three other membership levels ($30 regular; $60 patron, and $100 institution/benefactor). New or newly renewed lapsed memberships paid by December 31, 2016, are valid until January 1, 2018.

IAS has also launched an anniversary-specific campaign to celebrate the growth and longevity of the organization. We ask members and others to consider donations in permutations of three and/or thirty ($3, $30, $300, 2 x $30, 30 x $2) to support IAS’s mission, programs, grants, charitable activities, and publications. Thus far we have raised nearly $2,000 in this fall’s fundraising campaign. During CAA’s annual meeting next February, IAS will host a gala reception to celebrate its thirtieth anniversary at the beautiful New York restaurant Il Gattopardo (13–15 West 54th Street, New York, NY 10019, less than a block from CAA’s conference headquarters, the New York Hilton Midtown). At the event we will honor several early presidents of IAS. The early history of the society may be found on our website.

Next year’s IAS/Kress Lecture will take place in Bologna in the Aula Magna of the former monastery of Santa Cristina, which now houses the Arts Department of the University of Bologna. Proposals to present the eighth annual IAS/Kress Lecture, on a topic related to Bologna or its environs, will be due in early January.

Japan Art History Forum

The Japan Art History Forum (JAHP) has announced two recent developments. First, the Japanese Art Society of America (JASA) will provide funding in support of the Chino Kaori Memorial Essay Prize. JASA will award $1,000 to the 2016 prize winner and has committed to provide a $1,000 award for the prize winner in each of the next four years, for a total of $5,000. Established in 2003 in memory of the distinguished art historian Chino Kaori, the Chino Kaori Memorial Essay Prize is awarded annually to a graduate student who has written an outstanding essay on a topic in the study of Japanese art history or visual culture. The award recognizes excellence in scholarship, with several past prize-winning essays later published in peer-reviewed journals. More information, including a list of past winners, can be found on the JAHF website. The prize continues to be supported by the University of Hawai‘i Press, which provides $400 in books from the press’s catalogue.

Second, former curatorial interns at the Clark Center for Japanese Art and Culture in Hanford, California, have created the Clark Center Graduate Travel Grant, which will award $500 annually to a graduate student of Japanese art wishing to visit a public or private collection of Japanese art for the purpose of in-person, hands-on research. The grant was created in commemoration of the closing of the Clark Center and in recognition of and heartfelt gratitude for the experience the Clarks and the center provided to the former interns and to many more young and emerging scholars in the field.

In June 2015, the Clark Center closed its doors after twenty years of offering exceptional exhibitions and programs for visitors from the local community in California’s Central Valley as well as Japanese art specialists from across the country and around the world. From its inception, the Clark Center also hosted an unparalleled curatorial internship program, which graduated a total of nineteen interns with valuable hands-on experience handling and caring for artworks, planning exhibitions, and working with the public. Bill and Libby Clark, founders of the center, not only created this rare opportunity for young scholars in the field; they also opened their home to us and welcomed us as part of their family. Seed money for this fund has been donated by the past interns of the Clark Center, and additional contributions to the fund are welcome on an ongoing basis. Donations to the Clark Center Graduate Travel Grant program can be made by visiting the JAHF website.

National Council of Arts Administrators

The forty-fourth annual conference of the National Council of Arts Administrators (NCAA) convened September 28–October 1, 2016 in Philadelphia, Pennsylvania. The organization is indebted to Hester Stinnett of Tyler School of Art at Temple University for organizing a truly exceptional conference. Featured speakers included Sean Kelley, senior vice president and director of public programming at Eastern State Penitentiary; Pepon Osorio, artist and Tyler professor; Greg Anderson, sociologist and dean of Temple University’s College of Education; and Blake Bradford, director of the Lincoln University-Barnes Foundation Museum.

The membership elected three new board members: Joe Poshek (Irvine Valley College); Jeni Mokren (State University of New York, New Paltz); and Peter Chametzky (University of South Carolina). They join returning directors Leslie Bellavance (Kendall College of Art and Design, Secretary), Lynne Allen (Boston University), Elissa Armstrong (Virginia Commonwealth University, President), Cathy Pagani (University of Alabama, Treasurer), Tom Berding (Michigan State University), Nan Goggin (University of Illinois, Urbana-Champaign), A. Blake Pearce (Valdosta State University), David LaPolombara (Ohio University), Michael Fels (Elon University), Andrea Eis (Oakland University, Past Treasurer) and Amy Hauft (University of Texas at Austin, Past President). Special thanks to Steve Bliss (Savannah College of Art and Design), Cora Lynn Deibler (University of Connecticut) and Jim Hopfensperger (Western Michigan University) for their excellent service and who rotated off the board this year.

Activities at the 2017 CAA Annual Conference include the annual NCAA reception (Thursday, February 16, 7:00–9:00 PM) and an NCAA-CAA affiliate session, “Entrepreneurship as Research, Teaching, Learning, or Service,” a fast-paced series of presentations on leadership (Thursday, February 16, 5:30–7:00 PM). NCAA welcomes new and current members, and all interested parties.

