CAA News Today
Announcing the Appointment of Three New Editors for CAA Publications
posted by CAA — October 01, 2020
We’re pleased to announce the appointment of three new editors for CAA publications: editor designate Eddie Chambers, who will take up his post as Editor-in-Chief of Art Journal, July 2021 – June 2024; Julie Nelson Davis, current Editor-in-Chief of caa.reviews, July 2020 – June 2023; and editor designate Stephanie Porras, who will take up her post as Reviews Editor of The Art Bulletin, July 2021 – June 2024. Learn more about their work below.
EDITOR BIOGRAPHIES
Eddie Chambers | Incoming Editor-in-Chief of Art Journal, July 2021 – June 2024
Eddie Chambers was born in Wolverhampton, England. He gained his PhD from Goldsmiths College, University of London in 1998, for his study of press and other responses to the work of a new generation of Black artists in Britain, active during the 1980s. He joined the Department of Art and Art History at the University of Texas at Austin in January 2010 where he is now a Professor. His books include Things Done Change: The Cultural Politics of Recent Black Artists in Britain (Rodopi Editions, Amsterdam and New York, 2012), Black Artists in British Art: A History Since the 1950s, (I. B. Tauris, London and New York, 2014, reissued 2015), and Roots & Culture: Cultural Politics in the Making of Black Britain, published 2017 (I. B. Tauris/Bloomsbury). He is the editor of the recently-published Routledge Companion to African American Art History. His forthcoming book is World is Africa: Writings on Diaspora Art (Bloomsbury, 2021).
Julie Nelson Davis | Current Editor-in-Chief of caa.reviews, July 2020 – June 2023
Julie Nelson Davis is Professor of the History of Modern Asian Art at the University of Pennsylvania. Recognized as one of the world’s foremost authorities on Japanese prints and illustrated books, Davis teaches a wide range of courses on East Asian art and material culture in the greater global context. After receiving her BA from Reed College, Davis completed her MA and PhD from the University of Washington and studied at Gakushūin University in Tokyo. She is author of Utamaro and the Spectacle of Beauty (Reaktion Books, 2007 and 2021), Partners in Print: Artistic Collaboration and the Ukiyo-e Market (University of Hawai’i Press, 2015), and Picturing the Floating World: Ukiyo-e in Context (in press). Davis was recently a guest curator for the Freer and Sackler Galleries for an exhibition on Utamaro (2017) and is preparing an exhibition of Japanese illustrated books at the University of Pennsylvania. She is currently working on a new project on issues of imitation, homage, and fakery in early modern Japanese art and their legacies into the present. In addition to her tenure as caa.reviews Editor-in-Chief from 2020 to 2023, Davis served as the field editor for Japanese art from 2001 to 2010 and a board member from 2007 to 2011.
Stephanie Porras | Incoming Reviews Editor of The Art Bulletin, July 2021 – June 2024
Stephanie Porras is Associate professor of Art History in the Newcomb Art Department at Tulane University, specializing in early modern art made in Northern Europe and across the Spanish world. Author of Pieter Bruegel’s Historical Imagination (Pennsylvania State University Press, 2016) and Northern Renaissance Art: Courts, Commerce, Devotion (Laurence King, 2018), Porras has also published widely on topics ranging from Albrecht Dürer’s drawings to Hispano-Philippine ivories. Her current book project, The First Viral Images considers the mobility of early modern artworks and their role in processes of globalization, and has been supported by fellowships at the New York Public Library, the Sterling and Francine Clark Art Institute, and the Center for Advanced Study in the Visual Arts at the National Gallery of Art.
New in caa.reviews
posted by CAA — September 25, 2020
Maline Werness-Rude writes about Matthew Looper’s The Beast Between: Deer in Maya Art and Culture, exploring the symbolism and significance of this creature throughout Maya history and mythology. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — September 11, 2020
Martha Scott Burton considers Among Others: Blackness at MoMA, edited by Darby English and Charlotte Barat, about the museum’s history of representation and inclusivity. Read the full review at caa.reviews.
Peter D. McDonald examines a unique creative practice through Asemic: The Art of Writing by Peter Schwenger. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — September 04, 2020
Theresa Avila explores a revolutionary figure’s impact in Simón Bolívar: Travels and Transformations of a Cultural Icon, edited by Maureen G. Shanahan and Ana María Reyes. Read the full review at caa.reviews.
Heather Diack writes about an emblematic German artist in Schizogenesis: The Art of Rosemarie Trockel by Katherine Guinness. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — August 21, 2020
“What Do We Know about the Future of Art History?”: Nancy Um mines sixty years of CAA’s dissertation data to examine the field’s past and potential future. Read the full essay at caa.reviews.
Cynthia Fowler reviews the traveling exhibition Hearts of Our People: Native Women Artists, curated by Jill Ahlberg Yohe and Teri Greeves. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — August 07, 2020
Dina Ramadan writes about the exhibition Taking Shape: Abstraction from the Arab World, 1950s–1980s. Read the full review at caa.reviews.
Yin Ning Kwok reviews Bauhaus Women: A Global Perspective by Elizabeth Otto and Patrick Rössler. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — July 24, 2020
David Haberstich considers the exhibition catalog Working Together: Louis Draper and the Kamoinge Workshop by Sarah L. Eckhardt. Read the full review at caa.reviews.
Laurence Schmidlin discusses Christina Weyl’s The Women of Atelier 17: Modernist Printmaking in Midcentury New York. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — July 03, 2020
Valerie Gonzalez reviews Building the Caliphate: Construction, Destruction, and Sectarian Identity in Early Fatimid Architecture by Jennifer A. Pruitt. Read the full review at caa.reviews.
Francesca Balboni virtually explores the Amon Carter Museum exhibition The Perilous Texas Adventures of Mark Dion. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — June 26, 2020
Lihong Liu writes about Mount Wutai: Visions of a Sacred Buddhist Mountain by Wen-shing Chou. Read the full review at caa.reviews.
Alexander Nagel considers the Metropolitan Museum of Art exhibition The World between Empires: Art and Identity in the Ancient Middle East. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — June 12, 2020
Komozi Woodard reviews The Black Arts Movement and the Black Panther Party in American Visual Culture by Jo-Ann Morgan. Read the full review at caa.reviews.
Imogen Hart discusses the exhibition and catalog James Tissot: Fashion & Faith, Legion of Honor, San Francisco. Read the full review at caa.reviews.