Public Art Dialogue

Public Art Dialogue (PAD) has announced the 2017 winner of its annual award for lifetime achievement in the field of public art. The artist Mierle Laderman Ukeles will be honored with an award reception during the CAA Annual Conference in New York, taking place February 15–18, 2017. PAD’s awards ceremony will take place at the Queens Museum. For more information, please see http://publicartdialogue.org/news

Society of Historians of East European, Eurasian, and Russian Art and Architecture

The Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) has welcomed several new members, including three institutions: St. Petersburg Arts Project, the Getty Research Institute, and ARTMargins. The organization has also received its first donation to establish the Maya Semina Graduate Student Travel Grant. Several SHERA members are participating in the Association for Slavic, East European, and Eurasian Studies convention, taking place November 17–20, 2016, in Washington, DC. The SHERA membership meeting will take place on Friday, November 18, 6:15–7:45 PM at the Washington Marriott Wardman Park.

At the CAA Annual Conference in February 2017, SHERA will host two emerging-scholar sessions and a membership meeting. “Emerging Scholars: Politics and the Collective in East European and Russian Art, Part I” will take place on Wednesday, February 15, 10:30 AM–NOON, and “Emerging Scholars: Russian Artists and International Communities, Part II” will transpire on Friday, February 17, 8:30–10:00 AM. The SHERA membership meeting will happen on Friday, February 17, 5:30–7:00 PM. All events will take place in the conference hotel.

Visual Resources Association

The Visual Resources Association (VRA) expresses gratitude to CAA and its membership for the distribution of the VRA Professional Status survey in fall 2015. VRA is pleased to announce the completion and availability of the VRA 2015-16 Professional Status Task Force Report on Professional Status. This report provides extremely valuable information about the landscape of the profession and the needs of colleagues working within a variety of visual-resource and related environments. Almost half of the 446 survey respondents identified themselves as non-VRA members, which is a good indication of how support from an organization like CAA increased the survey’s reach and our understanding of the professional status and needs of our colleagues working across related fields. Thanks again to all affiliated-society members who assisted in this important work. Please do not hesitate to contact the VRA board with questions about the report by sending a message to board@vraweb.org.

VRA has once again been included in the important Cross-Pollinator collaboration with Digital Library Federation/Galleries, Libraries, Archives, and Museums (DLF-GLAM). Through the cross-pollinator grant last year, Andrea Schuler from Tufts University attended the DLF meeting; Meagan Duever of the University of Georgia attended the VRA-ARLIS/NA joint conference in Seattle. Since this year’s grant was funded by the Samuel H. Kress Foundation, the grant can support eight new travel awards to foster collaboration among museum and digital library communities. Four $1,000 fellowships will be offered to non-DLF-affiliated GLAM professionals to attend the 2016 DLF Forum, and four DLF-affiliated practitioners will receive a $1,000 award plus free registration to attend one of the upcoming conferences of the following partnering organizations: the American Institute for Conservation; the Art Libraries Society of North America; the Museum Computer Network; and VRA.

Women’s Caucus for Art

The Women’s Caucus for Art will present its 2017 Lifetime Achievement Awards to Mary Schmidt Campbell, Audrey Flack, Martha Rosler, and Charlene Teters on Saturday, February 18, 2017, at the New York Institute of Technology in midtown Manhattan. CAA members are invited to attend the ticketed VIP Awards celebration from 6:00 to 7:30 PM that precedes the public awards presentation at 8:00 PM. The WCA Lifetime Achievement Awards were first presented in 1979 to Isabel Bishop, Selma Burke, Alice Neel, Louise Nevelson, and Georgia O’Keeffe. Like those women, this year’s awardees have made significant contributions to the visual arts. The art historian Mary Schmidt Campbell is president of Spellman College. The work of the photorealist painter and sculptor Audrey Flack is in major museum collections. Martha Rosler is a nationally known video, text, and performance artist, as well as a frequent contributor to Artforum. Charlene Teters is academic dean at the Institute of American Indian Arts as well as an artist, writer, and activist. The 2017 President’s Award for Art and Activism will be presented to the feminist curator and educator Kat Griefen.

The Lifetime Achievement Awards are the culminating event at WCA’s annual conference (held during CAA, February 16–18) that includes a Thursday evening reception for the exhibition Wage On! Women, Art, and Money at Ceres Gallery in Chelsea, professional workshops, caucus sessions, and other opportunities for networking. WCA’s affiliated-society panel on “Maternal Art and Activism” with cochairs Rachel Buller and Margo Hobbs will take place on Friday, February 17 at 10:30 AM in the Rendezvous Ballroom. Be sure to visit WCA in the CAA Book and Trade Fair, too. Early bird tickets are available for the awards VIP reception until January 7, 2017.

 

Filed under: Affiliated Societies

Affiliated Society News for September 2016

posted by September 15, 2016

Association of Academic Museums and Galleries

You’ve probably heard the rumors, but now it’s official: the Association of Academic Museums and Galleries (AAMG) will hold its annual conference in Eugene, Oregon, June 22–26, 2017. “Why Museums Matter: The Teaching Museum Today” will be hosted by the University of Oregon’s Museum of Natural and Cultural History and the Jordan Schnitzer Museum of Art. The program will begin at 5:30 PM on Thursday, June 22, and offer tracks for: professional development (emerging and seasoned professionals); governance, best practices, and administration; curricular connections and new teaching and training models; relevance, diversity, and engagement; renovations and new facilities; and more. AAMG will post a call for proposals in early September, along with registration and hotel information.

American Institute for Conservation of Historic and Artistic Works

The Weissman Preservation Center at Harvard Library and the Foundation for the American Institute for Conservation of Historic and Artistic Works (FAIC) will present a multidisciplinary, two-day symposium called “Salted Paper Prints: Process and Purpose.” The program will focus on the preservation, characterization, use, and interpretation of the salt print process, now over 175 years old. Scholarly presentations will include the technical history of the salt print process (both positive and negative images), historical applications of the process for copying and disseminating information, and innovative materials analysis. While many salt prints have survived as beautifully preserved images with rich tonal ranges, they can also be prone to fading and color shifts. New conservation research has assisted our understanding of these fragile items, and renewed interest in the historical and artistic aspects of salt prints has paralleled this preservation research.

Papers are currently being accepted to present at the symposium. Applicants are encouraged to submit abstracts or drafts of three hundred words or less, along with a brief bio or CV. The symposium will include individual presentations of no more than twenty minutes in length and panel discussions on an applicable topic—submissions for both formats are welcome. Preference will be given to recent collaborative research that uses scientific and art-historical evidence to shed light on the preservation of salt prints, their technical evolution and identification, and the cultural impact of this seminal photographic process. Visit the call for papers page on the AIC website for more details. Abstracts must be submitted by December 16, 2016. The symposium will take place September 14–15, 2017, at Harvard University in Cambridge, Massachusetts.

Association of Historians of American Art

The Association of Historians of American Art (AHAA) invites you to attend its fourth biennial symposium, to be held October 6–8, 2016, in Fort Worth, Texas. Online registration is now open. To learn more about the schedule, obtain hotel information, and register, visit www.ahaaonline.org/?page=2016Symposium. The registration fee is $40, and the event is only open to current AHAA members. If you are not yet a member, please consider joining this scholarly community. Membership rates start at $35.

AHAA is also proud to announce a third issue of its online journal, Panorama, which includes a roundtable devoted to pedagogical approaches (featuring the work of Jules Prown), a special section on “Art and Invention,” an article on Kara Walker, new Research Notes, book and exhibition reviews, and responses to the question “Is American art history conservative?” AHAA is grateful for the efforts of Panorama staff, editors, and contributors, and for the support of our readers. As always, the association invites your input and contributions.

AHAA looks forward to gathering in New York for the 2017 CAA Annual Conference. The annual business meeting will take place noon–1:30 PM on Friday, February 17. The AHAA-sponsored scholarly session will be “The Gustatory Turn in American Art” (date/time TBA).

In the coming year, several board terms will expire. AHAA wishes to thank board members who have served the organization and to welcome nominations and self-nominations for the open positions, each with three-year terms. These include three appointed positions (membership coordinator, secretary, and web coordinator) and two elected positions (treasurer and cochair). The cochair alternates annually between academic and museum professionals; this year we invite candidates from the academy. Please contact AHAA at info@ahaaonline.org or chair@ahaaonline.org if you are interested in the position or wish to nominate a colleague.

Foundation in Art: Theory and Education

Celebrating its fiftieth year of first principles educational leadership, the KCAI’s Foundation Department will host FATE’s sixteenth biennial conference, “To the Core and Beyond,” to take place April 5–8, 2017, in Kansas City, Missouri. Registration for the conference is now open. Leading voices in fundamental art and design instruction will gather at the InterContinental Kansas City at the Plaza. Early-bird registration is open until September 30, 2016. Conference registration includes breakfast and lunch (April 6–8). For conference registration and more information, please visit http://www.foundations-art.org/conferences.

FATE has improved Silver and Gold Institutional Sponsorship levels this year and now offers a new biennial Retiree Faculty Individual Membership! See http://www.foundations-art.org/membership for more information. Also coming up is the FATE regional conference, “Technology Integration into Design Foundations Tech Swap,” which meets on Saturday, November 5, 2016, 10:00 AM–3:00 PM at the University of North Texas. The $20 cost includes coffee, muffins, and lunch (vegetarian option available). For more details, send an email to the event’s coordinator, Deanna Ooley, or visit http://www.foundations-art.org/regional.

FATE’s affiliated-society session at CAA’s 2017 Annual Conference, titled “Using the F-Word for Good, Not Evil: Fail, Fail Again, Fail Better,” meets on Thursday, February 16, 10:30 AM–noon in the Madison Suite, Second Floor, New York Hilton Midtown. How do we, as teachers, ignite courage and curiosity in students to explore and jump past their fears of failing? Discoveries occur when we allow tinkering, investigation, and getting things “wrong”—colossal failures hold surprising connections, connotations, and fruitful risks. That’s where the good stuff lives. “Don’t give up!” (see Miranda July). “Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better” (see Samuel Beckett). This FATE session will proactively frame failure (pep talks), continue inquiries (experiments), and describe what to do when things go off the rails (glean the good). Speakers will present discussions starters, brainstorming, projects, ways of critiquing, pedagogy, and practice.

Italian Art Society

Last month the Italian Art Society sponsored two sessions at the annual meeting of the Sixteenth Century Society and Conference (SCSC) in Bruges, Belgium. “Co-petition: Testing the Boundaries of Cooperation and Competition” was organized by Alexis Culotta (American Academy of Art, Chicago), and “The Holy Republic of Venice,” was organized by Allison Sherman (Queen’s University) and Eveline Baseggio Omiccioli (Fashion Institute of Technology, State University of New York). Along with the Historians of Netherlandish Art and the Flemish Research Centre for the Arts in the Burgundian Netherlands, IAS sponsored a special event at the Groeningemuseum in Bruges. Anne Van Oosterwijk, assistant curator of old master paintings at the museum, lectured on sixteenth-century painters’ workshops and practices in Bruges; the lecture was followed by a gala reception.

IAS has announced the upcoming deadlines for two travel awards: the IAS Conference Travel Grant for Modern Topics (deadline: October 1, 2016) provides a minimum of $500 to subsidize transoceanic travel to present in an IAS-sponsored session on the art or architecture of Italy from the early nineteenth century to the present. The deadline for the IAS Travel Grant for Graduate Students and Emerging Scholars, which funds travel to any conference at which IAS has a presence, is November 1, 2016.

IAS is pleased to announce that Karen Lloyd (Stony Brook University) has joined the executive board as acting vice president for program coordination.

Society of Architectural Historians

An SAH Study Day “Louis Kahn in San Diego and La Jolla,” organized by the Society of Architectural Historians (SAH), will take place on November 4, 2016. William Whitaker, curator and collections manager of the Architectural Archives of the University of Pennsylvania School of Design, and Jochen Eisenbrand, chief curator of the Vitra Design Museum, will lead a special preview tour of their exhibition Louis Kahn: The Power of Architecture at the San Diego Museum of Art, the first retrospective of Louis Kahn’s work in two decades. After lunch, participants will get a behind-the-scenes tour of Kahn’s renowned Salk Institute for Biological Studies with Whitaker, Tim Ball, director of facilities at the Salk Institute, and Claire Grezemkovsky, associate director of foundation relations. Sara Lardinois of the Getty Conservation Institute will be on hand to discuss Kahn’s designs of the teak window walls, which are currently under conservation by the Getty. A Study Program Fellowship will be available for a graduate student or emerging professional to participate in this Study Day. Registration opens on September 13.

SAH will present its 2016 Awards for Architectural Excellence at its seventh annual awards gala on Friday, November 4, 2016, at the Racquet Club of Chicago. Honorees include the philanthropist Richard H. Driehaus (for architectural stewardship); Sarah Herda, director of the Graham Foundation for Advanced Studies in the Fine Arts and coartistic director of the Chicago Architecture Biennial (for public engagement with the built environment); and Peter Landon, founder and principal of Landon Bone Baker Architects (for design, planning, and sustainability). The awards represent a unique gathering of architectural practice and academic study, honoring the contributions of individual projects to the built environment. Gala proceeds benefit the society’s educational mission and the ongoing restoration of SAH’s headquarters, the Landmark Charnley-Persky House. Tickets are available at sah.org/gala.

 

Filed under: Affiliated Societies

Affiliated Society News for July 2016

posted by July 15, 2016

 

American Council for Southern Asian Art

The American Council for Southern Asian Art (ACSAA), along with the University of Michigan History of Art Visual Resources Collections and the Center for Art and Archaeology (CA&A) of the American Institute of Indian Studies in Gurgaon, India, is pleased to announce that over 12,000 low-resolution images (suitable for PowerPoint presentations), known collectively as the ACSAA Digital Images, are now newly available for free direct downloading for noncommercial, educational, and scholarly purposes through the Virtual Museum of Images and Sounds (VMIS). Funded by India’s Ministry of Culture, VMIS was recently created by using the image and sound archives of the CA&A and the Archives and Research Center for Ethnomusicology (ARCE)—the two centers of the AIIS.

The ACSAA Digital Images were first distributed under the aegis of the ACSAA Color Slide Project, a nonprofit initiative administered through the former Asian Art Archives of the University of Michigan that from 1974 through 2006 provided high-quality original and duplicate 35mm color slides of the art and architecture of India and greater South Asia, Southeast Asia, and Indonesia, as well as the Himalayan regions, to individuals and institutions around the world for teaching and research purposes. With this new iteration, the original project’s educational intentions have not only been maintained, but have now been expanded to make the images available on an even wider scale and without fee. The user simply needs to register (free of charge) on the VMIS website before the images can be downloaded (free of charge).

Arts Council of the African Studies Association

News from the Arts Council of the African Studies Association (ACASA) includes a call for nominations for the new ACASA Curatorial Awards, coming soon. The spring 2016 Newsletter has been published (available to subscribers only).

ACASA is also sponsoring two panels at the upcoming annual meetings of the African Studies Association and the College Art Association. At the African Studies Association annual meeting, to be held December 1–3, 2016, in Washington, DC, the group will present “Shattering Single Stories in the Labeling and Presentation of Historical Arts of Africa.” The cochairs are Susan Elizabeth Gagliardi of Emory University and Yaëlle Biro from the Metropolitan Museum of Art’s Department of the Arts of Africa, Oceania, and the Americas. The participants are: Silvia Forni, Royal Ontario Museum; Kathryn Gunsch, Museum of Fine Arts, Boston; Nanina Guyer, Hans Himmelheber Photographic Archives, Museum Rietberg Zurich; and Matthew Francis Rarey, Oberlin College. The discussant is Karen E. Milbourne from the Smithsonian Institution’s National Museum of African Art.

The deadline for the call for submissions to the ACASA-sponsored panel at CAA’s next Annual Conference, taking place February 15–18, 2017, in New York, is August 30, 2016. Titled “Flesh,” the session will be chaired by Shannen Hill of the Baltimore Museum of Art.
The call for submissions and the full panel description will be listed on CAA website on July 1. By August 30, interested parties should send a CV and abstract of no more than 500 words to Shannen Hill. All parties will be notified of the outcome by September 15.

Foundations in Art: Theory and Education

Foundations in Art: Theory and Education (FATE) has announced that the call for papers for its 2017 biennial conference, “To the Core and Beyond,” is now open.

Italian Art Society

In May, the Italian Art Society (IAS) sponsored two sessions titled “New Perspectives on Medieval Rome” at the International Congress on Medieval Studies in Kalamazoo, Michigan. Marius Hauknes (Johns Hopkins University) and Alison Locke Perchuk (California State University, Channel Islands) organized the panels. In August, IAS will sponsor two sessions at the Sixteenth Century Society and Conference (SCSC) meeting in Bruges, Belgium: “Co-petition: Testing the Boundaries of Cooperation and Competition,” organized by Alexis Culotta (American Academy of Art, Chicago); and “The Holy Republic of Venice,” organized by Allison Sherman (Queen’s University) and Eveline Baseggio Omiccioli (Fashion Institute of Technology, State University of New York). An IAS Conference Travel Grant for Emerging Scholars has been awarded to Tenley Bick (doctoral candidate, University of California, Los Angeles) to support travel to the recent meeting of the American Association for Italian Studies in Baton Rouge, Louisiana. IAS/Kress International Conference Travel Grants have been awarded to Alexis Culotta and Giada Damen (Morgan Library and Museum) to support travel to SCSC in Bruges. The seventh annual IAS/Kress Lecture took place on June 1 at the Villa I Tatti in Florence. An audience of nearly eighty listened raptly to the paper presented by Megan Holmes (University of Michigan), “New Perspectives on the Reception of Florentine Panel Painting: Interpreting Scratch Marks.”

National Council of Arts Administrators

The forty-fourth National Council of Arts Administrators (NCAA) annual gathering, “The Great Untapped: Unlocking Assets through Alliances,” will convene September 28–October 1, 2016, in Philadelphia, Pennsylvania. Please join NCAA at Temple University’s Tyler School of Art for a discussion considering how institutions are now challenged to reconcile their own particular histories with the development of experiential curricula that connect students to an infinitely expanding world. How does one honor deep institutional history while cultivating alliances with other scholarly and cultural traditions? How can we foster alliances with outside communities as equal partners, and move away from an aesthetics of display to an ethics of care and deep understanding? We invite current and aspiring art department chairs, directors, and deans to attend. Visit the website to learn more about the conference and to join NCAA

Public Art Dialogue

Public Art Dialogue (PAD) has news. The winter 2016 issue of the Public Art Dialogue Newsletter features an interview by Jennifer K. Favorite with Kirk Savage, the recipient of the 2016 PAD award for achievement in public art. Marissa Lerer contributed an essay, “Built and Open Walls,” on public art in Washington, DC. There are several forthcoming special issues of PAD: Public Art Dialogue. The first is “Higher Ed: College Campuses and Public Art,” which will be edited by Monika Burczyk (submission deadline: September 1, 2016). Cher Krause Knight and Harriet F. Senie are serving as coeditors for an open issue (submission deadline: March 1, 2017). A third issue will feature guest editors Silvia Bottinelli and Margherita d’Ayala Valva; the theme will be “Food as Activism in Contemporary Public Art” (submission deadline: June 1, 2017). For more information, see http://publicartdialogue.org/journal/submissions.

SECAC

SECAC’s annual meeting will be held October 19–22, 2016, in Roanoke, Virginia, with Virginia Tech serving as host. Kevin Concannon, director of the School of Visual Arts and professor of art history at Virginia Tech, will serve as conference director. Sessions will take place at the official conference hotel, the Hotel Roanoke and Conference Center. The Hotel Roanoke, added to the National Register of Historic Places in 1996, is in the heart of the city’s vibrant downtown and within easy walking distance of the Taubman Museum of Art, the Harrison Museum of African American Culture, and the O. Winston Link Museum, as well as many restaurants and bars. The conference schedule will be posted in early July on the SECAC website.

Excursions to Virginia Tech and Hollins University on Thursday and Friday evening include the 2015 Artist’s Fellowship exhibition opening, the 2016 SECAC Juried Exhibition, and the keynote speaker Lynn Hershman Leeson, who will present in the Moss Arts Center’s spectacular Snohetta-designed theater at Virginia Tech.

The last issue of the Southeastern College Art Conference Review has been published. The 2016 edition will be renamed Art Inquiries.

The deadline for the $5,000 SECAC 2016 Artist’s Fellowship is August 1, 2016. For application details, visit www.secacart.org/artists-fellowship.

Visual Resources Association

The Visual Resources Association (VRA) held its third joint conference with Art Libraries Society of North America (ARLIS/NA) in Seattle, Washington, this past March. The event offered an engaging and diverse program from ninety-five submitted paper or session proposals, resulting in thirty-nine sessions; fifteen submitted workshop proposals, resulting in six workshops; fifty-five submitted poster proposals, resulting in forty posters, and eleven SIG/SUG meetings. Topics included digital humanities, visual literacy, geospatial and visualization projects, image rights and reproductions, new technologies, museum education, environmental design, makerspaces, ebook publishing, materials education and research, diversity, RDF and LOD, crowdsourcing, cataloging, archives, visualization, and open access.

Key officers at the conference included VRA vice president for conference program, Chris Strasbaugh, as coordinator of the program and schedule in collaboration with Program Committee cochairs Dan McClure (ARLIS/NA), Denise Hattwig (ARLIS/NA), and Mar González Palacios (AASL, ARLIS/NA); VRA Education Committee cochairs Beth Wodnick Haas, Ryan Brubacher, and Marsha Taichman, who contributed toward programming; and the many presenters, instructors, and moderators who offered such timely, relevant, and forward-thinking content. The collaborative perspectives and working relationships of these individuals and many others set the tone for all conference planning and arrangements.

VRA honored Ann Whiteside with its Distinguished Service Award (she was also the recipient of the same award from ARLIS/NA) and conferred its Nancy DeLaurier Award to VRA Core 4.0 cocreators Kevin Esmé Cowles, Janice Eklund, Benjamin Kessler, and Trish Rose-Sandler. Sarah Bergmann, a design thinker and the founder of the Pollinator Pathway, spoke during convocation and shared perspectives on how the plight of the honey bee inspired her to consider symbiotic relationships and the importance of building pathways to support these relationships. While Bergmann’s consideration of bees inspired her to connect city dwellers to existing green spaces, her work inspired attendees to think about the benefits that might be realized when building connections across disciplines and professional organizations.

 

Filed under: Affiliated Societies

Affiliated Society News for May 2016

posted by May 15, 2016

 

Art Council of the African Studies Association

In the past year, the Art Council of the African Studies Association (ACASA) sponsored a panel and a well-attended members’ meeting at the African Studies Association (ASA) annual meeting and hosted a session at the CAA Annual Conference. The council also distributed three extensive newsletters and is finalizing plans for a triennial conference, to be held in Ghana in 2017. To build support for the Ghana event, ACASA has undertaken a fundraising campaign with a five-member committee that meets every three weeks.

ACASA has also implemented a new online system for member payments and had a sizable presence at the European Conference on African Studies (ECAS) in Paris in July 2015. ACASA financially sponsored one artist’s performance at ECAS in a series Dominique Malaquais organized that was devoted to the arts. Finally, ACASA held elections to replace most of the organization’s board members.

Historians of Eighteenth-Century Art and Architecture

The Historians of Eighteenth-Century Art and Architecture (HECAA) has elected new officers. The new president is Amelia Rauser of Franklin and Marshall College. She is a specialist in eighteenth-century British art and the author of numerous scholarly studies, including Caricature Unmasked: Irony, Authenticity, and Individualism in Eighteenth-Century English Prints (Newark: University of Delaware Press, 2008). Christina Lindeman from the University of South Alabama is the new treasurer. She is the author of articles on art and gender in eighteenth-century Germany, with a special emphasis on the court of Anna Amalia of Weimar. Her book Representing Anna Amalia’s Bildung: Visual Metamorphosis from Personal to Political in Eighteenth-Century Germany, is forthcoming from Routledge.

HECAA also maintains a wonderful serial newsletter.

Midwest Art History Society

The Midwest Art History Society (MAHS) held its “Icons of the Midwest” session at CAA’s 2016 Annual Conference in Washington, DC. The meeting was meant to highlight important and museum-related art and art history from America’s vital middle region. This year’s topic was the Chicago Jazz Age painter Archibald Motley (1891–1981). The session’s cochairs were MAHS members Amy M. Mooney (Columbia College) and Mark Pohlad (DePaul University); the speakers were Jerma A. Jackson (University of North Carolina, Chapel Hill), Phoebe E. Wolfskill (University of Indiana), and Romi Crawford (School of the Art Institute of Chicago). A highlight of this lively session was the remarks of the renowned Motley scholar, Richard J. Powell.

The forty-third MAHS annual conference took place in Chicago from April 7 to 9, 2016. Approximately two hundred participants and registrants convened at DePaul University’s Loop Campus to hear more than thirty academic sessions devoted to a wide range of art history. The keynote address, held at the nearby Art Institute of Chicago, was delivered by Gloria Groom, chair of European painting and sculpture and David and Mary Winton Green Curator in the Department of European Painting and Sculpture at the Art Institute of Chicago, who was involved the concurrent Van Gogh’s Bedrooms exhibition. Other conference highlights included a reception at Columbia College’s Museum of Contemporary Photography, a session on “Recent Acquisitions in Midwest Collections” (held at the Art Institute and chaired by the curator Judith W. Mann), and two sessions comprised of undergraduate scholars. For more information and to read conference proceedings and paper abstracts, visit the conference page of the MAHS website.

MAHS will hold its forty-fourth annual conference in Cleveland, Ohio, from April 6 to 8, 2017. The event will be hosted by the Cleveland Museum of Art, Case Western Reserve University, and Cleveland State University. To open the conference, a distinguished keynote panel will speak on Raphael’s School of Athens Cartoon, currently undergoing restoration in Milan. The panel will include: Don Alberto Rocca, director of the Pinacoteca Ambrosiana in Milan; Maurizio Michelozzi, a Florentine paper conservator who is undertaking the restoration; and Carmen Bambach, curator of drawings and prints for the Metropolitan Museum of Art in New York. Funding for the panel has been provided by the Istituto Italiano di Cultura in Chicago, the Italian Art Society, the University of Notre Dame, and MAHS.

New Media Caucus

The New Media Caucus (NMS) has elected new officers and members to its board of directors in February 2016. Mat Rappaport is president elect, Rachel Clarke is secretary, and Kevin Hamilton is chair of the caucus’s journal, Media-N. The new board members are Victoria Bradbury, Darren Douglas-Floyd, Mina Cheon, Abigail Susik, and Doreen Maloney. For more information on the organization’s structure, visit the New Media Caucus website.

Public Art Dialogue

At the CAA Annual Conference in February, Public Art Dialogue (PAD) hosted a roundtable chaired by Kirk Savage, professor of the history of art and architecture at the University of Pittsburgh. Also participating were Thomas Luebke, secretary of the United States Commission of Fine Arts, and Lucy Kempf, a member of the National Capital Planning Commission.

The 2016 PAD award recipient was Kirk Savage, who has contributed extensively to our understanding of American memorials, particularly those dedicated to Civil War soldiers. He is the author of two award winning books: Standing Soldiers, Kneeling Slaves: Race, War and Monument in Nineteenth-Century America (1997) and Monument Wars: Washington DC, the National Mall, and the Transformation of the Memorial Landscape (2009). Savage has also edited The Civil War in Art and Memory (2016). In presenting the award, PAD cochair Cameron Cartiere observed that one of the most compelling aspects of Savage’s scholarship is that it helps us “to look back into our history of memorialization as a means of understanding the ramifications of the political, social, and cultural decisions we make in developing contemporary memorials that mark the present, acknowledge our tumultuous past, and help us to embrace our uncharted future.”

Renaissance Society of America

The Program Committee for the sixty-third annual meeting of the Renaissance Society of America invites submissions for individual papers or sessions on any aspect of Renaissance studies or the era 1300–1700. Because RSA is a multidisciplinary society, we especially welcome submissions that cross traditional disciplinary boundaries, as well as those that spotlight scholarship that is discipline specific. Sessions sponsored by our Associate Organizations and Discipline Representatives will make up part of the program. The rest will consist of sessions and individual papers proposed by RSA members and selected by the Program Committee.

Because the RSA Annual Meeting is a large conference—with as many as fifty sessions meeting concurrently—we have developed guidelines over the years that greatly facilitate the work of the Program Committee and help to ensure an audience for every session. Please note that proposing a session or a paper indicates your commitment to attend. The committee will not be able to accept every submission; good papers will have to be turned away. To take a slot and then later withdraw is discourteous to colleagues who would have liked to present a paper. Once the rooms are scheduled and the AV equipment is ordered, no substitutions are possible.

Organizers may propose a series of linked sessions, up to a limit of five. However, the Program Committee prefers that series be limited to three, to facilitate scheduling them in a row. Sessions organized in honor or in memory of an individual scholar are limited to no more than two. Proposals for roundtables are also welcome, but the committee asks that roundtables be stand-alone sessions in terms of their content. Roundtables that merely involve recapping the content of a series of sessions take up valuable space in the program that could be used to present other research; proposals for them are not likely to be accepted.

The committee welcomes sessions that present the scholarship of members at various stages of their careers. Each session must include at least one speaker who has received a PhD or other terminal degree. Graduate-student speakers should be in candidacy or the equivalent for their program; that is, they must be advanced students who have completed coursework, examinations, and much of their dissertation research. They are invited to speak on topics directly related to their dissertation research, rather than presenting term papers.

Please visit the RSA website for more details. The submission site will open in May, with a submission deadline in early June (TBA). You do not need to be a member to submit a proposal, but if your proposal is accepted you will need to be an RSA member for the year of the conference.

Society for Photographic Education

The Society for Photographic Education (SPE) welcomes conference proposals from photographers, writers, educators, curators, historians, and professionals from other fields for “Family Values,” the fifty-fourth SPE national conference, to be held March 9–12, 2017, in Orlando, Florida. Topics are not required to be theme based; they may include but are not limited to: imagemaking, history, contemporary theory and criticism, multidisciplinary approaches, new technologies, effects of media and culture, educational issues, funding, and presentations of work in photography, film, video, performance, and installation.

The presentation formats are:

  • Graduate Student: short presentation of your own artistic work and a brief introduction to your graduate program (must be enrolled in graduate program at time of submission)
  • Imagemaker: presentation of your own artistic work (photography, film, video, performance, installation, multidisciplinary approaches)
  • Lecture: presentation on historical topic, theory, or another artist’s work
  • Panel Discussion: active discussion among panelists (maximum of three), a moderator, and the audience on a chosen topic
  • Teaching and Learning: presentations, workshops, and demos that addresses educational issues, including teaching resources and strategies (syllabi, videos, assignments, readings, class preparation and setup, and PowerPoint presentations); curricula to serve diverse artists and changing student populations; seeking promotion and tenure; avoiding burnout; and professional exchange

Current SPE membership is required of all participants with accepted proposals. Please visit the SPE website for full proposal guidelines and special award details.

Society of Architectural Historians

The Society of Architectural Historians (SAH) is accepting abstracts for its 2017 annual international conference in Glasgow, Scotland (June 7–11). Abstracts may be submitted for one of the thirty-six paper sessions, for the Graduate Student Lightning Talks, or for open sessions. SAH encourages submissions from architectural, landscape, and urban historians; museum curators; preservationists; independent scholars; architects; and members of SAH chapters and partner organizations. Deadline: June 6, 2016.

Applications are open for the SAH/Mellon Author Awards, which are designed to provide financial relief to scholars who are publishing their first monograph on the history of the built environment and who are responsible for paying for rights and permissions for images or for commissioning maps, charts, or line drawings in their publications. Deadline: May 15, 2016.

SAH invites nominations and self-nominations for the next editor of the Journal of the Society of Architectural Historians (JSAH) to serve a three-year term: January 1, 2018–December 31, 2020. JSAH is a quarterly, blind-peer-reviewed international journal devoted to all aspects of the history of the global built environment and spatial practice, including architecture, landscape architecture, urbanism, and city planning. Published since 1941, JSAH has defined the field of architectural history and is a pioneer in digital publication. Articles published in JSAH are historically rigorous, conceptually sophisticated, and theoretically innovative. Deadline: June 15, 2016.

Registration is open for the SAH Field Seminar, “Architectural Layers of a Southeast Asian Region,” to take place December 1–13, 2016. The program will explore the fascinating architectural landscape of Vietnam, focusing in particular on the modern era from the nineteenth century to today. Participants will also visit the spectacular Angkor complex in Cambodia, capital of the Khmer empire from the ninth to fifteenth century. The SAH Study Program Fellowship deadline is August 11, 2016.

Society of Historians of East European, Eurasian, and Russian Art and Architecture

In February and March 2016, the Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) conducted an election for its board of directors. As a result, a SHERA–Society of Architectural Historians (SAH) liaison was created, with Anna P. Sokolina as an officer. This new position will be open for reelection every three years. In addition, Hanna Chuchvaha, Natalia Kolodzei, and Andrei Shabanov were designated members at large, and Nicholas Iljine was reelected a member at large for another two-year term.

SHERA has launched a call for papers for its sponsored session for emerging scholars for CAA’s 2017 Annual Conference, chaired by Alice Sullivan.

 

Filed under: Affiliated Societies

As noted in CAA’s Affiliated Society News for March 2016, the Italian Art Society (IAS) is delighted to announce that Megan Holmes, a professor of art history at the University of Michigan in Ann Arbor, will deliver the seventh annual IAS/Kress Lecture in Florence at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, on June 1, 2016. Her lecture is titled “New Perspectives on the Reception of Florentine Panel Painting: Interpreting Scratch Marks.” Holmes was the recipient of CAA’s 2015 Charles Rufus Morey Book Award for her volume titled The Miraculous Image in Renaissance Florence (New Haven: Yale University Press, 2013). For more on the lecture, including the abstract, visit the Italian Art Society website.

The annual IAS/Kress Lecture Series in Italy, inaugurated in 2010 with the generous support of the Samuel H. Kress Foundation, encourages intellectual exchange between North American art historians and the international community of scholars based in Italy. The lectures offer IAS member-speakers the opportunity to engage in productive discussions about their research with a wider range of specialists in the field of Italian art historical studies than is available in the United States; they also create lasting relationships between the IAS and the Italian cultural institutions that host the talks. The lectures are held in late May or early June to accommodate travel to Italy by North American academics and may be given in English or Italian. The IAS provides an honorarium, along with funds to help offset travel expenses, and organizes a reception open to all attendees.

Former IAS/Kress Lecture speakers have reported the many benefits of what one lecturer called a “stimulating experience,” noting how “the lecture really seems to be the sort of international event that many benefit from and that represents what the Kress often endorses.” Another wrote: “Giving the Kress lecture … was a wonderful experience. The event brought together American and Italian scholars and students for a lively exchange. I enjoyed seeing old friends and meeting new colleagues, all in the city whose rich history is our shared passion.”

The IAS/Kress Lectures Series has drawn a wide range of experts from a variety of fields, as well as American graduate students studying in Italy, Italian university students, and many others who have attended and enjoyed the presentations and receptions afterward. Moreover, a number of attendees at these lectures have subsequently joined the IAS, helping to further our mission to promote the study of Italian art and architecture. In keeping with the mission of the Kress Foundation, our speakers have been selected from proposals on subjects ranging from antiquity to the early nineteenth century. Thus far, the IAS/Kress lectures have been on topics ranging from the medieval through early modern periods, and the organization hopes to host lectures on both earlier and later art and architecture in Italy.

If any CAA members or other interested parties are in Florence on June 1, 2016, the IAS encourages attendance at the Villa I Tatti for the seventh annual IAS/Kress Lecture by Megan Holmes! Please do not hesitate to contact the IAS president, Sheryl E. Reiss, with any questions.

Image: IAS/Kress Lecture 2013, Rome, Fondazione Marco Besso (photograph by Olga Posazhennikova)